Quotes of All Topics . Occasions . Authors
I remember somebody handed me Siddhartha when I was I think 18, and I started to read it and I just really didn't like it, and I left it and it was just gathering dust for years. Then maybe five years later, the world shook as I read it.
What happens often - although I'm not particularly a victim of this sort of thing - is that somebody will make a quote, or invent a remark and it gets printed, ends up on the 'net and it becomes currency. And some of them are so bizarre!
I have a real worker-bee mentality. Just show up, just do it. Even if you feel like s--t and you think you're terrible and you'll never get better and it will never go anywhere, just show up and do it. And, eventually, something happens.
I think I've been incredibly raw my whole career. A lot of people spend a lot of time trying to look cool and spend time being guarded and putting up walls. I just never had the time. It seems more honest to say, 'Hey, this is who I am.'
As a youngster, when I started writing and stuff, I did actually write more from other people's perspectives. When I hit 18 and something happened to me that hurt me, I discovered that writing the truth is really therapeutic and amazing.
In terms of political things, I think it's important to be more direct in terms of political statements. I think in terms of philosophical and things that you plant things and see them grow lyrically or musically, it's okay to be subtle.
Sometimes when I go out and drink with my friends, they will say, "Seungri, don't be discouraged. I like Seungri. Why do you walk with your head down? Have more confidence, lift your head and walk." I guess friends understand each other.
I'm proud that I've been able to work with other artists to make sure that the smallest voices - the voices of our children - have a chance to be heard. Artists can reach, inspire, and motivate young people and leaders in a powerful way.
The blues is deceptively simple. Verse and chorus. Sometimes not even a chorus. Four bars that repeat, no Auto-Tune, electricity optional. It is the most direct, bare-bones of content. There is no interference between the head and heart.
We don't like trends. We formed initially because we felt we had something of our own to say. What was happening was lacking in certain aspects - it needed a different point of view, a variant on things, but with the same attack, impact.
Ever since I was a child, I've just had this sense that I'm connected to the spiritual world. I thought everyone else felt the same way. I can hear voices - not all the time - but when I'm with certain people, it sometimes comes through.
In the real world, I kind of, like, thrived a little bit. The things that were awkward about me at school, like being hyper passionate... I realized, 'Oh I'm my own person, and I have my own idiosyncrasies and nuances that I don't mind.'
If you want some big revelation, since 2010 I have dated exactly two people. The fact that there are slide shows of a dozen guys that I either hugged on a red carpet or met for lunch or wrote a song with ... it's just kind of ridiculous.
I find that people can pass me on the street who've just seen my picture in the paper and they wouldn't recognize me. If they'd seen me on television, the heads turn. They say, "Wait a minute. I don't know who that is, but he's somebody.
I remember driving to North Carolina when I was a little girl in a snowstorm to get down to my mom's family in the Carolinas. There were chains on the car - it was the late sixties - and we were just singing in the car. Christmas carols.
I'm no dancer. I got rhythm, I can dance if I need to, but I'm not Chris Brown. He's an amazing dancer. If I'm not going to be amazing at it, I'm not gon' do it. I'm gonna do what works for me, and you're going to feel it 'cause it's me.
My voice is who I am, who I was when I was 3, and who I am going to be when I am 90 years old. When I hit the stage and people do not know who I am, they automatically assume, before I open my mouth, I am going to sing a Bob Marley song!
The challenge is how strange and different my voice sounds, so I have tried to sound like other people and tried to be something I wasn't. I have tried to be a soul singer because someone else thought that a good idea. Not because I did.
The fact I wasn't getting off made me realize that I really had to take a hard look at it and at the type of music that I played, which ranges from ballads to country type stuff to rock and rhythm 'n' blues. It takes in a wider spectrum.
You can't define the ache that's in George's voice. It's just something inherently him. It doesn't need definition. It doesn't need clarification. It doesn't need a lot of things. You just sit back and appreciate it. It's just greatness.
With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.
For me, intrigue is a pretty powerful emotion. If you want to know more about a character, if you want to understand how they work, then you have enough curiosity to delve into their skin and their being. That was the biggest pull for me.
If I am constantly working, my relationships fail. So at least now I can have enough time to write a happy record. And be in love and be happy. And then I don't know what I'll do. Get married. Have some kids. Plant a nice vegetable patch.
I certainly understand that we're all trying to make a living, but I'm not thinking about that when I'm making it. And if that's your sole motivation, it's going to reflect that narcissistic greed and you're going to hear it in the music.
Without black, no color has any depth. But if you mix black with everything, suddenly there's shadow - no, not just shadow, but fullness. You've got to be willing to mix black into your palette if you want to create something that's real.
When you're spending eight to 10 hours out there, the homeless guy is no longer homeless; it's Dave. They become people to you. I think we're really good in this country about saying that they're homeless and, therefore, they don't exist.
We have a complete void of progressive politics in this country right now. The will of the people goes ignored and unrealized. I'm searching for the people that can enter the political system, a strong third party. We need to consolidate.
When things are starting to work, you get up at five in the morning thinking, what are we going to do today? You stay up until one in the morning getting it done, and then you start the next day with the same energy, because it's working!
It's a very telling thing when you have children. You have to be there for them, you've got to set an example, when you're not sure what your example is, and anyway the world is changing so fast you don't know what is appropriate anymore.
I was signed by L.A. Reid on Arista Records when I was 16. He understood me and believed in me. Arista folded and I got put on RCA or whatever, then there were new people there, and every six months it changes and more new people come in.
My dad helped me understand songwriting because of him playing Babyface a lot. I don't even know if my dad realized that him just being him, him just living his life, loving what he loved, poured more into me than anybody ever would know.
Music is almost like a therapy for me. It helps keep me centered and think straight. Before I discovered it, I was walking around, and it felt like there were 25 extra pounds of gravity on my shoulders. It's like you're mute or something.
I got really good input up until the age of 11, which is perfect. That's when adolescence starts, when I would have really wanted to rebel. Up until that point, though, it didn't feel like doctrine, and it gave me a great moral structure.
I divorce myself from listeners who aren't tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it's all right, and then they go out.
You spend hours alone, only with your thoughts, and you torture yourself. It's a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.
Children come running to the truth But you've got to peel the skin to get the fruit And while one's living high another's grieving But what's sweet by morning is bitter by the evening Oh - What's sweet by morning is bitter by the evening.
I'm constantly thinking about what I'll do next. I never count on music being a career of longevity. I mean, longevity is key, and I hope that it lasts, but you just don't know, because it's not in your hands, you don't make the decision.
I am and always will be a sinner. But that's the beautiful thing about Jesus. I'll always try to be a better person in the eyes of God. But I'm not all of a sudden stepping up on a pedestal and saying I'm holier than thou, 'cause I'm not!
Even from the age of about 6 years old, I was kind of made to feel different by other kids - you know, I was a quite pretty kid, and I got called 'girl' a lot, and 'woman' and all of that. And school is really not a place to be different.
I grew up in a single-wide, three-bedroom mobile home with my family. And now I see them, like, half a dozen times a year. Figuring out how to come home and talk to them again and feel like myself has probably been the greatest challenge.
I have no problem with people illegally downloading stuff. I'm not going to drive hard into 'You should buy my stuff,' because really, it's inevitable. If you like a song, you're going to download it for free. I have no problem with that.
On the first album, we were trying to do a pop-punk album with a classical influence. We'd say 'pop-punk,' and people would say, 'No, you're like burlesque-cabaret-punk,' or, 'It's baroque-pop,' and we were like, 'That sounds way cooler.'
I've received a lot of positive feedback from both the secular and Christian markets. People seem to be receiving it with open arms and hearts, and are interested in the stories I want to share about my relationship with God and my faith.
I had received some minor indie label interest when I was 14 after I was in a schools music competition thing in NZ called 'Rockquest', but I knew it wasn't the right time and that I wasn't good enough and needed to concentrate on school.
Jimi Hendrix is the greatest guitar player in the world... a guy who mastered that instrument. It was talking when he played. And when he did a solo, he made the guitar cry - or made it sound like it was coming from the devil's amplifier.
I became alienated from this religious upbringing, and started making music. I wanted to be a big star. All those things I saw in the films and on the media took hold of me, and perhaps I thought this was my god: the goal of making money.
I think it's really important to do what you want to do because in the long-run it's your career, you want everything to go well and you want to be happy with what you're doing. It was really important for me to take control of my career.
[People say]'You're always happy' and I'm, like, sometimes I have a huge zit on my face. But if you smile, people won't notice that. I do have bad-hair days but if you feel confident in yourself it would make people want to be around you.
Everyone asks me about being so worried or thinking about existence as if I'm the only person who can't understand why a tree grows the way it does or why a person is in power when they're not that great. These are questions everyone has.
You got to fight for quality art and equality and all the things that we're fighting for, the things we believe in. Choice and preference and all those things that we support. We don't want to give up that fight. You got to keep doing it.