Quotes of All Topics . Occasions . Authors
I really think happiness is very closely aligned with success, and may almost be an interchangeable synonym. Happiness (like success) also comes from doing what we feel called to do in life; however, it's also obvious no one can experience one without the other.
The great thing about small children is they're portable, so we take them everywhere, but when it comes to 2015, Zachary's going to school, and I want to be there to drop him off and pick him up. I don't want to just be the father who reads them a bedtime story.
It's a noisy environment we all live in, whether it's traffic or the workplace, so it's very difficult to think about your life in general. A lot of people are afraid to do that. They like to hide behind their work and not face up to a big problem in their life.
I find I'm not one of these composers that are, you know, walking along a beach or walking on the mountainside in County Donegal that's, you know, 'Oh, a melody.' It's more a matter of eventually taking that moment with me to the studio, and it begins to evolve.
I remember being, like, the age of 7 and just always being in control of something or someone, a baby somewhere. I had lots of cousins and brothers, and we were all taught that's how you are, you know. Things don't just run themselves; you have to make them run.
When I'm performing for the people, I am me, then. I am that little girl who, when she was five years old, used to sing at church. Or I'm that 15-year-old young lady who wanted to be grown and wanted to sing and couldn't wait to be smokin' a cigarette, you know?
I can take the steel guitars and fiddles off, we can make it a little more pop, cover ideas that are a little less cowboy. But you got to look at yourself in the mirror and ask, whose flag you are under? For Garth Brooks, I'm steel, fiddles, red, white and blue.
I'm very comfortable in my own skin now. I started just being myself more and more. For women, this happens as you get older. I loved my 40s - I thought they were fantastic. And I'm loving my 50s. I'm going to love everything because you're either older or dead!
With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
I always seem to find myself fighting the law of equilibrium - the great leveling force that brings things to the mean and takes the 'cartoonishness' out of life. Perhaps I am doing a very unnatural thing... If Einstein were still alive I would ask him about it.
I write a lot of material you've never heard that live inside my sadness. You'll hear a song that lasts six to seven minutes of just beautiful sadness. But I can't just go out on the stage to ask five thousand people to be sad with me for seven straight minutes.
I love eating healthy and doing the yoga thing, because I think I'm going to live to a thousand doing so. And that's because I don't want to leave here so soon. I want to stick around as long as I can, but I know that's not going to be the case. We're all going.
I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing. When is it that the voice becomes an elixir? It's during flirting, courtship, sex. Music's all that.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
My first album, 'Get Lifted,' was a hip-hop soul album that had some of its roots in the church, as far as the sonic choices, in the way that I sing and write songs. I have always had that as part of my background and part of my influence when I am making music.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
You need to understand that a skilled professional songwriter can accelerate your success as an already talented musician. These people are writing every single day, so their craft is really sharp, and it's the best songwriters who consistently get on the radio.
When I was young I was listening to the Spice Girls and Destiny's Child. I was singing 'Independent Woman' and 'Survivor,' and it was all about Girl Power and being with your friends. I don't think I was singing, 'Don't cha wish your girlfriend was hot like me?'
I've always had a bazillion songs in my archive, but I want to play people stuff they know. Now that I have two albums' worth of material, that gives me freedom to compose a set that's more well-balanced and build a show rather than just a recital of some songs.
What I wear is everything - from how I carry my hair to what I'm wearing on my feet. I have to feel comfortable on stage, so I like to wear things that have room. My mood changes a lot, so sometimes I wear 6-inch heels, and other times I'll perform in bare feet.
Topshop is one of my favourite shops, and I love shoes by Giuseppe Zanotti. There's a graduate fashion designer called Kate Falcus who makes me beautiful commissioned pieces - one of my favourites was the white Glastonbury dress she made me with the puffy skirt.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.
It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming.
I think that I've gotten a lot more relaxed, and I know how to go about getting a sound now. I know what to do to get the vibe right. As an example, when I'm doing vocals, I don't have six guys sitting out there in the control room, messing around, making faces.
I think the best way to be an activist is to live your life well and be honest. It means being out. If you are not comfortable marching, you can make a big difference just by working side by side with someone who actually knows you're gay and a fine human being.
I'm a person of the arts. I love the arts very, very, very much. And ah, I'm a musician, I'm a director, I'm a writer, I'm a composer, I'm a producer, and I love the medium. I love film very, very much. I think it's the most expressive of all of the art mediums.
There are so many musicians, friends of mine, who play shows for ten people a night, or always desperately wanted a record contract. So even if every person on the planet loathes me, I have nothing to complain about. My job is not a bad job, so I can't complain.
From film to film, I realize my strengths and my weakness, and I realize how much better I get. I learn the lingo, I ask questions and I'm on set trying to figure out which shots they're going to use. For me, it's exploring the art. It's not just making a movie.
'Madden' is the closest thing to actually being on the field yourself. It's so ridiculously realistic. Before I play it, I honestly didn't understand. 'What's all the hype? It's a video game'. Then I sat down and played it, and you feel like you're on the field.
When I need my wife or when I need companionship or someone to talk to, I need it, like, now. So my wife will have to give up whatever she's doing at that moment to tend to my needs. And in the same way, I would tend to hers. That's not such an easy thing to do.
A live show is one of the last holdouts of a thing that makes you feel a part of a community, where you'll go and maybe meet your future wife or boyfriend, or you're taking your sister to her first show. These are the things that you remember later in your life.
I had basically been shelved by the record label for two years and I was writing songs every day. I made two albums that just never came out, and that was just a really big knock to my confidence, because everything I sent seemed like it just wasn't good enough.
As a kid, I'd watch MTV and think how great it would be to have my own music videos on those shows. Now I turn on MTV and, along the bottom of the screen, it often reads, 'Coming next... Pixie Lott.' That's so strange that I can't even begin to make sense of it.
Well, putting words on paper isn't your job. Your job is to go digging around in your soul. And that's the end of it all. A songwriter's job is to go digging around in his soul. And come up with, and put to paper, what others can't express about the soul itself.
My mama is my best friend. We have fun, we can talk about anything, she always is on my side but really quick to tell me when I'm wrong. That's a true friend. She's loyal, smart, witty and intelligent. She loves family and loves to travel. All the things I love!
Fame is not just about being able to get out of a limo in Leicester Square, it's about trying to get into your house when there are eight photographers outside. When you think about being famous, you don't think about all that stuff. You think about the glamour.
I use maps in my phone a great deal because I can't tell left from right. Having easy access to maps has given me a completely different life. When I first moved to London, I couldn't get anywhere and spent so much money on cabs because I couldn't figure it out.
I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do.
We're addicted to this concept of civilization - we can't imagine living outside of it because we've had it for 10,000 years, all of what we call history. But according to archaeologists, humanity has been on this planet for millions of years in indigenous form.
It's not onstage as often anymore, but whenever I got anxious, I used to talk a lot more, and I wouldn't even know what I was saying... it was so bad. If I just talk myself through something, even if it's just talking about nothing, it usually gets me out of it.
Let's just cut a live record with three microphones in four days and talk about lizards and aliens. If I had taken that idea to even an independent label, I don't see a label out there that would've said, 'Oh yeah, that sounds great. We know how to market this.'
I still feel like I have a lot to learn in the realm of sound experimentation, and I think I would like things to get noisier and weirder and more distressed and more aggressive, but I don't know if that's something that would be suitable for public consumption.
I think love is one of those things that it's only really bad because it was once good. You can't miss something that was never amazing. So, what I've learned is that even if it ends badly, it's worth it if it made you feel something, if it taught you something.
I never really had male influences in my life. Steady, male influences. And that's what I wanna be for my family. As a musician, I definitely will attain everything that I set out to. I work very hard. But more important to me is that my family is taken care of.
The lyrics are a lot about those big questions: why are we here, how did we get here, what's the point, and what's next. When those questions come up with fans, I would absolutely share with them what has helped me and where I stand on what it is that I believe.
I just think that when you've been singing for 30 years, which I have been, you just want to find different things you can do with your voice. It's a constant journey. It's not like any one album that you make is who you are. It just reflects that particular day.
When I see something I end up making a song about it and that's the way it is. There have been plenty of times when I've been in the studio and they were like, "Hey, why don't you make a song about such and such," and I just can't. I've gotta have it in my heart.
As far as being onstage, commanding presence, I've always looked up to people like Axl Rose and Freddie Mercury and Paul Stanley - the rock gods. I've always wanted to be able to achieve that level of commanding nature onstage and really leading people at a show.
Musically, I actually grew up listening to country music as a kid like George Strait, Alan Jackson... all those guys. So it was kind of weird crossing over from that to pop and R&B, but you know, I love Michael Jackson, Ne-Yo, Usher, R. Kelly, Drake, Boyz II Men.
Death Cab always gets right of first refusal on everything I write, but I tend to know early on. There's a song that has yet to be released - it might come to light at some point in the near future - that when I was writing it, I was really proud of it lyrically.