Quotes of All Topics . Occasions . Authors
I always had, you know, in the book of Hebrews, I think it's chapter 11, verse 1, where it says, "Now faith is the substance of things hoped for, the evidence of things not seen." I always had this sense that there was something on the other side. That there was something better.
I did some years of therapy and self-realization, and I just move and think at a slower pace - doesn't make me sound very smart! But really not reacting and doing more listening than talking, and letting people say what they need to say, and then maybe not saying anything at all.
There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.
I get a lot of flak for it... people saying [my body] is not normal for a girl... But I'm okay with it. I think it's because I was a gymnast for eight years, from ages four to 12. My body was made before my bones were fully grown. Gymnasts are short, stocky, muscular powerhouses.
I knew I wanted to be a singer from the age of five. I've been lucky to be so single-minded - some of my friends still don't know what they want to do, and they're finding it hard. There are home videos of me singing and taking centre stage at family parties when I'm about three.
I'm a dreamer. I watch people. You don't try to become them because you could never become any of those guys. But you hope that some of it, you know, comes off on you at some point in your show, some point in your writing, that it happens to you and this light just shines on you.
I grew up hearing everyone tell me 'God loves you'. I would say big deal, God loves everybody. That don't make me special! That just proves that God ain't got no taste. And, I don't think He does. Thank God! Because He takes the junk of our lives and makes the most beautiful art.
Having grown up Protestant, I was unfamiliar with St. Francis. Then I watched the movie Brother Sun, Sister Moon... I just became fascinated with the character of St. Francis. What I saw in that movie was a man who had fallen in love with God, someone for whom God was everything.
When I come off stage, I just shut up. I try as best I can not to use my voice at all. You know I love to talk, but I try when I come off stage to have the minimum amount of vocal interaction because I need at least a good 10 hours to just recover from my form of extreme singing.
I went to bed on the night of Brexit, of that vote for leaving the E.U., and I said to everyone it will be a 70/30: nobody wants to leave the E.U. I woke up on the bus in Glastonbury, and everybody had their heads in their hands. They could not believe it. I could not believe it.
[Gord] Downie has become more animated than the early days, but he's still the same charismatic performer. And as a whole, that band is really the result of each individual member. If one member was not a part of it, it wouldn't be the Hip. They're all crucial to the whole thing.
I love Australia; it was a really, really nice experience for me. It's such a beautiful place. The people are beautiful - like, really beautiful - and they are beautiful in terms of their personalities. It's a great place to be. It's like you are in a little bit of a dream world.
Growing up in a suburban home, the world seems so massive to you. It seems like cities are so big and so far away, and there's so much in them. So your imagination runs wild, instead of when you are born in the middle of Manhattan, you'd know, like, that this is the biggest city.
Gothic in its purest sense is actually a very powerful, twisted genre, but the way it was being used by by journalists - 'goff' with a double f - always seemed to me to be about tacky, harum-scarum horror, and I find that anything but scary. That wasn't what we were about at all.
It's like, are you kidding me? I'd sell way more if I just put a picture of my face. That's the fact. I'd sell more copies of me just looking cute. That's what sells more. That's what sells at Wal-Mart. Not someone in a bathtub looking like they're about to kill someone. Topless.
I wasn't allowed to watch MTV before school, but somehow I managed to, when I was five or six and Fiona Apple's video for "Criminal" came on. She was so odd and dark, and I immediately felt some kind of connection with her. She was also the first person I admired for their looks.
I'm totally active. I am just this side of hyper. I jog and go to the gym every day. When I'm on the computer, I'm reading, I'm writing, I'm never quiet. My brain is very rarely not engaged. Every now and again I will fall asleep under the parasol in the sun, but that's a rarity.
I think that when you're making your way up in the music industry, you have all these heroes and the reasons why they are your heroes. As soon as you get into the industry, your guidelines change a little bit. For me, my heroes now are great people first and great artists second.
As for language, almost everything goes now. That is not to say that verbal taboos have disappeared, but merely that they have shifted somewhat. In my youth, for example, there were certain words you couldn't say in front of a girl; now you can say them, but you can't say 'girl'.
I'm not really into alternative country - I'm into Patsy Cline, who lived down the street from where I lived, and old Dolly Parton records, Kitty Wells and that old stuff. I like country music. I also like Eric Church, who has a great new sound but also holds onto that old sound.
I use the 'Too Faced Chocolate Bar Eye Shadow' Palette every day. I've tried a bunch of stuff, but this is my favorite. For eyebrows, I use the 'Anastasia Beverly Hills Dipbrow' Pomade in Dark Brown, and for mascara, I don't use anything else but 'Urban Decay Perversion' Mascara.
I was looking for something and I wasn't sure what it was. [After experimenting with] certain funguses, I had a psychedelic experience where I looked up at the clouds and went, 'Oh!' I realized that we all have our own power, and that whatever I wanted to do, I had to make happen.
With 'Philharmonics,' I had to do a lot of interviews, and it was like I was corrupting something. In many ways, I've said everything in the song. And either I can't go back to what it was because it's changing when I play it, or I still haven't figured out what the song is about.
I always liked major-key music quite a bit, and that might have something to do with so many of the musical experiences of my childhood being based around the piano. On piano, it is very easy to move between major and minor and to really see how it looks and to feel how it sounds.
My weekend might not start on a Friday like everyone else's, because I could be working on Saturday and Sunday. But when I do get the chance to have some weekend time, I like to hang out with my friends and just chill out on the couch - maybe we'll watch a documentary or a comedy.
It's been really fun to see with each album when I change to see the fans of the show emulate my style and with the first record a lot of the kids in the crowd were wearing neck ties like I was and now you'll see a lot of girls with pink hair. It's cool, it's actually really neat.
The mall tour was right off of my second record, before it came out. It was very different. I did an acoustic performance every day in a different mall! One interesting thing I remember is playing 'My Happy Ending' a lot, and that song was so new that I remember getting emotional.
I think there's a karmic purpose that souls make before they decide to come into people's bodies and become someone's parent, or become someone's child. Maybe my dad disappearing was his way of giving me material with which to work, or a predisposition to feel heightened emotions.
I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.
It's true that the Internet is an equalizer, and everybody can be a star now. Musicians are more touchable these days, and that's a good thing. It's certainly the way I like to live my life, and it's why I don't do concerts in big arenas - I prefer to be in touch with my audience.
Before 'American Idol' and all this stuff, I was obsessed with music charts, and I used to go online to find out what was popular in other countries. I'd log on to the BBC website, and that's how I found out about artists like Natasha Bedingfield, Daniel Bedingfield and Take That.
I've been enjoying showing the music I perform to these people who have not heard it before. I think it's kind of interesting in a scientific kind of way. I don't mind either way the outcomes of the shows I've played, I just genuinely find it interesting seeing people's reactions.
I've been kind of listening to the composer Britten and his rendition of 'A Midsummer Night's Dream.' The opening track is a choral section where all the weird fairies, who are played by kids in the production, sing. It's a crazy opening melody and chord sequence - really amazing.
I grew up around so much new agey stuff. Part of me takes it lightly because I'm so used to it. It was my parents. It wasn't some path I discovered and want to share with people. It's just been a very natural part of my life. There's humor to it and there's seriousness to it, too.
I can't escape being born in Pike County, Kentucky, grandson of a miner, Luther Tibbs, and his wife, Earlene, and traveling as a child up and down Route 23 between Kentucky and Columbus, Ohio, where I was raised, experiencing life via working-class people. Nor do I want to escape.
I listen to hundreds of those hymns sung repeatedly over the years of my life. And I know that they probably influenced a rhyme scheme maybe to certain extent. They influenced the pentameter of placement of words, etc. And it's not something that's a conscious thing that occurred.
It's usually a big kind of vent of frustration or anger or sadness that puts me in the right frame of mind to write. It's such a cliche to say that artists write when they're down, but it's true for me. It's a relief to get out what's eating away at my heart or my soul or my head.
When I sing along with Britney Spears I will sing in an American accent. But eventually I found my own voice. My songs are so brutally honest, it would be alien to sing in any accent other than my own. Don't get me wrong - I can imitate singers. I can do bar mitzvahs and weddings.
I think right now, you've seen these artists pop up over the last decade who've flirted with branching together a lot of different kinds of music. Some of them have been huge, and sold millions of records. And I think over time it's become a little bit of what the industry can be.
In the old days, maybe we'd come across Captain Beefheart, buy a record, go, 'This is great!' and notice how his music is evolving, changing, and becoming more complex, more radical. And we would follow that progression and see it reflected in the alternative culture it came from.
Of course I knew The Band's Canadian keyboard player, the late Richard Manuel, but I didn't play that night because I was there as a guest with my record executives. People ask, "why didn't you play?" If I had known I was going to be playing then I would have been prepared for it.
People know more about baseball players' contracts than they do about the policies that govern the fate of our children's lives in twenty years. Think about it. People used to say, the whole time I was growing up, 'Do you want to bring a child into this world?' That's pretty dire.
If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate is telling people a lot. It has so little to do with me. I come up against a wall.
If you're a new artist, practice your art and share it. Set up shop somewhere, whether it's a street corner or a coffee shop. I got my start in a coffee shop that didn't even have live music. I wanted to play in coffee shops that did have live music, but I didn't have an audience.
My main goal as a songwriter is to make something that inspires people. To write things about my life that people can relate to. Whether it's a whole record or just one song for someone, I hope it can do that for them. Knowing that I have the ability to do that is inspiring to me.
Throughout my 20s it was all about achieving and working as hard as possible. To the point that you don't think twice about working in a music studio with no windows from 11 to 11. And you don't bat an eyelid if you fly four times a week and do promo in a different city each time.
If you're in it because you love it and you have to do it, that's the right reason. If you're in it because you want to get rich or famous, don't do it. People often say that my first years in Nashville, when I wasn't getting anything cut, were tough. Hell, those were great years.
I find a lot of feminist reading quite confusing and that often there's a set of rules, and people will be like, 'Oh, this person isn't a true feminist because they don't embody this one thing,' and I don't know, often it can be a gray area, and it can be a hard thing to navigate.
When you start your career, you have to figure out a way to separate yourself from the pack. So I went for a kind of preppy, psycho-killer look: I had short hair, grey flannel pants, and a button-down shirt. I think it worked, because nobody else was looking that way at that time.
A lot of the time, the British press make me ashamed and embarrassed to be British. They give others the impression that the British are selfish, envious and bitter people, which is simply not true in my opinion. I think that British people in general are really nice and friendly.