A hashtag is not helping... A hashtag is not a movement. A hashtag does not make you Dr. King. A hashtag does not change anything. It's a hashtag.

When you make a movie, a dramatization based on the real experience of a living subject, you can't airbrush that away into to a perfect movie arc.

It's good sometimes to have a character that starts as one thing and ends as another, but James Bond, Hercules, these are pretty enduring stories.

I wanted to direct when I was very young. I had no idea of cinema, of who's doing what. That was my first instinct: "Okay, I want to be the boss."

Arnold Schwarzenegger cut teacher's salaries and parks and libraries rather than raise taxes for the many California millionaires and billionaires.

I want to try different genres. I think I'll still be looking at a strong female character in the center, and identity struggle and transformation.

We had an amazing experience shooting the first season of 'Leverage' with such a talented cast and crew and with the full support of TNT behind us.

I've always lived by this philosophy, when it comes to conspiracies, never to attribute to deviousness that which can be explained by incompetence.

Portland has all the accoutrements of a big city, but the heart and soul of it is a small town, so that creates an intimacy in a large environment.

I tend to read 'The New York Times' and 'The Washington Post' online, and I go to the website for the BBC. I am a junkie when it comes to the news.

'The Hangover' was, like, solid. I laughed a bit, you know. Seven out of 10, maybe. But I made it 32 minutes into 'Hangover 2' before I walked out.

I was always writing scripts, and I had made several shorts, before and after film school. But I worked a variety of temp positions over the years.

I've been a writer for years, but it was mainly as a function of trying to be a director, so I just got work as a writer. I want to keep directing.

One can spend too much of one's life locked in stuffy rooms seeking out obscure truths, searching, researching, until one is too old to enjoy life.

You set out to tell a good story. You don't do it because there is a deep message involved because the movie is almost always bad when you do that.

I keep thinking they’re gonna call me. I keep thinking they’re gonna crunch the numbers and think, oh, we can make money with this! And they don’t.

I believe we are the only sentient beings in the universe, and I believe that 500 years from now, we will still be the only sentient beings around.

My absolute favorite part of Comic-Con is seeing, like, a 'Mass Effect' guy hanging out with a 'Sailor Moon,' and they're just having a great time.

I usually write things in my head before I ever write them down. When I write it out, usually I've already figured out what it is I'm trying to do.

I made a deal with myself that whenever I smoke weed, I have to be doing something productive: writing, recording, cutting a podcast, editing, etc.

Somewhere in the '80s during the home video era something happened and horror started getting more and more marginalized and thought of as schlock.

I don't know if I can see myself writing another 'Saw' film. It's such a special part of my life, and I almost don't want to ruin it by going back.

It is nice to be validated by audiences and have people come up to you after a screening and tell you that they loved the movie. It never gets old.

I just really want be proud of the work I'm doing, whether it's something I've written, produced, or am starring in. I just want to be proud of it.

The word of God is very important to Christmas. For unto us a child was born, and we should be reminded of how Christ's amazing journey came to be.

We all have these tendencies in us that could go this way or that. I think that's the real key in writing. To look at a character without judgment.

The great majority of Scientologists I know are good people who are genuinely interested in improving conditions on this planet and helping others.

'Balls of Fury' was a 45-day shoot when it probably - hindsight being 20/20 - probably should've been a 75-day shoot with all the ping-pong action.

I'm very humble in terms of knowing that television is an extraordinary collaborative medium and that one person alone cannot make a great TV show.

The success of 'Deadpool' and 'Logan' have bolstered our confidence to make edgy, more daring, provocative bold movies that audiences will embrace.

A lot of young filmmakers bring their movies to my dad because he always gives lots of good editing ideas and notes. He'd be a good film professor.

In my experience, very few people walk out of a movie. You have them for two hours, and you're free to explain or not explain whatever you see fit.

I think generally I'm kind of interested in subjective experience, what goes on inside someone's head, that being all they really know of the world.

I was a huge fan of comics: not necessarily 'Luke Cage.' I was more of an 'X-Men' head. I was always more Chris Claremont, Frank Miller, John Byrne.

The biggest challenge is not coming up with the stunt, the biggest challenge is designing a sequence around it that sort of justifies its existence.

An enlightened entertainer, via story, casts her line into the souls of others, hooks their heart, and pulls their greater potential to the surface.

He wasn’t a carrier of commitment-phobia or other notable boy diseases and he used expensive moisturizer. That’s about all it takes to bang my gong.

When you have really solid biology and medical science at the core of an issue, it makes it much easier to identify what potential solutions may be.

Most sex scenes in Hollywood movies are so boring. It's basically a $20 million guy kissing a $7 million woman, and rolling around and semi-humping.

A friend of mine, Neil Gaiman, had the film rights to his book 'Stardust' bought by producer Matthew Vaughn and suggested I adapt it for the screen.

As a writer, as a storyteller, you have to have your emotions close, and the older I've gotten, the less I've worried about not displaying emotions.

How did you find me here? If I was blind, I would see you. Stay with me. Forever. That's the whole point. I'll never leave. Not even if you kill me.

Something like 'Much Ado' happens, and even 'Avengers' happens because of the years of building connections and doing the work and proving yourself.

A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.

I don't know if 'Crash' is a good movie or not because I didn't set out to make a movie. Really, what I wanted to do is more of a social experiment.

Laboratories can reduce risk by implementing a proven and internationally accepted quality assurance technology that is applicable across the globe.

Movies without meaningful dialogue play well all over the world. The Apostle is probably the best movie of the year, but it won't do squat in Korea.

If you can find meaning in the type of running you need todo to stay on this team, chances are you can find meaning in another absurd pastime: Life.

The ultimate obscenity is not caring, not doing something about what you feel, not feeling! Just drawing back and drawing in; becoming narcissistic.

We got a right to climb out of the sewer and live like other people. We could start from scratch. Make every minute count twice for the one we lost.

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