Quotes of All Topics . Occasions . Authors
I caught up on a lot of just domestic normal everyday stuff, and grew up a lot, and went to therapy, and did a lot of contemplating and figuring things out. I needed to just strip everything away and figure out who I am and get to know myself, as cheesy as that sounds.
I'm throwing myself back in because I like being married. I don't want to end this whole fabulous journey alone. I want someone by my side who I love and who loves me. I've finally found somebody who's up to the task of being my wife, because I'm very high maintenance.
If you're dissatisfied anywhere, New York is the place to be. If you're unhappy at college in Topeka, I don't know what there is to distract yourself with, you know? So anyway, I distracted myself until I decided that the distraction could be a school in and of itself.
When I was a child, I was certain that I could remember what it was like to live on Venus; I could remember what it was like to live in the American Plains. I could remember. And it's ancient memory. We all have it. It's just that some of us access it more than others.
I grew up Catholic, so I have these defenses about listening to anything with too much religiosity; some of the lyrics didn't sit well in my mouth. One of my beefs is the patriarchal setup. Having the 'he, he, he, God, God, God, king, king, king' stuff was hard for me.
I have met Lionel Richie and Celine Dion. They were wonderful people. They proved no matter how much success you've got, you can be as normal as pie. I held it together. But when I met Halle Berry I went a bit wobbly, as I had a bit of a crush on her before I met Kate.
There are times you can't really see or even feel how sweet life can be. Hopefully its mountains will be higher than its valleys are deep. I know things that are broken can be fixed. Take the punch if you have to, hit the canvas and then get up again. Life is worth it.
One of my favorite times of year is around Christmas when my entire family gets together and we make tamales together. It's a full two-day event, and we create an assembly line. It's awesome because everyone has his or her own part in making the dish. It's so much fun.
I do take advantage of, you know, feeling sensual and feeling sexy. And I think that is tremendously empowering and is not diminishing in any way. I fell that any woman who is in control, who is in touch with her femininity and sensuality, is a woman that is empowered.
I know that sounds selfish, but you have to look at what it's doing to you personally - are you frustrated because of the way people perceive you, or are you happy enough about the things you've realized about yourself that you can tolerate the way people perceive you?
I think that it depends what you mean by successful. If you mean 'make money' you need to be part of the machine unless you're one of those superhuman people who can do everything by yourself, and have workaholic tendencies and really good advisers and a good investor.
It's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.
There's something different about growing up black and Muslim, especially in New Jersey. It's like when I left the mosque and I left my dad, I felt unprotected, but I also felt a weird sense of pride, like I was involved in this other way of living that was cool to me.
One of my big goals as a human being is to continue to write what's really happening to me, even if it's a tough pill to swallow for people around me.... I do fear that if I ever were to have someone in my life who mattered, I would second-guess every one of my lyrics.
Most of my songs have names of people I've met or are dear to me. There are people who have privacy issues and about people knowing about their private life. But for me, I like to include few special names and few details about them to make the song very special to me.
I think everyone should approach relationships from the perspective of playing it straight and giving someone the benefit of the doubt. Until he establishes that this is a game. And if it's a game, you need to win. The best thing to do is just walk away from the table.
Health care's a great example. We spend billions of dollars a year in foreign aid helping people in countries where the money never gets to see the bottom tier, because the bad, corrupt politicians in the government that they have there end up taking what we give them.
What's that line from TS Eliot? To arrive at the place where you started, but to know it for the first time. I'm able to write about a breakup from a different place. Same brokenness. Same rock-bottom. But a little more informed, now I'm older. Thank God for growing up.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easy-going sound and strangle the life out of it.
I used to go to a lot of Pam Hogg shows. The thing about London Fashion Week is that, generally, we're on tour and traveling around, so it's very rare that I actually catch it. I like to go to Burberry because I know a few girls who work there. I kind of follow friends.
Be who you want to be and not care about what others think." -Andy Sixx Rock n roll isn't meant to be taken so seriously, I think sometimes people forget it's meant to be fun. A rock show is meant to be a time for people to have fun and let go of the drudgeries of life.
It was because all we wanted was each other's constant love and attention and for no one else to receive that love and attention, which is a selfish and difficult place to be in a relationship. We were emotionally retarded, and that was the best we could do at the time.
It's really the creature of my own making from top to bottom. I appreciate that. And the good fortune, the perseverance, having the stamina to stick around longer than everyone else even after people write you off - that's always been a good motivating force in my life.
Nada Surf and Harvey Danger are good bands. I think they've just stayed true to why they play music in the first place, it's just because they love doing it and they love each other and that's the impetus for doing it, not trying to keep singles on the radio and on MTV.
Products are a must - full stop. I'm sorry to say it, but that bob won't look so sleek on its own - you need a little help. It doesn't have to be the high-end stuff that they sell in the salon. Products you find in the supermarket are just as good, and sometimes better.
When I was a teenager I would lock myself in the bathroom for hours, bouffanting my hair like Patty Duke and trying to recreate Barbra Streisand's flawless eyeliner, only to comb it all out and wash it all off before stepping out into the world a butchish bisexual teen.
We're all about trying to play better every night, not just singing hit songs ... we ad lib, and every night there's jamming .. it's almost like the Grateful Dead meets Buck Owens some nights, because we'll go off on little adventures and sometimes we do crash the bus!.
If I learned to play guitar it was so that I would have something to sing to, if I learned to write a song it was so that I would have something to sing. So the gut feeling you're talking about comes from singing and communicating the lyrics and what it is that we feel.
People now have been conditioned to believe they should only buy one song at a time, that nobody can make an entire record that would merit you paying, you know, $7, $8, $10 when CDs in the '90s were $18, $19 and people bought millions and millions and millions of them.
The Beach Boys have always been a part of the '60s spectrum, with The Beatles and that kind of thing. They were a part of the music business like everyone else. And they did quite well as a singing group, and I finished a lot of good records, and I'm very proud of them.
I was adopted without the benefit of papers. They used to hide adoption in the forties; I don't know why. Perhaps it was shameful. I could have been kidnapped - there are all kinds of crazy things that people have done - but I got over dealing with that a long time ago.
So many people always try to help me carry my luggage and help me do things I can do myself. If I can do it myself, I'm going to do it myself. I'm not going to let other people do it for me, and I think that's a big part of where I came from. I'm not a real prissy girl.
Being able to walk out of the studio after a week of intense recording and jump into a cold sea and sit in a hot spring and soak for a few hours completely resets the whole system. Really refreshing. For me, it's all about stepping out of the ordinary. Even psychically.
Praise is declaration, a victory cry, proclaiming faith to stand firm in the place God has given you. Praise is a proclamation that the enemy's intent to plunder you will not rock you. Praise declares that you will not be moved by the enemy's attempt to snatch you away.
Drake, I'd like to collaborate with. He's a phenomenal lyricist. Probably the best rapper in the world at the moment. I love Kanye but there's something about Drake; he's more straight up, really clever and really poetic and metaphorical - I love that. He's just clever.
I was told so many times when I was a kid, 'I can't be friends with you, you're too intense, you're too sad all the time.' I really thought that when I made the first album that everyone would understand me, all the people who weren't my friends would become my friends.
Starship was a whole different thing. It was pop rock. It made more money and had more hit songs than Airplane. There was no cultural or social ethic behind it. For me, it was like selling out. I was the only one selling out. The rest enjoyed doing what they were doing.
I've gone a year and not written a song just because I couldn't think of anything. But I always come back to it because there's always that little buzz you get when you do something well and sing it out loud to the public. And people clap and tell you how great you are.
Inspiration and creativity, they ride right next to one anotherNot everyday are you going to wake up, the clouds are gonna part and the rays are gonna come downsometimes you gotta just get in there and force yourself to work and maybe something good will come out of it.
But my strength was in singing and songwriting, which was a new discovery for me when I was 18. And I decided if I pursued songwriting, which is what was closest to my heart, then there would be no competition. I would just live my life being myself and living my dream.
I always have to pretend I'm somebody else to give the best performance. It kind of feels like I'm acting; it's definitely an exaggerated version of me. I'm a very normal, down-to-earth person, but I wanted the videos to be striking, so I have to lay it on a little bit.
I was inspired by Colin Farrell in the fact that he's Irish and has freckles but with black hair. I'm a bunch of different things, Irish Polish, Native American, and French, but I wanted to tap into that Irish side and be freckle-y with black hair, so that's what I did.
Well... I had braces and I had to wear headgear! I loved my braces, actually. For me, they were like a piece of jewelry! Instead of the silver or pewter I had gold braces. It was so much fun, I loved them. I got to change the colors and stuff and I had the rubber bands.
My whole point is like, well, if I'm the pop star, then it should be whatever I am. There's, you know, room for Katy Perrys and Adeles and Rihannas and Lady Gagas and Ke$has and me and Pinks. I think what's great about all of us is that we represent something different.
I'm trying to create a collection of stories - the 'U.F.O.W.A.V.E.' songs are all stories. I haven't really taken direct lyrical influence from other songwriters, but my dad bought me a book of W.H. Auden's poems when I was younger, and the imagery really interested me.
I'm a huge fan of The Chemical Brothers and the Ninja Tune label and a lot of the stuff that they put out like DJ Shadow but I think, out of all of them, Leftism really just excited my musical brain in terms of the way that they mixed real instruments with dance tracks.
It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.
I don't like the way recording to digital sounds. Most of the time when I'm recording to 2-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.
I hope to refine music, study it, try to find some area that I can unlock. I don't quite know how to explain it but it's there. These can't be the only notes in the world, there's got to be other notes some place, in some dimension, between the cracks on the piano keys.
War is hell. Sending young people to conflicts that are unwinnable and unresolvable - it puts them in a position where they're going to suffer. And yet their experience is that they're proud of their service, and they should be. Service freely rendered is a noble thing.