Quotes of All Topics . Occasions . Authors
At the risk of sounding pedestrian, I'll be completely honest: the first thing I do in the morning is check Google News, partially because it seems sort of random and unbiased and partially because I tend to stay in hotels that don't necessarily have the fastest Internet connections.
I love Thich Nhat Hahn. One of my favorite quotes of his (and I’m paraphrasing), he’s talking about cultivating happiness, and he was saying, at the very least, just be happy you’re not at the dentist right now. He was talking to someone who was having a really hard time finding joy.
Nothing had been attempted like that, to lift Dad's voice, literally, off of that track and put it on a brand-new one, and then line it up, match it up, get the phrasing right. I remember listening - everyone listening at the end, and we were just enthralled. It was really wonderful.
There's no first impressions anymore. You go to a job interview, and they'll probably Google you. It's a shame - people should play it a little closer to the chest as far as what information they release to the world. If I'm angry about something, I'm not going to take to my Twitter.
I'm certain, as we filled down the great staircase, that I appeared the same as ever, a moping twelve years-old, all arms and legs. But secretly I knew I had been transformed, moved by the revelation that human beings create art, that to be an artist was to see what others could not.
I've been influenced by so many great people , like Sam Moore, Wilson Pickett, Otis Redding, John Lee Hooker, B.B. King, so many great blues and soul artists that I completely revere. So it's strange for me, actually, to hear somebody say, 'Oh, I was deeply influenced by your music.'
Oh yeah In France a skinny man Died of a big disease with a little name By chance his girlfriend came across a needle And soon she did the same At home there are seventeen-year-old boys And their idea of fun Is being in a gang called The Disciples High on crack, totin' a machine gun.
To conceive music, to execute it in front of others, to make it so others can do it...it can be pretty humbling, and kind of scary. So yeah, I don't really feel in competition with anybody. Not because I feel elitist, but because I have enough self-competition. I'm always struggling.
Success was one of my weakest points. I was so ill-prepared for it. I never appreciated within myself the gift of success. I never accepted it. People gave me so much momentum and love, and people really got my music, but I didn't accept it. That's probably one of my biggest regrets.
It isn't hard to be an artist and do your money thing. It's much harder to wake up in the middle of the night knowing that you're being ripped off and starting to get this feeling in your stomach almost bordering on bitterness toward people who are saying one thing and doing another.
I think it's about the feeling more than a language. And I think that we and every culture in the world has to keep their own language just to bring something else, something different, and show a different vision of the world, actually. And that's why I'm trying to keep my language.
There's nothing cutting edge about what I'm trying to do. I'm not creating a new sound. I'm not like Bjork, who's an alien from another world. I'm of the earth. You could extract any measure of music out of anything I've ever done and you could find its affiliations in music history.
I worked hard at that through most of the '80s, and in 1990 my house burned in New Hampshire, and my studios and my offices. I had to decide at what level to rebuild, and I decided that I was going to stop trying to be all things to all people, and just go back to playing the guitar.
Songs really are like a form of time travel because they really have moved forward in a bubble. Everyone who's connected with it, the studio's gone, the musicians are gone, and the only thing that's left is this recording which was only about a three-minute period maybe 70 years ago.
I don't want to sit on the sidelines and not value the gift of being here. Instead of the idea of time ticking away, the grains of sand running out, I try to think of time as giving me another grain of sand, another gift. So time passing is an accumulation, rather than a diminishing.
Maybe it's naive to say, but it almost seems like, in the past, people tried to sell you something you would actually need, like a hammer or a broom or a toothbrush. But now there's this notion that they can sell you anything. And all they have to do is convince you that you need it.
I'll name check Radiohead on this--they've done a pretty suave marketing plan on this new record. I think generally it's been a pretty cool thing, but what they've done is used those (sales) numbers in a way that they can spin them anyway they want cause you don't know what they are.
I enjoy fashion and taking the effort to present myself well, and I'm glad that a lot of people refer to me as a 'Hijabster'. I'm not the greatest fan of the term, but I think girls everywhere should be confident in their own skin and be inspired to look and feel good inside and out.
In five years' time I'd like to be a mum. I want to settle down and have a family, definitely sooner rather than later. I'd like to have finished my second album too, maybe even my third. I'd like a sound that sticks around that other people are inspired by and that people know is me.
Would I show my body off if I was thinner? Probably not, because my body is mine. I think I remind everyone of themselves. I'm not saying everyone is my size, but it's relatable because I'm not perfect, and I think a lot of people are portrayed as perfect, unreachable and untouchable.
That's a big part of my life - doing things that I'm not prepared to do. Doing things that I don't know how to do, and keep doing them until I get good at them. I always try to put myself out of my comfort zone and out of my depth, and hopefully somewhere along the line I'll catch up.
Everyone knows that in the early stages of a relationship, some alcohol can help lead to lowering inhibitions, calming some nerves and encouraging fearlessness. And sometimes that helps you meet someone or get with a partner you normally wouldn't have, so it can be good in that sense.
I had my whole life to write a bunch of crappy songs and then play them in front of people and think, 'All right, that one out of these seven is really good; it's a keeper.' But on this second album, to be honest, I probably wrote about 50 songs where I was just trying to write a hit.
What we all have to admit to is that one man cannot save us. Unless we start energizing ourselves, all standing behind him with all of the force of our collective power then we can't expect mountains to be moved. And that is not exactly happening, we are a very comfortable population.
Girls are taught to sing high and pretty, like Antony, not low and from the guts like Nina Simone. But we're slowly trying to change that. There are so many things we're not told growing up, and it's our true feminist responsibility to take the truth to the people who need to hear it.
The friendship I had with Elvis began to take shape in 1968 when I was recording in Memphis. I'd record during the day, and Elvis would send one of his guys over to bring me to Graceland at night. Everything you've heard about Graceland during Elvis's glory days is true and then some.
I had fans, and the industry and everybody saying, 'Keep the Righteous Brothers going; keep the music alive,' and I really didn't want to do that. I had sung with a couple of guys who would supposedly be really good Bobby Hatfields, and I thought, 'Oh geez, it's really anti-climatic.'
I control my life and I have never let success run away with me - I've taken it and ran. And the only thing that could threaten my stability is me - I'm my only threat and my own worst enemy. Beyond that, I don't feel successful. I'm nowhere near where I plan to be as far as my goals.
Once I re-approached music I had to do it in a way that wasn't so personal for me to feel comfortable releasing it into the world. Well, of course some of them are, but I would never talk in an interview about exactly what a song is about. I like to keep my music and my life separate.
I don't hold anything against Barack Obama. I just think the system is so corrupt, it doesn't matter how well-intentioned someone is, as I believe he was and is. At the end of the day, I think it just comes down to money. This is all about class warfare. All of our political problems.
I believe that you should not be just raised on what the music is right then. You should be raised on what is from your past, what your parents have grown up with, because it's a really big piece of your culture that you need to know about, and I'm glad my mother has done that for me.
Kitty Wells was the first and only Queen of Country Music, no matter what they call the rest of us. She was a great inspiration to me as well as every other female singer in the country music business. In addition to being a wonderful asset to country music, she was a wonderful woman.
It was never a conscious decision - I was introducing myself as Duffy and my friends were calling me Duffy, so I just knocked off the first half of my name. For me it's no big deal, but a lot of people want to unearth why I've called myself this. It's just what I'm known as, you know.
The performing part of it, that's what I live for. I've always told people that's what I was born for. I believe, with the proper things around me, and everything I need as a performer; band, and all that kind of stuff, I still feel to this day there's no one that can touch me. Still.
I thought it would be lovely to use [pet bulldog] Noelle as an example to teach the importance of being who you are. For me it's important to inspire children in a positive way, and at times they understand more messages through entertainment than when one is talking to them directly.
People might think you can turn creativity on and off, but it's not like that. It just kind of comes out. A mash up of all these things you collect in your mind. You never know when it's gonna happen, but when it does ... it's like magic. It's just that simple and it's just that hard.
I came up from growing up with a lot of Catholic guilt, a lot of punk rock, hipster guilt in the later years where I think people have thrown a lot of things on me. Where I always felt like I'm not supposed to tell the horn section what to play or I don't want to come off egotistical.
Vinyl survived, we managed not to kill it. Knowing that you’ve taken part in this fight... You can’t imagine the happiness it brings. Every time I see a kid going out of the store with a vinyl record under the arms, my heart beats faster. Music should only be this. An intense emotion.
Anybody who has a career is going to have to deal with a rumor in their time, or something that usually isn't true. I have a great team behind me and a family that supports me. I just care too much about my career. I have been working too long to let it slip away for something stupid.
I tried a couple of pop writers - none of the big, big, big ones - but it didn't work for me. I do have a commercial voice; I'm not quirky. I'm very normal and that's probably why I like people like Barbra Streisand and Whitney Houston. It's no-nonsense. They sing well, and that's it.
Music does bring people together. It allows us to experience the same emotions. People everywhere are the same in heart and spirit. No matter what language we speak, what color we are, the form of our politics or the expression of our love and our faith, music proves: We are the same.
I wrote the song "Show Me" as a prayer to God asking simple, honest questions about life and death and why there is so much suffering in the world. As I grew with the song I realized I shouldn't limit these questions solely to God; I should ask those questions of others and of myself.
As a politician, you have to deal with someone wanting you to fail every day. I think I prefer being in a situation where generally people are rooting for me, and if they aren't rooting for me, they aren't out there to see my downfall. I respect the people who have the stomach for it.
As far as friendships go, things change even without the fame. People start moving on. I have a few friends that are married and are starting to have kids and I'm like, 'Oh my goodness gracious - that's so insane.' I also have friends who are just doing their own thing, which is cool.
Acting was definitely half of what I loved about storytelling and about theater. So, when I get a chance to do a cameo in a show or do a movie, it's a lot of fun and it's always great stepping outside of yourself and either playing a bizarro version of yourself or playing a character.
I got scars on my face that tell some kind of story. I'm looking in the mirror, and I got one scar that's really two scars - half from a baseball bat and half from playing football in college. I'll tell you, though, after a while, your face gets so wrinkled up you can hardly see them.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
I think I'm great. I mean, I might as well come out and say it. Like most people, I have an ego and I'm in show business, so you have to have kind of a healthy, conflagrated ego to a degree. On the other hand, I'm consumed, like a lot of people, with self-doubt and loathing and guilt.
I had to do this album. I tried thinking, "I'm not going to do it." But then I'm sitting there getting all suicidal and depressed, and I just start writing. It's like this inner drive. If I could choose, I would probably be living in the countryside and be fine with that, but I'm not.
Nowadays New-York is not the exciting place it used to be. It still has great energy; I still put my finger in the socket. But it doesn't feel alive, cracking with that synergy between the art world and music world and fashion world that was happening in the 80s. A lot of people died.