Quotes of All Topics . Occasions . Authors
I'd never assume an audience was anything but totally receptive and perfect. Seriously, it seems to me that's the only circumstance you can work under. Otherwise, speaking for myself, you may as well be in the advertising business.
Children make up the best songs, anyway. Better than grown-ups. Kids are always working on songs and throwing them away, like little origami things or paper airplanes. They don't care if they lose it; they'll just make another one.
Your worst enemies are made when you ignore people. Those boys in America who shot dead classmates recently, didn't do that because they woke up with a positive self image that morning and then felt like slaughtering their friends.
Saturdays are set for antique shops. Williamsburg in Brooklyn has some good ones. I get in there and start meddling around with dusty boxes and rickety, worn-in stuff. I like it when I find something with someone else's name on it.
I read a comment [about me] on YouTube that I thought would upset me — ‘Test pilot for pies’ — but I’ve always been a size 14-16 and been fine with it. I would only lose weight if it affected my health or sex life, which it doesn’t.
When I started out, I wrote the songs, recorded the songs, mastered, mixed, did the artwork, made the packaging and did the distribution, all myself. Now I understand what everyone's jobs are, who is doing them right, and who isn't.
I have a lyric journal that I write in a lot. When I’m going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It’s a kind of discipline.
I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.
You get way better from playing to the passing public. You learn how to entertain. But it took me a good three years out on the promenade to figure that out. You also learn what makes them stop dead in their tracks and what doesn't.
I think the gay community should get smart and drop the word marriage. Do you really need to change every right-wing Christian to make sure you get your equal rights? Eyes on the prize, we should be sticking to getting equal rights.
When my YouTube videos started to get really big, I was like, 'Man, this is pretty sweet.' It started as my hobby, and then I started traveling and learning how to play different instruments, and then it just kind of became my life.
A human being is only interesting if he's in contact with himself. I learned you have to trust yourself, be what you are, and do what you ought to do the way you should do it. You have got to discover you, what you do, and trust it.
There's this label called Neurotica by these sweet girls that have given me some lovely things to wear, and we might collaborate on making a little piece. They're really lovely, and I think they've been quite inspired by me in turn.
A couple of years ago I used to have long, curly, mermaid hair that was amazing, and then I broke up with my boyfriend and I cut it off to my shoulders. It was in this awkward Molly Ringwald phase, so I just kept cutting it shorter.
I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
If I'm writing strictly for others, how does that show what I'm experiencing or thinking? I just got to a point where I realized I could be as personal as I wanted to be and people could relate to those situations if they so choose.
I was really selfish, and I didn't want to listen to anyone. Then I started working with some really amazing people, traveling more, and figuring out who I was as a person - looking at different things, listening to different music.
I was really inspired by intense nature and landscapes, and I'm always inspired by open spaces and giving room for things to grow sound-wise and visually. I have a bit of claustrophobia myself which I think translates into my music.
There's lots of R&B blogs that I like going on and it basically just names new music that isn't out and won't be out for a long time and stuff. It just gives you an insight on what's coming up next and finding out about new artists.
What makes us a bit nervous is, in this instant age, to release something that might take more than one listen. Where everything is instantly judged on YouTube or something! It's a bit like releasing a horse and cart on a racetrack.
I dont separate my work with the band from this solo project-Im sure the group could have recorded any of these, and they would have if the Fleetwood Mac project had come up at this time. I dont have any finished songs lying around.
When you have a cute outfit on and your makeup looks amazing, the first thing people comment on is your image. When you don't wear makeup, you hear things like, 'Oh wow, you look tired,' or, 'You're so brave for not wearing makeup!'
I guess you'd say I'm a gearhead. It's not just guitars; I have five or six drum sets, a bunch of keyboards... It's like Guitar Center exploded, and all the cool stuff dropped in my backyard. I'm a really lucky guy, I have to admit.
Wonder in everything No matter how great or small... Same thing that's scrawled across the stars Is written under our skin... There's a time to search for understanding Sometimes you just got to sing New horizons, new horizon within
I use three main tools in writing: instinct, hard work and dumb luck. Dumb luck is missing a train and, while you wait for the next one, writing a key word, line or verse. When this happens often enough you begin to believe in Fate.
I think Taj and Nina were better friends, because they get along, they have a lot of fun and they laugh. But it seems that Nina and Jack really hit it off. Nina really fell in love with Jack. there's a lot of chemistry between them!
I thought it was strange that I was called after a woman who killed herself in ancient literature. You just don't call your kid Dido and send her to school. But it's great for me now. It's just another thing that makes me stand out.
Everyone told me I could sing from about the age of ten. My mum was always telling me. But I was so shy, I didn't believe them. And the more that people told me, the more I went into the background and the less likely I was to sing.
Nobody can ever make enough money for as many poor relatives as I've got. Somebody's got a sick kid, or somebody needs an operation, somebody ain't got this, somebody ain't got that. Or to give the kids all a car when they graduate.
I signed a baby's head one time, which I thought was an odd situation. I had a guy show me a tattoo one time, and he wanted me to sign the tattoo. So I signed the tattoo, and he went across the street and had the signature tattooed.
I don't mind making a fool of myself. I felt like people would be accepting of that because, to me, that seems like an interesting way to do a show. I've always thought that it's interesting to watch people work things out on stage.
When I first put out music, people didn't know what I looked like. They called it a new type of something, they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
I like the songs to appear very simple and to flow by without any kind of hiccup, but there has to be this impression of other currents underneath. Like if the songs aren't, on some level, multidimensional, we lose interest in them.
You always measure success by what you did last. It's hard to measure that because it's something that just comes. If someone can just make a hit, they would do it everyday. But you can't make a hit that you know is a hit every day.
You start out performing because it's fun, then you learn more things and you want to do more than go "Na-na-na-na" on a stage. The production end is interesting, writing is interesting, and you learn to coordinate all these things.
I always ask any of the artists that open up if they know 'Family Tradition', since that's my last song in the set, and if they do, I normally ask them to come on out and take a verse and have fun. When that song is done, I am gone.
Growing up in Louisiana, my grandmother gave me an accordion because of our Cajun heritage. What ended up happening was I started learning about more instruments, so I just kind of went that route. Music's really all I've ever done.
There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
I get so fed up with the making of an album taking over my life - it's all I can think about or talk about. You find yourself in a rut and lacking inspiration and it's hard to get out of that because I'm working alone in the studio.
Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.
I've written a number of songs over the years and it's a big part of my life, this sort of tension between a longing for home and the call for the open road. It's sort of like a tug between two families. I even love to miss my home.
It's from being melancholy and having my human down experiences that I learn, that I overcome, that I transform - and these realizations I put into song. That's what I choose to put in my backpack and carry with me around the world.
About Jimi Hendrix - although his playing is at an uber-level, his voice is quite lo-fi and normal, like a regular person singing in the shower, and this makes his music much better than if he was just a technical player and singer.
It's interesting how songs can evolve. Sometimes I'll write a song that feels relevant in the moment, but four years later, I don't want to sing it anymore. Then something will happen in my life, and the song becomes relevant again.
I used to love reading when I was little, and then it became difficult and I didn't understand why. I thought, what a bummer, my passion all drained out of me. So when I found out I had dyslexia, it was like, oh, that's what it was.
I was an English major in college who concentrated in African-American literature and culture. So I read quite a few slave narratives and stories of escape, and I grew up in Ohio, which was a common stop on the Underground Railroad.
With the '60s era and Motown, my grandparents actually introduced us to that when I was younger, so I grew up listening to the Jackson Five, Aretha Franklin, The Temptations, The Supremes and Diana Ross' solo stuff. I just loved it.
I think music will always be a big part of my life. I can't go five minutes without singing, sometimes unconsciously. And people stare at me, and I'm wondering why they're staring, and then I'm realizing that I'm belting out a tune.
You have to live what you write, or you have to know it. There are exceptions, like story songs, where you just have to have your facts straight. But I think you don't have to live a hard life to be a good or interesting songwriter.