Quotes of All Topics . Occasions . Authors
If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I'm saying and are going to buy into what I'm doing. Not because it's the new thing of the moment, but because it's genuine emotion. Its how I feel. This is how I articulate the world.
I got love for Damon Dash as I did before. I don't know if we can be around each other in that way because times have changed. He may be a totally different person. I know I'm a different person. But nothing can erase that era, those times, those memories, those fights to get 'Roc-A-fella' where it was.
Girls in New York look like giraffes. Long neck, long legs, tiny tits and ass. Girls from L.A rock over sized shades. And chill all day cause they already paid. Girls in Miami...string bikinis and bump techno by Dj Tiesto. Girls from Detroit like electro And dance all night till they break they neck yo.
Here's a message to the new borns, waiting to breathe: if you believe then you can achieve. Just look at me, against all odds 'though life is hard, we carry on, livin' in the projects, broke with no lights on. To all the seeds that follow me- protect your essence, born with less, but you still precious.
For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.
If you haven't got a gun, you can't shoot anyone. We need to look at how these guns are getting into our communities. It's about replacing the negativity with good stuff. Give kids music studios in the community they can use for free and see how they learn to work together. Football and music unify kids.
My kids, they're like nine or ten years old right now so you give 'em responsibilities just to keep them up on things. It ain't just all about getting on the skateboard or putting your Heelys on, and swimming in the pool all the time. You gotta do stuff like wash dishes, take the trash out, feed the dog.
When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
Yeah, I was a brother on the streets of Compton doing a lot of things most people look down on but it did pay off. Then we started rapping about real stuff that shook up the LAPD and the FBI. But we got our message across big time, and everyone in America started paying attention to the boys in the hood.
When my time is up in hip-hop, it's going to remain what Afrika Bambaataa thought it was supposed to be. It's going to remain what Kool Herc thought it was supposed to be; what Wu-Tang Clan sees it as; what Outkast sees it as; what Snoop Dogg sees it as. People are trying to forget that brand of hip-hop.
I tried to give some warnings early on to a lot of my Christian followers that mixtape really wasn't targeted at the church so they would be able to understand. I wanted to wrestle with some things that I know people outside of the church wrestle through. When It comes to the church I just want to edify.
What really broke it down was I had my son while I was locked up, so that really affected me. I can't really have this, knowing my father was locked up when I was small. So that really out of everything - through the fame, the money, everything - that really put the toll on me: 'Oh yeah, I gotta change.'
Basically, the Internet is just the way now. It's the end-all, be-all of self-promotion. It's not like you got to burn CDs and pass them out or sell them. The Internet is a tool that reaches billions and billions of people. It's like a no-brainer to tie it in with self-promotion, or even label promotion.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
Some people can be president, some people can speak, some people, you know, anything that's positive, man - a dentist, a doctor. Just hang in there and never give up, and find out what is your talent. First you got to find your talent and just stick with your talent, and I guarantee you'll get there, man.
I've seen people who don't have deals get features from people that labels can't even get features from, because you gotta show face and be in-tune with these guys who still have that independent mind set as far how you hustle yourself. Because they only really care at the end of the day about the dollas.
One of the first places where I started to respond to song lyrics was in reggae music. A lot of what I was responding to were references to the Old Testament. It was not that I had to adapt the lyrics to the sound. Reggae and the Old Testament are bound up together. There wasn't anything that I had to do.
The secret to freestyling is working on the creation of thought and it being expressed from your cerebral cortex, to the air in your lungs, to your larynx, pharynx, to your tongue to form a word via whatever consonants and vowels you're working with as well as having a sense of style, cadence, and rhythm.
In theory, people would pick progression every time over being idle. But if you look at us as a culture, as a people, you would say that if you get up at five o'clock in the morning, eat your breakfast, go to work, make money, pay your bills, you're progressing, when you're still doing what's comfortable.
I definitely had to do some soul searching, and there would be a lot of times where I would sit back and look at the Internet and say to myself, 'This is a way of being able to communicate with all my fans all over the world, other than just being in New York and only hearing the New York side of things.'
My name was given to me. I didn't just decide to change it one day. But I ran with it to reflect a more peaceful and positive attitude for my new Reincarnated project. The Snoop Dogg name is so connected to hip-hop, and I didn't want to change that. Hip-hop raised me, and I would never turn my back on it.
When I'm in the studio, I'm strictly thinking about the beats, the rhymes and the song. The decision I make once the songs are created, and there's a barcode put on the package, and I'm out there in the street selling it, those decisions as a businessman are different than the creative decisions you make.
A lot of people don't know I'm from the West Coast. My swag is different. Me being from Young Money, affiliated with them, some people think I'm from down South. They think maybe I'm from New Orleans like them. It's just good to show people and build outside of Young Money, build my brand outside of that.
However, people need to understand that it ain't that deep to try and convince people of what your persona is. You are who you are, and what you are will show in time. What you aren't can be hidden, but eventually it will come to light. Long story short: rappers should never take themselves too seriously.
I don't believe in aliens. I don't think aliens or ghosts like black people. We never get abducted; our houses never get haunted. It always happens in rural areas, where no ethnic people live. The day I see somebody from South Central Los Angeles say, 'Man, I got abducted yesterday,' then I'll believe it.
I'm not turning my back on music anytime soon, but it's just a blessing to have options open. A lot of artists just have rap, and that's it. But once rap stops, it's hard to get into that Hollywood circle; it really is. It's a whole 'nother beast that people think they're ready for, but they're really not.
McDonald's offers a king's ransom to any hip-hop artist who is able to put Big Mac into a song. MTV - and more to the point, Viacom - is succeeding in extending a teenage life to twenty-nine or even thirty-one years old. It is about extending this market and removing any intelligent substance in the music.
I don't need to put jewels on to make myself feel important. I'd rather drop them for the benefit of less fortunate people. I don't need to put gold on my body, and I'm not criticizing people who do, but for me, I'd rather be around my family and see them be happy because that's worth more to me than gold.
I haven't talked to [Sterling Simm] personally about the situation. We did a couple retweets to make some noise and get a little feedback, but I would definitely consider it. When we had our session for the "All I Know" collaboration he played me a number of records, one being "All These", that were crazy.
Some stuff I don't even put out. I'll just be home, happy, creating something for myself, and then ball it up and throw it in the trash. It's less about trying to prove something or get on somebody's list or make a fan happy or make a hater mad or convert a non-believer. That's not the case for me anymore.
Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.
I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'
I would buy a house, and try to buy a house every month. I didn't have education or information about real estate at the time. I learned after I bought a few houses, and then I kind of fell in love with the rehabbing of the houses and fixing them up and just the whole process and turned it into a business.
The hardest part of fame and success is adapting to the people around you that's changing. It changes the way people look at you from how they used to look at you. They listen to you on the radio, they look at you on TV and when people speak on you in a good light, you have a couple people who hold grudges.
Man is symbolic to the sun. The sun is dealing with a ball of fire and didn't go out yet. Me being symbolic to the sun, that's what keeps me going, that's like my hunger. That's like my fury, my self esteem. That's the elements within me that keep my body motionable. The fire is self esteem. Inner strength.
I wanted to touch on how we look on each other. Good hair, light skin, you must be smart; if you're black, you're dark-skinned, you're ugly. That really happens. This is something that started with slavery, when they divided the house, and it's still a part of today's society and things that we battle with.
What makes 'Maybach Music V' so special was, of course, I put the album out celebrating my daughter's birthday as well, and DeJ Loaf is her favorite artist. So 'Maybach Music V,' I wanted a real airy type of feel. Just a real slow vibe to it that's also going to surprise my daughter. So that's real special.
I dated all these girls and ended up not liking them and thought to myself, 'What was it that all of them had in common?' They had too much time on their hands. Even though they were pretty, they lacked something. A woman could be less attractive but with ambition and drive, that's the most beautiful thing.
That's that Dungeon Family ethos: being able to reinvent yourself, stand out and stand alone. Having your own character and having your own image, no matter what they say about you. I want to show my versatility and how diverse I am, how I approach the track, my rhythm, my melodies. It's something different.
A lot of the old-school artists didn’t even respect what’s being called freestyle now... any emcee coming off the top of the head wasn’t really respected. The sentiment was emcees only did that if they couldn’t write. The coming off the top of the head rhymer had a built-in excuse to not be critiqued as hard
America has this fascination with glorifying the villain and not talking about the trials and tribulations. We tell the story of the successful villain a lot of times, but we don't tell the story of the people who don't come out so successful, and we don't tell the story of all the bystanders of that choice.
Everyone in our clique rocks a black bandana with the print 'EST 19XX' on them 24/7. As the underdog, you are expected to lose or give up and 'wave the white towel,' so that is why our flag is black. We never give up - never surrender. EST means 'Everyone Stands Together.' The '19XX' is to represent any age.
I didn't wanna be looked at as no idiot, and I didn't wanna feel like I was uneducated, because I really stopped going to school at 15. I was never ignorant, as far as being experienced in classrooms and learning about different subjects and actually soaking it up, so I checked into college for a little bit.
Funny how things change when you got a liquor in ya: You're quicker with the tongue, givin' me rhythm now. Block the music and the people out to admire the love, The nerve of us...impervious to the entire club. And like marijuana shotguns, let's blow this joint, It's pointless to stay here, so let me anoint.
When I sit here and see that the eight brothers from the neighborhood that I grew up with still have success, it had to be magical. I doubt if you get another 'Wu-Tang Clan.' That might be harder than getting the new 'Jackson Five.' Certain groups you only get one time, and we just happened to be that group.
As an artist, I always just want to grow as a songwriter. I listen to a lot of music. I listen to music all the time, whether it's hip-hop or soul or rock or whatever. I'm always listening to music and trying to learn from other songwriters and how they tap into certain emotions and communicate more clearly.
My music is not for everyone. It's only for the stong-willed, the [street] soldiers music. It's not like party music- I mean, you could gig to it, but it's spiritual. My musi is spiritual. It's like Negro spiituals, except for the fact that I'm not saying 'We shall Overcome.' I'm saying that we are overcome.
I didn't get into Tupac [Shakur] until a little later, once I started understanding rap and people's stories. Eminem was the first rapper that I actually started dissecting the lyrics, and once I got attached to his stories, then I started listening to Dr. Dre, then Snoop 'cause they were all under one camp.
I can't say there's a job that I hated. But you know what happens, is sometimes you say, "I'm smarter than my boss." Sometimes you may feel that somebody's tellin' you what to do and bossin' you around, and you're like, "I'm a hundred times smarter than you," and even if I'm not, I would feel that way anyway.
The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.