Quotes of All Topics . Occasions . Authors
There's no real network, and every city in Mississippi is so spread out, so it isn't easy to drive around and pass out CDs. So when an artist from Natchez or Gold Coast or Meridian breaks out, they already know exactly what kind of artist they want to be. The grind and the hustle is just so adamant.
Puffy's contribution to hip-hop culture was the remix. He offered us the music that his mom played in front of him, with newer drums and younger artists. That worked, and will consistently be there. The remix comes right after the original record, that's something Puffy did to influence the culture.
Of course the concept is to give people samples to get them hooked, I get that. But to continuously give away our music, that's the reason why you don't see [many] rap award shows anymore, the reason that you don't see rappers in commercials anymore; because we have allowed our music to be devalued.
Future's not everybody. The people who are taking my style are like my babies. I've got a tribe of kids that want to be like me... But I understand why people want to imitate the things I do. They're dope. It comes naturally to me. My fans can expect greatness. If I wasn't me, I would want to be me.
Military is a great place for a jock. That's the first thing they test you, they test you physically. If you can run, if you can do the pushups, it's not as hard a transition. If you can't do that, you're going to have a problem because they're going to really work it out of you or work it into you.
Rich people, they stay out of jail not just because they have more money but because they grew up in a culture where they're educated by people to say, "I don't have to talk to the cops. If I get arrested, I'm not going to say a word to them. I'm just going to wait until my family lawyer gets here".
The average ordinary person, in the worst slums of America, someone who might even hate the law and disagree with the government, they would do something about that [abandoned child]. But in Afghanistan, people hardly have the means to take care of themselves, let alone a random child on the street.
I never wanted to just glamorize the playa lifestyle and not touch on the down side. I wanted everyone who's in a desperate situation to know that, if they wanna choose that kinda lifestyle, they gotta be aware of everything that comes with it! It's not just about the cars, the ladies and the money.
For me, Christianity is not a genre. It's faith. The Gospel is not a genre either. It's faith. I definitely understand the semantics of naming things to give them some kind of distinction but I think my faith is pretty distinct. If you want to call it hip hop, essentially it is. That's the art form.
When you're a girl, you have to be everything, You have to be dope at what you do, but you have to be super sweet, and you have to be sexy, and you have to be this and you have to be that and you have to be nice, and you have to - it's like, I can't be all of those things at once. I'm a human being.
It's a total big difference between a person that got lyrics and a person that can make hit singles. I'm a person that can make some hit singles. I'm not in no booth trying to be a lyrical genius. I'm preparing to make me some singles, and as I develop as a man, then they'll respect my emcee skills.
When I was younger, I felt like I could say anything and it was funny. I've started to realize that what I say and do does affect everybody around us. I'm not just talking about what you put on a record - even just walking into a store and how you interact with the person behind the checkout counter.
I think the whole nostalgia for the forty year gap for [Sylvester] Stallone was bigger than the movie [Creed], but it's good because the movie still gets recognized with Stallone's involvement. I'm sure the director [Ryan Coogler] is still proud of his film, but it's very hard to nominate a director.
I've got a nice collection of paintings - a Basquiat, a black-and-white Warhol that's like a Rorschach test, and I commissioned Takashi Murakami to do a ten-foot joint for me. It's almost like the explosion in Hiroshima with his famous skeleton head. There's a wall above my fireplace reserved for it.
I write a lot of my best music in the car, like late night. Three, four in the morning. I'm in the passenger seat, I got my driver, my getaway driver. My Bonnie, I'm Clyde. That's when everything is just settled. In the daytime it's chaotic. Everybody just goin' nowhere fast. In a rush to go nowhere.
When I moved into one of the worst inner-cities in America to do missionary work I had to do risk assessment, and It was a risk. My family could have been in danger, house could get robbed at any minute but I count it all as nothing compared to knowing Jesus it was all worth it at the end of the day.
The blogs have been great and everything, but I think, for me, it's better to have a central place on the Internet for all my fans to go and show their friends my YouTube, Twitter, and social networking sites. To have that spread all on its own and have a central station to get everything Mac Miller.
I know what it's like to feel hopeless and to feel like you're not good enough just because of where you're from. I know what it's like to be profiled and to be abused by the police. I know what it's like to be racially profiled, treated unjustly and abused by the police just because of how you look.
Whatever column you fall in - Christian, gay, straight, Black, White - there is no world where people exist that are exactly like you. No one group of people can righteously rule the world. There will be people who differ in opinion, and even in that difference of opinion, we must respect each other.
To be honest, that whole exchange with Crunk Feminist actually made me write the song because I realize there's a lot of young women out there so hurt by the misogynistic images in hip-hop they paint it with such a broad brush stroke that they think anybody that defends hip-hop is defending misogyny.
If you want success badly enough, you must weigh each thought, action, and experience. The reward you reap will be the knowledge of some of history's best kept secret, which when understood and applied will truly guide you to the success in life that all have dreamed about, but only few have attained
STREET by 50 is all about giving our fans the finest music experience we possibly can. The response to the limited edition colors so far speaks for itself - the fans want the opportunity to match their headphones to their personal style, and we definitely want to make sure to give them what they want.
When I'm at home, I don't discuss business. I don't talk business. I don't answer the phone. It's just me, my wife, my children, my dogs. That's my world. We go out, take a ride in one of the low riders or something. Totally different person than when I'm working. But the work comes to some headaches.
I've been YouTube surfing a lot lately so I'll Shazam a song that I find or some s - - and type that in on YouTube and just go through all the relateds for it. So it's been a lot of random jazz s - - lately. Like I found Lonnie Liston Smith, and Ahmad Jamal, s - - like that. So that's been very tight.
My mom had me at a young age, like 20, and she was the oldest child. All her brothers were seven and 10, so I was like a younger brother more so than the oldest child. I was the younger brother to all my uncles, so they were going through their childhood and their teenage years, and I was right there.
When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.
I think the problem with people, as they start to mature, they say, 'Rap is a young man's game,' and they keep trying to make young songs. But you don't know the slang - it changes every day, and you're just visiting. So you're trying to be something you're not, and the audience doesn't buy into that.
Men, specifically in the West, have no rights of passage, no way to know when they become a man. Everywhere else in the world you gotta kill a lion or stab a shark, or go on some journey, and you come back and you're a man. But here in the West, we're really kind of clueless as to what makes us a man.
Celebrity Apprentice' was something where you don't know what you're going to do the next day. Every two days, somebody goes home, and you don't know if the next day you've got to be the project manager or what's going to happen, so you can't really prepare. You really have to be on top of everything.
If you watch the award shows, you'll see variations of the hammer pants. It's always cool to see that and then every now and then, you'll see an artist who's pushing the envelope and it may not be all the way there but you can see where it's coming from. I'm always appreciative of seeing my influence.
I want you to know who I am: what the streets taste like, feel like, smell like. What the cops talk like, walk like, think like. What crackheads do - I wanted you to smell it, feel it. It was important to me that I told the story that way because I thought that it wouldn't be told if I didn't tell it.
Rza just used the whole synopsis of the karate flick and capitalised offa that around this music. Some things you find out and you compare to yourself, and you're like, 'Wow, it has so much comparison to it', you start to live like that. And that's what happened - we started callin' ourselves Wu-Tang.
We talk a lot about Malcom X and Martin Luther King JR, but it's time to be like them, as strong as them. They were mortal men like us and everyone of us can be like them. I don't want to be a role model. I just want to be someone who says, this is who I am, this is what I do. I say what's on my mind.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
Save your wack rhymes, hold your female. Pass the Old Gold, trash the ale. Cash your food stamps, get the WIC out the mail. Love to eat shrimps, but I never eat snail, Eat a whole fish except for the tail. Keep food in the fridge so it don't get stale, And when there's nothing to eat...I bite my nails.
All songs have those X factors. I couldn't even explain or describe what will grab me about them but it's all music that I'm usually listening to. I'm always looking there to hear new music and see what's going on so that's usually when I'll hear something and be like "Wow, that melody is really crazy.
You know, you'd hide behind a Public Enemy or Ice Cube, or Bruce Springsteen, or U2, because they spoke for you. But now everybody's bloggin'. I heard somebody say, "Blogging is just graffiti with punctuation." Everyone's an authority so there's nobody in power, 'cause everyone thinks they're in power.
The economical policies that are instigated really makes you think that the American government is a bunch of evil bastards. So just because you're black, you're still representing that government, and when Obama came into office he enacted the same policies that we would critique other presidents for.
When a person listens to a good song, and they can look out at the world and their lives and see the dark and the light, the negative and the positive, all the different elements, all come together in one holistic poem, that is a very healing and very reductive thing, and that's what my music is about.
I think if I heard someone else talking about their life, describing all the problems I've had, they'd look like they were through. Done. But there's something about me - I'm smiling. Those things are really not bad enough to put me in a slump. I'm smiling with the opportunity to wake up every morning.
know the feelin, when you feelin like a villain, You be havin good thoughts but the evils be revealin'. And the stresses of life can take you off the right path, Jealousy and envy tends to infiltrate your staff... We gotta hold it down so we can move on past All adversities, so we can get through fast.
The thing is, allies is people who are friends, people you can rely on in the struggle. You're not always going to agree with your allies. For instance, Stevie Wonder I feel like is my ally when it comes to this Florida situation, but I don't agree with his strategy. That doesn't mean he isn't an ally.
I'm a piece of work, man. I will do what I want, at all times, always. Nobody's going to persuade me one way or another. I can't be persuaded. I take criticism, I listen, I analyze, but at the end of the day, I make the decisions. Because that's the way I started, and that's the way I'm going to finish.
It's funny, I don't even consider myself a rapper, I don't consider myself a designer, or even an actor. I just like creating stuff and trying to make good work, whatever it is. I don't care if it's designing toothbrushes. It's just making cool stuff to leave behind, that's all it is, it's nothing more.
The music that I make is built on layers upon layers of musical ideas. I want to keep it fun and fresh to where listeners won't get everything from just one listen. They can go back to it months, weeks, or even years later and hear something that they didn't ever hear before. That's what it's all about.
I think as he gets older, Quentin [Tarantino] is growing more and more into his directorial side, but the writer in him won't stop the pen. I don't think he deserved a directing nod. Like I said, it's beautifully shot - it's cinematography, obviously, deserves a nomination - but he's not the camera man.
As I started getting older and started to learn about the world, my friends would tell me about video games and dirt bikes and stuff, and I'd be like, "Oh, I got none of that." I started asking questions, like, "Why we can't get this stuff?" And it was like, "Well, we work hard to make sure da da da..."
'The W' was real dark to me. Out of all the Wu-Tang albums, I like the first one and the second one. When 'The W' came into play, and the other ones, I felt they were just thrown together fast. Everyone got their money, and it was just like, 'Whatever, whatever, whatever.' 'The W' was a real dark album.
I've been pulled out of my nice new car and laid out in the street by the police, interrogated and then have them get in the car and roll off leaving me lying in the street without even saying 'Get up.' The humiliation that they can put on a black man because they determine that you ain't got the money.
Never prayed to God, I prayed to Gotti, that's right it's wicked, that's life I live it. Ain't askin' for forgiveness for my sins. I gotta get my soul right, I gotta get these Devils out my life. Lord forgive him, He got them dark forces in. connected to the high power. 666. I can introduce you to evil.