Quotes of All Topics . Occasions . Authors
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
I have learned to write about things that are personal without objectifying anybody or anything, and that's been an important lesson for me. It's useful not to dump on people while simultaneously expressing a truth or a feeling if it's necessary, without diluting the intensity of the lyric.
Light inspires me. I'm drawn to architecture, often graves, statues, trees - things usually that are quite still. I've been taking pictures continuously since 1995 until the end of Polaroid film. I'm taking very few pictures nowadays because I have very little film left, most of it expired.
I met this wonderful guy who owned an old pub near the Eiffel Tower called Malone's (he's French but it's an Irish name). He had a cellar with a piano and told me I could use it whenever I wanted to. I played lots of gigs down there. When I came back I played a show at the Knitting Factory.
With Leighton Smith in charge, we've got a Navy admiral running a predominantly land campaign - the first ever in NATO's 47-year history. ... As the U.S. continues to withdraw from overseas bases, Naval Forces will become even more relevant in meeting American forward presence requirements.
Forgiveness is the most important thing. We all have to forgive what was done to us - the Irish people have to forgive. The African people. The Jewish people. We all have to forgive and understand the only way to stop the cycle of hate and abuse is not to allow yourself to get caught in it.
What people don't understand is when punk started it was so innocent and not aware of being looked at or being a phenomenon and that's what everyone gets wrong. You can't consciously create something that's important, it's a combination of chemistry, conditions, the environment, everything.
Every generation has had some sort of focus for their unrest and discomfort with growing up. But today, the music that's in the charts is probably liked by their parents as well, and I think it's a part of youth that you need something that isn't liked or understood by the older generation.
When I go to Africa and spend more time there with people who are the least of the least, those in desperate situations, I am broken by it. But I also find people with so much more joy and freedom living with nothing than I see walking down the streets of my own community here in Tennessee.
In Belgium, we know the U.S. culture through the television, but it's not the truth. It's interesting to see that Philadelphia is really industrial. I love industrial cities. Everybody hates them, but I think they're the best places to be creative. The more gritty it is, the more I love it.
I don't think I'm inherently feminist. I think the universe wants me to be feminist, and I think I resonate with that. I think it just chose me to be this female energy... thing. And I'm very drawn to female energy, but I don't really have any prerequisites in feminism. I just roll with it.
It feels kinda weird being back in a high school cause I haven't been in a high school for about a year. So um, it's kinda interesting coming back, and y'know seeing the lockers, with all the signs, the handmade signs, so being in high school again is a little bit strange but in a good way.
My life has shifted to different levels financially, in terms of fame as a result of being blessed enough to be able to share my music with the world, and what that has done for me. Despite all of that, I always want people to listen to my music and be able to relate to it as well as to me.
[Rock 'n' roll] music started out with some cat banging a log with a couple of pieces of stick. He sent a message across a river and although the cat on the other side receiving the message didn't know the exact words, he did understand basically something about what was being communicated.
At the same time, you don't want to be blindsided at some point because you've taken too much comfort from knowing nothing. So you try to keep a little store of practical knowledge. At a certain point you have to pretend that something is true in order to have a relationship with the world.
Biodiesel seems to be the answer to a lot of our prayers. Not only can it help the U.S. economy, our unwanted dependence on foreign oil, and the gasping environment, it could also help the family farmers out of this tragic dilemma they have found themselves in through no fault of their own.
All the decent people, male and female, are feminists. The only people who are not feminists are those who believe that women are inherently inferior or undeserving of the respect and opportunity afforded men. Either you are a feminist or you are a misogynist. There is no box marked "other."
My parents split up when I was young, and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.
The moral immune system of this country has been weakened and attacked, and the AIDS virus is the perfect metaphor for it. The malignant neglect of the last twelve years has led to breakdown of our country's immune system, environmentally, culturally, politically, spiritually and physically.
The stockbrokers, their hair isn't long and full of leaves and stuff like that, so they don't catch your eye. They're wearing the tie-dye, so they don't stick out, but you don't see them. The ones you see are the ones with the leaves in their hair, the matted hair and all that kind of stuff.
For some reason I can articulate my feelings better in song. I wish it would come out better in regular life too though. The issue is that I struggle with is that I'm worried about what people think, or how they'll react to whatever it is I have to say, and obviously that's not a good thing.
I started writing my own things when I was about 8. I used to try to bully my friends into imitating the Spice Girls on the playground. Then I realized, Oh god, my career's going nowhere, so I looked in the Yellow Pages and phoned up the first cheap studio that I found and started recording.
When 'The Road To Hell' happened, I didn't know what I was doing. Your diary fills up, and you have no objectivity. At home, you're trying your best to fit in. Sometimes I'd race from Heathrow to find myself sitting in a village hall watching my kids. It felt really weird. I didn't enjoy it.
You can only really understand good if you have bad, so the idea of heaven or anything that happens for eternity, even if it's nice, I can't imagine it being nice forever. Even the idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know.
I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.
I think I've got my business notions and my sense for that sort of thing from my dad. My dad never had a chance to go to school. He couldn't read and write. But he was so smart. He was just one of those people that could just make the most of anything and everything that he had to work with.
That's the hard thing - getting started. You get started for a long time until you finally get to this point where people call you an icon or whatever they call you. It's nice. Suddenly the audience is with you more and they help you along and it's not so much that you have to do everything.
When I first played '1234' it was on stage in San Francisco at some kind of, like, sticky-floored club. And it felt like a punk song. I mean it's ridiculous to say that now, but it had that kind of, like, piercing straight melody. And then this fist-pumping ending, you know that pa-dap-pada.
I feel lucky and blessed that I got away with the things that I did do. But there's got to be an easier way to do that. I guess people have to go through whatever their time requires them to go through and if they can see it as inspiration, you know, fine. But I'm not taking no blame for it.
I finish a lot of lyrics while I'm in the water and it's always pretty constructive for me to get out in the water. I'm not actually writing the words down, but I have time to think about words, and doing a lot of surfing usually gives me a little space and peace of mind to finish things up.
Amy Winehouse: Did she invent white soul? Wearing a beehive? No. But she did something brand new and fresh, altogether as a package, and you see who's in her wake, from the Duffys to the Lana Del Reys. Adele selling 20 million records? That would not have happened if Amy Winehouse was alive.
Acceptable food rots while we are chased from bins behind restaurants, chased from sleeping on the street, chased from relieving ourselves unless we pay for food or gas, until finally we are so hungry, sleepless, smelly, constipated and beaten-down that we simply die of lack of will to live.
My mother had a great vinyl collection, and she was constantly playing female singer-songwriters. I first learned about classic song structures by listening to them, and Laura Nyro particularly stood out. Her voice was outside what you'd usually hear on the radio; that really appealed to me.
I want love to be simple. I want to trust without thinking. I want to be generous with my affection and patience and love unconditionally. It is easier to love a person with their flaws than to weed through them. I want to love the whole person, not parts; and this is how I want to be loved.
I was turning 20 during my first record. Those decade birthdays always kind of cause me, it seems, to reflect, look back, and then look forward. I just was closing this period of my life where I was living in a car and scrambling my whole life to then signing a six-record deal with Atlantic.
Being on set is a hard thing. A lot of people are like, oh, you get to make a movie, and it's all fun. But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.
I think I've changed more as a person and, as I change as a person, there is new added creativity. I've seen more... I've met more people, done more things with dogs, and walked on more beaches since the beginning. The more I see, the more I wanna do; and the more I do, the more I wanna see.
I would say for every successful black woman in America or in the world, really, it's difficult to be the head of the household, financially. It is for the man in your life. It can be very hard for them. And there's a delicate balance. I'm not quite sure I know what that balance is just yet.
What goes on in the world and who's defining what is right or wrong in anything? Is there a place in any of our existence where we need judgment any longer? But we should have empathy towards each other and break away from those categories that politics and religion keep throwing back at us.
I remember the first time I saw a CD, a technology guy brought one to my house and said we will be able to sell millions and millions of players, and people will have to restock their record collections. It was all about money. It was all about how much money we would make, "we" being "him."
We spent a couple of years trying to be what we thought people wanted us to be, what the press thought we should be, doing what the company wanted. Finally we just said 'Sod it. This is what we do best. We're best at making pop records that people enjoy and having fun and entertaining them.'
The thing about me is, coming from an alternative music background and singing for nine years, being basically invisible, I'm so used to writing for myself - and at the end of the day, I do it because I feel like I have to. So when I'm recording or writing, I don't have other people in mind.
And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross.
To me, the most important thing - aside from meeting people's physical needs, whether that's education, health care, clothing, food, a roof over their heads - is changing the mind-set and educating people. And most of all, most important, is empowering people and making them self-sustaining.
I always want to do music that inspires or influences another generation. You want what you create to live, be it sculpture or painting or music. Like Michelangelo, he said, “I know the creator will go, but his work survives. That is why to escape death, I attempt to bind my soul to my work.
So in 1987 I gave up all animal products and became a vegan. Simply so that I could eat and live in accordance with my beliefs that animals have their own lives, that they're entitled to their own lives and that contributing to animal suffering is something that I don't want to be a part of.
When I'm working, on stage, entertaining people, or watching someone do something amazing, it inspires me to be the best artist that I can be. I enjoy being around art - whether it be a museum, a Broadway show - or even writing a poem. Those are things that make me feel alive and inspire me.
Christmas is such a feel-good time of year, and despite what's going on, it's about love and it's about celebration and just the holidays in general. It's like, why can't we carry that through the rest of the year? Why does it have to be just now? Let's make the entire year a season of love.
I'd like to be able to get more girls to play guitar. I think with a girl playing electric guitar, sometimes it's seen a bit like a guy doing ballet. All the people I learned guitar from have been guys. There are some great female players, like Bonnie Raitt and Jennifer Batten, but very few.
When I started making music, we'd lost a lot of our great people. Rock was moving in a direction I didn't like. Rock was my generation's revolutionary, sexual, poetic, and political voice, but it had become corporatized. It was going into stadiums. It was so far removed from its basic roots.