Quotes of All Topics . Occasions . Authors
I get told I'm a confessional songwriter, which gets on my tits because I think of negative connotations attached to the word "confessional". I don't like the idea of songwriting being therapy. I don't want to put myself so directly in the foreground.
There's the media-driven universe, in which the public perceives you in a superficial way. Then there's the universe that you actually inhabit, where you have to get up even if you didn't sleep so well, and you feel like crap and your face is swollen.
I got so far away from what they told you in acting class: Do something different. Producers kept offering me the 'Sister Act' movie, but I said, 'My fans don't want to see me in a wimple.' I literally said, 'My fans don't want to see me in a wimple.'
People go back to the stuff that doesn't cost a lot of money and the stuff that you don't have to hand money to over and over again. Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
I know a lot of people who are not here anymore, and I wonder why I'm still here... Not a day goes by that I don't think about Sam Cooke. His presence is so strong and so convincing to me, a true artist, a true talent, who never talked down to people.
People say, 'Gee, you don't really do political music.' Well, I sing a lot of songs about how men and women and lovers treat each other, and none of us want to be talked down to or belittled or ignored or disrespected... So I'm proud to be a feminist.
The funny thing is a lot of people assume that my parents are the ones pushing me to make music. The truth is that I'm the one dragging them along on this crazy ride. They'd much rather have a normal life, but it doesn't look like that's in the cards.
This person loves tangerines, This person loves raspberries - and my son won't even look at berries. Isn't that amazing? And so I have to apply that to music; otherwise, I would always hide in a hole because of all the people that don't like Coldplay.
I was on paper earning more money and having more success than I'd ever had. And it was also the most miserable I've ever been. When those things collided, I realised something was off. That's when I started poking around to figure out what was wrong.
My mama never wore a pair of pants when I was growing up, and now that's all she wears. It was so funny for me when I first started seeing Mama wear pants. It was like it wasn't Mama. Now I've bought her many a pantsuit because she just lives in them.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
André and I are still best of friends, always have been and always will be. When our 18-year-old son, Seven, started high school, we both agreed to be in the same city, so André is in Dallas all the time, and we're always all together doing something.
I can't stand quitters. My mother is a very strong, determined woman. I was peeling onions when I was seven, but I walked off when my eyes began to sting. She said to me, 'You start something and you finish it', and that stuck with me. I'm persistent.
Musically, there's probably nothing better than, after spending weeks or months of grinding on a lyric or a song, when you play a good song from beginning to end for the first time - there's a moment there where all the pain and suffering is worth it.
Young adults living with a stutter is hard work. How do they handle job interviews? What do they do when the phone rings? How do they 'chat someone up'? All these things the average person takes for granted prove to be a stammerer's biggest challenge.
My first instrument was bass, and the first thing that I remember learning to play that was better than a few notes was Fleetwood Mac's 'The Chain.' If you're the guy who penned that bass riff, then you should probably be in some sort of fantasy band.
I have no reason to sit home and write songs all day without going out and playing for the folks. And I have no reason to go play for the folks unless I'm writing new songs so they can sort of feed off one another. And I just try to do the best I can.
I record at the same place [Toe Rag or FatSounds Studios in London], with the same people [Liam Watson at Toe Rag and Ed Deegan at Fatsounds], every time. It makes it effortless, and another reason for the vast output when I do go in and record stuff.
I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
When Elvis was performing, you just tried to figure out a way to get there. I think he set all the records and anyone that has ever had the good fortune to see him, you know what it's like to try to get in to see Elvis. It was impossible, practically.
One of my earliest memories was me singing 'Oh, What A Beautiful Mornin' at the top of my voice when I was seven. I got totally carried away. My grandmother, Sarah, was in the next room. I didn't even realise she was there. I was terribly embarrassed.
If you love somebody; You better let it out; Don't hold it back; While you're trying to figure it out; Cause the only real pain a heart can ever know; Is the sorrow of regret; When you don't let your feelings show. So, did you say it, Did you mean it?
I have to say what I do is not easy and there are definitely moments where I feel inadequate to the tasks I've set for myself. And that's hard to feel - like you're giving your life to something and you can't really do it as well as you want to do it.
I've always explored various areas of society. And I love the young people. And I had an empathy for prisoners and did concerts for them back when I thought that it would make a difference - you know? - that they really were there to be rehabilitated.
I met Sam Phillips when he came in [studio] and I said, I'm John Cash. I'm the one who's been calling. And if you'd listen to me, I believe you'll be glad you did. And he said, come on in. That was a good lesson for me, you know, to believe in myself.
My mother is a ball of fire in the world, and I love that about her. But what I have learned from my stepdad is something as important, which is patience and compassion. Because when you are living with someone else, those two qualities go a long way.
I listen to very little music, particularly contemporary. If I listen to it, it's going to be my own music, some arrangement or something. I spend so much time listening that the way I relax is by watching things, a comedy; that's my way to wind down.
My parents weren't keen on the giving up of school at the beginning to go into singing and dancing, but once they saw I was serious about it, they gave support. I was quite stubborn about my decision, and in the end, they realised it was for the best.
The Russians invaded Georgia in 2008 and my mum got stuck and had to be airlifted back to the capital by the UN because she'd left her passport at my grandparents. It was absolutely terrifying and it's why I always carry my passport in my handbag now.
If people want to compare us to the Shangri-Las, then that's all well and good. But those groups were put together. They were told what to sing, dressed up, neatly packaged. We're like the '80s version in that we're more outgoing, more involved in it.
I've always been a music fan. I played trumpet. When I was in 4th grade, we were getting demos from the music teacher about different instruments we could play, and I said I wanted to play the trumpet right away. It was easy: it just had three valves.
I love a lot of music that's considered folk music, but I also love a lot of music that's considered punk or considered rap. I don't mind being called a folk singer. But it seems a bit limiting. I want to be able to write whatever kind of song I want.
I'd written a lot of songs with hummingbirds in them. None of them ever came to anything, but I did write a few lines last month. It went like this: 'Listen to the hummingbird whose wings you cannot see. Listen to the hummingbird, don't listen to me'.
Sometimes you want to go for a walk and you don't want to be watched. You just want to be anonymous and blend in. Especially when I travel, I feel that way, because I can't really go out and see a city the way other people can and I miss out on a lot.
People like it when others are gossiping. When you hear a story about someone's demise or some big faux-pas they made, everyone wants to tune into it, because it's nice to know that someone else made a mistake. It makes you feel elevated for a moment.
They send women into combat without being prepared for women in combat. The men resented them being there, and it was just very, very difficult for them, and they had to fight for the respect they were earning. And that's all they want is the respect.
Music makes us want to live. You don't know how many times people have told me that they'd been down and depressed and just wanted to die. But then a special song caught their ear and that helped give them renewed strength. That's the power music has.
As a teenager, in my songbook, I used to script what my lighting would be like. I used to dance in my roo;, it was like putting myself in a trance, and making myself feel good about things, almost like a private ceremony of begging people to like you.
Even though my songs may sound very personal, to me most of them are fiction. It is a great way for me to be able to live a fantasy life as a writer because I get to be someone else, someplace else for three and a half minutes, just like the listener.
But what if you're wrong? What if there's more? What if there's hope you never dreamed of hoping for? What if you jump? And just close your eyes? What if the arms that catch you, catch you by surprise? What if He's more than enough? What if it's love?
People who are feeling bullied and people who feel like outsiders should talk to their parents and guardians about finding a place with likeminded people where they can feel accepted. That's what I needed, and that's what I found with musical theater.
I always feel stupid giving advice since I've been married, what, a year? I can say this: Be in it for the long haul and just know there are going to be rough patches. No two people are the same, there are going to be areas where you just don't click.
I don't know anyone, from any class, who's had a perfectly easy life. I've met people born into wealthy families who feel like they didn't have much emotional support, and people who come from working-class families who had loads of love but no money.
I find it painful when I'm without anything. But I work in multiple fields. If I can't write, I find myself taking photographs. I can go on the road and perform. But the most important thing for me is writing, and when I hit those walls, it's painful.
There was one point where my mother was dying of lung cancer, and a journalist dressed up as a nurse and got in the house to get a picture of her, dying of lung cancer and stuff like that, and then you realise the fame's not all it's cracked up to be.
I sing my life. It's like I'm having group therapy 350 days a year, and the people who come to the show get that, and they're there for that - whether it's to be lifted up, or to be lifted out, or just entertained or inspired, or to feel not so alone.
I like everything in this iPhone, iPod world where you can do everything all the time. Back in my time, you bought a vinyl record when you were a kid and took it home, and it took a bit of effort to actually get it out of the thing and not scratch it.
I don't tweet very much. I still believe in the mystery of an artist. I believe in going out when I'm ready to sell my product. A lot of artists are out there every day. But I remember the Julio Iglesiases, the Jose Joses - and it was about the music.
I've had an amazing life, but I think I was born with a little bit of sadness in me. I've always been attracted to those things, whether it's sad movies, sad music... when you're sad, you feel everything in a greater way than you do when you're happy.
With most of the songs and music that I've composed, irrespective of the myriad videos made, I was always careful not to overly define the experience, leaving room for people to internalize things for themselves, making their experience more integral.