Quotes of All Topics . Occasions . Authors
Comics are a dying art. If you ask a little kid to choose between a video game with insane graphics or comic books... you have to compete with cable, satellite TV with its thousands of channels, and with video games that are like movies, with CGI explosions where you can blow up worlds.
[My first children's book] is very subliminal, let's put it that way. It even has a bit of a metaphysical little message in there [about how] we're all somehow connected and we all have a responsibility toward each other. Although you may feel alone in the world, you definitely are not.
My hair story has been unique because my mom's a German Jew, so her hair is way different than my hair. She was always learning on my hair growing up, but I would sit there for hours, and she did learn how to braid hair. Early on, it was a lot of tears while my mom was braiding my hair.
Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
People stand themselves next to the righteous They believe the things they say are true They speak in terms of what divides us To justify the violence they do But it is one, it is one One world spinning 'round the sun Wherever it is you call home Whatever country you come from It is one
In my bachelor days, I had a small upright piano in my kitchen. It cost £10 from eBay plus £70 delivery. It was because I'd seen an old photo of Tom Waits - with dirty dishes, empty bottles, a hot plate, a coffee machine and a piano strewn with lyric sheets - and fallen in love with it.
When you come from desperate poverty, and that's exactly what I come from, you know that nonsenses are not to be tolerated. I'm not sure who gains from chaos, but I know it's not the poor folks in the council flats. The politics of vindictiveness is never, ever anything like a solution.
I always knew Gordon Lightfoot was a really great songwriter, but his stuff even sounds better and better all the time. It's just so really good to me. It's just like that's what should be in a dictionary, you know, next to a really good contempory folk song, is a Gordon Lightfoot song.
Kate Moss. She looks good in anything. She would look good in one of your t-shirts, in her t-shirt, in a man's suit, in a huge gown. She looks amazing naked. She even makes nude look stylish. That, to me, is a style icon. She could put a barrel on and it would be some sort of statement.
That's something I learned from both my stepdad and my grandfather - that there is a thing called chivalry, and it doesn't have to die with the birth of the Internet. The way I see it, if you're asking a girl out on a date, it's only right to do it in a way that she can hear your voice.
There are certain songs that are sacred. People want to hear them just as they are in their head; they don't want you messing around with them. And then there are some other songs, if they've been around a long time in our set list, that I think we can take some creative liberties with.
I'd lost my family to my years of failing as a songwriter. All I had were bills, child support, and grief. And I was about to get fired. It looked like I'd trashed my act. But there was something liberating about it. By not having to live up to people's expectations, I was somehow free.
In Montreal spring is like an autopsy. Everyone wants to see the inside of the frozen mammoth. Girls rip off their sleeves and the flesh is sweet and white, like wood under green bark. From the streets a sexual manifesto rises like an inflating tire, “the winter has not killed us again!
Just don't let the hype of what people are saying and how much they love you, y'know, just take the compliment and be thankful that people are complimenting you, but don't let it consume you; don't let your circumstances around you and the way people view you make you act a certain way.
I moved cities for about four months to try to provoke some inspiration and put myself in an uncomfortable situation where I would be meeting new people and have a change in locale. I look back at my career and one of my favorite records I ever made was right after I moved to Nashville.
When I drink a Glass of water, it's thick and crawling with life. My mouth leads to the interior of my body - a caldron of disease, germs, and perversions of biology. I don't exist individually. I'm made of millions of living creatures, eating each other, decomposing, eating each other.
I could never release something on the label I didn't personally love. The label's really an extension of my own musical career, and I'm intensely involved with every aspect personally, so it'd be a betrayal to myself if I released something simply because I thought it would make money.
Pierre Bordieu was right: "The all powerful is he who does not wait but makes others wait. Absolute power is the power to make oneself unpredictable and deny other people any reasonable anticipation, to place them in total uncertainty by offering no scope for their capacity to predict."
I stopped drinking and realised New York still has a lot of charm, but it has become so bourgeois and affluent - and I can't really complain because I'm sort of bourgeois and affluent myself, but I like living in a place where artists and musicians and writers can actually pay the rent.
The only ones that stand out to me are people like Jonathan Richman or Robyn Hitchcock, who can make you totally cry while their music is so funny and they're hilarious. They know they're great but they also don't think they're better than you and they really invite you into their show.
I think I've always been slightly addicted to not repeating myself. When you're doing something the first time around, it's often the best time. I think 'Blank Project' is about carrying on. Its that thing where you're making something because you have to, but you don't know how or why.
I think I have become a very strong person. If you’re able to grow up in Nigeria and go through certain things, you’re able to tackle anything around the world because you’re able to live wherever, if you can survive in a city like Lagos or Warri or Niger Delta, as far as I’m concerned.
The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.
When you have girl children, they torture you! If at any moment of the day I ever think I'm remotely cool at all, which is hardly ever, I have two daughters who make sure that never happens. They say, 'Mom, you didn't really wear that?' And I say, 'Yes, and pretty much everyone saw it.'
We come from a generation where the music was very innovative, a lot of it coming out of blues and influenced by blues: the idea was that you would jam on things, and you'd try things out. You took a journey, and you took a left turn, and you experimented live right there in the moment.
I'm not a camp, throwaway queen; I'm not in Neverland. I'm not Jennifer Lopez with three people to pluck my eyebrows. I've made myself what I want to be - not everybody's cup of tea. And people wanna have a look at me. I fully accept that. People have always wanted to have a look at me.
Biggie was a lyrical genius: he was a musical painter with words. As he rapped, you would see the picture come to life as you heard his story. You hear a lot of rappers rap; you hear a lot of singers sing, but you don't see the movie in your head the way you do when you hear Biggie rap.
I think the way you prevent your man from cheating on you is to just have a good understanding about who he is first. If you know that the guy you're with is a player and he's already kind of living the life, you know what you're getting yourself into. You have to be real with yourself.
I have struggled with perfectionism and I think it's a really damaging thing in my own life. When we put that perfectionism on someone else, it just hurts relationships whereas grace and trusting someone else's heart is a really, really incredible and important part of any relationship.
The religion I have is music. Even the times I have headaches, when I'm singing, I can't feel them. My dad used to say that, too, especially near the end of his life. He would be in pain - a lot of pain - and he said the only time when he didn't feel pain was when he performed and sang.
The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.
I get a lot of 'Oh, you've been gone.' I wasn't gone. Just because you didn't see me doesn't mean I wasn't working and collecting checks. I just wasn't singing and doing videos. I do a lot of other things, like I said, like writing scripts and stuff like that. I write for other artists.
Through the years I've accumulated this big bag of songs. When I go out I do close to two hours, and it's all just attitude - and up-tempo. I've accumulated so many of those types of songs now that the show just gets off with a bang, and I'll only do two or three ballads the whole show.
Playing live is very exhausting, which is partly why I feel so tired today. But I've always wanted to live like that. I'd rather feel the experience than to be sort of feeling something in between and dull and numb. I love feeling the highs and the lows, it makes life far more exciting.
Now its raining its pouring the old man is snoring now I lay me down to sleep I hear the sirens in the street all my dreams are made of chrome I have no way to get back home I’d rather die before I wake like Marilyn Monroe and throw my dreams out in the street and the rain make ‘em grow
[Jean-Paul] Sartre was a throwback to the existential period. I'm not really so much into that these days. I went through a period of going over things and looking at them again to see what they were. But I'm into psychiatry type things. I'm into philosophy. I'm into that sort of thing.
When all the dark clouds roll away And the sun begins to shine I see my freedom from across the way And it comes right in on time Well it shines so bright and it gives so much light And it comes from the sky above Makes me feel so free makes me feel like me And lights my life with love.
My dad always had music playing around us and he was always a happy chirpy man with a beautiful voice. I was always singing around the house and I assumed that's what all families did. It wasn't until I went through that nasty teenage stage that I started to realise that wasn't the case.
I think, probably when I was 15 or so, I was going through a really hard time with my family, and I just felt really helpless - I didn't know how to put anything I was feeling into words, and I was really confused, and I felt like nobody would hear me, but I didn't even know what to say.
To be a great artist, you need to know yourself as best as you possibly can. I live my life and delve into my own psyche. It's more about exploring how I feel rather than making pale imitations of something that came before. We are unique beings, and the way we look at things is our own.
I've never had a very quiet voice. I tried in choir to make it smaller, and it just didn't work out. And I listened to a lot of soul music when I was growing up on my own accord. But I was mostly into Mama Cass and Gladys Knight, and they all had big voices too; just different than mine.
I was scared of the Bible - it seemed whenever I read it I got bad luck. Then I befriended a couple of Jesus's disciples and I used to show them modern life - how to run the hot and cold taps and things like that. They seemed alright but it didn't change my feelings about the Bible jinx.
For me, romance is only 'true' when there are two sides to it. I think to have true romance you have to have the moments where you feel alone and you're crying and you feel like your heart's about to break... as well as the moments where you're floating through this orgasmic dream state.
I like doing 25-minute intervals on the treadmill. I go back and forth with running and fast walking and keep changing the incline to high and low. Then I do 15 minutes of lifting light weights and all different kinds of sit-ups, squats, and stretches. I do this routine four days a week.
I drug your ghost across the country, and we plotted out my death. Every city and memory we whispered "Here is where you rest." Well I was determined in Chicago but I dug my teeth into my knees And I settled for a telephone, sang into your machine: "You are my sunshine, my only sunshine.
A great writer named Neal Stephenson said that America does four things better than any other country in the world: rock music, movies, software and high-speed pizza delivery. All of these are sacred American art forms. Let's return to our purity and our idealism while we have this shot.
When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
Flipping through the 'Toronto Star' one day in 2008, I noticed a piece about a phenomenal boxer from the Philippines who had won several different titles in several different weight divisions. Manny Pacquiao's rise from heart-crushing poverty to the top ranks of his sport was astounding.
In 'Kill Rock n' Roll,' the choruses came about at the moment I was listening to a lot of the Supremes, and if you listen to that part, you can hear a melody and a harmony there that's not too far away from what the Supremes would probably be doing, but there's heavy guitars in the back.
I had so much fun developing and launching my first fragrance with Avon, so for my second fragrance, I really wanted to add a little more edge. Outspoken Intense is a provocative blend of sexy confidence and daring femininity that captures the thrill and excitement of being centre stage.