Quotes of All Topics . Occasions . Authors
Home? I have no home. Hunted, despised, living like an animal. The jungle is my home. But I will show the world that I can be its master. I will perfect my own race of people, a race of atomic supermen, which will conquer the world.
The thing about a hero, is even when it doesn't look like there's a light at the end of the tunnel, he's going to keep digging, he's going to keep trying to do right and make up for what's gone before, just because that's who he is.
I describe television as feminine and movies as masculine, in the sense that television wants to examine a problem from all sides and talk about it for a long time, and movies just want to hit the climax and then maybe have a smoke.
Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'
When it came to slaughtering sacred cows with such crude yet perfect musical precision, there was no one better than Frank. I wonder what songs he's teaching the angels right now? Good luck God! You've got your hands full this time.
Nobody went to see Tideland! I was hoping people would get angry about it but those that saw it didn't want to talk about it. This is the world we're living in, people don't want to discuss things that are actually worth discussing.
My screenwriting credits in my career are probably not dissimilar to some other ones in the sense that a lot of the scripts you write don't get made, and the ones that do get made are certainly - as a writer, they're not your vision.
Theres two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once youve read, you never look at the world the same way again.
When you're in a competitive environment, always give out the impression that you don't care. It makes people want you more. If you act desperate, it's over. I think a passive attitude is helpful. It comes naturally because I'm lazy.
I've been an avid consumer of young adult literature since I was one, and I think some people leave that stuff behind when they become old adults, but I never did. I was always interested in the fantasy world created in those novels.
I probably live in the best province for independent filmmakers. Manitoba has a sort of thieving-magpie approach, trying to lift productions from other provinces as well as from other countries. It makes it very hard for me to leave.
Well, what I try to do is throw as much mud on the wall as I possibly can and just see what sticks, what shines as quirky or more interesting that the others, and I try to cling onto that one, somehow join a link from there to there.
This is not an industry in which you curl up in a ball and shy away from the realities. It's a time to scream to the clouds that we're here and we've got great values and great prices. What better time to do that than the Super Bowl?
I've always kind of ripped from real life to some degree or at least how I'm feeling in the moment. In fact, maybe that's really it. In anything I've ever written, all the characters sound like me, which I don't think is a bad thing.
I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!
In each life there comes at least one moment, which, if recognized and seized, transforms the course of that life forever. Rely, therefore, on radical trust, even though the moment may call for you to leap empty-handed into the void.
You're traveling through another dimension, a dimension not only of sight and sound but of mind; a journey into a wondrous land whose boundaries are that of imagination. That's the signpost up ahead—your next stop, the Twilight Zone.
Since the bicycle makes little demand on material or energy resources, contributes little to pollution, makes a positive contribution to health and causes little death or injury, it can be regarded as the most benevolent of machines.
You write who you are somehow. Even if you try to not to. You can't help but write who you are. I'm just not a very cynical person. I believe in the humanity of people, whether it is just the guys in 'The Full Monty' or Aron Ralston.
There were days when you would get the TV listings from The Globe and The Herald. Video was out, but nobody could afford it...expect for my uncle George, who was a second father to me, and had every film in the world, and every book.
As first time director, though, you're like a new officer coming up to be in charge of very serious veterans, and you're always going to have guys looking at each other for the first day until they realize you're not screwing around.
I'm Jewish, and my family is Jewish. I was very interested in Woody Allen when I was growing up, but I don't think of myself as a Jewish writer. I'm more from suburbia, American suburbia. I'm more from the '70s than I am from Judaism.
The thing that was fascinating and frustrating about Pac was that he clearly knew better than to go down the gangster road that he went down. Pac knew - and he was right - that thug energy could be redirected into fearless positivity.
Now '90210' is returning with an all-new cast of slightly more plausible teens. I'll be honest: I wish the old cast was back. Ideally, this spin-off would be an Ice Storm-esque exploration of the West Beverly gang's bleak adult lives.
But short films are not inferior, just different. I think the short gives a freedom to film-makers. What's appealing is that you don't have as much responsibility for storytelling and plot. They can be more like a portrait, or a poem.
There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are - at their best - an amazing blend of art literature and the theater of the mind.
Fanboys are a creator's blessing and curse. If a fanboy likes you, they love you. Obsessively. If you cross them with some plot point or story direction they reject, expect to be wholly and continually eviscerated across the Internet.
If the American public is so into morality in movies, why don't they throw more of their disposable income at religious-themed entertainment? For every 'Passion of the Christ,' there's a 'Fireproof' that comes and goes with no notice.
I think there's a possibility that comic book movies are getting a tiny bit better on the one hand because they're no longer made by executives, who are, you know, ninety-year-old bald tailors with cigars, going, 'The kids love this!'
My soul is wrapped in harsh repose, Midnight descends in raven-colored clothes, But soft... behold! A sunlight beam Butting a swath of glimmering gleam. My heart expands, 'tis grown a bulge in it, Inspired by your beauty... Effulgent.
What I do like is hiking. And that's what filmmaking is. It's a hike. It's challenging and exhausting, and you don't know what the terrain is going to be or necessarily even which direction you're going in... but it sure is beautiful.
I am always searching for something different or something fresh, something hasn't been done. But the truth is, at the end of the day, we're all sort of retelling something. We're doing a version of something that's already been done.
I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!
Once you've got a concept and a sense of themes and what it's about, then you can start to add your plot and sort of Tetris in all of the elements that you want to see, but also attach them to something that has cohesion, like a mold.
I have all of the Apple products. Everything I've ever written, I've written on a Mac. My first computer, my roommates and I chipped in, and we got that first Macintosh - 128K. It had as much memory as a greeting card that plays music.
Television production is so insane. There's so many moving parts and flying pieces and you're desperate to make it cohesive and artistic and have something to say about the human condition that feels like it has value to its existence.
There's two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once you've read, you never look at the world the same way again.
It took a while for the first 'Blade' to get made, and Marvel decided they liked the Whistler character so much, when Blade guest starred on the 'Spider-Man' cartoon, they put Whistler on the cartoon, and the movie hadn't come out yet.
The things that I write are autobiographical in a surreal sense, like when you have a dream and you go to the doctor's office, but then you turn around and it's actually your childhood home and the doctor has turned into Ryan Reynolds.
It may take hundreds of pages before you begin to get a handle on the craft of writing, and your first scripts may not work. The next five to twenty may not either. However, the ones that do work owe everything to the ones that didn't.
I went to see Chicago after I finished shooting, and say what you want about it, but that thing was so meticulously planned. It was planned like NASA planned its trips to the moon. It made me feel like some sort of horrible dilettante.
I got a call saying that George Lucas wanted to meet me. Of all the phone calls I've received - Oliver Stone wants to meet you; Spike Lee wants to meet you - that was the one call I never in a million years thought was going to happen.
It's so offensive that we have a man [Donald Trump] that has been accused by more than 10 women of sexual misconduct, not to mention fraud and bribery and all the other things that he's being investigated for, and he gets a total pass.
I've been in this business for a long while, but it's not like I've been waiting tables. Since I started writing, I've only worked on things that I love. I've had a lot of heartbreak, but you don't become an artist and not expect that.
I definitely have been very mindful of what kind of leader and creator I want to be. A lot of that has to with looking at the writers that you work with. They're all like your children. They all need love, but different versions of it.
When you're writing you're constantly fighting demons to sit down and do what you do. If you listen to the voices outside your head, in addition to the ones inside your head, you'll never get anything done. There's enough inner strife.
When you have a show that's called Jessica Jones, if Jessica Jones isn't in a scene the rest of it become almost irrelevant until you earn other character storylines. You've got to flesh out those characters enough that you can travel.
I've worked in network and cable on and off for a number of years, and you just understand what your parameters are. A lot of times, I think the best work that my team has come up with comes from having to deal with certain boundaries.
What I like about 'Taboo' just in general, even in writing it, you are not certain what the motives are sometimes because these characters are so odd that you let them speak for themselves and you're never quite sure where it's headed.
The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts.