I don't need to push myself. I don't need to sharpen my own knife and slit my throat. I'm trying to chill it and find an equilibrium and a balance to my work.

There is nothing sadder in this world than the waste of human potential. The purpose of evolution is to raise us out of the mud, not have us grovelling in it.

To paraphrase Jane Austen, it is a truth universally acknowledged that a married man in possession of a vast fortune must be in want of a newer, younger wife.

For people who have fertility issues - and certainly gay men have fertility issues - there's several options for having a child and surrogacy was one of them.

A 'live' show is either alive or not. Free speech is free or it is not. Viewers are free to use their remote or TiVo. Parents are responsible or they are not.

When you watch the first 'American Pie' movie, you're like... 'I know that jock who's kind of sweet and has a girlfriend, and I know that weird off-beat kid.'

We were with Hayden Schlossberg enormous fans of that first American Pie. We were in college when it came out, and we watched it over and over and over again.

I believe the only reality is how we treat each other. The morality comes from the absence of any grander scheme, not from the presence of any grander scheme.

It's a fun thing to do, to put yourself in the service of something if you think you can add an interpretation. It's no different than any other storytelling.

I do have screenplays I've written that never saw the light of day, but I don't usually go back to them. When I've told a story, I want to tell another story.

I think when you take forever off the table, it does something really interesting to what you think is important. There's something a little freeing about it.

I'm making a kind of a memoir of certain aspects and times in my life. Now that I'm older I can look back and analyze some things, and see the root of things.

I wanted to show a normal young girl whose only difference was that she behaved in the way a boy might, without any sense of guilt on a moral or sexual level.

I think you are doing a disservice to a novel just by transposing it wholesale onto the screen, because it doesn't work. They are completely different beasts.

I always remember my dad saying, "No one makes a remake unless they are trying to make money; there is no reason for it." It was not an honorable thing to do.

East India Company weren't an evil organization that went around deliberately oppressing people, but they were driven by profit, and how familiar is that now?

I think the East India Company represents what we would think of as a very modern approach to the world where everything was counted, every penny was counted.

It's the shock of the world if you allow yourself to disconnect from the world and forget it's out there, how noisy it is, how busy it is, how invasive it is.

The stuff that I write doesn't work very well as background music. You have to watch it from beginning to end and pay attention as if you were watching a play.

Because I've been at it so long and very steadily, I have a lot of credits, but I probably have twice as many scripts that were never made for whatever reason.

I'm not ashamed of comic books. You have some people that are like, 'We're trying to elevate comic books.' Comic books have always told great dramatic stories.

I think there's a connection with 'Nightcrawler' and 'Blowup' and other films where visual imagery is integral to the story. It allows you to play with images.

When I first came out, holidays were hard. I reached a point where I didn't go home anymore. I constructed my own, kind of like, family group around Christmas.

I think people in the U.K. best know me as the guy who will take their picture when they run into Tom Daley. But I'm also his husband and the dad to our child.

Horror films are very functional like comedies. The main thing with a comedy, the big question is "is it funny?" And with horror the question is "is it scary?"

I'm the opposite of the actor that is bursting with confidence who just knows they're going to make it. I'm the guy who's like yeah, probably, it won't happen.

One of my favorites is 'Parks and Recreation.' Great show; awesome writing; beautiful, diverse cast. They also have a very diverse writer's room, which I love.

Don't give up. You're going to get kicked in the teeth. A lot. Learn to take a hit, then pick yourself up off the floor. Resilience is the true key to success.

I think that it's not a bad thing to not be too versed in the vocabulary of cinema, because you start to think that certain things are allowed and not allowed.

In particular, people have trouble understanding where I stand in relation to my characters, and very often this gets reduced to me making vicious fun of them.

When I was a kid, I wanted to be an actor. I was acting in all the school plays. I went to school for acting. I was really sure that that's what I wanted to do.

I have a big problem with people who glamorize dumbness and demonize education and intellect. And I'm giving a pretty good description of Sarah Palin right now.

One person can have a profound effect on another. And two people... well, two people can work miracles. They can change a whole town. They can change the world.

Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.

It's always once the script's done in the first two years if it doesn't get going somehow or another, I've never had an old script that someone's made later on.

I'm not always successful, but I take my job as a storyteller very seriously and want to make sure the audience has as much fun watching it as I am creating it.

Bob Marley was always ready to deal with the politics of what was happening in the world but, at the same time, not lose sight of the fact that he's a musician.

Let's face it: there aren't a lot of black superheroes. So, in dealing with a black superhero, you're going to deal with ugly history and the beauty of history.

I'm interested in telling stories about characters that are interesting and who are challenging in some way, one that will make you think about them afterwards.

Star Trek says that it has not all happened, it has not all been discovered, that tomorrow can be as challenging and adventurous as any time man has ever lived.

If you're playing things sincere in a really absurd, heightened situation, you'll achieve comedy as opposed to just saying funny lines and one-liners and stuff.

I don't really have anything against the French except that, as an American, I've been bred to despise them with the same zeal as soccer and Renny Harlin films.

As far as I am concerned, the first episode of Buffy was the beginning of my career. It was the first time I told a story from start to finish the way I wanted.

The fact is some people really love my work, some people not so much, but at the end of the day, I don't want anybody coming out of the movie thinking about me.

I've been obsessed with doomsday for a long time - the idea that different cultures respond to it differently, and religions will change people's outlook on it.

See what you have to ask yourself is what kind of person are you? Are you the kind that sees signs, sees miracles? Or do you believe that people just get lucky?

I knew the moment it happened, it was a miracle. I could have been kissing her when she threw up. It would have scarred me for life. I may never have recovered.

I was raised as a Calvinist, which is doctrine-driven. And though there are many things wrong with Calvinism, you are at least encouraged to argue about things.

I'd never had a mentor in Hollywood. Men have always been in control of the business, and they usually mentor people who are like them - but two inches shorter.

I've always written my own scripts, I really like doing everything from the beginning and taking it all the way through, I've probably learned that from my dad.

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