Quotes of All Topics . Occasions . Authors
I'm quite British in the sense of not expressing my emotions much. I save it for my songs. If you ask about a death in the family, or a lover, I will not be emotional. I'd probably answer with a smile. Because that's what we British blokes do.
I relax by catching up with my friends and family. When I am at home in Ibiza, I find the contrast of living on a divided island relaxing - with beauty and tranquillity in the north and a sense of fun, shallowness and celebration in the south.
There's been plenty of adversity, starting the moment he was born. He had a respiratory crisis, and it was touch and go for a week whether he would survive. I think ever since, you can feel this pulse in the guy, an almost physical enthusiasm.
Maybe a part of me recognized how right the improvising spirit of jazz is. Not the sounds, but the freedom to work with musicians who work that way. It felt very natural to me, but I think there's a way to do it without it being a jazz record.
Sometimes a song becomes rhetoric, but you have to really empathise. You also have to leave room for both sides of the argument: even if you're not telling the other side, you have to put that part in parentheses and make sure it's understood.
Words are really beautiful, but they're limited. Words are very male, very structured. But the voice is the netherworld, the darkness, where there's nothing to hang onto. The voice comes from a part of you that just knows and expresses and is.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
I think if you let go of preconceived ideas, you'll find everything in this life. For me, my understanding is God is all that is, God is everything, all that is, and your true God is within, and that's the power that you have as a human being.
I just lived it and did my own thing without looking over my shoulder. I think I'm very lucky, considering when I started everything, and the fact that I have a masters in music, and I've always worked in music, and that's what I wanted to do.
I wanted to focus on songs that I was inspired by growing up. I love so many of them from the last 100 years, but I really wanted, for my first step forward, to choose material that has inspired me and got me into the world of musical theater.
We're beginning to play God and get into cloning. We give up quickly. Divorce is an easy option. So why not just create your own mate? Synthesize a human being. You get tired of it, turn it off and put it in the closet like the vacuum cleaner.
I can't remember who told me but I was advised early on not to Google myself or read things about myself... I don't read a lot but get the gist of what's been said from friends and family. It's good to avoid it if you want to be normal person.
No one's ever done one of my songs badly. People say to me, "God, so-and-so wrecked that song." Well, I'm unaware of it. Anybody doing one of my tunes has earned my gratitude, and I don't get that many covers where I have the luxury to choose.
I think that Bob Dylan knows this more than all of us: you don't write the songs anyhow. So if you're lucky, you can keep the vehicle healthy and responsive over the years. If you're lucky, your own intentions have very little to do with this.
Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
I've just been growing right along. It's painful, but it's a great pain, and I like suffering for great results. It's like going to the gym. It hurts really bad at first, but after a couple of months and after that diet, you're looking so hot.
We're all just bags of bones and muscle and hormones; I'll never understand what makes our minds do the things we do. It's like that statue of the monkey holding a skull. We're trying to use a thing we don't understand to understand ourselves.
At a certain age, children are total Id - they're anything but beautiful little flowers. That always interests me. The place where the ego and the superego start, and where guilt and socialization and morality takes place, the true root of it.
Dre couldn't have given me those words to write, and he couldn't have given me that voice to sing. I couldn't have given him that musical talent or the ability that he has. What we made came from putting things together. I've always said that.
Louis Walsh, he made me audition for Girls Aloud, he said, 'If you don't, I won't speak to you again.' I was like, 'We don't speak that much anyway.' I went and it all worked out well, I wouldn't have gone to the audition if it wasn't for him.
One thing that stays the same is my passion for music. Other than that, I've become more dedicated. I think that I really work much harder than I ever did when I first started at my craft; I'm more dedicated, and I have become a perfectionist.
You have to go out there and give a piece of yourself -- your life, your soul. And you better give the audience everything you can -- physically, emotionally, musically. Then maybe they'll accept you and give you a standing ovation at the end.
I actually feel pretty inspired and hopeful by the fact that protests are becoming the norm now. They're less part of fringe society and more a part of mainstream society. That's exciting. There is no fringe anymore. We should all be included.
If you're able to grow up in Nigeria and go through certain things, you're able to tackle anything around the world because you're able to live wherever, if you can survive in a city like Lagos or Warri or Niger Delta, as far as I'm concerned.
Girls are supposed to sing. It's the guys' thing to play the guitar. Crossing the line is kind of like trying to be a male ballerina. But if you work long and hard enough, are really passionate about it, people will finally shut up and listen.
Written by the ancient Chinese philosopher of the same name, the 'Zhuangzi' is one long perplexing puzzle of a rambling collection of enigmatic short stories. It's a strange feeling to laugh at a joke written by someone in the 4th century B.C.
We're so busy broadcasting our latest cultural disdain that we scantly notice anything we enjoy. 'Oh man, this Rebecca Black kid is terrible! Let's laugh at her!' has become more culturally relevant than, 'I really love this new Bilal record.'
I was brought up to express myself only when asked to express myself and then to do so in a way that's pleasing to hear. But I've always had a need to make my presence known. I was just sort of born that way, I guess. It's my natural tendency.
I had a band when I was 14, and we would play around in my hometown of Middlesbrough, and we'd go to the club afterwards, which was the Purple Onion then. There would be live bands playing, and in between that, the DJ would be playing records.
'Idol' was a great experience. It was a great stepping-stone. I got to meet a lot of amazing people through that and learn a lot of great things. But afterward - that's what I tell a lot of people - it's up to you to represent it as an artist.
I lost relatives to AIDS, a couple of my closest cousins. I lost friends to AIDS, high-school friends who never even made it to their 21st birthdays in the '80s. When it's that close to you, you can't really deny it, and you can't run from it.
I still feel like I'm alone at times - even if I'm in the midst of a million people. Because no one - including me - understands my mind creatively. I haven't really been formally introduced to my gift yet. I feel like I'm still on the runway.
Also, any older song, especially any World War II songs remind me of Mama. She goes around the house either whistling or singing all the time. It drives my sister Alice crazy when we're playing games and Mama does that while it's Alice's turn!
The first time I had money, I was extravagant, but then you realise it's not just about that. If I lost it all tomorrow, it wouldn't be me that's hurt, it would be my babies. It would be more about people's opinion of me that would concern me.
I play guitar quite a bit, because I'm always in search of something. I don't play to jam, but because I'm fishing. I'm looking for something, that I hope you can never find. If I do find it, I'm afraid I won't have a need to do this any more.
Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.
Unfortunately, the young generation, who I believe have their own place in the sun like I had mine; but I wish it was possible there were other ways to have them understand this music was here before they came, and the reason that it was here.
Some artists get so comfortable now after even one or two albums and think, 'I'm the biggest artist in the world,' but it's like, yeah, you are for now, but you've gotta work so that you're remembered further, and that's what I'm trying to do.
Obviously, our business leaders yield enormous influence on our political leaders, and they have a duty to use that influence for the greater good. But beyond that, the private sector depends on having healthy, educated and productive workers.
I think the thing about what I want to achieve for the label is it to really be a home for artists who are already developed, who already have a great sense of their artistry or their imaging, who don't really feel or want that marketing push.
Records are only one-dimensional. Even film is only one-dimensional. That's why music and live theatre is so important, because it's not the same thing. A recording is just a record of part of the experience, but it's not the whole experience.
So I played the acoustic guitar and harmonica and stomped my foot and I think I was right in assuming that Greenwich Village would be the best place to perform my own material and possibly get some attention, move on to making records and all.
I prefer the word 'musician.' I'm a musician and a composer. I have a problem with the word 'artist.' I don't know if it's the same in English, but words like 'artist' and 'star' put people on a pedestal, which is not really good for my brain.
If there's a pregnancy rumor, people will find out it's not true when you wind up not being pregnant, like nine months from now, and if there's a house rumor, they'll find out it's not true when you are actively not ever spotted at that house.
I can't speak for everybody, I think, for me, I will not be defined by the lyrics of my song. I am a man who does music. It's like clothes don't make the man, the man makes the clothes. It's, it's like that song don't make me, I make the song.
If I hear a conversation and somebody says something intriguing, my first thought is, 'Is that a song?' I write all year long, and at the end of the year I pull these forty or fifty things out and say which of these things do I want to record.
When I became more involved in music, I had to give up some of my writing in the literary sense. However, on occasion, I would write something for my own pleasure or I would write notes and introductory remarks in the songbooks I put together.
A characteristic of older folksongs, in most cases, is that we don't know their composers or authors. Older folksongs were written often with no commercial purpose in mind. They were passed down by word of mouth, from generation to generation.
When I was in Philadelphia during the Depression in 1930 or '31, I got a very sad job as a night watchman in a garage. The cars in the garage had been abandoned by their owners, since they had lost their jobs and couldn't keep up the payments.