Quotes of All Topics . Occasions . Authors
I grew up eating quite well, even though the idea has got around that my family were terribly poor in Communist Georgia. I think it's partly because we had different standards then - it was tough, but we never truly struggled for food.
My mum's an opera singer: I grew up watching her get swept up in music and transform herself into characters. She taught me that music is a lifelong journey, and that with every day and every song and every gig you learn something new.
You know it has to do with Kelley and drugs, and me... and there's like, what is it? I didn't read it. That's my thing. That's what I do, I don't read things if I don't think they're going to be good. I don't even look at the pictures.
The candles burned The moon went down The polished hill The milky town Transparent, weightless, luminous Uncovering the two of us On that fundamental ground Where love's unwilled, unleashed, unbound And half the perfect world is found.
So the great affair is over but whoever would have guessed, It would leave us all so vacant and so deeply unimpressed, It's like our visit to the moon or to that other star, I guess you go for nothing if you really want to go that far.
I can make a couple of good sandwiches: tuna salad and chopped egg salad. And Greek bean soup. I was a cook for my old Zen master for many years. So there were two or three dishes that he liked, you know. Teriyaki salmon, a few things.
The phrase 'teen hottie' literally makes me want to throw up. I'm a pop princess at heart. Pop is about distilling what you want to say and making it easy. And the way I write isn't about making things easy. It's a weird juxtaposition.
I love the idea of getting up early on Sundays and walking to the market to pick up fresh fruits and vegetables. It's a good way to start my day, and it makes me feel like I've accomplished something before other people are even awake.
I grew up doing musical theatre in Orlando, Florida. When I was 14, I just happened to be in the right place at the right time - a deliveryman heard me singing and offered to deliver my demo tape to Sony Music. I was just really lucky.
One thing I don't personally like is not having that privacy I used to have. Being able to do whatever I wanted to do without people recognizing me. That makes me watch what I'm doing more carefully. I'm not going to be acting no fool.
I'm definitely bigger than a Rihanna. Pop stars nowadays are all perfect Barbie-doll bodies, and they talk about how they keep their bodies up with hard work, so in my eyes, it's good to have a regular, average body type in the charts.
A lot of people have been quite surprised with the stuff that I'm doing on my own, which shocks me because I've always known what I wanted to do. But people have only seen me with the Spice Girls, so I suppose it's not that surprising.
I can look at cancer as a disease that picks me out and 'why me,' or I can look at it through love and say, 'This is a wake-up call. This is my body telling me: 'Hey, you're out of balance here. It's time to get in line with yourself.'
Then instead of introducing Dre as the guy from N.W.A., Jerry Heller would say Dre was my producer! Dre would come to my interviews with me - he'd come to all these places that would never have had the guy from N.W.A. Wasn't it genius?
You come to these thresholds in your life where you need to remember why you do what you do, to reconnect with yourself. When I look back at something like 'Raw Like Sushi,' I think I was very much in the right place at the right time.
When you're up on stage, especially being a female guitar player in a male-dominated field, if they just see you're into it, and it's your passion, and you're just giving it your all - it's not, like, an accessory - then it's all cool.
Well if you can’t get what you love, You learn to love the things you’ve got .. If you can’t be what you want, You learn to be the things you’re not .. If you can’t get what you need, You learn to need the things that stop you dreaming
People's lives change dramatically over such a long time period, and I think that if you're still vital, and you're still interested in writing and things like that, of course your music evolves and reflects where you are in your life.
'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
I very often think about doing things that I would want other artists to do. Like, if I'm a fan of whoever, I want to be treated a certain way. So I realized it came off almost elitist to ignore the whole world of Twitter and Facebook.
I never had any dates. I never really had any boyfriends. I was the girl who did the guys' homework. I was really crazy about guys but I was always like one of the boys. The guys I always fell in love with were completely inaccessible.
Settle down, it'll all be clear Don't pay no mind to the demons They fill you with fear The trouble it might drag you down If you get lost, you can always be found Just know you're not alone Cause I'm going to make this place your home
I don't think I've ever had a bad Valentine's Day, I mean... c'mon, y'all know I never get a bad Valentine. Nah. Um, no, I've never really had - I don't have a bad Valentine's Day. I never really think... it doesn't come up to my mind.
I'm excited to be launching D'Leon Records to support other young talent in their development. I have been very fortunate to have been able to break through and succeed in this tough industry, and this is one of my ways of giving back.
When onstage, I always try to take my audience through as many emotions as I possibly can. I want them to go from laughter to tears, be shocked and surprised and walk out the door with a renewed sense of themselves - and maybe a smile.
If I'm not the one thing you can't stand to lose, If I'm not that arrow to the heart of you, If you don't get drunk on my kiss, If you think you can do better than this then I guess we're done. Let's not drag this on, Consider me gone.
So, I think it has to do with the product and what you take to the public. If they like it, they're going to come see you, and if they don't, and if you're kind of getting out of the trendy line of things, then they won't come see you.
I think being a mum gives you extra qualities. I'm more feisty, fiercely protective and less selfish. The main trait I want to instill in my kids is kindness. I think it's the most important thing. If you're kind, you'll go a long way.
Faith wouldn't be faith without having to trust what is unseen. That's difficult sometimes, and it's almost easier to put our trust in what is tangible. But God wants us to put one foot in front of the other and just step out on faith.
When I think of my art tribe - you know, my peeps - there are certain people who are autobiographers that I really love. But for the most part, overwhelmingly, my tribes are the surrealists and the storytellers, in song and literature.
I think you're very lucky to find somebody you can coexist with without straying or going mad or being angry. That's whether you're Liam Gallagher and Nicole Appleton, Robbie Williams and Ayda Field, or Tim and June from down the road.
I would love to do a musical. When I did 'Fame L.A.' for a year - all the singing, dancing and acting - I was in heaven. I cried so much when they cancelled the show. I mean, I loved going to work and I couldn't wait to get on the set.
During shows and interviews, I want to tell people exactly how I feel and I thought that if I am honest and straightforward, then people will accept my words for what it is, but that's not how it works. My way of thinking is too naïve.
I can perform easily; I don't mind getting up in front of people at all. I've always sung and felt confident about that, and guitar playing isn't a stretch, but songwriting is. We all have our challenges in what we do, and that's mine.
I someday hope to find the time and coin to invest more of my creative energy towards the visual media side of releasing music. I'd love to make short film videos pushing the conventional standards of what a country music video can be.
I made up my mind that I was going to be just like Elvis. It never occurred to me that Elvis was a man. I just wanted to be him. He had a huge impact on me, right down to that black leather jumpsuit he wore on the '68 Comeback Special.
As soon as I accomplish one goal, I replace it with another one. I try not to get too far ahead of myself. I just say to myself, 'All right, well, I'd like to headline a tour,' and then when I get there, we'll see what my next goal is.
I don't think there's such a thing as falling in love too easily or falling too fast. Or loving someone too soon or trusting someone too soon... I've never treated two relationships the same. Some people move you and some people don't.
Burning up the phone until there's nothing left to say, so I lay here and just listen to you breathe. Girl you know it's only been a week since our first date-back when you were just a stranger to me. I've never let another in so soon.
There's always a part of my brain saying: 'Stop getting comfortable. Don't relax.' Because I find it difficult to write when I'm happy. I have to go out there and get battered up and bruised to write anything. I have to feel something.
I find myself, the more I grow up the more I hang around creatives, musicians. I find them more inspiring to be around. I'd probably say that. The more creative you are - I get along with them better. There is more of an understanding.
With my records, it's just a matter of trying to create something fresh for myself in a very finite context, which is the pop song. I don't know anything about the people who buy my records, and what, if anything, they get out of them.
For many years, I shut down that place inside myself that needed to rage, cry, ask questions and basically just express herself. I made a conscious choice when I put (the song) 'Me and a Gun' on the record not to stay a victim anymore.
If you are living a life that feels right to you, if you're willing to take creative chances or a creative path that feels like it's mostly in keeping with your sensibilities, you know, aesthetic and artistic, then that's what matters.
I'm no dancer. I got rhythm, I can dance if I need to but I'm not Chris Brown. He's an amazing dancer. If I'm not going to be amazing at it, I'm not gon' do it. I'm gonna do what works for me and you're going to feel it 'cause it's me.
I had to make 500 shots every day, and when my mom wasn't looking, I'd get up closer to the basket and do lay-ups and count them, and she'd be at the back window at the kitchen and knock. Then I'd have to go back and shoot from longer.
It's a mission for me to make sure that philanthropy doesn't feel like a vintage hand-me-down from mom or dad. I want people to feel compelled to do something positive because they just love it, they're excited about it, and it's cool.
Heavy Connection is just basically about psychic stuff...it's kind of about connections that you're not normally making. It's like a fate number where you're making psychic connections that you're not really aware of but they're there.
With women, you always have to make an educated decision to figure out what they're thinking. It's not one that's necessarily sympathetic, always. Of course, we're all human beings, but the gender thing is big thing. And a great thing.
People say, 'You should let your hair out; you shouldn't be oppressed - you're not in Malaysia anymore. You should show your curves and be proud of it.' But I am proud - it's my choice to cover up my body. I'm not oppressed - I'm free.