Quotes of All Topics . Occasions . Authors
Most people in the U.K. discovered me playing a standard on Parkinson. In America, it was on VH1 singing an original called 'All At Sea,' which is a contemporary pop song. So the people that know me there tend to think of me in the singer/songwriter category.
I try to make statements that aren't broad because that doesn't make for good writing. I don't get commentary as my job, because I'm not very good at that. The way I do it is by writing songs, and I have to be small; I have to make the stories a bit personal.
Do you ever wonder what happens to the words that we send Do they bend, do they break from the flight that they take And come back together again with a whole new meaning In a brand new sense, completely unrelated to the one I sent ((Did You Get My Message?))
I could experience vulnerability if I just constantly gave myself away without ever taking time out once a day or a couple times a day or whatever it is I need to restore, whether it's more sleep, or whether it's going to see a movie or writing something new.
I've always enjoyed singing and can't recall a time in my life where I wasn't singing. I'm most grateful for the strength I have in that department. I have a lot of bad habits on the guitar which limits my playing ability. But I get a little better each year.
I sort of came out at the dawn of the Internet in the mid-90s and I think it helped break my career. I think I was one of the first artists to really benefit from the grassroots swell that can happen online. I don't know if I would have broken out without it.
At my aunt's funeral, I promised myself that I wouldn't be bound by the belief that I'm supposed to stay in anything - whether it's a relationship, a job, a house, or a circumstance - if it makes me miserable. She gave me the courage to find my own happiness.
As slavery died for the greater good of America, and the movement for equality sputtered to life, the white woman was on the cover of every American magazine. She was the dazzling jewel on every movie screen, the glory of every commercial and television show.
Just follow your gut. If you seriously believe that something is the right thing to do, if you are so convinced that your stomach is knotting up every time someone suggests an alternative way of doing all this, take a deep breath and just say, "You're wrong."
I respect people who are willing to deal with everything that comes with being a politician, but I'm not willing to deal with half the country rooting for you to fail. I'm a singer; I deal with enough. But at least half the country's not trying to destroy me.
Hip-hop is one of the most free art forms there is. There's so many sounds you can use, so many things you can bring in. You never know, man. I bet years ago people would've never said they would hear me with Rick Ross, and we did four classic songs together.
I love boating - not flash, 'noisy go fast' nonsense, but the general relaxation of it. My wife and I love to get in our little Wellcraft and go as far out to sea as we can, hopefully beyond land. That is the best thing you can ever do. It clears your psyche.
Geez, I wish I could tell you I had a whole bunch of '80s hair bands, you know something you really wouldn't expect, but I don't know that the music police would be that surprised, because most of the stuff that I am influenced by is in evidence in the music.
You can be fun and sexy and still care about issues. I'm excited that people are starting to listen to what I have to say. And if they misunderstand, that's OK. I'm still the new kid on the block. With time, they'll see what I'm about. I'm not going anywhere.
I've got an amazing family. My wife is really smart. She's guided me the whole way. With children, you see them grow up, so it's like you're forever young. They are totally innocent and so unjaded. Watching them grow up makes you go through it again yourself.
Personal relationship with God is not all just the ceremony and not the religion of doing something because you were told that's what you have to do; it's relationships, it's like we have relationships with our families, with our friends, with our loved ones.
In terms of the production, the style I use is what I see as the 'Lisa Stansfield sound' and I would hope that when anyone puts on one of my songs they don't even have to listen to my voice to know this is a Lisa Stansfield song, because of the way it sounds.
The way that I'm working now is basically the way I've been working since I was a kid: Find the greatest artist in whatever you do, and rip them off with respect. I think there's a big difference between ripping off with respect and ripping off in disrespect.
With all the chaos, pain and suffering in the world, the fact that my adoption of a child from who was living in an orphanage, you know, was the number one story for a week in the world. To me, that says more about our inability to focus on the real problems.
A friend of mine passed away unexpectedly at the very end of making 'Ghosts', someone who had been as close to me as someone could get, someone who was far too young. But I couldn't really sing about it for a long time - not in the way I would have wanted to.
I have been fighting writing songs for a long time. People keep telling me I should write, and other writers have offered to write with me, and to be honest, it's not something I've ever really had a passion for - plus I wasn't sure I had the talent to do it!
I know some artists who come out of country music and the three sessions a day work ethic where you walk in, and you're told you play this note, this note, and this note, and you don't vary it. I know that works great for some people. It wouldn't work for me.
I'm just trying to unite the western crowd and the bluegrass crowd a little more. ... I get to do that again on my new album, Tall Grass and Cool Water.... This is the first time I've had every song on an album be a Bluegrass and Cowboy Song at the same time.
... The Anarchists' [national] anthem is an international anthem that consists of 365 raspberries blown in very quick succession to the tune of Camptown Races. Nobody has to stand up for it, nobody has to listen to it, and, even better, nobody has to play it.
I have no patience for anyone who thinks they've figured things out, no patience for people who think they're right at the expense of everyone else. The world is too connected and too complicated to conform to any of our rigid ideas of what it should be like.
There's an aesthetic theme, which is cities at two o'clock in the morning. Not cities packed with people going out to clubs and dancing but desolate, empty streets. It's off-putting but there's a strange comfort to it as well, that desolate urban environment.
My dad was a singer. Old classic stuff like 'Brown Eyed Girl,' or 'Delilah' if he was getting really dramatic. And there was always a gig. All the men would go out and play, congregate back at our house, and I would be up with them wailing into the wee hours.
It's the same girl-who-has-everything story. You know, the one where she's insecure and scared and unhappy and has marriage problems and doesn't know how to handle stardom and screws up right and left and gets in with the wrong people and goes down the drain.
I would love to play a show with Kanye West. That would be amazing. I want to play a show with Tom Petty or Bruce Springsteen. It would be really fun, especially to stick around, watch their show and watch how they work a crowd. It's really a wonderful thing.
People get strange about whether you've written your own songs, which seems really stupid considering that, especially in Country Music, it's about oral tradition and passing things on and the songs weren't meant to be played by one person and then forgotten.
When 'Raw Like Sushi' came out in the U.S., I wasn't considered to be black enough. They didn't really know where to put me. The music wasn't 'black black' sounding. It wasn't R&B; it wasn't straight up hip-hop, although obviously in that dimension and world.
Being promoted as a bubble-gum type artist that has one hit and it's all over is not something I want to do. I want a long career. I want to continue to play guitar and have as much guitar in there as possible in a commercial song without being too indulgent.
I have different reasons for the way that I react to things now that I have kids. It's not about me, it's about my children going out into this world that makes me say, "What the hell are you all doing?" I have to put them out there, and then I have to worry.
The best thing is to motivate people to do their own work. I'm not opposed to making money. But I started to play rock 'n' roll to motivate others, to shake things up, wake people up and to let other skinny, pimply marginalized weirdos know they're not alone.
I'm not a critic. I'm not a journalist. I'm not a philosopher. Arguing that punk has run its course is like saying painting ran its course after the Renaissance. Punk is an idea. It's freedom. And it'll be around 200 years from now for the people who want it.
When I first started writing songs, I looked around at the bands that were making it, and they all had the original material. Jimi Hendrix, the Beatles, the Stones - everybody was writing their own songs. That's the way that you established your own identity.
There was a time I desperately needed for the world to know that I was no category guy. My whole goal in life was to reach that certain success where people will say, 'Hey, that guy can do anything. He's the Evel Knievel of music. He's jumping over 15 buses!'
'The Voice' ignited a fire in me to be an artist and to be a country singer, but not winning ignited an even bigger fire, because I was just like, 'First of all, I know that I want this'; now I wanted it even more, 'cause I didn't know if I had a record deal.
I’ve always tried to be independent. It’s just my personality. I’ve always been the type to motivate the camp. I’ve always wanted to be the fuel for something—for music, the fuel for my family, the fuel for my best friend. Helping someone with what I’m doing.
If you look at the history of the LGBTQ community, from my perspective growing up as I did in the U.K. in the '50s, there was just terrible, terrible discrimination, you know? It was extremely difficult to live your life as you should have been allowed to do.
She's the only woman I've ever had a sexual fantasy about. With me, looks come first, and she's everything a woman should be. She's blonde and beautiful, she's got the most incredible legs - et cetera, et cetera. And she's French as well. (on Brigitte Bardot)
You don't have to be singing specifically about things that are going on in your life, but because of the nature of music, because it is this incredibly emotional phenomenon, everything that you are feeling or experiencing is relayed in the music you put out.
I've always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.
I remember I autographed it to Mutt Lange, and I may only have put one t on Mutt. I mean, I'd never heard of such a name. I'm sure he must've thought that was quite funny. He must've known from that autograph, right off the bat, that I had no idea who he was.
If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?
The World's Fair was the precursor to theme parks like Disneyworld, and the really sort of cheap, superficial promotional architecture that you see everywhere in the US. I think there's a danger when you start creating a civilisation that isn't meant to last.
Say it to them. Or say it to yourself in the mirror. Say it in a letter you'll never send or in a book millions might read someday. I think you deserve to look back on your life without a chorus of resounding voices saying 'I could've, but it's too late now.'
I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.
Everybody should have their own thing, and if he don't want to be a role model, that should be up to him. In the right situations, I can try to help and be a role model, but I'm still gonna speak my mind, and if that affects the role-model deal, then too bad.
The way popular music is categorized and formatted cuts down on everyone's options. And although people don't talk about it, there are a lot of issues of race determining musical categories of what's rock, R&B, or even folk. It ends up restricting creativity.