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I'm a spiritual man and I've always felt connected to Rastafari. I'm not a Rastafarian but I've got so much respect for the lifestyle and religion, and I'm so thankful I was able to meet some of the most influential Rastafarians during my Jamaica trip. They taught me so much and really helped me evolve into who I am today.
I can take an opinion, but I don't like when you try and spew hate and contaminate the way other people think. I feel like I'm one of the people that's always made music for the common man. That's why I don't really live my life the way I could. I don't stunt as much as I could stunt, 'cause that's not who my music is for.
I woke up one day and there were loads of calls on my phone. My best friend was like: bro, go to Drake's Instagram. So I went and saw my big head on there, a picture and a caption or whatever, and it was 'Top Boy' related. Long story short: we got in contact and had a few conversations about him being a big fan of the show.
I thought The Big Short deserved a nomination because Adam MacKay is one of the best filmmakers. A lot of what he does deals in comedy and he co-produces with Will Farrell, people don't really give it the credit that it deserves. I think that they actually do great screenwriting and they make great films, very entertaining.
Basically, I'm going to take what you did, the bare-bones structure of what you were trying to do, how you were attacking the song, and attack it in pretty much the same way, just with more intensity to show you that you could've come harder. Like, I've been in situations where I've had to tell a cat how to rhyme his rhyme.
Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.
What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.
I was in California the first time I heard Michael Jackson wanted to record with me. I was, like, 'Nah, no way, he's too big, it can't be true.' Then I got a call from Michael's people at my hotel telling me he was interested. But I still wasn't believing it - I thought they were setting me up for a TV practical jokes show.
I think the most successful are the most paranoid. The first thing people do when they buy a mansion is they build the biggest wall you could possibly build around it. What happens is, now you become a target. If I go into the hood, I'm at a disadvantage. They could carry guns. I can't. They can hit me in the face. I can't.
You have educate the masses to exactly what their tax dollars are going to pay for. I think once people educate themselves and open up their minds to understand that on that really basic level, then you'll have some type of change in the way that Americans associate themselves and participate in their own political process.
Humor is everything. Everything. Usually the negatives turned out to be the most positive for me. In the music industry, any other artist would have looked at the situation I was in and thought, "Oh man, this is not for me." I looked at it more like Darwin exploring the Galápagos Islands. You know - survival of the fittest.
If you had a magic wand today, and you had one wish - to wipe out all the drug dealers, take them all off the streets and put them in jail, no trial, everybody who sold drugs would automatically be convicted. You know what's going to happen? There's going to be new ones. Why? Because the drug users are going to create them.
I know that everyone has their own ideas about what the good life is, and hip hop has especially strong ideas about it. It's been the same old thing for years and years: a bunch of females around you, nice cars and money. I wanted people to know what the good life actually is and challenge a lot of the lies that we're told.
Americans are not sharp. You can be sharp in your own area, I guess, but in this world you gotta be conscious of everybody else in the world too. You just can't be drunken with constitution and hear, okay we're gonna do this and then you hear well, we're gonna go kill this guy 'cause he's a terrorist and you keep gettin' it.
You know the evil that men do, hell is where the men go. We snatched him by his hands and feet and threw him out the window: "Up, up, and away cause I don't play, clown, Buck, buck, buck, take that with you on the way down." I'm hoping you got springs and wings on your shoes, But you lose, because I got the Ill Street Blues.
Call me what you want b*tch, call me on my sidekick Never answer when it's private, d*mn I hate a shy b*tch Don't you hate a shy b*tch? Yeah I ate a shy b*tch She ain't shy no more, she changed her name to me b*tch hahahaha, yeah, n*gga that's my b*tch So when she ask for the money, when you through don't be surprised b*tch.
Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.
Oh yeah, I'm literally walking through my house now looking down and there are maybe, like, 15 pairs on the floor. For real. Real talk. It's just simplicity. They're something I wear every day. Before I got a deal with them, I was wearing some type of Vans all the time. I would just order them by the box, like, 10 at a time.
I love New York for being New York. I love L.A. for being L.A. But when it comes home, I'm a Midwest, South type of dude. I like open roads, I like to drive, and it may not be as fast, but it's definitely a place where you get to appreciate a lot more. Not saying that you don't up here, but that's not what I'm accustomed to.
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
In high school, I played football and became an all-American offensive lineman, but my father hadn't been to any of my games. In those instances, you still hold your head up high. But, when you look up into the stands and you see everyone else's parents cheering and supporting, you have to just stay focused and push through.
Some people never know that they happen, some people never know that they had a shot to know whatever it is their dream is because they were in the wrong mental spot. But if you believe in God, or you believe in some higher power, or something... because if you think about it, our brains are only meant to fathom what we see.
Maturity is accepting the responsibility and totally understanding what responsibility means. So when we say, accept the responsibility for your attitude, we mean (1) become aware of how you think and how you feel; and (2) if there is any negativity, or if it is simply not as you want to feel then change it to make it right.
Kids today aren't listening to music audio-only. They're picking up a CD and looking at the lyric sheet and wondering why the pictures aren't moving around. Who wants to do that? It's like Bam Bam Flintstone hanging with the dinosaurs vs. Elroy Jetson who's flying around space. If I'm a kid, I wanna be kicking it with Elroy.
I live my life until there's no more living to be done. Because you never know when it's going to stop. Wake up tomorrow and it could all be gone, bro. All the cars, all the motorcycles, everything. All the memories. We could go into a state of emergency, you know, and the world goes to war. The money won't count for nothing.
At a certain point, I felt the need to submit to a higher level of religiosity... to move away from my intuition and to accept an ultimate truth. I felt that in order to become a good person, I needed rules - lots of them - or else I would somehow fall apart. I am reclaiming myself. Trusting my goodness and my divine mission.
I think some of my inspiration came from just being around music. My family was into music. My uncle had his own band and my father use to sing in my uncle's band. If you want to go to the music influences we could be here all day. That's everybody from Michael Jackson all the way up to people in the game now that inspire me.
Justin Bieber is signed to Def Jam, and I don't believe in touching nothing that ain't mine. I want someone to give me the same respect - don't touch nothing that's mine. I still want what I want. But Justin Bieber is definitely a friend of a family. Me, Drake, Wayne. We rock with the little homie, so he a part of us in heart.
I will make up a crush, you hear me?! I will look at a guy and say, for two months at least, 'I think you're cute.' And then I can be psycho. I will go in my head and make a whole life with him, he don't even understand why I'm mad at him. I'm like... 'cause you came in late last night!' And he's like, 'I don't even know you.'
I work with Kick G.A.M.E., the grassroots artist movement. Not to tell people we have the best union plan in the world, but to show people that if some activists, if some revolutionaries, if some street organizers from the hood can come together and put together a preliminary program to give health care to independent artists.
Since the police department is becoming more and more militarized we're stuck in a position where we're reverting to that sort of behaviour that other places still suffer from because they're kept in that post-colonial state of development indefinitely so we can reap the benefits of taking whatever natural resources they have.
Hip-hop definitely saved my life. Being able to write about the things I was doing, the things I was seein' and all that stuff, putting that on paper and coming into my own as Joell Ortiz. That's why I don't have a stage name, because I chose to talk about everything under the sun that happened to me or next to me in my music.
We wound up taking my enterprise inside marketing, branding, management, finances. We went in there [Sisterhood of Hip Hop show] and taught them a little bit about everything in hopes of them being able to have some takeaways that they'd be able to use in the future for their own careers. And I think we were pretty successful.
Dealing with those personalities and the people who run this music thing has been most challenging. It's hard to really communicate things to people who run a business yet forget the nature of the business. They only look at the bottom line and the financial return, you know, they forget what it is they're packaging. It's art.
Imagine Eminem writing a play with complex raps and syllables, and melodies flowing in and out. That's what it was like for me listening to Lin-Manuel Miranda, it was incredible. So it just goes to show that if you put your teaching style in a certain form, that will attract the attention of the people you are trying to teach.
I've become a workaholic. When the shows slow down and there's no press and I can get my time to myself in the studio with my music, I get into this zone, man. I enter this incredible space where I'm just making music. And I feel like I can work with anybody - with Elton John, with Hanson - and I can make something incredible.
I had an apartment on Long Beach Blvd and San Vicente in Long Beach, California. That was the apartment I done 'Regulate' in. I had all my equipment set up in the bedroom, a vocal booth in the bathroom and in the closet, and that's where we created it. I had an MPC 60, a Numark mixer, and a Technics 1200, and a ton of records.
I just feel like I aint never did nothing foul in the game. My ghetto report card has always been straight A's across the board. So I said let me go ahead and name this "My Ghetto Report Card," and I'm touching down on all 4 angles of the game you smell me? I'm touching it from all basis. The album aint banana's, it's coconuts.
I think that a rap aficionado, the hardcore rap fan, will always go away from pop, in the same way a hardcore jazz fan will never think Kenny G is really a jazz artist. You gotta kind of know there's always going to be that purist who's going to be like if it ain't beats and rhymes, if there ain't a DJ, then that ain't Hip Hop.
I'm a product of the different - whether it be institutional racialism, whether it might be growing up in a low-income area, whether it might be, you know, coming from my mother, my father. I'm a totally different person from my mother and father, but once again I'm from them. We all have our different souls, but I'm from them.
Sometimes I do feel hopeless when I look out and scream out through my music, and I scream out through these interviews, and I scream out to people to kind of get their attention back on the things that are meaningful. There's people dying on the streets of Chicago - young people, young men and women who are losing their lives.
I just embrace all people of all lifestyles and I don't tell them they are bad people. And I say girls are beautiful and girls are sexy and they need to be told that, and if they don't have anyone to tell them that and mean it, I'm gonna tell them that. But I feel like people always wanna define me and I don't wanna be defined.
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
When I was in Japan on tour in 2010, I felt like I was 30 years into the future. I love technology and they are so advanced with their phones, computers, everything. I think they had the iPhone way before we did in the U.S. I love gadgets, games, social media and I try to stay ahead on all that stuff, but they get it all first.
It was, like, two mobile games I released. They did pretty well, and after I made those two games, I was like, 'Man, I want to make another game, but I want to make this game for PlayStation and Xbox and PC.' I was like, 'You know what? Forget making the video game for Xbox, PlayStation and PC. How about I make my own console?'
I just got a new manager. He's like, "So what do you want to do with the deejay thing?" I'm like, "The deejay thing for me is more my hobby." It's great when you can supplement your income, when you have a weekly or something, it's fun. It's really a hobby, because I don't want it to take away from what I do, which is emceeing.
Don't follow in my footsteps. Create your own legacy! Be you! Do what you do! Stay focused! Stay positive about whatever goals you want to accomplish! Don't ever let anybody tell you that you can't, because you always can. To this day, I have people trying to discourage me, and telling me I should hang it up. I call them clowns.
I wasn't fully aware of the things that Madlib did musically, but my manager put me up on game. I'm not gonna act like I was a Madlib head when I wasn't. I didn't understand a lot of it at first. But it opened my mind to some things, and it's me bringing that gangster element to things that he does. It's like a perfect marriage.
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of the culture, and it's the name of the identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls.