Quotes of All Topics . Occasions . Authors
For me, having come to study and understand some of the Bible and finally getting saved made a huge difference in me, because my wife was a big influence on that. I saw in her, when I first met her, a persons soul at peace with everything and everybody around her.
Listen - we party, we have fun, we live life to the fullest. But we're also professional, we also wake up every day and stay on time for our meetings and we also have a structure and a certain structure and a certain substance behind the brand. It's not just luck.
I take comfort in knowing that it was the shepherds to whom the angels appeared when they announced Christ's birth. Invariably throughout the course of history, God has appeared to people on the fringes. It's nice to find theological justification for your quirks.
I've done drives through Budapest and Oslo and used to drive to Sardinia, too, which is quite a journey. Drives are an adventure because I don't plan them too carefully. I take detours depending on how I feel and usually stop and stay at places I like the look of.
My greatest obstacle has to be accepting that the business that I chose to be part of is based on rejection and constantly trying to prove yourself. Letting go of seeing my accent and the way I speak as a limitation. Accepting it as who I am and where I came from.
Being a rock musician is already like ego-tripping hardcore. You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.
I feel comfortable in my pop shoes. They let me walk in any direction. I like to go from one extreme to the other. One day I feel that I want to do a song with reggaeton influence, I do it. The next day I feel I need to do a song with rock elements to it, I do it.
I think Westlife is very unique: we have a certain sound; we do our thing our way, and we don't try to change too much. I think that's what the fans love about us. We keep giving the fans what they want every year. The style of music never really changes too much.
People say I'm the life of the party Because I tell a joke or two Although I might be laughing loud and hearty Deep inside I'm blue So take a good look at my face You'll see my smile looks out of place If you look closer, it's easy to trace The tracks of my tears.
I really believe that if I make records that are indispensable to my audience, they'll go out and spend money to buy them, even if they've already downloaded them. If they can afford it. If they can't, I'd rather they be able to download it than not get it at all.
I discover poetry when I was in elementary school and I was so fascinated by it. Because I realised if you get the right amount of syllables and the right amount of words, in the right rhyme scheme and you put it all together. You make words just bounce of a page.
Songs are my diaries; they always have been. You have to put your trust in everyone because putting down those real, personal details and thoughts that make a song authentic also opens you right up. I am constantly misunderstood; a lot of people just don't get me.
I love to be in control of everything I do and everything around me. So that means, you give me a romantic lyric and I'll make the atmosphere, I will build on that. And then the song then becomes, it takes me to do the song, it's just a belief, it's just who I am.
I would do nightclubs and concerts - particularly concerts, which is mostly what I did - and only people who already agreed with me would show up. People weren't going to come and inadvertently turn on their television set and find this offensive stuff coming out.
From in the shadow she calls. And in the shadow she finds a way, finds a way. And in the shadow she crawls, clutching her faded photograph. My image under her thumb. Yes with a message for my heart. She’s been everybody else’s girl maybe one day she’ll be her own.
Well I was born a rambler friends, and I intend to die that way. It could be twenty years from now it could be most any day. But if there ain't no whiskey and wimen lord behind those heavenly doors, I'm gonna take my chances down below and of that you can be sure.
Though I still have no semblance of a life outside of Nine Inch Nails at the moment, I realize my goals have gone from getting a record deal or selling another record to being a better person, more well-rounded, having friends, having a relationship with somebody.
The result of a public that has a very high consumption rate and turnover rate is people listen to more music but spend less time with individual bits of music. It's made me more likely to put things up quickly and treat it more like a magazine instead of a novel.
It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
The first music I bought when I was nine or 10 was pop music from the '50s and '60s, like The Everly Bros., Elvis, Del Shannon, The Flamingos, The Platters, whatever I could get my hands on. And then some musical things, like Camelot, Singing in the Rain and Hair.
I'm really clear about what my life mission is now. There's no more depression or lethargy, and I feel like I've returned to the athlete I once was. I'm integrating all the parts of me - jock, musician, writer, poet, philosopher - and becoming stronger as a result.
Part of being famous is offering up this blank screen upon which people can project everything, and it's a sacred act, putting yourself out there, in a way that lots of celebrities aren't steeled for; they're not prepared for the degree to which people define them.
...and when I am negative, I will be negative only for as long as I have to be, until I can understand it, and then I will be positive...when I hate, I will turn my hatred into energy, when I am angry I will turn my anger into energy...and I will not be complacent.
Find something that is a happy, healthy alternative to hurting yourself, as opposed to taking a razor blade to yourself because at the end of the day, you're only hurting the most important person in the world and that's you. And you don't want to hurt that person.
I did get upset once, when we were hiking between pitches 15 and 16. Two women and a dog were trying to find their way down through the maze of trails below the First Summit and they asked us: 'Are you on the trail?' I let my indignity show: 'NO, we're on a CLIMB!'
now the profile of our country looks a little less hard nosed / but that picket line persisted and that clinic's since been closed / they keep pounding their fists on reality hoping it will break / but I don't think there's a one of us leads a life free of mistakes
I was perceiving myself as good as a man or equal to a man and as powerful and I wanted to look ambiguous because I thought that was a very interesting statement to make through the media. And it certainly did cause quite a few ripples and interest and shock waves.
My dad was a Muslim and would pray five times a day. I would pray with him as much as I could, in the morning before school. Sometimes he would tell us moralistic tales about genies, magic carpets and wondrous lands. My mother is not religious - she's just English.
I think the narratives on 'Trans,' 'Plans,' and 'Narrow Stairs' moved away from the way I wrote on the first couple of records, which was a lot more impressionistic. I was writing those songs in my early 20s, so I thought I was being more clear than I actually was.
Before you worry about what genre it is, about whether it's a loop or a drum, it's about what suits the song. It's using what's within your reach, but also reaching for everything you can. I don't know if I always get it right, because I don't know every sound yet.
Writing a song to be a single is hard, and I don't like to focus on that because you can get caught up in making something just terrible, which is really easy to do if you're focused on making it a single. It's more fun when you focus on what excites you musically.
The chemistry was still there. To me, that was the biggest thing: Would the chemistry be there? Can we really go ahead and do this? And it was obvious within the first moment of plugging in the instruments that the magic was still there. It was a fantastic feeling.
I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.
I don't think I'm supposed to boss other people around just because I'm a so-called celebrity or star. I hate that when people act that way. No one deserves it. I've seen it happen. I don't call those people out - they know who they are. Some enjoy that reputation.
I think every entertainer's had nights when things go wrong. I mean you can't remember everything all the time, and especially if you're having hard times personally, things going on that you - you know, and then people make it worse. And that makes you feel worse.
I don't use the big video screens that a lot of other artists use because personally, I think it's kind of a crutch. I think sometimes it's like watching television as opposed to really getting involved with what is happening onstage and the people in your section.
My parents traveled a lot, so my grandparents practically raised me. My grandmother and I really bonded in the kitchen. She's this amazing southern cook, and I would always help her - whether it was cracking eggs or stirring the green beans. It takes me back there.
My mother passed away, my marriage ended, and I moved. Those are some pretty big things to let go of. But I find that if you hold on to something too tightly, you strangle it and yourself. If you don't let go, and let things go through you, it's toxic - physically.
I have a suggestion for all of those award seekers and blue ribbon hunters. Spend your efforts on making art that connects with people. Awards impress the grandkids but they don't move the gauge on selling your product. Art needs to touch the emotions of the buyer.
When I used to go to Elvis's house was always a nightmare trying to get into the house because of so many fans outside the gate and he really couldn't go anywhere without sneaking in or doing something because people just wanted to be around him and to be with him.
It's a real wrenching thing to go from being a private person to being a public person, especially when you're being autobiographical. But it's what everyone wants - to get everyone's attention, to have your music make a living for you, to be validated in that way.
At the end of the day music is a grind. You're constantly working at it and even with playing shows as well. If your schedule isn't planned right it could really throw things off, but honestly at the end of the day its incredible being able to go to so many places.
All I have to do is be me on stage. But acting, I have to be someone else, and walk how they would walk and blink how they would blink. I used to talk about it bad like, 'Aw man, that person made $10 million a movie?' But now I understand why they do. I get it now.
I don't have a Madonna-sized fan base, so I can actually e-mail and talk to everyone that e-mails me because I am totally appreciative, and I like my fans! They seem to have the same interests as me. They are kind of nerdy and cool - and have good taste, obviously.
Being an artist is not exactly the most universally respected, or secure thing to do with your life. It can be frightening and you can feel that you're taking a lot of risks just with your own life, and your family's security. But the rewards outweigh those things.
Along with the music, there is a large part of my father's legacy that has to do with what he had to say. What he believed in, what he stood for, the understanding of his own darkness, the faith that he had that drove him, and the great love that he had for people.
With this new album, I prepared for it a long time, and I was happy with the songs and the production. I felt that I proved myself with the first album, and with this new album, I just want to share some of my music. And that was always my feeling and my intention.
My mum loved Joan Armatrading and used to play her records all the time and even took me to see her a couple of times when I was really quite young. I didn't really like her music back then because my mum was always playing it, but I've grown to appreciate it more.
I live on a ranch in Texas and do my own thing. And I don't care what anyone has to say about it. My joke is that the only people I'm trying to please are myself and my fans, because they're the ones buying my records. And I have the best, most loyal fan base ever.
I regret trusting The Guardian. I didn't want to do an interview, but the journalist was persistent. [The writer] was masked as a fan, but was hiding sinister ambitions and angles. Maybe he's actually the boring one looking for something interesting to write about.