Quotes of All Topics . Occasions . Authors
So many girls out there say, "I'm not a feminist" because they think it means something angry or disgruntled or complaining or they picture, like, rioting and picketing. It is not that at all. It just simply means that you believe that women and men should have equal rights and opportunities.
My dad (Scott Swift) believed in me, even when I didn't.He always knew I could do this. I’m sure that everyone in Reading remembers how much he talked about me. I thought that was sweet, but really I just wasn’t as sure it would happen. So, I just love my dad for believing in his little girl.
If we were to sit and discuss abortion and legalizing marijuana and gay marriage and all those things, you'd be surprised where you'd see me on the side of some of that stuff. People get their opinions - as soon as you're a real flag-waving patriot, then all of a sudden you're a conservative.
It's not about having a plethora of suits, but having a few good ones. It's all about fit. The contour of your body. If your shoulders are broad, you shouldn't have shoulder pads. If you're not a big man, you shouldn't have extra space. I think it's definitely worth having it properly fitted.
Americans don't eat horses. They are not raised as food animals and they are treated with chemicals that render them unsafe for consumption. The regulations needed to change their status to "food animals" would cripple every aspect of the horse industry as we know it. Plus, it would be wrong.
There are two kinds of men. There are men who are f**king misogynist pigs and then there are men who really love women, who think they’re the most amazing people in the world. And that’s me. Maybe the reason I was promiscuous and wanted to sleep with a lot of them, is that I love them so much.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
Coming through the fire and through the storm of life with a strong man, my fiance Ashanti, whom I've been dating for eight months and two wonderful children beside me, I'm just so happy that I have been able to maintain my integrity and get to where I am today with the right energy around me.
What I like way better than LGBT in terms of labeling sexuality actually is a scheme that comes to me from my friend Animal Prufrock wherein one is identified not by what they supposedly "are" but rather by what they are into. Which brings us to the terms hemosexual, shemosexual, and mosexual.
What I'd tell any kid in high school is, 'Take business classes.' I don't care what else you're gonna do; if you're gonna do art or anything, take business classes. You can say, 'Well, I don't want to get commercial,' but if you do anything to make any money, you're doing something commercial.
We concentrate so much on anniversaries and birthdays that you forget it's the Tuesday that's tough that really counts. Sometimes she just needs some flowers or even just that ear. It's the little things that count. It's the regular days of the year that you have to keep your attention on her.
Every time I make another record and every time I get a year older, I become more and more confident in who I am and more in tune with what I want as a person. I think it's the same for anyone in any walk of life. You just grow with experience and become more confident in exploring new things.
I missed my father so much when he died that writing about his life and mine was a way of bringing him back to life and getting me to sort of understand more about him and what made him the father, the husband and the man that he was, and how that made me the man, husband and father that I am.
The rest of the songs on the album [Mortal City ] have spare arrangements on them. Steve [Miller], really loved that. He'd just come off of a project with someone who basically had to mask the fact that there were no songs there with production. He said, "Oh, my God, you have real songs here!"
I really wanna do a Spanish album. I have that Latin culture background. It's a part of me. I'm not the best Spanish speaker, but I have a longing to connect with that. I just think how supportive the Latin community has been, even during 'Idol.' I'd like to give back with something like that.
I don't really care about audio quality. If people saw some of the ways that I record stuff, they'd see I don't care in that respect. I obviously care about things sounding good, but I think quality exists through other things like emotionally connecting with a lyric or a feeling, or whatever.
In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar.
I would be on the 'anti-reality' show. I can't stand reality TV. I can tell you one that I absolutely would not be on, and that's 'Dancing With the Stars.' If you ever see me on that show, just please understand my family is starving to death, and things are really bad in the Church household.
I don't want to think too much about how I'm carving and what I'm carving - you are just carving away the excess clay and there's a piece underneath there. And it's kind of like getting out of the way. Maybe that's what the commonality is: It's getting out of the way so that the art can speak.
Pay attention to them kids, don't let your feelings be hurt because they taking your place. They supposed to. But if you wanna stay around with them, you ain't got to copy 'em. Just get the ones that's real young, too young to even be copying yet, because you know they gonna be the next thing.
I guess it's kind of the obvious thing for me to do 'cuz it's what I grew up listening to. The songs growing up and everything kind of seem like old music to them, but to me, it's just... good music. And of course I did grow up in England in the 21st Century and that does come into it as well.
What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
The auctioneer is talking for both people, and that's the big revelation about, 'Oh, that's what they're doing.' They're just doing it very fast, so you could kind of miss on that. He's speaking for you, because people in the crowd don't have a voice, so that's what really makes it compelling.
I don't want to sing songs and write songs that need to have images behind them that are of a specific time. The times we live in today - I mean, there's a lot to work with. But I think that if I was my age in 1975 or 1985, I would have felt the same way because that's what I gravitate toward.
I like cinematic art that doesn't have to include violence as the main meat of emotion. Now, excellence in cinema is based on murder, guns. Tarantino bores me. Even though he is very appealing and very facile about putting elements of pop culture into his work. But it kinds of dates it, right?
That is the true joy of being a solo artist. I can do whatever I want. I can go wherever I want. I can show up with my guitar and my song, and it can sound a hundred different ways. That's the freedom of being on your own. The flipside is: That's you on the cover. If it sucks, it's your fault.
Being on set is a hard thing. A lot of people are like, 'Oh, you get to make a movie, and it's all fun.' But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.
I don't think people really understood what I did. And you know, in my book, 'A Helluva High Note' deals with my back story, that I was a songwriter, that I spent years trying to hone my craft and being rejected and then finally becoming a successful songwriter, record executive and publisher.
I love Twitter! At first I made fun of it, because it is very narcissistic, and there's already so much narcissism flowing in this industry, I was like, 'Really, one more?' So I was against it at first. But I really love the idea of the direct connection - there's no middle man muddling it up.
My parents' concern has been one of my greatest assets - I needed something to kick against. If they'd supported me every step of the way I might not have had enough fire in my belly to get where I have. Then I think: was this whole thing reverse psychology, did you really go to those lengths?
I knew that there was an underlying thing there that I was never really able to come face to face with. There's a part of me that wants to always protect myself because of what I had gone through. But I learned that you have to let people in. Going to the therapist kind of helped me with that.
Theres a tremendous amount of work building the apparatus, getting the experiment to work. But sitting there late at night in the lab, and knowing light is going at bicycle speed, and that nobody in the history of mankind has ever been here before - that is mind-boggling. Its worth everything.
As soon as anybody does one of my songs, I rejoice. This particular case of all these great singers doing my work - the implications are very rich and the temptation to think of the outcome of these masses of the mainstream injecting my work into the marketplace, it's a very sweet speculation.
She used to drive me to clubs for engagements and when I was 16 I got a job presenting a TV show in Newcastle. My mum didn't really like driving, but she carried on. Once I remember we got stuck in a snow storm, but she carried on to get me there in time. She was an amazing, incredible person.
My mother used to paper pictures from movie magazines on the wall of her bedroom. When I was born, she looked at those pictures to decide on a name for me. Claudette Colbert's picture was up there and so was Loretta Young's. She decided Loretta was the prettiest name, so I was named after her.
I was in the orphanage in New Orleans until I was almost a year old. I don't think I ever got held by my mama, so that was completely and utterly traumatic. I think it was trauma from the first breath, and I think I've spent my whole life trying to heal from that trauma. So it shaped my brain.
To me music is music. A person of faith, a person that calls themselves a Christian, they are the Christian and they make music. Some music has more to do about God than other music, but in reality what makes the difference between "secular" and "Christian" music is simply a marketing channel.
Wherever you go - in every country, or in every continent, people yearn and hunger for only one thing, to love and be loved. Love transcends international boundaries and heals the wounds of hatred, racial, prejudice, bigotry and ignorance. It is the ultimate truth at the heart of all creation.
I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
That's our job as artists is to be honest about what we're feeling. And what we're feeling is not always going to be perfect. Sometimes it's going to be controversial. Sometimes it's going to piss a couple of people off. Sometimes it's going to motivate people. Sometimes it's going to inspire.
People have often asked me, do I want to be the next Oprah - there is no such thing. Oprah is Oprah, and she's still being Oprah if anybody hasn't noticed... what I bring to TV is myself... I really think there's space in daytime TV for a whole bunch of fun, some amazing music, and some heart.
People can say whatever they want about you without knowing the facts. They can criticize you without even knowing you, and hate you when they don't even know you. All of a sudden, you're, like, the bin Laden of America. Osama bin Laden is the only one who knows exactly what I'm going through.
I like taking different elements - clothes, shoes, lighting - and creating a total transformation. But it's never about hiding: it's about drawing something out from deep inside of me that's really true. I'm always trying really hard to tell you the truth. That's what this is all about for me.
I believe that if each one of us have successful solo careers, it can only help the group's growth. It will allow the fans to see individual talent and make them appreciate us more. After all, we are in this for the long run and have every intention of returning with another album as Aventura.
For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"
I set up this little office space with a piano in it and I thought that would be quite a novel way of writing the album, to make it like a job - a romanticised version of the 9 to 5. I think that was probably my favourite time. I made sure I walked there every day, which took me about an hour.
I don't find most people to be as politically engaged as I am. I do find people that appreciate eye-opening events and words, and who want to learn more about what's going on. I do find people with a lot of opinions. And I get a lot of people who come up to me and give us props for what we do.
I feel like everyone has a preference. You have women who don't like shorter guys. You have women who like taller guys. You have women who like heavier men. You have women who like smaller men. It's the same thing with men. You have men who prefer lighter women and men who prefer darker women.
Everybody, every tradesman that worked for Shafin or built my house got fully paid, well paid. Everybody got paid. I would like that to be said if I could because I haven't said it before, and it's important. People kind of think we left all these plumbers or electricians without getting paid.
If it weren't for Criminal Records, Wax-n-facts and other indie record stores I could have only sold my CD's at my shows and by mail order as an independent artist. The greatest stores that have character and include a much wider range of music of music are all independent, mom and pop stores.