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But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.
At 16, I walked around knowing I'd get chased and attacked for dressing a certain way - I felt I had an undeniable right to be who I wanted to be. My father said to hit them back, but I was never much good at that. So I developed a big mouth instead of a quick right hook.
I had a pretty regular childhood, with a rad mum who taught me to love reading and thinking and laughing, and (as far as I was concerned) a regular dad who drove trucks for a living and did radio interviews on weekends and got stopped in the street a lot when we went out.
A song is not going to change this damn world. Instead of making people mad about this shitty situation, it's going to make everybody happy. It's a false thing. It's like a lullaby as opposed to a gun. People need to be slapped into reality and music just doesn't do that.
Canada was one of the first countries that took an interest in my career. Apart from a freak hit I had in South America, Canadians took my 'Spanish Train' album to heart and have stuck with me ever since. They've been very loyal, and it's been a long and rewarding affair.
From the very beginning of my life, people have always enjoyed it when I was around for a couple of days at a time. So, I think, most people in touring bands are best in small doses. That's why we turn up in a town, play and then we leave before anyone can get sick of us.
My dad noticed some kind of talent on piano when he asked me to play a couple random songs on piano when I was 6 and I just did it. I attempted lessons but I was just so bad at reading notes. I would read "Three Blind Mice" by ear, so learning notes was almost impossible.
The writers that I aspire to, like Joni Mitchell and Randy Newman, they'll tell you that the work gets harder, not easier. And they set that bar for us where we're always striving to do something better than the last time, whether it's the next song or just the next line.
I did have one bad accident up north near Deerhurst. I was driving back in the winter on these snowy roads, and these two snowmobilers were racing up a hill and they weren't looking, so they caught me as I was going up the other side of the hill, and they smashed into me.
I would encourage people to bridge broadly and creatively in their communities, not just because that creates the most fun and resiliency, but also because it creates the most points of access for people to be part of the community, which is what democracy is at its best.
I do still get shocked every once in a while when I catch my reflection when I'm walking past a glass building, but it's in my mind about getting older and finding out what I'm going to look like as it unfolds - or as it folds, depending on where the marks and scars land.
I've never been much of a craftsman, in an educated way. But I think just the experience of writing makes the avenues I follow a little more efficient in some ways. At the same time, when you're young, you're a little more fearless, and there's less of an internal critic.
There are plenty of bands who never get in the charts and it doesn't mean that they're not any good. Actually, a lot of the top ten is filled with stuff that just sounds the same. I could guess what's in there now - probably a bit of GaGa, Beyonce and some U.S. R&B males.
I'm lucky enough and wealthy enough to be able to buy photographs and buy art that inspires me from day to day. I don't want a Picasso on my wall; it's great art, but it's dead art to me. I'd rather have a photograph by someone I've never heard of that really inspires me.
My favorite thing is to go out in the arenas, like, an hour before doors, and run the concourse. And you get that anticipation. You smell the popcorn. You see the people tapping the kegs. And nobody is in there yet but you, but you feel it. It's my favorite thing on tour.
It pisses me off to think we're conditioned to push away bad feelings and think anything that's uncomfortable is to be avoided. When things are really bad nowadays, I recognize the value in it because it's me filling my quota- it's going to make my joy more intense later.
I once said to a boy, ‘You’re a really good kisser,’ and he said, ‘You’re only as good as the person you’re kissing.' I think it’s the same with the music. If someone [says], ‘Your music is really provocative,’ I’m only as provocative as the person that’s listening to it.
I've never worried about how a new release will be received. I simply try to do the best I can and leave the rest to the gods. The music industry in those terms is something I loathe and detest. It conjures up images of a gigantic factory spewing out parts of the machine.
I don't look at certain things on TV anymore. I don't listen to certain music anymore. I make sure my kids don't listen to it. It's funny because back in the days I could look at comedy shows and all kind of stuff and you didn't even realize how much cursing it had in it.
And, because of the life that I shared with these two amazing women [her mother and maternal grandmother] and the hardships and struggles that I saw them overcome, I learned an invaluable lesson, and that is that women can do anything we set our minds to... and then some!
I wanted it to be back to a state where it felt like it was thriving, so I think that my hair's happiest natural, and there's that hairstyle for everyone where you feel like, 'My hair is agreeing with this,' so I just cut it off recently again, and I'm going back natural.
If we can muster up that degree of commitment and get away from the uniquely American perception that if something can't be done immediately it isn't worth doing, then I think the Hunger Movement, this small but growing minority of us, can have a truly significant impact.
I do all the things that singer-songwriters do. I introduce the songs, I have a story to tell about everything all the time - I cannot be on stage and have something on my mind without telling the audience. I'm super emotional and expressive and vulnerable in that moment.
A certain administration which I won't call by name took the arts out of the schools, and that left the brothers out on the street with nothing, so they went to the turntables and started rhyming. Then they had a way to express themselves, and that's the birth of hip-hop.
Some fighter’s waist a lot of their energy. Wait for your opportunity and when it comes, avail yourself of it. The idea of boring in and throwing punches helter skelter without reason doesn’t amount to a row of pins. Every time you miss a swing it is worse than being hit.
I'm always afraid, because I do most of my stuff at home, where nobody bothers me, and I don't have to stroke somebody's ego or be careful about hurting someone's feelings. But I also want to know that I can still go into the world and be with other people and make music.
One of the beautiful things about having kids is I had no idea how much it will make you look into yourself and who you are and what you believe in and what your past was like and all that kind of stuff. I think it's made me really look at life in a much more intense way.
If you're the person whose problems were solved when you were born, your job is to try and help the people who aren't in that situation. It's very easy to say you're tired of political discussion when all of your problems are solved. I keep trying to think of it that way.
My favorite kind of music is the stuff that stops time. You put something on to sit there and let an experience go through you. To look at yourself clearly through a song. It's true of all art, all mediums, but for some reason music has a direct line straight into people.
I realized going back and writing and explaining in details the difficulties I had lived actually became emotional again. It's like therapy but sometimes therapy can be painful. But it's part of life and part of the autobiography so I'll have to finish it sooner or later.
I am a huge Prince fan. It's a very rare thing for him to have people open for him. It's been the Time and Sheila E., and that's about it. Building a relationship with him has been like a dream come true. I've been looking for a mentor, and I feel like I have that in him.
I was once making a burger for myself at my boyfriend's house and a lyric started pouring out and I had to catch it, so I ran to another room to write it down, but then the kitchen caught fire. His cabinets were charred, and he was furious. But it was worth it for a song.
The New Kids took some hits for, you know, not writing their own music. But on a songwriting standpoint, I mean, I'd never written music before when I was in the group, ... Now the music is my music, so it's kind of like my baby, and that was a whole different experience.
A just society is not one built on fear or repression or vengeance or exclusion, but one built on love. Love for our families. Love for our neighbors. Love for the least among us. Love for those who look different or worship differently. Love for those we don't even know.
To the extent that '60s guys own things, yes... but I don't have the publishing, just like most '60s guys, and that was an error, you know... part ownership in publishing was the kind of era that started a little bit later, when real businessmen started to manage artists.
I'm ruthlessly picky when it comes to the crafting of an album, the choosing of musicians, the right mikes, the right studios. There was a time when it was, 'whatever you want.' Then, as you learn a little bit more about your tastes, I don't give in to that kind of thing.
I think with each generation comes more opportunity. At least that's the way that I see it. I grew up in a generation that watched the birth of the internet. We all have. But I feel like I look around at the generation younger than me and it's a very opportunistic mantra.
Technology's related to everything. Technology is making the world more accessible, so yeah, as generations go by, they'll become more and more married to each other, for sure. I think they go hand in hand - fashion inspires design, and technology inspires design as well.
Regardless of any feedback. I love being a solo artist and having creative control. But it can be very nourishing and informative and flex very different creative muscles to work for someone else. You are essentially employed by the director. I love the challenge of that.
Around '93, the radio started playing 'Loser' by Beck and 'Cut Your Hair' by Pavement, and then I got way into Pavement. That was kind of a gateway drug into indie rock. I got all their B-sides, and I got that 'Hey Drag City' comp, so I got into all those Drag City bands.
No offense to Boston, but I was glad to get out of there. I think it's just because I'm from Philly. Honestly, the blue collar side of each are pretty similar in ways, but something about the makeup of your brain, Philly versus Boston. It's a lot different, in weird ways.
I've always been a deep sleeper; because I come from such a large family - there are 10 kids - I could sleep through anything. Even with my last day job, I'd sleep in later and later and start coming in an hour-and-a-half late. I got fired twice before I really got fired.
Liz Taylor was an amazing woman and screen legend. She was an incredible friend to my brother, at his side through some of his most difficult times and of course loved by his children and our family. She will live on in our hearts forever, my prayers go out to her family.
I am naturally pretty shy. I've come out of it a pretty good bit because I'm kind of a strange combination of being really shy and also being a born entertainer. I've got both in me and I guess it depends on my surroundings as to what's going to come out more prominently.
When I came up with the idea for 'Tuskegee,' I didn't want to be confined by boundaries of age, genre or demographics. I am thrilled with how well this album has been received by people from all walks of life. It is truly living up to the vision we had when we created it.
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working.
On the one hand, the idea of marriage and the sort of traditional family life repulses me. But on the other hand, I long for it, you know what I mean? I'm constantly in conflict with things. And it is because of my past and my upbringing and the journey that I've been on.
I could draw up a list of about 30 artists who I apparently sound like. From Lady Gaga, to Katy Perry to Lana Del Rey. I don't know if it's because I'm versatile or because production affects how people judge music. I can't wait for a time I can just be classed as myself.
That softness around your eyes, a softness in your face. Almost the way you feel when you’re about to start crying. That, to me, is love. It can be romantic love, it can be friendship love, it can be family love, it can be love for a chipmunk. It can be love for anything.
Can't do any work with a rock star; you have to go through their lawyers and their agents and their managers and you have to book them hotel rooms. When you work with your friends, you just call them up and they come over and you record and then you go out to see a movie.