You can be a rapper born and raised in go-go music, violence, drugs, crack, Reagonomics, and still, if you hear 'Wake Me Up Before You Go-Go,' you're going to find a way to hum along. Guilty pleasures? It don't matter. Sue me - I like the song. To dance to it is another matter.

Sometimes I'm happy - you can tell via Twitter. Sometimes I'm pissed off - you can tell via Twitter. I just think, at the end of the day, I don't want them to see me as a celebrity; I just want them to see me and say, 'He's like a regular person at his job right now who's mad.'

I've never got the vibe that they would do a gospel song. 'Cause when they talking about doing another Geto Boys album I said I would do it if I could rap like I'm rapping on my gospel album, I didn't get a whole lot of cosigning on that from all the political parties concerned.

On the second verse of 'Tears to Snow,' I talk about rappers and the way they view me now, rappers in the underground world who I might've know for a little bit, or they might've opened a show for me. A lot of them talk crap about me behind my back, and they'll smile in my face.

My first Hip Hop concert was at the Apollo at the age of 12. Southpaw's father was interviewing Queen Latifah and Treach as well as many others. The place was so packed no one could move but I got to be backstage with the video equipment and so I saw the show from a great place.

Racism is taught in the home. We agree on that? Well, it's very hard to teach racism to a teenager who's listening to rap music and who idolizes, say, Snoop Dogg. It's hard to say, 'That guy is less than you.' The kid is like, 'I like that guy, he's cool. How is he less than me?

Growing up, politics never trickled down to the areas we come from. But people from Obama's camp, and Obama himself, reached out to me and asked for my help on the campaign. We've sat and had dinner, and we've spoken on the phone. He's a very sharp guy. Very charming. Very cool.

The fans get to see you, and you can do great by your record if you have a great performance or a great night there. That's all part of the business. But at their core, awards shows are not really a sincere thing. For a lot of years, the artists had to pay to play their own set.

If I grew up, you know, in the ghetto, like, and I wasn't taught any other way to talk or a way to act or other food to eat or just like anything like that, like, when I'm I supposed to do? You know, like, is there a class I'm supposed to take to learn how to be white, you know?

Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement

When you feel sad, it's okay. It's not the end of the world. Everyone has those days when you doubt yourself, and when you feel like everything you do sucks, but then there's those days when you feel like Superman. It's just the balance of the world. I just write to feel better.

I think that with the Internet, it has given a lot of people the opportunity to get themselves out there to the masses. But it's easy to group everyone that's on the Internet together. I try to cross and jump around between genres and different styles, kind of find my own niche.

I grew up pretty secular. I went to public school, and all the Jews that I knew, none of them were religious. While probably half of my friends were Jewish, they were all secular Jews. We went to Hebrew school, we knew we were Jewish, but it wasn't a major part of our existence.

I have to have the sensibility to keep Versace company in good shape because there are so many people working for it, and we need to have the company grow and also be relevant. So I work very hard for all that to happen, and I wish people would know me for that and be satisfied.

The song 'Conceited' on 'There's Something About Remy' was inspired by people always telling me that I'm so much prettier in person or that I've lost so much weight since they saw me on TV. I don't even know if that's a compliment. Were you watching me on TV thinking I was ugly?

Forbes did a story on , when I seen it in Forbes I was just like, "This looks good!" and it felt good so I just went ahead and posted it. As soon as I posted it, people started calling and congratulating me and then it really started sinking in that it was a real accomplishment.

I feel like I have way more resources, way more experience. I'm better. But my fans romanticize the earlier stuff, and I don't think it's just like a nostalgia thing of "He's not as good" - I think it's because that earlier stuff was aggressively marketed as a lifestyle to them.

The same crime element that white people are scared of black people are scared of. While they waiting for legislation to pass, we next door to the killer. All them killers they let out, they're in that building. Just because we black, we get along with the killers? What is that?

So for me, fashion was about standing out as an individual - and it helped me get the attention that most people try to get with publicity stunts or by doing other crazy things. But I just let the attention come to me naturally, and I think some of that has to do with my fashion.

I think of people like Ray Charles, Otis Redding, and Isaac Hayes. They all came out of the South, and they followed a certain tradition and energy. That's no knock to groups like The Temptations or The Supremes, not at all, but they were way more polished in how they did things.

We're a new generation of people. We need to be happy. We need to love each other. We need to accept each other for who we are and stop judging each other. Live life and love. Stop judging just to keep yourself secure. Look deeper. There's always something deeper than what it is.

I wish the music business was a much easier thing, but you know what? Nothing easy is worth anything. So it is what it is. There comes a time when things can work out and everybody can be happy. And that's what it's all about in the end - everybody being happy and working it out.

I think if you were to ask me when I was much younger what my definition of the good life was, I think it would have sounded a lot like what most people would say - a life with all the things you want and everything you think you need to make you happy, and these sorts of things.

When you're from the East Coast or you're from the South, people expect you to sound a certain way. So if you don't sound that way, people won't label you as that type of artist. For me, I had a whole new lane to create for myself being from Pittsburgh and being a Midwest artist.

For me, growing up in Harlem and then migrating down to SoHo and the Lower East Side and chillin' down there and making that my stomping ground... That was a big thing, because I'm from Harlem, and downtown is more artsy and also more open-minded. So I got the best of both worlds.

Where I stand at is on the Second Amendment where the right to bear arms is not just for hunting and fishing and things like that. But it's the right of the American people to have a means of defense against a tyrannical government. So, sometimes you got to have that back-up plan.

I always say, 'Man, the Creator is preparing me for something. He's keeping the sun on me for some reason. He's keeping me aligned with that generation.' Because I genuinely love people, I love hip-hop, and I love using it as a tool to communicate and to create a better vibration.

I am right at the bottom compared to everybody else with press kits and demos and trying to get meetings. That's what I love about music and hate about it. That's why I respect people that are successful in the music business because you really have to build it from the ground up.

For just being a black artist in rock n' roll and be able to step outside and create, and make great music. And just be different. Just a different breed. And that's what I love about Jimi Hendrix's music - the way he plays the guitar is so different. He's just an icon all around.

I feel like guys, girls, whatever it is, you just come out hoping to make the best record. You just try to have a conversation and just create what you've talked about. Whatever you find to fit the beat at the time, what the person is down for, wherever the beat takes you towards.

When you start to really travel and you get to these abstract like places in the world, you would see certain people's names. It seemed like we could go anywhere. Like when we went to Afghanistan, you'd see in the dressing room Run DMC's name. Certain rappers are like journey men.

It's either you finna create your own wave, you finna sound like me or you finna sound like G Herbo, you finna sound like Chance The Rapper, you finna sound like Juice Wrld. You ain't gonna get too far 'cause you sound like somebody. So, create your own lane and do your own style.

I think it does give me different stuff and I feel like television moves a lot faster than movie sets do. It's kinda like they have to get things done within a certain timeframe. So do movies but it seems like, as far as television is concerned, it just moves a helluva lot faster.

What's the biggest commercial for aggression, sexuality and materialism? What gets pumped into these kids' heads? Taking someone else's girl, which is so laissez-faire in hip-hop, will get you killed in the streets, but it doesn't seem to be an issue when you hear it on the radio.

I like to be as diverse as possible. I think the humorous side and the serious side are both elements of my personality. It's what makes me who I am and if I was to neglect either one of those sides and just focus on one of them, it wouldn't be the full spectrum of my personality.

I don’t find it fun watching someone trying to be sexy. It’s whack. I’m trying to just show my true personality, and I think that means more than anything else. I think when personality is at the forefront, its not about male or female, its just about, who is this weird character?

I still wanted to get into the NBA. I was still on the team, I was a starting point guard and I was on and off the team because of my grades. That was the thing, discipline, discipline, discipline, and then I was going home to a very strict dad. He ran the house like the military.

What we do with our lives every day, whether at school, a desk job, or keeping the home in order, is our most basic opportunity to glorify God. That's what your role in His story looks like day in and day out. Instead of waiting to be offered a new role, play the current one well.

I worked at a hot dog place, a bagel place, the Jersey Store and the hottest fashion joint around. I was getting too famous to work there anymore. I was almost showing up as a joke. I made $2,000 on my show the previous night and I'm going to go shopping during my five-hour shift.

I have a son and a wife, and I really enjoy my family life as much as I enjoy my career, but there are times where my career just kind of overpowers, and they have to be really very understanding of it. I appreciate them for that. That's probably the hardest part about everything.

I was driving along and I got a random call on my way to my mother in law's for dinner and it was Drake. He wanted to help and he said he'd do anything to get 'Top Boy' back on screens and then got a call from Netflix, who wanted to do the show. For U.K. culture, it's a huge thing.

Drake was a fan before a friend. He already was a Cash Money millionaire. When opportunity came, maybe we put the most on the table. That was my thinking because I just thought that this was a very talented young man. We saw a future with him, so it was about him being comfortable.

I really only respect the Arab culture. I ain't really trying to pay no attention to, ya know, these little people in political positions and executive positions that ain't Arab culture oriented people because a lot of the times, what are you really showing all of this concern for?

When somebody greedily comes along and thinks that they gonna snatch everything, and you have so many people that have not, the passion that drives me is trying to make them understand that they have to share. So, my art reflects that; the whole reason I do what I do reflects that.

I just love the subversion of dialogue in sitcoms, stand-up is monologue and that is entertaining for a lot of people but personally I find it a bit trying, which is a weird thing to say as a stand-up! I love people aping normal conversation and twisting it so it becomes hilarious.

I feel like, you know, some people like to wear colorful stuff. Some people like to be blacked down, and some people just want to be colorful. Some people just have weird problems. I'm never going to wear a pink sweater. Some people just do it because they feel like they can do it.

I think the consumption of music is at an all-time high. But I think the ways that record companies are trying to monetize it is just all over the place. At the end of the day, music is in the clouds. Before, you could hold it, look at it, turn it around. Now, it's just in the air.

As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy.

I started performing at home as a kid putting on shows and lip-syncing Michael Jackson for the grown-ups. Then, in musicals and plays in school. At 17, I was performing in coffee shops and in parking lots at Phish shows. At 18, I had a band that played local shows in the Northwest.

For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.

Share This Page