Quotes of All Topics . Occasions . Authors
The things that have always been important: to be a good man, to try to live my life the way God would have me, to turn it over to Him that His will might be worked in my life, to do my work without looking back, to give it all I've got, and to take pride in my work as an honest performer.
I understand I'm supposed to be feminine and dainty, but I'm not. There are two sides to the coin. People are more impressed with things that I do because they almost treat you as if you're handicapped if you're a woman... people can be impressed that I can play a few chords on the guitar.
I love my complexion, but like so many of us, in the early years at primary school, I grew up thinking that my dark skin wasn't a great thing. I've found freedom in music and songwriting, which has given me a freedom in how I present myself. I'm glad I've got makeup to celebrate that with.
None of those material possessions do anything to make your life any better.... I know a lot of people who have a lot of everything, and they're absolutely the most miserable people in the world. So it won't do anything for you unless you're a happy person and can have peace with yourself.
I think kids in Europe have developed a deeper knowledge of music and of black music in particular. You go to Europe, and these kids know about all this obscure funk and soul that kids over here wouldn't know. I think it's getting better in the States, though, with the age of the Internet.
When I was trying to come up with a stage name, I thought 'Lord' was super rad, but really masculine - ever since I was a little kid, I have been really into royals and aristocracy. So to make Lord more feminine, I just put an 'e' on the end! Some people think it's religious, but it's not.
Yoga is a metaphor for life. You have to take it really slowly. You can't rush. You can't skip to the next position. You find yourself in very humiliating situations, but you can't judge yourself. You just have to breathe, and let go. It is a workout for your mind, your body and your soul.
I find myself wanting to make music at the dining room table or in the bedroom - I'm kind of a mobile writer, so I sort of move around the house. But the attic is definitely where I can make the most noise. While everyone on the lower floors screams 'Earthquake!' But no! It's just my bass!
It's tragic that extremists co-opt the notion of God, and that hipsters and artists reject spirituality out of hand. I don't have a fixed idea of God. But I feel that it's us - the messed-up, the half-crazy, the burning, the questing - that need God, a lot more than the goody-two-shoes do.
One of the central flaws in the state of contemporary music is that the major record companies have failed to incorporate that simple fact into their business plans. They've come into an industry that's based on idiosyncratic artists and tried to erase every idiosyncratic aspect out of it.
For many people, managing pain involves using prescription medicine in combination with complementary techniques like physical therapy, acupuncture, yoga and massage. I appreciate this because I truly believe medical care should address the person as a whole - their mind, body, and spirit.
I'd love to try and teach Donald Trump how to write a song. I'd love to put him in a room with another person - someone who's protesting him at the Women's March. I'd put the three of us in a room and all write a song together. If that can happen, it proves we can get over our differences.
I don't think the Palestinian people or Afghan children or some other things I'm concerned about are at the top of other people's agendas - not right now, when America is going through such a recession and people are suffering across the board financially. But I think all that will change.
I love traditional music. But in any culture around the world, there is the historic and cultural music and everything that's been passed down and passed down, and hopefully you take that, and then you take it, you know, the next distance, and then somebody else takes it the next distance.
I'll sing over some chords, searching, what does [the music] conjure up, where's the melody taking you? I deliberate over the lyrics, I really do. I'll come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. It's never been easy for me.
I'm not a really religious person, but those moments onstage feel like some sort of religious experience because no one holds back, especially 'Stay With Me' when I finish the show. It kind of turns into an anthem when I perform it live, and it feels like there's a lot of love in the room.
When your parents regulate everything you hear and everything you intake, it forces you to get creative in other ways. It sparked the writing bug and the very overactive imagination. Because I've had a lot of time by myself and a lot of time isolated from regular culture, I created my own.
I always wanted to know, and I always used to daydream, about what it would be like to stand on a really big stage and sing songs for a lot of people, songs that I had written... Daydreaming was kind of my No. 1 thing when I was little, because I didn't have much of a social life going on.
I'm the type of person that doesn't like to wait for people to do things for me, and I never want to feel stuck. Why sit around and be like, 'I wish my label would book me some studio time,' if I can just buy my own studio equipment and figure out how to run Pro Tools and record it myself?
The first time I started listening to Irish music, I had a very strong connection. Strangely enough, there's a great many Japanese melodies and vocal styles that sound very much like Hungarian music. You start seeing all these cross-references and comparative, independent musical cultures.
You've got to care about the music...You'd better not be doing it for the publicity, the fame or the money. And you'd sure better not be doing it because it's a way to make a living, 'cause that ain't always going to be easy. You got to believe it, believe in the music. You got to mean it.
I feel like there's so many voices, and it's necessary for there to be a lot of different voices because we can't all like the same art. That would just be so boring... If anybody wants to hear it, I'm here. It makes for a more interesting world for there to be more than one kind of singer.
But if you want to be a songwriter-based musician, whether you play punk or rock or country or jazz, whatever, you have to work on your songwriting and you have to work on being able to play in front of people, I think. That performance is how you create the groundwork for a lasting career.
A lot of women these days, a lot of young women don't want to call themselves feminists. You have this cheap, hideous 'girl power' sort of fad, which I think is pretty benign at best, but at worst, I think it's a way of taking the politics out of feminism and making it some kind of fashion.
I think the hymns give us a glimpse of the generations before us, and what was important to them at the time. Even though they are usually singing similiar messages that are in today's music, it is good to be reminded that the message of Christ is just as much relevant today as it was then.
My life hasn't been conventional and it hasn't been linear. I've had to make it up as I've gone along, which has taught me a lot. If you don't accept the obvious options that are laid out for you, it's up to you to work out where you're going and to create your own specific rules and goals.
When you're a creative person and you create art with other people, whether you're married to them or not, you're going to run into creative conflicts. If you're a couple, certain inhibitions and barriers are gone. I have those barriers with other people, but I don't have them with my wife.
I write my music to minister to myself. I have enough sin and enough shortcomings and enough need in my own life that I don't need to write to evangelize to the "masses." But if someone else can hear my music and relate to it with the same need that I do, then I give God the glory for that.
You don't know what inspires you. You like to think you know what inspires you, but in the final analysis I don't think you really do. It's great to look at a blank sheet of paper, you know, and walk up to an instrument and not know what's gonna happen. It's the most challenging thing I do.
Being a songwriter or a painter you're definitely facing your fears. You're facing your fears because you're speaking your truth; you're speaking from your heart. That's something that's not easy to do, you set yourself up for all sorts of criticism or vulnerability but that's why we do it.
I grew up not understanding what was true and what was not true. It gave me a sense of unreality. I was told that this man [mom's lover] was not my mother's lover - when he was. I was told he was there as a male babysitter for my brother so that he would learn sports and other manly things.
It's kind of impossible not to, especially in such a media-driven world.... But, yeah, I'll go home and one of my friends will say, "Oh my gosh, those shoes are so cute." And I'll say, "Oh, they're Christian Louboutins." And they're like, "What?" So yeah, I've definitely learned more names.
In the early days I had a very black-and-white view of everything. I think that's kind of natural for anyone who's just embraced Islam - or any religion - as a convert. It was important for me to duck out of the fast and furious life I'd been living as a pop star. I was in a different mood.
My daughter is 15. None of her friends know who the hell Chris Rea is, but they know that song - as soon as it comes on, they start singing it. I've played with everyone from Status Quo to Talk Talk, but nothing impresses them as much as the fact that I play on 'Driving Home for Christmas.'
I'm not a real gadgety person. But bottle opener is probably the gadget I can't live without. Actually, I can open a bottle of beer pretty easily without it, but wine is always too much of a pain in the (rear) to open that up. So a corkscrew is probably the gadget that I can't live without.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
I tend to write at the piano, but usually the melody and lyrics come first. Like, I'll be in the shower, and I'll start singing, and the melody and the lyric will just come out. Then I'll quickly try to finish the shower, try to remember it, record it on my phone and save it for the studio.
I don't know... I've been doing it for 17 years now, so of course I've seen pictures and thought, "Oh my god, I wish I would've never worn that." Yeah, but I did! And it was probably because it was my favorite thing at the time - my clothes always have some kind of emotion attached to them.
I always felt that everything that happened was incredibly exhilarating and massively puzzling at the same time. I can even remember, when I was six or seven, digging a hole beneath a tree. And I would go into this tomb, this cave that I had made, and would lie there, meditating, for hours.
There are some parents who always have their daughter's hair whipped. Mine wasn't always like that, but I appreciate that both my parents were into me having natural hair, so they did find Anota Scott, who I was going to for my cornrows and wrapping last year and a couple years before that.
I put my energy into writing songs. I have to carve out a living somehow doing this, and licensing is one way. It's hard to register what's "too much" for other people. I don't watch TV, so it's tough for me to gauge. I just take it as it comes, and don't put a whole lot of thought into it.
Love is when you find that thing, when you want to give more than you want to take. When you find the things that you love the most and you want to give those away, that's love. It's when you want somebody to be happier than yourself, but then once you make them happy, it makes you happier.
I don't think I've ever been true to jazz. There's always a kind of jazz element to what I do. There are a very few genres that I haven't tried out, really, in what I've been doing. As a jazz musician, you can kind of mess about with things with a certain level of musicianship, which helps.
A freshly pressed suit is a miracle when you're travelling. When your suitcase has turned all your clothes into creased rags, and you've crossed so many time zones that you can't tell a Monday from a Thursday, putting on a freshly pressed suit for breakfast is like spending a week in a spa.
I affirm that the crisis of the disc is a lure, it does not exist: the offer is intact, the increasing demand. But, each night, in the hangars of the music, the half of stock is stolen. Imagine the reaction of Renault vis-a-vis delinquents who would force the door daily to conceal the cars!
I was backstage at the House of Blues in L.A where I was about to perform, and Stevie Wonder and Prince turned up at my dressing room together! Stevie started beat boxing and Prince started singing one of my songs, all of a sudden it was like I was in a cypher with these incredible artists.
I'm going to keep it real gully with you; the first two months, I wanted to give him back. I expected someone to come and save me because after you have the baby, nobody cares about you anymore. Nobody cares if you sleep, nobody cares if you eat. It's just you and this all-consuming thingy!
My grandmother made sure that I went to church every Sunday. And she'd come over and pick us boys up, and we would go to the Nazarene church. And back then, that was about as close to heaven as I ever got, because just the time to be able to spend with her, and she was very, very religious.
Maybe there's a God above, As for me, all I've ever seemed to learn from love Is how to shoot at someone who outdrew you. Yeah but it's not a complaint that you hear tonight, It's not the laughter of someone who claims to have seen the light No it's a cold and it's a very lonely Hallelujah.
It’s a pity if someone… has to console himself for the wreck of his days with the notion that somehow his voice, his work embodies the deepest, most obscure, freshest, rawest oyster of reality in the unfathomable refrigerator of the heart’s ocean, but I am such a one, and there you have it.