Quotes of All Topics . Occasions . Authors
Our language was even taken from us. The Irish Gaelic language was outlawed and the religion was outlawed. Hence the religion later being stronger; stronger to a negative point of view. But our venge was, I mean if you listen to Irish language, it's very complicated but it's very poetic.
'Queen of Hearts' is one I'm really proud of because I worked so hard on it, and then I was told it wasn't good enough to be included on an Allman Brothers album. That directly led me to go into the studio and cut 'Laid Back,' my first solo release. So 'Queen of Hearts' is special to me.
Generally I would say that I'm not a super-adventurous shadow girl. I'm all about a lip, eyebrow, and mascara, but through the years, working with different talented makeup artists, I learned how awesome eye makeup can be if you get it right. That's how we got the colors we came up with.
We were like a white family from the 1920s or something. My parents had this bizarre, different way of looking at things from the people that surrounded us. I went to an all-Mexican grade school and an all-black high school, and not many people in those places liked the same stuff as me.
I prefer to learn everything through music. If you want divinity, the music in every human being and their love for music is pretty much it. It's the big indication of their spirituality and their ability to love and make love, or feel pain or joy, and really manifest it, really be real.
I think you're always policing yourself by trying to do what you think would be "cool" and accepted by other people, until you start to figure out who you really want to be. Growing up is an ongoing push-and-pull of you being yourself and you performing to what society expects you to be.
Obviously, Kanye and I are very different in the way we express ourselves publicly. He's so passionate... about art, about culture, about creativity. And he's really good at it. And that honesty manifests itself in ways that are not politically correct, not socially acceptable sometimes.
So I simply don't buy the concept of "Generation X" as the "lost generation." I see too many good kids out there, kids who are ready and willing to do the right thing, just as Jack was. Their distractions are greater, though. There's no more simple life with simple choices for the young.
My whole life has been traveling, so it just seems normal to me, ... I'm able to leave on a bus with eight or nine guys, and I feel really comfortable with it. I've always done it. It's heaps of fun. They're all people I get along with really well. They're all my family, my best friends.
The talk-box thing that T-Pain does is something new and different for this generation because they don't know about Zapp or Teddy Riley. I think he's creative and has made the talk-box his own in the hip-hop world, but if these young ones studied their musical history, they'd know that.
Growing up, my mom had a catering business. I used to help her pretty early on and loved doing it. My mom is an amazing cook, and she helped me cultivate a love for food. She taught me that food can be beautiful. We eat not just for survival, but we survive to eat. It's part of who I am.
I’m sure you gathered this by now: I just do what I want. Have I made out with chicks? Hell yeah. Did I think it was awesome? Hell yeah. I wouldn’t call myself bi. Like, if I didn’t eat meat for a week, it doesn’t make me a vegetarian. So I like people, and that’s just it. I like people.
One set of circumstances does not complete you. Maybe nothing ever does. So you work on your life and you work on your 'work' and you try to live every single day like it's your last. And you try to be better, to yourself and to others. I don't always succeed. But I try and it's my goal.
What I would like my legacy to be is that of a person who took good care of her family and sang some songs that made a difference in some way. I hope I'll be remembered as somebody who was always down to earth and who handled her career and other people with honesty, integrity and class.
And the dream we were conceived in will reveal a joyful face... and the world we once believed in will shine again in grace. Then why do we keep strangling life wound this Earth, crucify its soul. Though it's plain to see, this world is heavenly. We could be God's glow... Heal the world.
I believe in my heart that the music community will come together as one and rally to the aid of thousands of innocent victims, ... There is a tremendous need for relief dollars right now and through this effort each one of us can play an immediate role in helping comfort so many people.
For me the most important issue is climate change because it in some ways trumps every other issue. Everything else we care about falls by the wayside if the Greenland ice shelf falls into the sea. And if suddenly sea levels rise 21 feet, everything we hold near and dear ceases to exist.
Sammy was the only one that looked like me, so I naturally gravitated to him. Sammy made it cool to be black at a time when, let's just say it, it wasn't very cool to be black. His name was on the front of the building in lights, and he had to go in the back. But you never saw him sweat.
I love collard greens and sweet potatoes. But like, traveling, I'm always just looking for that thing where you feel like there's love in the food. Like one of the best things, in Brazil it's feijoada. I was in Tobago in the winter, and I had the best roti I've ever had, with curry goat.
When I sat down with all the songs before recording, I realised I'd written a few songs specifically about places in America - there was this song about Detroit and another about Yellowstone National Park. My dad is actually American, so I wrote another song about that side of my family.
Fear can be good when you're walking past an alley at night or when you need to check the locks on your doors before you go to bed, but it's not good when you have a goal and you're fearful of obstacles. We often get trapped by our fears, but anyone who has had success has failed before.
If you hold on to certain things that are comfortable and maybe a bad pattern for you psychologically, then you rob yourself of the experience of the next thing that happens when you do start to let go. It's only by trusting that, and by the leaps of faith, that you remember that's true.
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.
It's hard if you're just touring constantly. It's like, "What am I going to write about? I'm in the van, I'm playing another show..." I'm still writing about heartbreak that happened years ago. I don't see the point of writing and putting out another record until I can do something else.
I was also so happy to learn how to do the Djatence. Djatence is when you show your clothes off in the street - it's something between a dancing, showing off, and trying to get attention turned on you. It was a really cool experience with people who are more refined than I could imagine.
That's the thing about letting old lovers go. You don't stop loving some of them. There are a couple you love no less than you ever did. Not to mention namesbut I'm still in love with a couple. You're not going to try and make it work again, but if they needed you, you'd drop everything.
I often find myself listening to a record because a lot of people or magazines have told me it's good and I'm supposed to like it, and I try to stay in touch with what's happening and I'm also a fan of music. I find myself trying to like something that I really don't think is that great.
From the beginning, my songwriting was from writing in a journal; it was completely unfiltered. I don't know if I really meant to show everyone this side of me, but when I saw how people resonated to the things I was saying, some of the questions I was asking, I realized I was not alone.
When I listen to little fourth-dimension artifacts, they're like they were made as time capsules in the first place. You know that when you're writing the song and recording the song, you're already sending a message to the future listener, whoever and wherever and whenever that will be.
I am the person you'll see everyday training when everyone else has gone home. I live for the one moment of glory when I save that goal or sink that 3-point shot and score the winning basket. I am the sport, I am the glory, nothing can change that. I am an athlete, no one can forget that.
I was in Jacques Brel Off-Broadway for many years, so I've always been a singing actress, but the songwriting was a complete surprise. I had never written a song in my life. We were on the road with Jacques Brel doing the national tour, and I picked up a guitar one day and I wrote a song.
What I like about being independent [in the music industry] is that anybody who does play the album on the radio and anybody who does choose to write in the media does so because they want to, because they like it or because they find something interesting there, not because they have to.
No one really knows what I'm really like, and you won't unless you spend a day with me, or if you're my friend. No one ever knows what anyone is really like. Read all the interviews you want on them, it's just the media talking and you can't really get to know someone that way, obviously.
I feel like Black Milk has found his way of putting his life into his music. I feel like, lyrically, he is a beast; a lot of people sleep on Black Milk. Black Milk is a monster. He from church. He from the street. He get down how I get down. He's a soulful cat, and I love how he get down.
I guess if you have an original take on life, or something about you is original, you don't have to study people who came before you. You don't have to mimic anybody. You just have a gut feeling inside, an instinct that tells you what's right for you, and you can't do it in any other way.
I feel like there's a lot of beauty in the darkness of 'Narrow Stairs,' but that's not really a place I'm ready to go to for a while. I'm interested in taking a different approach and having the next record be different in tone - I'm just not interested in making another dark, dark album.
We were a small group of weirdos and baby punks and gays and free spirits who had to use our imaginations a lot. We only saw pictures and read zines, so we could only interpret the aesthetic and message of punk scenes around the world. We were basically the duck-billed platypuses of punk.
In music, you can use metaphors with ease - if a person doesn't understand the parable, they can still enjoy the melody of the music. If, however, a person reads a book and misses the meaning of its metaphors, this will be extremely disheartening for both the reader as well as the author.
I had a long, long time to make 'Rubberband,' and I originally thought that that record would last two years. Once I got over realizing that that's not gonna happen, and sort of got my perspective back, I realized, 'Man I'm really fortunate. I get to write music, make music for a living.'
There isn't an amount of money you could offer me to do reality TV. I would rather get my job back on the building site. Or I could own a construction business. Maybe I could retire to my house in Long Island and take up painting, like Captain Beefheart. A crazy recluse: I like that idea.
You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.
Well, on tour I eat terribly, so I balance that by running a lot. And then I started to run with my fans in certain cities. It sounds very nerdy and un-rock n' roll, but I like it. It's fun, and it's better than meeting fans in weird, awkward circumstances. So I take them running with me.
I remember when I signed with Kedar Entertainment through Universal Records. It was my first record deal and it's the one I still have now. At that time, there had been a couple of opportunities I was almost given, but at the last minute the giver came back and told me it couldn't happen.
I'm part of a speech therapy programme called the McGuire Programme. It teaches you a new way to breathe, a new way to speak, a brand new way of tackling the mind-sets that come with having a speech impediment. Mainly, it teaches you how to slow things down, and that has really helped me.
There are a lot of classic Goapele tracks that are obviously me. And I'm also just trying to keep evolving and grow as an artist. I've always had a wish list of producers I wanted to work with. I just wait until the feeling is mutual and go into the studio to see what we can come up with.
You see, she was gonna be an actress and I was gonna learn to fly. She took off to find the footlights, and I took off for the sky. And here, she's acting happy, inside her handsome home. And me, I'm flying in my taxi, taking tips, and getting stoned. I go flying so high, when I'm stoned.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
I played the cello from when I was ten, and then I bought a guitar from the father of some friends of mine and played that for a while. And then when I was fourteen or so, I bought a guitar - a real nice one - in Durham, North Carolina, that I worked with up until I was about twenty-five.
In my early shows, I wanted to put myself through a new childhood, disintegrating my whole identity to let the real one emerge. I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing.