Quotes of All Topics . Occasions . Authors
Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those-in the official capacity as well as the self-appointed. Suffer them if you can't escape them, but once you have steered clear of them, give them the shortest shrift possible. Above all, try to avoid telling stories about the unjust treatment you received at their hands; avoid it no matter how receptive your audience may be. Tales of this sort extend the existence of your antagonists.
She imagines him imagining her. This is her salvation. In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they’d loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?
Either I'm alive or I'm dying, she said to Daniel. Please don't feel you can't tell me. Which is it? Which does it feel like? said Daniel. He patted her hand. You're not dead yet. You're a lot more alive than many people. This isn't good enough for Rennie. She wants something definite, the real truth, one way or the other. Then she will know what she should do next. It's this suspension, hanging in a void, this half-life she can't bear. She can't bear not knowing. She doesn't want to know.
Once I was in Texas, where they had this thing called Ralph the Swimming Pig. You went into a theater and you were looking through a great big window at people dressed as mermaids swimming around with oxygen tanks. One of the mermaids had a bottle of milk, and a small Ralph the Swimming Pig dove in and swam over. Naturally, afterward, I said in the cafeteria, "What happens to the Ralphs when they get bigger? Would you serve Ralphs who have retired?" "Oh no! We would never do such a thing."
There isn't a river or creek in the country - or there are very few - that doesn't have some small group of people working on a restoration or creek cleanup project. Let me give you one example that's a great metaphor: In Washington, D.C., there is a group called the Anacostia Watershed Society. Two rivers converge and define Washington - one which everybody knows about, the Potomac, and the Anacostia, which they don't. The Anacostia is one of the most polluted urban rivers in the country.
Those who don't feel this Love pulling them like a river, those who don't drink dawn like a cup of spring water or take in the sunset like supper, those who don't want to change, let them sleep on. This Love is beyond the study of theology, that old trickery and hypocrisy. If you want to improve your mind that way, sleep on. I've given up on my brain. I've torn the cloth to shreds and thrown it away. If you're not completely naked, wrap your beautiful robe of words around you, and sleep on
Everybody spoke English in my class, and they would turn to me and say, "What's going on in your country?" I would try to explain to Austrians, Poles, Australians, Israelis, Costa Ricans - people from all over the world - what was going on in our country. I would have to say, "I don't know what's going on, either. It's pretty evenly divided in our country. Sometimes one part's on top, and other times, the other faction is on top, and right now it's just crazy. We hate it as much as you do."
Anna Journey, in her new book of poems, Vulgar Remedies, creates an alchemical self whose shimmering limbic / alembic lyrics distill the mysterious terrors of childhood, the dangerous passions of adults, into her own honey-dusk 'voodun': protective, purified to gold. Poetry is always a time machine: here we are invisible travelers to a bewitched past, a beautifully occluded future. These poems are erotic, vertiginous, revelatory, their dazzling lyric force reflecting profound hermetic life.
Certainly, if we believe in democracy and democratic systems, when [Benazir Bhutto] failed to pass any legislation, really, at all in her first two years in government during her first term and in fact had a tenure that was marked not only by gross corruption but by human rights abuses, that should have been a time for people to say, "Well, OK, we've given you an opportunity and you haven't bettered the institutions, you haven't strengthened the democratic cause - we may not vote you back."
You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don't mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke.
Like faith, marriage is a mystery. The person you're committed to spending your life with is known and yet unknown, at the same time remarkably intimate and necessarily other. The classic seven-year itch may not be a case of familiarity breeding ennui and contempt, but the shock of having someone you thought you knew all too well suddenly seem a stranger. When that happens, you are compelled to either recommit to the relationship or get the hell out. There are many such times in a marriage.
But the idea of science and systematic knowledge is wanting to our whole instruction alike, and not only to that of our business class ... In nothing do England and the Continent at the present moment more strikingly differ than in the prominence which is now given to the idea of science there, and the neglect in which this idea still lies here; a neglect so great that we hardly even know the use of the word science in its strict sense, and only employ it in a secondary and incorrect sense.
An up-close portrait of middle-class Nigeria exploring the boundaries of morals and public decorum. Pitched between humor and despair, with stripped-down, evocative prose, A Bit of Difference bristles with penknife-sharp dialogue, but its truths are more subtle, hiding in the unspoken. Ultimately, A Bit of Difference explores – with a hint of mischief–the problem of how to look like you have no problems when you have abundant problems–the universal problem of the socially-motivated classes.
Like everyone else, I was at least peripherally involved in the antiwar movement. You woke up every morning feeling tormented about what was going on in Vietnam. It seemed to a lot of us like a catastrophe from the very beginning, inflicting immense and needless suffering on not only the American soldiers but on a lot of innocent peasants who were caught in a Cold War proxy battle - two million Vietnamese died during those years, and you woke up every morning knowing that that was going on.
He caught her, she fell, he caught her in his arms, he held her tightly unconscious of what he was doing. He held her up, though tottering himself. He felt as if his head were filled with smoke; flashes of light slipped through his eyelids; his thoughts vanished; it seemed to him that he was performing a religious act, and that he was committing a profanation. Moreover, he did not feel one passionate desire for this ravishing woman, whose form he felt against his heart. He was lost in love.
I've always been intrigued with the male characters in novels like 'Pride and Prejudice' such as Mr. Darcy, and this poem is part of a series of poems that explore desire and obsessions. The poems have been sitting in a drawer for a few years, so I decided to dust them off and work on them again since I have not written a new poem in more than three years. I'm not sure anything will become of the series, but at least it gives me something to work on in a period where I feel very uncreative.
A great emotion is too selfish ; it takes into itself all the blood of the spirit, and the congestion leaves the hands too cold to write. Three sorts of emotion produce great poetry - strong but quick emotions, seized upon for art as soon as they have passed, but not before they have passed ; strong and deep emotions in their remembrance along time after ; and false emotions, that is to say, emotions felt in the intellect. Not insincerity, but a translated sincerity, is the basis of all art.
The Greeks put us to shame not only by their simplicity, which is foreign to our age; they are at the same time our rivals, nay, frequently our models, in those very points of superiority from which we seek comfort when regretting the unnatural character of our manners. We see that remarkable people uniting at once fullness of form and fullness of substance, both philosophising and creating, both tender and energetic, uniting a youthful fancy to the virility of reason in a glorious humanity.
Those who actually set out to see the fall of a city or those who choose to go to a front line, are obviously asking themselves to what extent they are cowards. But the tests they set themselves - there is a dead body, can you bear to look at it? - are nothing in comparison with the tests that are sprung on them. It is not the obvious tests that matter (do you go to pieces in a mortar attack?) but the unexpected ones (here is a man on the run, seeking your help - can you face him honestly?).
I talk to my inner lover, and I say, why such rush? We sense that there is some sort of spirit that loves birds and animals and the ants- perhaps the same one who gave a radiance to you in your mother's womb. Is it logical you would be walking around entirely orphaned now? The truth is you turned away yourself, and decided to go into the dark alone. Now you are tangled up in others, and have forgotten what you once knew, and that's why everything you do has some weird sense of failure in it.
To the fuki plant, dandelions, and their kind that lie for long patiently under the fallen snow, comes the season of breezy spring. No sooner do they see the light of the world, stretching their longing heads out from the cracks in the snow, than they are instantly nipped off. For these plants isn't the sorrow as deep as that of the child's parents whose child had accidentally died? They say everything in the plant and tree kingdom attains Buddhahood. Then they, too, must have Buddha-nature.
Eventhough you are not equipped, keep searching: equipment isn't necessary on the way to the Lord. Whoever you see engaged in search, become her friend and cast your head in front of her, for choosing to be a neighbour of seekers, you become one yourself; protected by conquerors, you will yourself learn to conquer. If an ant seeks the rank of Solomon, don't smile contemptuously upon its quest. And of all your skills, and wealth and handicraft, Weren't they first merely a thought and a quest?
There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pool singing at night, And wild plum trees in tremulous white; Robins will wear their feathery fire, Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree, If mankind perished utterly; And Spring herself when she woke at dawn Would scarcely know that we were gone.
Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll our strength and all Our sweetness up into one ball And tear our pleasures with rough strife Through the iron gates of life: Thus, while we cannot make our sun Stand still, yet we will make him run.
The spirit in the body is like wine in a glass; when it spills, it seeps into air and earth and light….It’s a mistake to think it’s the small things we control and not the large, it’s the other way around! We can’t stop the small accident, the tiny detail that conspires into fate: the extra moment you run back for something forgotten, a moment that saves you from an accident – or causes one. But we can assert the largest order, the large human values daily, the only order large enough to see.
Rest forever, tired heart. The final illusion has perished. The one we believed eternal is gone. Just like that. Out the door desire follows hope. Rest forever. Enough throbbing. Nothing deserves your attention nor is the earth worth a sigh. Bitterness and boredom is life, nothing else ever, and the world is mud. Quiet now. Despair for the last time. Fate gives us dying as a gift. Now turn from the hills, the ugly hidden power which rules for the common evil and the infinite vanity of it all.
All this [Soviet labor camp for political prisoners] brings about one marked change in your physical appearance; by the end of your first year, you will have what are known as 'zek's eyes.' The look in a zek's eyes is impossible to describe, but once encountered, it is never forgotten. When you emerge, your friends, embracing you, will exclaim: 'Your eyes! Your eyes have changed!' And not one of your tormentors will be able to bear your scrutiny. They will turn away from it, like beaten dogs.
It is a thoughtless and immodest presumption to learn anything about art from philosophy. Some do begin as if they hoped to learnsomething new here, since philosophy cannot and should not do anything further than develop the given art experiences and the existing art concepts into a science, improve the views of art, and promote them with the help of a thoroughly scholarly art history, and produce that logical mood about these subjects too which unites absolute liberalism with absolute rigor.
September has come, it is hers Whose vitality leaps in the autumn, Whose nature prefers Trees without leaves and a fire in the fireplace. So I give her this month and the next Though the whole of my year should be hers who has rendered already So many of its days intolerable or perplexed But so many more so happy. Who has left a scent on my life, and left my walls Dancing over and over with her shadow Whose hair is twined in all my waterfalls And all of London littered with remembered kisses.
Jean-Paul Sartre said that France was freer than ever during the German occupation, when people had no choices but one: to collaborate or to resist. I'm not saying there was something good about that system. But the freest people I've ever met, or knew about, belonged to that period. For example, Musine Kokalari, an Albanian writer who dared to fight for political pluralism and free elections. She created the first social democratic party, despite knowing the high price she would have to pay.
Not to be too doctrinaire, but we live in the patriarchy! And therefore anything explicitly associated with the female gender, including motherhood, needs to be defensively claimed, because it's either devalued or sentimentally idealized, but not supported. I so thoroughly believe that female human beings have worth that I don't feel the need to argue it, but I think that there's a part of me that very specifically wants to make space for those ideas to be centralized, if only for the moment.
I thought everyone would be familiar with this figure: if I'd studied a thing in school I assumed it was general knowledge. I hadn't yet discovered that I lived in a sort of transparent balloon, drifting over the world without making much contact with it, and that the people I knew appeared to me at a different angle from the one at which they appeared to themselves; and that the reverse was also true. I was smaller to others, up there in my balloon, than I was to myself. I was also blurrier.
Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.
I'll quit eating meat when you get a cow out here to beat me at a poetry slam. Only so many words rhyme with 'Mooo.' I mean, yes, we're supposed to be better stewards; yes, we're supposed to take care of the earth; yes, we're supposed to honor the sacrifices made by the animals; yes yes yes yes yes, but dammit, we're in charge, and you know why? It's because of these [holding out thumbs]...Maybe you think that carrots are less important than cows. I think they're equal, especially in a sauce.
Justice has its anger, my lord Bishop, and the wrath of justice is an element of progress. Whatever else may be said of it, the French Revolution was the greatest step forward by mankind since the coming of Christ. It was unfinished, I agree, but still it was sublime. It released the untapped springs of society; it softened hearts, appeased, tranquilized, enlightened, and set flowing through the world the tides of civilization. It was good. The French Revolution was the anointing of humanity.
Aubade THE lark now leaves his wat'ry nest, And climbing shakes his dewy wings. He takes this window for the East, And to implore your light he sings- Awake, awake! the morn will never rise Till she can dress her beauty at your eyes. The merchant bows unto the seaman's star, The ploughman from the sun his season takes, But still the lover wonders what they are Who look for day before his mistress wakes. Awake, awake! break thro' your veils of lawn! Then draw your curtains, and begin the dawn!
A great deal of the joy of life consists in doing perfectly, or at least to the best of one's ability, everything which one attempts to do. There is a sense of satisfaction, a pride in surveying such a work, a work which is rounded, full, exact, complete in all its parts-which the superficial man, who leaves his work in a slovenly, slipshod, half-finished condition can never know. It is this conscientious completeness which turns work into art. The smallest thing, well done, becomes artistic.
Let us sit and mock the good housewife Fortune from her wheel, that her gifts may henceforth be bestowed equally, I would we could do so for her benefits are mightily misplaced and the bountiful blind girl doth most mistake in her gifts to women. 'Tis true for those that she makes fair she scarce makes honest and those that she makes honest she makes very ill-favouredly. Nay, now thou goest from Fortunes office to Natures. Fortune reigns in gifts of the world, not in the lineaments of Nature.
We have no knowledge, that is, no general principles drawn from the contemplation of particular facts, but what has been built up by pleasure, and exists in us by pleasure alone. The Man of Science, the Chemist and Mathematician, whatever difficulties and disgusts they may have had to struggle with, know and feel this. However painful may be the objects with which the Anatomist's knowledge is connected, he feels that his knowledge is pleasure; and where he has no pleasure he has no knowledge.
I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.
When women hear those words, an old, old memory is stirred and brought back to life. The memory is of our absolute, undeniable, and irrevocable kinship with the wild feminine, a relationship which may have become ghostly from neglect, buried by over-domestication, outlawed by the surrounding culture, or no longer understood anymore. We may have forgotten her names, we may not answer when she calls ours, but in our bones we know her, we yearn toward her, we know she belongs to us and we to her.
A writer's job is not complete without attention to precision. What you're trying to be precise about is your relationship to the observed thing. And "observed thing" could include remembered thing, fantasized thing, fictionalized thing, recorded thing, trans-altered thing. It's the model that's in front of you or in your brain or your memory or whatever. So you're trying to be precise about what it is you're seeing because it's very unlikely that you're going to be able to depict it as it is.
When a rainbow appears vividly in the sky, you can see its beautiful colors, yet you could not wear as clothing or put it on as an ornament. It arises through the conjunction of various factors, but there is nothing about it that can be grasped. Likewise, thoughts that arise in the mind have no tangible existence or intrinsic solidity. There is no logical reason why thoughts, which have no substance, should have so much power over you, nor is there any reason why you should become their slave.
Where philosophy ends, poetry must commence. There should not be a common point of view, a natural manner of thinking which standsin contrast to art and liberal education, or mere living; that is, one should not conceive of a realm of crudeness beyond the boundaries of education. Every conscious link of an organism should not perceive its limits without a feeling for its unity in relation to the whole. For example, philosophy should not only be contrasted to non-philosophy, but also to poetry.
Mother of Rome, delight of Gods and men, Dear Venus that beneath the gliding stars Makest to teem the many-voyaged main And fruitful lands- for all of living things Through thee alone are evermore conceived, Through thee are risen to visit the great sun- Before thee, Goddess, and thy coming on, Flee stormy wind and massy cloud away, For thee the daedal Earth bears scented flowers, For thee waters of the unvexed deep Smile, and the hollows of the serene sky Glow with diffused radiance for thee!
Human vanity is so constituted that it stiffens before difficulties. The more an object conceals itself from our eyes, the greater the effort we make to seize it, because it pricks our pride, it excites our curiosity and it appears interesting. In fighting for his God everyone, in fact, fights only for the interest of his own vanity, which, of all the passions produced bye the mal-organization of society, is the quickest to take offense, and the most capable of committing the greatest follies.
I am your lover, come to my side, I will open the gate to your love. Come settle with me, let us be neighbors to the stars. You have been hiding so long, endlessly drifting in the sea of my love. Even so, you have always been connected to me. Concealed, revealed, in the unknown, in the un-manifest. I am life itself. You have been a prisoner of a little pond, I am the ocean and its turbulent flood. Come merge with me, leave this world of ignorance. Be with me, I will open the gate to your love.
Life is a stream On which we strew Petal by petal the flower of our heart; The end lost in dream, They float past our view, We only watch their glad, early start. Freighted with hope, Crimsoned with joy, We scatter the leaves of our opening rose; Their widening scope, Their distant employ, We never shall know. And the stream as it flows Sweeps them away, Each one is gone Ever beyond into infinite ways. We alone stay While years hurry on, The flower fared forth, though its fragrance still stays.
The Garden En robe de parade. - Samain Like a skein of loose silk blown against a wall She walks by the railing of a path in Kensington Gardens, And she is dying piece-meal of a sort of emotional anaemia. And round about there is a rabble Of the filthy, sturdy, unkillable infants of the very poor. They shall inherit the earth. In her is the end of breeding. Her boredom is exquisite and excessive. She would like some one to speak to her, And is almost afraid that I will commit that indiscretion.
Silent night, holy night, when the bough flies from the tree and is hung everywhere, when from tables the crusts fly, when the gifts begin to tremble because lovelessness walks through the world, because it snarls at you, barks at you from the snow, and the silver ribbons rip and the tinsel rustles silvery, and the silver and gold, and a golden word come to you on which you choke because you have been sold and betrayed, and because it does not suffice that for you one is redeemed who once died.