Quotes of All Topics . Occasions . Authors
Even if you're a poet sitting in your room writing a poem, you're still in the world - although I guess being a poet is a different than having to deal with 40 or 50 people to raise a couple million bucks and all that bullshit.
The more you get into any religion, it becomes the same. It really becomes how you treat other people and how you get outside yourself. How you look to help other people, and how you get out of this 'I, me, mine' type of thing.
I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.
To dream anything that you want to dream, that is the beauty of the human mind. To do anything that you want to do, that is the strength of the human will. To trust yourself, to test your limits, that is the courage to succeed.
If there are similarities, it's simply because the same thoughts that occurred to other people also occurred to me. I'd be astonished if anyone could come up with any truly original powers that were at all interesting any more.
You know what's wrong with our waterfront? It's the love of a lousy buck. It's making the love of a buck, the cushy job, more important than the love of man. It's forgetting that every fellow down here's your brother in Christ.
I'm a big baseball fan, and I feel proprietary about the Dodgers. I'm not the owner. I'm not the manager. But I feel passionate about the decisions that they make, and I take it personally when they make decisions I don't like.
News has become entertainment. Once that happens, a whole series of horrific events start to happen, whether it's the lack of dissemination of something that can inform you or something that actually negatively impacts society.
Just as movies, radio, and television evolved into new forms over time, the ebook will also become something more than just a way to read books. It will become its own specific and unique way of creating and sharing experience.
It's fun to watch a show that you can watch with any member of your family, and you're going to laugh, and you're going to be moved, and you're going to have fun, rather than this dark, brooding, cold, 'purely procedural show.'
Mom got very heated about the new government policy of Don't Ask, Don't Tell. In her view it was going to allow closeted gay people into her military and she was really against it... she just assumed I agreed with her opinions.
I remember 'Roots' growing up and the cultural impact it had on the country. Watching 'Roots' was not the cool remove of reading about slavery in a book or hearing about it in class. It became something that swept people along.
I think my first love is film. There's something about the span of it and the completion of the experience. You sit down for two hours, in the dark, and you go somewhere else, and then you come back, having completed a journey.
I’m assuming you’re as mystified by this as the rest of us, Rasputin. No. I’m not. I have been planning to destroy the Breakworld since I was a child. [silence] This is why I don’t make so many jokes. I never know when is good.
I wish more people would take the extraordinary talent they have and just let their id go because that's what we discovered. We discovered that the sillier we got, the more people believed that we were speaking from our hearts.
There's something to be said for failing. It's not the failure you feel, it's the failure that people project when something disappoints. You're back to ground zero, where there's no expectations, and that's where I like to be.
Soon, the viewer won't even know if he's watching on broadcast or the Internet. He'll just be eating his cereal and see an image on the spoon. That's how we'll be watching soon, on spoons. The commercials will be on the knives.
When we first started to write our first movie, 'You Are Going To Prison,' we wanted it to be crazy and unique, brand new, our voice, not like anything that'd ever been before. It took us about a year to write our first script.
Most shows, buying shows, have a standard fee for the first shot of the writer and if you have a very militant agent, I suppose he might jack it up four percent or something. But in essence, you sell for what is the going rate.
Most writing staffs have this crazy high turnover, and then everyone's really miserable, and I don't understand that. I don't know why you don't grow people to then be able to take over as you. That's how I can have more shows.
I had a teacher when I was in college, and he was the first person who liked my photos and said, 'The way you look at girls is your own way of seeing.' He was the first person who really gave me the confidence to try something.
Whenever I went to L.A. the first thing people said in the meeting, no matter what it was about, was how much they loved 'Peakys.' So Hollywood was really going for it which is always a good start. Also Snoop Dogg is a big fan.
When I was a kid in London there was just something about the light and there's something about the way London went onto film in those days, whether it was Technicolor or Technicolor plus the flatness of the light, or whatever.
The amount of work that TV writers and executives do is incredibly hard. I'm shocked that these people will hand in three outlines and two scripts, and everybody has to read them and give notes on all of them, even the writers.
But HBO is less interested in how many people are watching than in how much the people who are watching are liking the show. They didn't set up their business model to make writers happy. It's just a nice unintended consequence.
'Wag' is not some kind of documentary; it's just looking at the tools that are available. Now you've got more tools - you've got social media - and just post stories through all types of back channels that can get some traction.
I think one of the things that was a huge surprise to everyone with 'Silence of the Lambs' was that that was an Oscar-winning horror movie. It struck such a nerve with audiences that it was a very particular, special experience.
When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
The way I work is not the way that you work, and the whole point of any creative act is that. What I have to offer is me, what you have to offer is you, and if you offer yourself with authenticity and generosity I will be moved.
Directing was a big learning experience for me because I had to deal with every aspect of everything-all this constant decision-making, with people asking you questions at every moment, and you have to have answers for them all.
Why make a biopic if it's not somehow helping us now? There's really no point. If it's not informing how we can do things differently now and maybe not repeat our mistakes, than why do this piece about this person or this event?
The party of God and the party of Literature have more in common than either will admit their texts may conflict, but their bigotries coincide. Both insist on being the sole custodians of the true word and its only interpreters.
The collaborator has to be someone who understands that his role is to help you articulate what you want, but at the same time is not just going to be mechanically obeying, but adding to, supplementing, and coming up with stuff.
I remember when I was in film school. It was my second year, and some kid did - had this really over-religious symbolism; like, it said 'John 3:16' and had angels falling over, and it was just this insane - it wasn't that great.
We have the word 'Mc' attached to so many things now, like 'McMansions.' It's become part of our vernacular as something on steroids almost, just bigger and bigger. I think, to a degree, studios have fallen prey to that as well.
Our touchstones of slavery are 'Song of the South,' 'Gone With the Wind' and 'The Birth of a Nation.' It's hard to separate the cinematic quality from the underlying themes. I appreciate the films, but the message was repugnant.
The great thing about working with NPR - and, really, there's like a million of 'em - is all the cool stuff I get to do for the public. Meet the president. Hang out at the National Finals Rodeo in Vegas. Drink a $10,000 martini.
People always say I write a lot of pop culture references. Can somebody please count the pop culture references in 'Firefly?' Because I don't know how to put this to you, but there was one. I referenced The Beatles in the pilot.
I joke that I learned the essentials of storytelling from Hanna-Barbera, but I pretty much did. That kind of television is what enamored me as a kid, and that's what really got me hooked. You could say that's where it all began.
My humor tends to be a little more edgy than is appropriate for 'Twilight', although I got some in there. That was fun! There's just a tonal difference. For me, storytelling is storytelling. But, I do like writing for grown ups.
My humor tends to be a little more edgy than is appropriate for 'Twilight,' although I got some in there. That was fun! There's just a tonal difference. For me, storytelling is storytelling. But, I do like writing for grown ups.
Ever since I was little, I've felt very comfortable on a set. The time is stressful - being creative under time constraints. But there is an excitement and energy that you only have a certain amount of time to get what you want.
None of us grew up feeling like winners. So thank you to the bullies, to the popular kids, to the gym teachers who taunted us, who rejected us and who made fun of the way we ran. Without you we never would have gone into comedy.
Optimism is not inherently a superior way of viewing the world. Certainly doctors will say it might be better for one's physical health to be an optimist. But, morally speaking it may not be appropriate in certain circumstances.
London exists normally in a state of bleach bypass. There's the artistic context of "Blow Up" and "Performance" and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
For me, film has been good because I'm able to work at top crack, working at something I love to do, in the only literary form in which you can still make money. There are no famous novelists, not as novelists used to be famous.
Hollywood has to appeal to the broadest audience, and when it comes to most social and economic issues, America is progressive. Because of that, the messages that are in Hollywood movies tend to be, for instance, pro-environment.
Too many of my heroes have been cut down, but do I want security guards? No. I've been offered them in the past. But the more you present yourself as someone afraid of being attacked, the more people see you as someone to attack.
The ship's transporters - which let the crew 'beam' from place to place - really came out of a production need. I realized with this huge spaceship, I would blow the whole budget of the show just in landing the thing on a planet.
Guys who dress up like Santa Claus, see, and give presents away do it because when they was young they must have did something bad and they feel guilty about it. So now they do something they think is good to make up for it, see?