Quotes of All Topics . Occasions . Authors
It ended up being a great quarter across the country. The national trend was more on the IT (information technology) side of things. When you look at Southern California and San Diego specifically, it's driven largely by the life sciences and biotech side of things.
You know, YOUR President, the one with the big ears-he ain't my President - had that woman singing for him at his Inauguration. She's going to get her [expletive] whooped. How dare Beyonce sing MY song that I been singing forever. Now I'm going to sing it for y'all.
I once looked over the shoulder of a friend on Facebook and it looked like hieroglyphs to me. There's merit online, of course, but social media gets super freaky. Imagine if three generations from now, people online have forgotten what date or day of the week it is.
In L.A., I get a meal delivery service called Diet Designs. I like a nice butter lettuce salad with some avocado, fresh grapefruit, shredded chicken breast and raw almond slices with a sesame vinaigrette dressing. I also love juicing and am kind of obsessed with it.
When the blues came out, it was something pure and undefined, but when all these white groups got hold of it, it became something else that didn't sound anything like the original. So you had Led Zeppelin doing their thing, which had come all the way from the blues.
I have a lot of family in South Africa, but I grew up in California. I feel like my name keeps me connected to a long line of people that have been through a heck of a lot. It reminds me to stay grateful, and it reminds me to try and step my game up if I'm slacking.
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
I remember when I first rocked in it was a great big dance hall and Tommy Young was blowing trombone and Louis [Armstrong] was singing a tune and it was just Satchmo and you could hear it resounding through the dance hall and people were dancing. It was a highlight.
We can't forget what happened on May 4th, 1970, when four students gave up their lives because they had the American constitutional right of peaceful protest. They gave up their lives. And to sing that song in that spot on that anniversary was very emotional for us.
One can't deny what has happened to us in the past. The secret is to enjoy and be proud of the music we've created and the people with whom we have been linked. It's all a long chain of involvement in the world, and we are proud to be yet another link in this chain.
You're beautiful like a flower More valuable than a diamond You are powerful like a fire... There is nothing in the world that you cannot do When you believe in you, who are beautiful Yeah you, who are brilliant Yeah you, who are powerful Yeah you, who are resilient
I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
Performing is a profound experience, at least for me. It's not as if I sit down and play 'Fire and Rain' by myself, just to hear it again. But to offer it up... the energy that it somehow summons live takes me right back, and I do get a reconnection to the emotions.
You probably won't remember me. I'm probably ancient history. I'm one of the chosen few who went ahead and fell for you. I'm out of vogue, I'm out of touch. I fell too fast, I feel too much. I thought that you might have some advice to give on how to be insensitive.
I don't start a song with an idea of what ingredients are going to go into a song. It's not like a recipe. I will normally either talk from personal experience or I'll make a character and then try to allow that character to behave the way he or she naturally would.
My strength was in singing and songwriting, which was a new discovery for me when I was 18. And I decided if I pursued songwriting, which is what was closest to my heart, then there would be no competition. I would just live my life being myself and living my dream.
I've never fit in in any music world. I've always been an outsider. I mean, the fact that I live in Indiana - I live in a fly-over state... I'm not running away from anything, that's the problem. Most people go to cities because they don't like where they come from.
I thought I was grounded. I thought from my kinda blue-collar outlook on life that I would call myself a grounded person. I was not. I was like a balloon flying around in the air. And as soon as our first child was born, boom - my feet came right down to the ground.
The second album was like being on a completely different planet compared to when we were making the first album. ... Even though it was the same musicians, the same artist, the same studio, the same producer, - it felt like a completely different piece of a puzzle.
I think one thing you could probably say for all my albums is that they're all pretty eclectic pop. There's always a little bit of urban influence, some dance, a little bit of country, singer-songwriter, pop-rock. I like everything! On every album you can find that.
The nature of the music industry is changing. People are getting famous on Youtube. I felt I had the advantage of having a following. My fans know what I do and who I am. The independent world gives me more hands on with day to day handling of what needs to be done.
I am so not a proper, good female. I can't dance in high heels and I'm just so not girly, but then I see these men with these banging bodies, dancing in heels, singing, and having so much fun with so much make-up on. That makes me honestly want to be a better woman.
I've always had to deal with being biracial, even in music. When I came on the scene, I'd go to these record labels, and they'd say things like, "Lenny Kravitz. That's a weird name." I'm brown-skinned and I've got these dreadlocks and I've got this Jewish last name.
People don't realize it, but no one lives that rock and roll life 24-7. They think it's hundreds of bottles of champagne flowing and private jets and money. But there's a lot of time when you're traveling - time to think, time to be lonely. Sometimes it gets to you.
I heard of a man who says words so beautifully that if he only speaks their name women give themselves to him. If I am dumb beside your body while silence blossoms like tumors on our lips it is because I hear a man climb stairs and clear his throat outside our door.
He hated the men floating in sleep in the big stone houses. Because their lives were ordered and their rooms tidy. Because they got up every morning and did their public work. Because they weren't going to dynamite their factories and have naked parties in the fire.
We were working class, but my mother stopped working at the mill when she married my father and he went on to become an electrical engineer and later a draughtsman. So although we were never rich he was bringing in enough money to be able to splash out occasionally.
I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life.
Throughout my life, there's just periods when I write and periods when I don't. I don't feel like anything's really blocked. It's just not where things are at right now, and it's just a matter of time until there's something going on where I feel compelled to write.
I'd been studying the microphone for a dozen years, and I suddenly saw what I'd been doing wrong. I'd been singing too loud. One night I was listening to a record by Lester Young, the horn player, and it came to me. Relax, just relax. It's all going to be all right.
I keep seeing the headline on articles that says something like 'Mary Gauthier Helping Our Veterans.' It's troubling - and it's condescending. Whatever I'm doing as a songwriter to help them tell their stories, they're giving it back to me double, triple, quadruple.
I think there are things that need changing obviously. I think there are things that I think we overdid on the first record, I think there are things we didn't do enough of on the first record. And as a writer and directing this project, I know when to pull off now.
So I just sat in bed for six months - I literally didn't leave the house - and it was the first time that I'd actually experienced being depressed. I'd be sad on and off but I'd never experienced actual depression. Like, crying for no reason. It was really horrible.
When we play Jenny Don't Be Hasty, that's cool because everyone really dances. It's between that and when we play Loving You, that's when you give it your all. Well you give it your all for all of it but that's like proper end singing with your full strength put in.
When it comes to the business side of it, as much as you might hate it, the reality is that you give the record company a sort of ownership of your songs, so you've got to make sure you're getting everything you can out of it now, because if you're not, then who is?
It wasn't until my late teens that I really got into soul music and then I was like 'Ooh, this is good!' You'd always here it at old family parties, like, Gladys Knight and I'd always love it but I didn't really get to know it and respect it until I was a bit older.
My success set me up for life, and it meant that I could retire from the music industry at 27 to spend time with my newborn daughter and my wife. My time away from the spotlight allowed me to rediscover my love for music, and I'm doing it for me now and no one else.
I remember the first time I saw the 'Smells Like Teen Spirit' video. I will never forget that day. I just wanted to see Kurt Cobain's face. I had a feeling he was very cute. But, I couldn't see his face. When I finally did see him, he was even cuter than I imagined!
Until everyone in this country over 35 has passed away, the theocracy will still be alive. And I am not actually of the theocracy, and that could bother people. I think I've probably taken a bit of flak for that, as well as being an arsehole occasionally, obviously.
There were things that had been weighing heavy on me for quite some time. And I went into this hole, trying to work through some of these things so that I could be a better me and be a better mom to Julez and be a better wife and a better friend and a better sister.
I've always been into computers. When I was getting out of high school and forming my identity musically, all of it was really coming into the fold, computers and drum machines. It felt like, you know, I'm in the right place at the right time. I liked the collision.
The 'Downward Spiral' album was a record all about beating everybody up - and then 'Hurt' was like a coda saying maybe I shouldn't have done that. But to make the song sound impenetrable because I thought it was a little too vulnerable, I tried to layer it in noise.
There's several ways of saying what's on your mind. And in states and counties where it ain't too healthy to talk too loud, speak your mind, or even vote like you want to, folks have found other ways of getting the word around. One of the mainest ways is by singing.
True expression is hard when performing opera. The problem is that opera relies on the dramatic context of the piece. It can be interpreted and represented, but there are guidelines; there is a vocabulary within the pieces that you must know objectively and reflect.
Canada has a passive-aggressive culture, with a lot of sarcasm and righteousness. That went with my weird messianic complex. The ego is a fascinating monster. I was taught from a young age that I had to serve, so that turned into me thinking I had to save the planet.
They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react - do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.
It just seemed that we always ended up at the Rainbow, to the point where they finally just said, why don't you guys go up into this loft where we'll kind of protect people from coming around and, you know, sitting on the tables. And we thought that was a great idea.
I guess what I'm passionate about is, I see so many things that I find that there's no real solution to, and you're only here for such a brief moment in time, even if you live to be a hundred years old. Yet, what happens within that time frame? So many things happen.
I'm confident that I'm as intelligent as many people, but I know that I'm not as intelligent as some. So in the presence of hyperintelligent people, I'm a shrinking violet because I don't want to look like a fool. I know a little about a lot and a lot about a little.
What I have in me... it's not hard, and it's not cold, and it's not fierce ambition, that's not what it is. It's a drive [for success], but it's not a drive...it's being driven, it's something I have no control over. It's something pushing me, I'm not pushing myself.