Quotes of All Topics . Occasions . Authors
I really, really like writing songs. Capote wrote every day. He said that's the only way, you have to sit down every day and do it...Something that's written out is okay, but it's not always a clear indication of what a person means.
We're number one in domestic violence homicides. We also have a high rate of alcohol abuse and drug abuse and there's a high lethality rate when you get those factors involved, so the shelter has 52 beds, certainly it is never empty.
That little Miley Cyrus... she's like a little Elvis. The kids love her because she's Hannah Montana, but what people don't realize about her is she is such a fantastic singer and songwriter. She writes songs like she's 40 years old!
Well, T Bone's had a remarkable career as a producer since the time that we first worked together. He was dividing his time between recording and producing when we first met, and touring. We toured together and we were great friends.
I'm very influenced by landscapes, not so much the way places look as the way the names sound. In this country we've got so many cultures, and the place names - the Spanish names and the Indian names, which are so incredibly musical.
The main thing was finding this... voice that I had interest in, which I'll call the quiet-yet-stoic voice: the very quiet yet very strong voice that I developed, that people would want to hear and that was worth paying attention to.
I'm a little more mature, and a little more aware of the things that I might say. But um, it aint going nowhere because everyone still loves sex, but it's how you present it like I have this one track of Choice," which is a metaphor.
Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.
The thing with the piano is, the piano is like percussion almost - well, it is. You have to... not beat on it, but there is more work involved than a Hammond. With a Hammond, you just lay your hands on the keys, man, and you're gone.
There's not one thing in particular that influences my music, but I write about what I know. It's based in personal experience. That's not to say all the songs are biographical, because sometimes it's what I've seen in others' lives.
I am not here for me I am not here to promote my ego I am here to serve the Great Spirit To be a voice for those afraid to speak To be movement for those who are stuck I am here to reveal a mystery To learn something new about myself
I love to read. I love to stretch. In the morning, I get up, and if I'm not in a hurry, I will lie on the floor on a rug, look through some books and magazines, and maybe listen to music and try to do stretching exercises to tune up.
I stopped doing interviews for a long time because the words were mine, but they were in the wrong order. Context is a very important thing - a lot of the things I say aren't serious, and so to remove the laughter does me no favours.
I think it's safe to say that if you talk to anybody in Ireland, they'll have a passing knowledge of the guitar. It was something that I couldn't get away from when I was younger: guitars played in shops and parties, just everywhere.
I worship pianos like they are prize diamonds, and I never willfully do damage to them. But I grew up playing guitars, and you treat a guitar like a best friend or a little brother or a lover you have a tempestuous relationship with.
I've been fortunate to view the world as if Tom Cruise is constantly walking in front of me on his way across a tarmac before an aerial dogfight. I'm speaking cinematically here. The homoeroticism was an accident that I wont dismiss.
By the time my children are born, I know it's possible that they can grow up in a world where they don't understand that there were ever any dividers between people and why we have the issues we do today. That's my goal in this life.
Sometimes things feel hopeless. Not always within my own life - but looking outward, it seems like rough times lie ahead of us. The world seems to be kind of caving in on itself in a lot of ways. But I try to look on the bright side.
Sometimes people come to my shows and think I'm a Christian artist, and they put their hands up in the air, like they do. But first of all, I'm a Jewish girl from the Valley, and I'm from Los Angeles. It's funny to be misinterpreted.
When you reach a certain level of fame or success or income all these magical things are going to happen to you. All of the sudden you're very popular. You're very pretty. Everyone loves you and that's going to fix all your problems.
Lately I've been going to all these high schools talking to the students, answering their questions, listening to what they have to say. It has been an incredible journey to be around them and try to give them what my mother gave me.
I work with a lot of music programs and there's a steep learning curve to a lot of them. You can really find yourself trying to figure out how to do things, instead of making music. Now I have another tool with the Surface music kit.
The music business has changed incredibly. There used to be 50 record companies. Now there's only three, and it's just getting smaller and smaller. But then again, you have the Internet, so anybody who has music can get it out there.
You know, I've been to some superstars' houses, and I've been really disgusted when I see their platinum discs hanging in the toilet. They're just there on the walls glaring at you when you're trying to be occupied with other things.
After using four different languages on an album, it's tough to decide which one I'm gonna actually learn to speak. I always study the lyric, make sure I know what I'm singing, and try to get the pronunciation as perfect as possible.
With Whitney she has such a unique sound and powerful instrument that she made those songs her own. She might as well have written them because she brought such a power and passion to them that were very unique. She has a great gift.
We had to pose with towels wrapped around us, holding rubber rings, that sort of thing. The turning point came when a photographer asked us to get on a fur rug and crawl like cats. We said no, because it was sexist and disrespectful.
I want people to think that I'm a magical, weird-looking freak of nature, but they really see me as a sexy Amazon jungle cat. That makes sense - I'm a little bit of both, but I definitely lean toward the narwhal side of the equation.
I want you to know I'm an Army brat; I was a captain in the Army and my brother was a jet pilot in the Navy. So I support our troops; I identify with them. But I sure as hell don't identify with the bastards who sent them over there.
Everything starts with the inner being, your inner self - it all comes from you and we so often forget that. We think, "He made me angry." He didn't make you angry; you made yourself angry. Don't allow him to get to your inner space.
I regrettably wasted time at university by being overwhelmed and intimidated by the talent of other composers. I felt stuck and didn't know what I was doing there. I enjoyed my experience, but I didn't grab it in the way I would now.
As long as I remember that the glory is His and not my own. When I confuse that, I get in trouble. We think that we glorify ourselves, and the object is to glorify God first, and in doing that you become glorified, you get glorified.
Sometimes on stage I prefer to feel more glamorous, so I'll go all out when it's a stage outfit like sparkly, colorful, and have a certain shape. If someone is watching it from far away they can maybe remember the shape or the color.
I have, in the past, been attracted to really strong and dominant men. But on the other side, I have been attracted to very androgynous men. I don't typically fall for your average jock. I just like people that are a little atypical.
I'm trying to have my own thing, and I don't know if it's even possible. I didn't realize so many people actually think I'm trying to be like my dad. I read comments like 'She's no Elvis.' I'm not trying to be. I never set out to be.
A really happy kid. I would go off on my own a lot and live in my imagination. When I got my school report back it always said, 'Lisa should try a little harder because she always seems to be in a different world from everyone else.'
I love scoring. Putting music to picture is a rewarding challenge and one that relies on interpretation of emotion - as in, what is the pivotal feeling in a scene and which character's point of view is driving it at any given moment?
People have told me that Ive helped them feel confident, like they can say things they want to say. They can talk about feminism in class without people calling them a lesbian. Thats so amazing that I can make someone feel like that.
After years and years of everybody commenting on the way I look and dress and being photographed, one starts to become self-conscious and starts to plan things more. You end up judging yourself more, what looks good and what doesn't.
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Growing up in the Sixties, whether it was the Batmobile or the costumes Porter Wagoner wore or the music that came from there, California was the home of what a friend of mine calls 'custom culture.' It seemed like the promised land.
I do believe in true bisexuality. We all have the capacity. [My partner] Julie is much more bisexual than I am. The more the world understands their bisexuality the better we'll be. I'm attracted to souls. I can be attracted to both.
It's [F1] your life. You're focused on just one thing and there's no room for anything else. Friends don't necessarily understand, because the way you think about life develops completely differently to how it does for normal people.
I don't know why, but there's a certain element of panic in writing lyrics that I'm not sure I enjoy. I don't write lyrics first, ever. I've never done that. So, in a sense, the lyrics are a bit of an afterthought - it's music first.
New York is such a competitive place; it tears people apart. People come here and, if they can't make it in the first month, they get torn apart and they have to go back to where they came from. I don't think that's terribly healthy.
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
When I was in my early teens, I joined a cult. And we weren't allowed to listen to secular music or anything that wasn't made by us. So I spent a lot of time not listening to music, and by the time I could, I just didn't get into it.
Rip Rig + Panic that I joined, they were really influenced by jazz and blues and punk. So I think what happened from punk, which was kind of DIY, was that it created a kind of creative place that was kind of without limits, in a way.
I like music because... its expressive, you can convey whatever you're thinking through a song. And it's the best respite for me anyway to do it through music. So I like music because you can express and let your soul out through it.
I think Passenger is a bit of an ambiguous thing because in the past, it's been a band, or it's been just me, or a duo or whatever, but I kind of like that as well. I think it's whatever that I'm doing with whoever I'm doing it with!