Quotes of All Topics . Occasions . Authors
I'm only just learning what language to use when I want my microphone turned down, you know, because it's all so new to me. It can be quite difficult on a daily basis to communicate with the people I work with, so I'm just looking forward to knowing more.
I often do crazy siren noises, or, like, a high-pitched dolphin, just to make sure that all my range is there. I make random noise and blurt out random sounds, to make sure I get rid of any bad nerves. I want to make sure to feel as confident as possible.
I keep getting compared to Marina and the Diamonds because she's kind of in the same place as me at the moment. It's quite annoying being compared, actually, because it almost downgrades your work and makes you feel like you're just another female artist.
It's very easy for me to keep a low profile because the focus I feel is always on the music. Success and fame are two different things. And so I feel the success is always towards the music, which means that I can have a very normal and private lifestyle.
After 'Sesame Street,' it's a hyper-familiar world to me and I have this childlike ability to ignore the fact that I'm talking to scraps of cloth. Every country I go to, I see posters promoting the film in different languages. 'Los Muppets' - I love that!
I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
So I usually call the songs when I get on the stage, according to what the crowd feels like to me. I can jump from 50 years ago to right up to now, and people will be familiar with the songs. And since we never do them the same way, it's a new experience.
There have been periods in my life where I have experienced depression. It has been through some of my darkest moments that I have written some of my best songs. For me, singing and writing is very therapeutic. It's much more effective than taking Prozac!
I probably could have a hip-hop-style entourage of 40 people coming with me to the club or whatever, and I don't do that. And I think sometimes maybe I should. It just makes things easier - if you don't like being by yourself, maybe just don't do it ever.
The idea of growing up in the South and being a man is an interesting thing; there's a lot masculinity involved, with hunting, fishing, and playing sports that rural people take pride in, but at the same time, I grew up really not wanting to hate anybody.
Because of our situation, God has given us an opportunity to almost transcend our gender, which gives us a vision and sensitivity that other people don't have. They think that being white and male is going to save the world; but life is not The Lion King.
When I auditioned with Anthony Minghella (The No. 1 Ladies Detective Agency), I loved the audition process, although I hated him for it. Because he had me audition six times for that role. Maybe three hours each. He wanted to see how quickly I could vary.
I never really thought of my neighborhood in South Philly as being a neighborhood; it was more a state of mind. For people who aren't familiar with those kinds of places, it's a whole different thing. Like, 42nd Street in New York City is a state of mind.
As much as I am a huge soccer fan, music just kills it when it comes to importance. I could go to a desert island without a football and survive happily, but if I had to go without music, I think I'd end up killing myself. It fuels my soul. It always has.
I've never told anyone this. But I suffer from terrible stage fright. True. You can't tell though, can you? Unbelievable, the panic. I nearly die of fear before I go on stage. Something wicked. I can't eat a thing the day before a gig. It'd make me vomit.
I've never been accused of a felony. I never spent time behind bars except for a few overnight jail times back in the Sixties. [But] I think there's a little bit of a criminal in all of us. Everybody's done something they don't want anybody to know about.
It was a big surprise when I started to get attention in Sweden, going from biochemistry studies to touring and living from music only. There were a couple of years while I went to university when I was OK with thinking of music as just a nice recreation.
There are all these tests that are done on young kids and they all say they want to be famous but I just always felt that for my generation being famous was kind of corny and cheesy. Maybe because fame isn't something that proves you're good at something.
Things go in cycles. It's like fashion, like flares go out then skinny jeans come in, people want something fresh. It's the strongest ever urban scene at the moment and I hope it can progress and keep getting stronger and be the base for something larger.
The people that buy music might not be able to afford to buy music. It might not even be a situation where people don't want to buy your stuff. It might be a situation where they can't afford to buy it because food prices are too high. I can respect that.
Someone said one time, 'If your marriage isn't your priority, you're not married,' and I thought, for me that's so true. So as long as I keep her as a priority, everything else sort of seems to work. And when I don't keep it as a priority, it's ... Jenga.
You have to love writing a song and architecture. You have to give it a form. It is my job to create a sonic landscape. I like to create ambiance and atmosphere. The writing is the intimate part of it. It is a sketch. The production is the whole painting.
The '80s don't seem to have gone away. Most weekends in the summer we're off doing a festival in front of 10,000 or 15,000 people with a load of other '80s acts. It was just such a great era for music, for individuals and characters. It just had a spirit.
Music TV in the U.K. is disappearing. 'Top Of The Pops,' 'CD:UK' and shows like that have gone, and it's bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.
It's inappropriate for an elderly chap to register, you know, authentically, his feelings, you know, because they really can be interpreted. So you have to get quite covert as you get older. Or you have to find some avuncular way, you know, of responding.
I had girlfriends who really irritated me by their devotion to the Beatles. I didn't begrudge them their interest, and there were songs like 'Hey Jude' that I could appreciate. But they didn't seem to be essential to the kind of nourishment that I craved.
I want to learn about a different religion. I grew up Catholic, but my grandfather was Jewish. Knowledge about other religions can help you understand your own better. I think it's kind of hypocritical to believe one thing and don't know about any others.
People who grew up watching Disney films like myself, there are films that are certain benchmarks in my childhood. 'The Little Mermaid' was the first movie I remember seeing. 'Beauty And The Beast,' 'Aladdin,' those are three I remember right off the bat.
One of the most encouraging things is to see that so many of these young musicians and worship leaders are really concerned with doing a good job representing the truth of Jesus in their songs, and not just concerned with creative and musical progression.
I think secretly and privately there is a destiny for me and just for me to stay on that track and follow it. I really believe and feel I am here for a reason and that's my job, you know, to perform for the people and if they accept it that I am rewarded.
In the past I've had public feuds with people, and I have really not benefited from any of them. The feud with Eminem did kind of torpedo my career in the United States, but it also introduced me to Middle America in a way I never could have conceived of.
I’ve been making electronic music for twenty some odd years but, because I grew up playing in punk rock bands, when I started touring, I thought in order to be a viable touring musician I had to do it with a band. I would DJ or tour with a full rock band.
I've always worked with my partner, my husband, Cameron, since 'Raw Like Sushi,' and in a way, I feel very free with what I do, but he also has an amazing insight in having intuitions that tend to be right a lot of the time, about where we should go next.
I'm very fussy about how my records sound, but I'm very aware that because of the way they sound, I will never be a big-selling, mainstream artist because the public has gotten conditioned to hearing pop music in a certain way. And I don't do it that way.
One thing that I am becoming to learn is that you've got to have patience and wait your turn in this game. I feel like I am progressing as an artist, as a writer and as a performer and I know that there will be that one moment that will change everything.
It's really hard to make records and concentrate and have a free mind, because I have this whole other life. If you don't have kids it's a whole other thing. I think you can be fifty and still have a rock and roll lifestyle; you can still perpetuate that.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
I don't actually have to think very hard when I'm writing. I mean, there are times where it's a task, and you have to plug away and plug away. But then there are times when a song writes itself in 15 minutes, and you're just struggling to keep up with it.
My hat goes off to anybody who can sit down and put their heads together. I am ready for something like that because I am free and I am happy and I have time. There were a lot of things in the way before. I have nothing but time, and I love getting older.
There were musicians that influenced me, but they weren't all women. Teena Marie was a big influence because she wrote and produced her own music, which let me know that women could write and produce their own music, which was an empowering moment for me.
Hip-hop definitely taught me a lot. Having to create your own identity and become known and respected in a male-dominated field - it requires some guts. There are times you have to be strong, and times when you have to stand alone for what you believe in.
I've programmed myself musically to come up with love-feeling tracks that are romantic, sexy, but classy, all in one. And that's the challenge. Once I create that music, then the lyrical content starts to come - you know, the stories and things like that.
I'm dreaming of a white president. Just like the ones we've always had. A real live white man. Who knows the score, how to handle money or start a war. Wouldn't even have to tell me what we were fighting for. He'd be the right man, if he were a white man.
On 'Overpowered,' there was a nostalgia for disco and early house music. But I'm a modernist and futurist as well. I do believe - and this is going to sound really pretentious, I know - that humanity will figure it out, so I'm optimistic about the future.
Everybody does music from his culture and his experiences with his culture. There are not so many people who are interested by the music coming from different countries and different cultures and trying to make music from that, from all these experiences.
When you're young, you don't really know quite what you're aiming at. You're very impulsive and acting on impulse, which is very important and valuable. But you're kind of swimming in a blind sea. When you get older, you have more of a sense of direction.
I listen to, like, funky Chicago blues. I love blues, but I love the funky, happy blues. There's a song about pretty much everything, including kidney stones, believe it or not. So there's something there for whatever you happen to be suffering, you know?
One of my favourite things about country music is that, at least until recently, you could always count on a solid story, a punchline and a pun. I think it has that in common with hip hop, where they're not afraid of wordplay and I really appreciate that.
As much as I'd like to think and as much as people mistakenly think my audience is blue collar people in the heart of America, my audience is basically, in the States, an NPR audience. I play college towns in the summer because that's who comes to see me.
Every time Jimmy Scott sings, it's the same but slightly different. I don't know how he does that or where he gets that from. I think it's instinct. Nothing he does is by chance; he's in complete control of what he's doing. He's just beautiful and unique.