Quotes of All Topics . Occasions . Authors
For me, the writing life doesn't just happen when I sit at the writing desk. It is a life lived with a centering principle, and mine is this: that I will pay close attention to this world I find myself in. 'My heart keeps open house,' was the way the poet Theodore Roethke put it in a poem. And rendering in language what one sees through the opened windows and doors of that house is a way of bearing witness to the mystery of what it is to be alive in this world.
And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves - not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.
It is remarkable, in cats, that the outer life they reveal to their master is one of perpetual confident boredom. All they betray of the hidden life is by means of symbol; if it were not for the recurring evidence of murder – the disemboweled rabbits, the headless flickers, the torn squirrels – we should forever imagine our cats to be simple pets whose highest ambition is to sleep in the best soft chair, whose worst crime is to sharpen their claws on carpeting.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
In reading The History of Nations, we find that, like individuals, they have their whims and their peculiarities, their seasons of excitement and recklessness, when they care not what they do. We find that whole communities suddenly fix their minds upon one object and go mad in its pursuit; that millions of people become simultaneously impressed with one delusion, and run after it, till their attention is caught by some new folly more captivating than the first.
Chloe Honum's brilliant first book The Tulip-Flame traces an identity forming within radically divergent but interlocking systems: a family traumatized by the mother's suicide, a failed relationship, the practice of ballet, a garden-each strict, exacting. And with 'a crow's sky-knowing mind,' Honum in every case transfigures emotion by way of elegant language and formal restraint. Chloe Honum is 'one astounding flame' of a poet, and I predict a long-lasting one.
The weeping of the guitar begins. The goblets of dawn are smashed. The weeping of the guitar begins. Useless to silence it. Impossible to silence it. It weeps monotonously as water weeps as the wind weeps over snowfields. Impossible to silence it. It weeps for distant things. Hot southern sands yearning for white camellias. Weeps arrow without target evening without morning and the first dead bird on the branch. Oh, guitar! Heart mortally wounded by five swords.
Poets are immersed in process, and I mean process not as an amorphous blur but as a discipline. The hard work of writing has taught me that in matters of the heart, such as writing, or faith, there is no right or wrong way to do it, but only the way of your life. Just paying attention will teach you what bears fruit and what doesn't. But it will be necessary to revise--to doodle, scratch out, erase, even make a mess of things--in order to make it come out right.
It was exciting to work with director Jennifer Baichwal, who made Manufactured Landscapes and others, on the film of Payback: Debt and the Shadow Side of Wealth. It's called, simply, PAYBACK. Jennifer didn't want to do a transliteration of the book, a kind of illustrated version, but to go into the core of the book: owing and being owed, paying and paying back, on all sorts of levels. So she found real-life, visceral stories that embodied the themes of the book.
Whyle I was abowte to chaunge myn olde lyff-- What sorowe I suffred, dyseese, angre and stryff, Cracchynge myn here, my chekys all totare, Wrythynge my fyngres for angwysshe and care, Watrynge the erthe with my byttre salte teres That the crye of my syghes ascended to Goddys eres, My knees with myn handys grasped togedyre soore, And yitt I stode the same man I was afore Tyl a depe profounde remembraunce att the laste Hadd all my wrecchednesse afore myn eyn caste
To know only one thing well is to have a barbaric mind: civilization implies the graceful relation of all varieties of experience to a central humane system of thought. The present age is peculiarly barbaric: introduce, say, a Hebrew scholar to an ichthyologist or an authority on Danish place names and the pair of them would have no single topic in common but the weather or the war (if there happened to be a war in progress, which is usual in this barbaric age).
Politics becomes a part of a writer's working life. The writer's protagonists are born in the context of the feelings that this atmosphere evokes. How can writers separate themselves from these feelings and create protagonists that come from Mars? Even writers who only write about psychological or internal issues or about love are writing under their prevailing atmosphere, and their writings will take on the hue of the time, place, and mood of their environment.
Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants.
Books fall open, you fall in, delighted where you've never been; hear voices not once heard before, reach world on world through door on door; find unexpected keys to things locked up beyond imaginings. What might you be, perhaps become, because one book is somewhere? Some wise delver into wisdom, wit, and wherewithal has written it. True books will venture, dare you out, whisper secrets, maybe shout across the gloom to you in need, who hanker for a book to read.
The greatest intensification of the horrors of war is a direct result of the democratisation of the State. So long as the army was a professional unit, the specialist function of a limited number of men, war remained a relatively harmless contest for power. But once it became everyman's duty to defend his home (or his political “rights”) warfare was free to range wherever that home might be, and to attack every form of life and property associated with that home.
In life, you gotta do something. And the medical journals keep on saying if you've got a goal or some passion in life, you'll outlive all the other guys who - the bank manager that retired. They gave him a rocking chair and he rocked himself to death. So you gotta have a passion, whatever it happens to be. Whether it's this or something else, it doesn't matter, as long as it's a reason to get out of bed every morning, as my accountant of 50 years keeps on saying.
Ensor sees with his imagination, but his vision is perfectly accurate, of an almost geometric precision. He is one of the very few who can really see. Like you, he has an obsession with masks; he is a seer as you and I are. The common herd, of course thinks that he is mad.*****************You shall see what sort of man Ensor is, and what a marvellous insight he has into the invisible realm where our vices are created... those vices for which our faces make masks.
Judge: And what is your occupation in general? Brodsky: Poet, poet-translator. Judge: And who recognized you to be a poet? Who put you in the ranks of poet? Brodsky: No one. And who put me in the ranks of humanity? Judge: Did you study it?...How to be a poet? Did you attempt to finish an insitute of higher learning...where they prepare...teach Brodsky: I did not think that it is given to one by education. Judge: By what then? Brodsky: I think that it is from God.
Each thing that exists remains forever, and that very existence of existence is proof of its eternity. But without that realization, which is the knowledge of perfect being, man would never know whether there was existence or non-existence. If eternal existence is altered, then it must become more beautiful; and if it disappears, it must return with more sublime image; and if it sleeps, it must dream of a better awakening, for it is ever greater upon its rebirth.
It is a curious fact, but a fact it is, that your witty people are the most hard-hearted in the world. The truth is, fancy destroys feeling. The quick eye to the ridiculous turns every thing to the absurd side; and the neat sentence, the lively allusion, and the odd simile, invest what they touch with something of their own buoyant nature. Humor is of the heart, and has its tears; but wit is of the head, and has only smiles - and the majority of those are bitter.
God speaks to each of us as he makes us, then walks with us silently out of the night. These are the words we dimly hear: You, sent out beyond your recall, go to the limits of your longing. Embody me. Flare up like a flame and make big shadows I can move in. Let everything happen to you: beauty and terror. Just keep going. No feeling is final. Don't let yourself lose me. Nearby is the country they call life. You will know it by its seriousness. Give me your hand.
Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.
All day I think about it, then at night I say it. Where did I come from, and what am I supposed to be doing? I have no idea. My soul is from elsewhere, I’m sure of that,and I intend to end up there. Who looks out with my eyes? What is the soul? I cannot stop asking. If I could taste one sip of an answer, I could break out of this prison for drunks. I didn’t come here of my own accord, and I can’t leave that way. Whoever brought me here, will have to take me home.
I didn't know shorthand either. This meant I couldn't get a good job after college. My mother kept telling me nobody wanted a plain English major. But an English major who knew shorthand would be something else again. Everybody would want her. She would be in demand among all the up-and-coming young men and she would transcribe letter after thrilling letter. The trouble was, I hated the idea of serving men in any way. I wanted to dictate my own thrilling letters.
When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors. It takes some strength of soul--and not just individual strength, but collective understanding--to resist this void, this nonbeing, into which are thrust, and to stand up, demanding to be seen and heard.
There was a stately drama writ By the hand that peopled the earth and air, And set the stars in the infinite, And made night gorgeous and morning fair; And all that had sense to reason knew That bloody drama must be gone through. Some sat and watched how the action veered-- Waited, profited, trembled, cheered-- We saw not clearly nor understood, But yielding ourselves to the masterhand, Each in his part as best he could, We played it through as the author planned.
If one had to worry about one's actions in respect of other people's ideas, one might as well be buried alive in an antheap or married to an ambitious violinist. Whether that man is the prime minister, modifying his opinions to catch votes, or a bourgeois in terror lest some harmless act should be misunderstood and outrage some petty convention, that man is an inferior man and I do not want to have anything to do with him any more than I want to eat canned salmon.
Here we find the moat of thieves. And just as a lizard, with a quick, slick slither, Flicks across the highway from hedge to hedge, Fleeter than a flash, in the battering dog-day weather, A fiery little monster, livid, in a rage, Black as any peppercorn, came and made a dart At the guts of the others, and leaping to engage One of the pair, it pierced him at the part Through which we first draw food; then loosed its grip And fell before him, outstretched and apart.
And I saw it didn't matter who had loved me or who I loved. I was alone. The black oily asphalt, the slick beauty of the Iranian attendant, the thickening clouds--nothing was mine. And I understood finally, after a semester of philosophy, a thousand books of poetry, after death and childbirth and the startled cries of men who called out my name as they entered me, I finally believed I was alone, felt it in my actual, visceral heart, heard it echo like a thin bell.
What a wonderful sleep it had been! Never had sleep so refreshed him, so renewed him, so rejuvenated him! Perhaps he had really died, perhaps he had been drowned and was reborn in another form. No, he recognized himself, he recognized his hands and feet, the place where he lay and the Self in his breast, Siddhartha, self-willed, individualistic. But this Siddhartha was somewhat changed, renewed. He had slept wonderfully. He was remarkably awake, happy and curious.
The slave will be free. Democracy in America will yet be a glorious reality; and when the top-stone of that temple of freedom which our fathers left unfinished shall be brought forth with shoutings and cries of grace unto it, when our now drooping Liberty lifts up her head and prospers, happy will he be who can say, with John Milton, "Among those who have something more than wished her welfare, I, too, have my charter and freehold of rejoicing to me and my heirs."
God should be most where man is least: So, where is neither church nor priest, And never rag nor form of creed To clothe the nakedness of need,- Where farmer folk in silence meet,- I turn my bell-unsummoned feet; I lay the critic's glass aside, I tread upon my lettered pride, And, lowest-seated, testify To the oneness of humanity; Confess the universal want, And share whatever Heaven may grant. He findeth not who seeks his own, The soul is lost that's saved alone.
Whenever the circus would come to town, I would tell Ethan all kinds of kinky clown domination stories involving the leather clown, like the time she forced me to have sex with her in the little car, or the time she kept spraying me with the seltzer bottle until I obeyed her every command. Ethan and I would laugh and laugh at these tall tales, but I could tell deep down, he was wondering whether the leather clown was really real or not. And I would let him wonder.
My Soul gave me good counsel, teaching me never to delight in praise or to be distressed by reproach. Before my Soul taught me, I doubted the value of my accomplishments until the passing days sent someone who would extol or disparage them. But now I know that trees blossom in the spring and give their fruits in the summer without any desire for accolades. And they scatter their leaves abroad in the fall and denude themselves in the winter without fear of reproof.
Negro writers, just by being black, have been on the blacklist all our lives. Do you know that there are libraries in our country that will not stock a book by a Negro writer, not even as a gift? There are towns where Negro newspapers and magazines cannot be sold except surreptitiously. There are American magazines that have never published anything by Negroes. There are film studios that have never hired a Negro writer. Censorship for us begins at the color line.
Just looking at them I grow greedy, as if they were freshly baked loaves waiting on their shelves to be broken open--that one and that--and I make my choice in a mood of exalted luck, browsing among them like a cow in sweetest pasture. For life is continuous as long as they wait to be read--these inked paths opening into the future, page after page, every book its own receding horizon. And I hold them, one in each hand, a curious ballast weighing me here to earth.
I would say that there exists a thousand unbreakable links between each of us and everything else, and that our dignity and our chances are one. The farthest star and the mud at our feet are a family; and there is no decency or sense in honoring one thing, or a few things, and then closing the list. The pine tree, the leopard, the Platte River, and ourselves-we are at risk together, or we are on our way to a sustainable world together, we are each other's destiny.
I have, by God’s grace, learned as a member of the Christian community what is the nature of God’s mercy, which does not leave me to overcome my sin by my own effort, so I have something to say to the fellow-sufferer who does not know where to look for hope. And what I have to say depends utterly on my willingness not to let go of that awareness of myself that reminds me where I start each day—not as a finished saint but as a needy person still struggling to grow.
One night she hid the pink cotton scarf from her raincoat in the pillowcase when the nurse came around to lock up her drawers and closets for the night. In the dark she had made a loop and tried to pull it tight around her throat. But always just as the air stopped coming and she felt the rushing grow louder in her ears, her hands would slacken and let go, and she would lie there panting for breath, cursing the dumb instinct in her body that fought to go on living
I think it perfectly just, that he who, from the love of experiment, quits an approved for an uncertain practice, should suffer the full penalty of Egyptian law against medical innovation; as I would consign to the pillory, the wretch, who out of regard to his character, that is, to his fees, should follow the routine, when, from constant experience he is sure that his patient will die under it, provided any, not inhuman, deviation would give his patient a chance.
If it really was Queen Elizabeth who demanded to see Falstaff in a comedy, then she showed herself a very perceptive critic. But even in The Merry Wives of Windsor, Falstaff has not and could not have found his true home because Shakespeare was only a poet. For that he was to wait nearly two hundred years till Verdi wrote his last opera. Falstaff is not the only case of a character whose true home is the world of music; others are Tristan, Isolde and Don Giovanni.
There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.
Yes?’ he asked, looking at me over the sheet. ‘I’m a writer temporarily down on my inspirations.’ ‘Oh, a writer, eh?’ ‘Yes.’ ‘Are you sure?’ ‘No, I’m not.’ ‘What do you write?’ ‘Short stories mostly. And I’m halfway through a novel.’ ‘A novel, eh?’ ‘Yes.’ ‘What’s the name of it?’ ‘”The Leaky Faucet of My Doom.”‘ ‘Oh, I like that. What’s it about?’ ‘Everything.’ ‘Everything? You mean, for instance, it’s about cancer?’ ‘Yes.’ ‘How about my wife?’ ‘She’s in there too.
Intimacy is important in my work because I don't understand existence without intimacy. All of us are dependent on other people - and in ways we don't know. You cross the street and assume that person isn't crazy, they don't want to mow me down with their car. I don't know that person but I am already in a relationship with them. I am asking them to abide by the traffic laws. If they decided not to, I'd be dead. Even in those anonymous ways, we're in relationships.
you said Is there anything which is dead or alive more beautiful than my body,to have in your fingers (trembling ever so little)? Looking into your eyes Nothing,i said,except the air of spring smelling of never and forever. ....and through the lattice which moved as if a hand is touched by a hand(which moved as though fingers touch a girl's breast, lightly) Do you believe in always,the wind said to the rain I am too busy with my flowers to believe,the rain answered
When winter stern, his gloomy front uprears, A sable void the barren earth appears; The meads no more their former verdure boast, Fast-bound their streams, and all their beauty lost; The herds, the flocks, in icy garments mourn, and wildly murmur for the Spring's return; From snow-topp'd hills the whirlwinds keenly blow, Howl through the woods, and pierce the vales below, Through the sharp air a flaky torrent flies, Mocks the slow sight, and hides the gloomy skies.
May your love be firm, and may your dream of life together be a river between two shores - by day bathed in sunlight, and by night illuminated from within. May the heron carry news of you to the heavens, and the salmon bring the sea's blue grace. May your twin thoughts spiral upward like leafy vines, like fiddle strings in the wind, and be as noble as the Douglas fir. May you never find yourselves back to back without love pulling you around into each other's arms.
I require silence to write the way an apple tree requires winter to make fruit. Being with people is intimate and joyous, but at some point, I'll wander off by myself. The paradox is that what began in childhood as an act of necessary solitude has led me straight to a life with others, in which I fly to China or Lithuania or northern Minnesota to read my poems and talk with other people who love language made into a lathe on which a life can be tuned and be turned.
Are you looking for me? I am in the next seat. My shoulder is against yours. you will not find me in the stupas, not in Indian shrine rooms, nor in synagogues, nor in cathedrals: not in masses, nor kirtans, not in legs winding around your own neck, nor in eating nothing but vegetables. When you really look for me, you will see me instantly - you will find me in the tiniest house of time. Kabir says: Student, tell me, what is God? He is the breath inside the breath.
There is no doubt that solitude is a challenge and to maintain balance within it a precarious business. But I must not forget that, for me, being with people or even with one beloved person for any length of time without solitude is even worse. I lose my center. I feel dispersed, scattered, in pieces. I must have time alone in which to mull over my encounter, and to extract its juice, its essence, to understand what has really happened to me as a consequence of it.