Quotes of All Topics . Occasions . Authors
The reason that stepmothers are often the bad guy in fairy tales is because people died in childbirth, all the time, so fathers remarried and there would be a struggle between the children and the new wife, in terms of who would inherit what.
While the goal of all movies is to entertain, the kind of film in which I believe goes one step further. It compels the spectator to examine one facet or another of his own conscience. It stimulates thought and sets the mental juices flowing.
The only situation which might justify panic is one in which panic is likely to help. Such a situation never arises. Though pretended panic may sometimes cause a useful diversion, real panic can never be anything other than a waste of energy.
I think 'Sex and the City' is a chapter that will never close. In a wonderful way, it's always going to be an open chapter because it seems like new generations discover the show and relate to it, which is amazing, and you can't hope for that.
And journalism itself has changed. News organizations and some journalists have transformed from their traditional role as watchdogs of power into institutions of power themselves with an ability, indeed, a susceptibility, to abuse that power.
Male nudity, full-frontal nudity, has always been considered a lot more taboo than female nudity. As far back as I can remember, there's been a double standard between men and women. I think it's time that men get equal time in terms of nudity.
My father had a lot of allergies, and he just didn't like the cold of Chicago, and his father - his parents had broken up when he was young, and his father had lived in Pasadena for a while, and he kind of fell in love with Southern California.
For many decades - and this was reinforced by the broadcast networks' standards-and-practices department - bad guys on TV had to get their comeuppance, and good guys had to be brave and true and unconflicted. Those were the laws of the business.
I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance.
The Gong Show provided me with five years of the happiest times of my life, but that's that. And to be known as the guy who gave the world The Gong Show - listen, my Uncle George isn't known as anything. So I guess it isn't so bad in that context.
Helplessness is such a rotten feeling. There's nothing you can do about it. Being helpless is like being paralyzed. It's sickness. The cure calls for a monumental effort to stand up and start walking somewhere, anywhere. But that takes some doing.
I don't like that The Simpsons are spokespeople for Burger King and MasterCard and Butterfinger. In the first Gulf War, I was really upset that the Simpsons characters were being drawn on tanks and bombs. But those are things that I don't control.
Journalism has always existed in two different realities . . . the economic marketplace and [the] special institution to serve the public interest. The traditional balance between those two has become destabilized. Economic reality has taken over.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
The people who seem to have a lock on power get swept out in a couple of years. So it's naïve to keep swinging at the same targets over and over. It took me a long time to realize, but most of the shackles that I flailed against were just illusory.
If I knew how to operate a DVR, you'd find episodes of 'The Tavis Smiley Show,' 'Democracy Now!' and lots of stuff from TV Land. What you can find now on my Hulu account are Korean soap operas, 'Grey's Anatomy' and films from the Criterion collection.
If you stick in the business of being creative, you get hurt. And creative disappointment seems so much harder to take than any other kind. But if you're not prepared to get hurt like that, life can be pretty boring. I think I'm going to keep on going.
What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the electricity of someone touching, massaging and torturing themselves to get life out of an inanimate object.
If I talk to a woman for more than five minutes I can tell you exactly whether she's an Aidan girl or a Mr. Big girl. Aidan girls are more interested in nurturing relationships and building a nest while Mr. Big girls are more about show and having fun.
If you look at all the comic book films that have come since then, in terms of tone, in terms of look, even in terms of Danny Elfman's music for Batman, so many that followed have been inspired by that, specifically. It had a cultural impact worldwide.
Network's rating dependent. A show might not stick. A lot's timing. Like, my Bradley Cooper in 'Kitchen Confidential' didn't always work. Cable supports young shows. TV Land, which you can find on Hulu, Amazon, iTunes, wanted 'Younger.' They came to me.
I've come to believe that everything worth achieving is beyond one's capacity - or seems so at first. The thing is to persist, not back off, fight your fight, pay your dues, and carry on. Effort is all; continue and you may get there despite everything.
I have come to the realization that history is not a fixed thing, a collection of precise dates, facts and events (even cogent commencement quotes) that add up to a quantifiable, certain, confidently known, truth. It is a mysterious and malleable thing.
I have very little experience with dating websites. My feeling toward dating websites is what most peoples is: If it works, great. If youre serious and legitimate about it and know what youre looking for, then from what I hear, its definitely effective.
When 'Sex and the City' aired its first season, people didn't know about HBO as a place for original series. People weren't saying, 'Oh I've got to watch 'Sex and the City'!' They found it later. In some ways, it helped change what people thought of HBO.
'Family Ties' was a very successful situation comedy. And, in almost every respect, it functioned on a day to day basis like a well-run, well conditioned basketball team. The show was performed live each week in front of a studio audience on Friday night.
I really enjoyed being able to be one of the people who weighed in on the events. As hard as it is to do that every day, because it is exhausting, it really is fun to do that, especially when you feel like you really did something well, and it really hit.
You want people to go see it by the hoards. And for there to be talk of the possibility of continuing the journey and the ride, if you will, with these characters that we spent so much time honing, and executing this film on all levels, is super exciting.
In any operation, what you have to do is to persuade the patient to grant access to the patient's energy. The purest form of that is when you're trying to help a woman through labor: when you're saying, 'Push, push!' and you're rhythmically with the woman.
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go.
Salt Lake City gave me a lot of surprises. How progressive the city actually is, for instance, compared to the rest of Utah - it's like this purple dot in a sea of red. And the government there is kind of a mix of conservative values and progressive ideas.
I don't care if my opinion falls on the right or the left. I'm more of what I call a passionate centrist. I just believe what I believe. I'm not trying to prove anything for the right or the left. Which gives me freedom to make jokes about either side, too.
I have very little experience with dating websites. My feeling toward dating websites is what most people's is: If it works, great. If you're serious and legitimate about it and know what you're looking for, then from what I hear, it's definitely effective.
I was raised primarily by women. I had a mother who almost killed herself to survive, I had a sister who was eight years older who was like a second mother, and my mother had two sisters. In the environment I grew up in, I heard a lot of female perspectives.
People that I know, the vast majority, who are successful work really, really hard. Sure, there's some people that either get lucky or inherited it or don't have to work hard for some reason, but the vast majority who are successful work really, really hard.
'Younger' is about reinvention and how age is very much a state of mind. I think the show is ultimately about reinvention. I do think it explores, ultimately, the differences between generations, through the prism of reinvention. That reinvention is possible.
There's so much technology [in the Batman movies] that's unbelievable and seems unreal, so it's hard trying to get the audience to believe that it all exists. So we got Morgan Freeman to tell them that it's real. And that is why Christopher Nolan is a genius.
It's difficult, if not impossible, to get away with anything false before the camera. That instrument penetrates the husk of the actor; it reveals what's truly happening - if anything, if nothing. A close-up demands absolute truth. It's a severe and awesome truth
What we love is that Glenn Geller admits to being a superfan of Big Brother and obviously he seems to be a big fan of reality TV, which is fabulous. He's been really, really excited and has just been smiling through all of our meetings so it's always a lot of fun.
If you talk about genres - I don't care if you're talking about war, Westerns, science fiction, horror, fantasy, humor, romance - anything you can find, strolling the aisles of a Borders or a Barnes & Noble, I can bring you many comic books representing each genre.
Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
Dagwood Bumstead was a great unrecognized hero of American literature. He showed up every day, he got knocked down every day, he never got to eat his sandwich every day, the dog jumped on him every day, his wife was giving him a hard time and he showed up every day.
I'm enthralled by the national yearning that the Russians had during the 50s and 60s. The whole century was pretty rough for them. They suffered genocide, war, poverty, and half the population was sent to labor camps. But they were determined to get into space first.
I think the country needs a good laugh. There are so many things dividing us right now, in the real world, that the timing is right for escapist entertainment that makes you feel better about your own family. If this family can survive, than everyone has got a chance.
When you are young, your potential is infinite. You might do anything, really. You might be Einstein. You might be DiMaggio. Then you get to an age where what you might be gives way to what you have been. You weren't Einstein. You weren't anything. That's a bad moment.
There are certain times you realize you've got too much money. One was when I started getting bills from the Koi hotel. When I was remodeling the Koi pond, the Koi had to go to the Koi hotel. They ended up staying there for 13 months and I never asked what the bill was.
I think women have such rich emotional lives that they are expressive about. I also think they're funny. I like watching strong female characters, and I like writing them. I don't know if it's conscious that I gravitate towards women, but it's certainly evolved that way.
At the end of the seven years, 'Family Ties' voluntarily went off the air. And, we went off as the #1 show on TV that week. We cut down the nets on stage 24 and moved on with the rest of our lives. Always to carry with us the blessing of what we had gone through together.
I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.
Kids love to be scared; we all do. But there's a difference between leaving them hanging out there, with their fears, and then bringing them safely home. Kids love it when someone like them stands up against real evil, something really horrendous and frightening, and win.