Quotes of All Topics . Occasions . Authors
Among the poor, the approach of dissolution is usually regarded with a quiet and natural composure, which it is consolatory to contemplate, and which is as far removed from the dead palsy of unbelief as it is from the delirious raptures of fanaticism. Theirs is a true, unhesitating faith, and they are willing to lay down the burden of e weary life, in the sure and certain hope of a blessed immortality.
Almost all men are over anxious. No sooner do they enter the world than they lose that taste for natural and simple pleasures so remarkable in early life. Every hour do they ask themselves what progress they have made in the pursuit of wealth or honor and on they go as their fathers went before them till weary and sick at heart they look back with a sigh of regret to the golden time of their childhood.
So live, that when thy summons comes to join, The innumerable caravan which moves, To that mysterious realm where each shall take, His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged by his dungeon, but, sustained and soothed, By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch, About him, and lies down to pleasant dreams.
To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.
And oft I thought (my fancy was-so strong) That I, at last, a resting-place had found: 'Here: will I dwell,' said I,' my whole life long, Roaming the illimitable waters round; Here will I live, of all but heaven disowned. And end my days upon the peaceful flood - To break my dream the vessel reached its bound; And homeless near a thousand homes I stood, And near a thousand tables pined and wanted food.
Genuine recollections almost invariably explain oneself to oneself. Suppose, for example, that you feel an instinctive aversion to some particular kind of wine. Try as you will, you can find no reason for it. Suppose when you explore a previous incarnation, you remember you died by a poisoned administered in a wine of that kind, your aversion is explained by the proverb: 'A burnt child dreads the fire.'
Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
When an editor works with an author, she cannot help seeing into the medicine cabinet of his soul. All the terrible emotions, the desire for vindications, the paranoia, and the projection are bottled in there, along with all the excesses of envy, desire for revenge, all the hypochondriacal responses, rituals, defenses, and the twin obsessions with sex and money. It other words, the stuff of great books.
It is easy enough to write and talk about God while remaining comfortable within the contemporary intellectual climate. Even people who would call themselves unbelievers often use the word gesturally, as a ready-made synonym for mystery. But if nature abhors a vacuum, Christ abhors a vagueness. If God is love, Christ is love for this one person, this one place, this one time-bound and time-ravaged self.
Though fairy tales end after ten pages, our lives do not. We are multi-volume sets. In our lives, even though one episode amounts to a crash and burn, there is always another episode awaiting us and then another. There are always more opportunities to get it right, to fashion our lives in the ways we deserve to have them. Don't waste your time hating a failure. Failure is a greater teacher than success.
The mind which is created quick to love, is responsive to everything that is pleasing, soon as by pleasure it is awakened into activity. Your apprehensive faculty draws an impression from a real object, and unfolds it within you, so that it makes the mind turn thereto. And if, being turned, it inclines towards it, that inclination is love; that is nature, which through pleasure is bound anew within you.
It's not demons (who at least have a human face) but Hell itself that seems to be laughing inside me, it's the croaking madness of the dead universe, the spinning cadaver of physical space, the end of all worlds blowing blackly in the wind, formless and timeless, without a God who created it, without even its own self, impossibly whirling in the absolute darkness as the one and only reality, everything.
I have no right to call myself one who knows. I was one who seeks, and I still am, but I no longer seek in the stars or in books; I'm beginning to hear the teachings of my blood pulsing within me. My story isn't pleasant, it's not sweet and harmonious like the invented stories; it tastes of folly and bewilderment, of madness and dream, like the life of all people who no longer want to lie to themselves.
She stood before him and surrendered herself to him and sky, forest, and brook all came toward him in new and resplendent colors, belonged to him, and spoke to him in his own language. And instead of merely winning a woman he embraced the entire world and every star in heaven glowed within him and sparkled with joy in his soul. He had loved and had found himself. But most people love to lose themselves.
Most men will not swim before they are able to.' Is not that witty? Naturally, they won't swim! They are born for the solid earth, not for the water. And naturally they won't think. They are made for life, not for thought. Yes, and he who thinks, what's more, he who makes thought his business, he may go far in it, but he has bartered the solid earth for the water all the same, and one day he will drown.
Imagination, where it is truly creative, is a faculty, and not a quality; it looks before and after, it gives the form that makes all the parts work together harmoniously toward a given end, its seat is in the higher reason, and it is efficient only as a servant of the will. Imagination, as it is too often misunderstood, is mere fantasy, the image-making power, common to all who have the gift of dreams.
Any artist, in any field, wants to press deeper, to discover further. Image and sound play are among the strongest colors available to poetry's palette. For a long time, I've wanted to invite in more strangeness, more freedom of imagination. Yet music, seeing, and meaning are also cohering disciplines. They can be stretched, and that is part of poetry's helium pleasure. But not to the point of breaking.
I arrived in San Francisco in January 1951. After the Second World War, the population was so uprooted. Soldiers came back home for brief periods and took off again. So the population was very fluid, and suddenly it was as if the continent tilted west. The whole population slid west. It took 10 years for America to coalesce into a new culture. And the new culture happened in San Francisco, not New York.
Sex contains all, Bodies, Souls, meanings, proofs, purities, delicacies, results, promulgations, Songs, commands, health, pride, the maternal mystery, the seminal milk; All hopes, benefactions, bestowals, All the passions, loves, beauties, delights of the earth, All the governments, judges, gods, follow'd persons of the earth, These are contain'd in sex, as parts of itself, and justifications of itself.
The poet, therefore, is truly the thief of fire. He is responsible for humanity, for animals even; he will have to make sure his visions can be smelled, fondled, listened to; if what he brings back from beyond has form, he gives it form; if it has none, he gives it none. A language must be found…of the soul, for the soul and will include everything: perfumes, sounds colors, thought grappling with thought
I love to watch the fine mist of the night come on, The windows and the stars illumined, one by one, The rivers of dark smoke pour upward lazily, And the moon rise and turn them silver. I shall see The springs, the summers, and the autumns slowly pass; And when old Winter puts his blank face to the glass, I shall close all my shutters, pull the curtains tight, And build me stately palaces by candlelight.
The difference between tragedy and comedy is the difference between experience and intuition. In the experience we strive against every condition of our animal life: against death, against the frustration of ambition, against the instability of human love. In the intuition we trust the arduous eccentricities we're born to, and see the oddness of a creature who has never got acclimatized to being created.
Poets are excellent students of blizzards and salt and broken statuary, but they are always elsewhere for the test. Any intention in the writing of poetry besides the aim to make a poem, of engaging the materials, SHOULD be disappointed. If the poet does not have the chutzpah to jeopardize habituated assumptions and practices, what will be produced will be sleep without dream, a copy of a copy of a copy.
As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.
We understand what the difference is between what we understand and what the community understands about what we're doing because they have supported us long enough for me to stay out here, while other people who are doing other things have not. A lot of people have trouble pinning down what it is we do and how. But we don't have any trouble with that. As long as that's their problem, it's their problem.
If you exchanged wedding vows, tape them to your bathroom mirror and read them aloud to yourself every morning along with the ritual brushing of teeth. It's not realistic to believe that you will live your promises as a daily practice -- unless you're a saint or a highly evolved Zen Buddhist. Not where marriage is concerned. But you can make a practice of returning to your vows when the going gets rough.
What was toughest for me in writing "Trust," was reliving it, turning and facing this. We move on and we don't move on, you know? She's still there - and by "she" I mean me - caught in that windowless room, that bad bargain and that violation. No one can touch me, sexually, without activating that memory. But I had walled, I thought, that time off. I say that and then want to say "and I got off lightly"!
What is it the I'll want from you? Not love: that would be too much to ask. Not forgiveness, which isn't yours to bestow. Only a listener, perhaps; only someone who will see me. Don't prettify me though, whatever else you do: I have no wish to be a decorated skull. But I leave myself in your hands. What choice do I have? By the time you read this last page, that- if anywhere- is the only place I will be.
In America, where you'd have thought the country's so huge it couldn't happen quite so cosily, everyone's giving his imprimatur to everyone else. You line up three or four well-known poets and a couple of eminent academics on the dustjacket, and the rest of academe follow like sheep. That's death really, if you take pleasure in it. Mind you, the occasional puff's hard to resist, but you shouldn't inhale.
I am extremely conscious of my tribalism. And when you talk about tribalism, you talk about living in a black and white world. I mean, Native American tribalism sovereignty, even the political fight for sovereignty and cultural sovereignty is a very us versus them. And I think a lot of people in this country, especially European Americans and those descended from Europeans don't see themselves as tribal.
I think that's what's important, to see how we ourselves can become all that we are and can be. Everybody says they want to change, but it's not that simple, it's not that easy. Who's ready to change and give up? Who's ready to get out of their rut and leave it behind, not just pour honey or syrup over their heads and over the rut? Who's ready to change and give up that rut, who's ready willing and able?
There are poets who believe that you shouldn't engage at all in any cause. And there's something to be said for that. Because you don't want to - I think most political poetry is very bad. And it's very bad because you know too much to start with. You have a sense that you're right, and you're trying to tell other people what's right. And I think that's always kind of fundamentalism, and I don't like it.
Beloved, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with metry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee.
I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more.
We plan our lives according to a dream that came to us in our childhood, and we find that life alters our plans. And yet, at the end, from a rare height, we also see that our dream was our fate. It's just that providence had other ideas as to how we would get there. Destiny plans a different route, or turns the dream around, as if it were a riddle, and fulfills the dream in ways we couldn't have expected.
There is continual spring, and harvest there Continual, both meeting at one time: For both the boughs do laughing blossoms bear, And with fresh colours deck the wanton prime, And eke attonce the heavy trees they climb, Which seem to labour under their fruits load: The whiles the joyous birds make their pastime Amongst the shady leaves, their sweet above, And their true loves without suspicion tell abroad.
Christmas Pie Lo! now is come our joyfull'st feast! Let every man be jolly; Each room with ivy leaves is dressed, And every post with holly. Now all our neighbours' chimneys smoke, And Christmas blocks are burning; Their ovens they with bakemeats choke, And all their spits are turning. Without the door let sorrow lie, And if for cold it hap to die, We'll bury it in a Christmas pie, And ever more be merry.
Once a century, all of a certain kind of bamboo flower on the same day. Whether they are in Malaysia or in a greenhouse in Minnesota makes no difference, nor does the age or size of the plant. They flower. Some current of an inner language passes between them, through space and separation, in ways we cannot explain in our language. They are all, somehow, one plant, each with a share of communal knowledge.
You always think, 'Oh, if only I had a little chalet in the mountains! How great that would be and I'd do all this writing' Except, no, I wouldn't. I'd do the same amount of writing I do now and the rest of the time I'd go stir crazy. If you're waiting for the perfect moment you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.
If any sensual weakness arise, we are to yield all our sound forces to the overthrowing of so unnatural a rebellion; wherein how can we want courage, since we are to deal against so feeble an adversary, that in itself is nothing but weakness? Nay, we are to resolve that if reason direct it, we must do it, and if we must do it, we will do it; for to say "I cannot" is childish, and "I will not" is womanish.
Burns, has spent years exploring the many avenues for adventure and fun in San Diego. The fact that you can experience the desert, snow, mountains and ocean in the course of a day has always been amazing to me. If you are really motivated, you can snow ski, surf, take a mountain hike, and race dune buggies all in one weekend, .. I grew up here and want to showcase San Diego to the world. I love San Diego.
Are you fleeing from Love because of a single humiliation? What do you know of Love except the name? Love has a hundred forms of pride and disdain, and is gained by a hundred means of persuasion. Since Love is loyal, it purchases one who is loyal: it has no interest in a disloyal companion. The human being resembles a tree; its root is a covenant with God: that root must be cherished with all one's might.
In every art beginners must start with models of those who have practiced the same art before them. And it is not only a matter of looking at the drawings, paintings, musical compositions, and poems that have been and are being created; it is a matter of being drawn into the individual work of art, of realizing that it has been made by a real human being, and trying to discover the secret of its creation.
I am sure it is everyone’s experience, as it has been mine, that any discovery we make about ourselves or the meaning of life is never, like a scientific discovery, a coming upon something entirely new and unsuspected; it is rather, the coming to conscious recognition of something, which we really knew all the time but, because we were unwilling to formulate it correctly, we did not hitherto know we knew.
A daughter of a King of Ireland, heard A voice singing on a May Eve like this, And followed half awake and half asleep, Until she came into the Land of Faery, Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue. And she is still there, busied with a dance Deep in the dewy shadow of a wood, Or where stars walk upon a mountain-top.
Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth.... [W]hat can we bequeath, Save our deposed bodies to the ground?... [N]othing can we call our own, but death... [L]et us sit upon the ground, And tell sad stories of the death of kings: - How some have been depos'd, some slain in war; Some haunted by the ghosts they have depos'd.
But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou, her maid, art far more fair than she. Be not her maid, since she is envious; Her vestal livery is but sick and green And none but fools do wear it; cast it off. It is my lady, O, it is my love! Oh, that she knew she were!
Confined to common life thy numbers flow, And neither soar too high nor sink too low; There strength and ease in graceful union meet, Though polished, subtle, and though poignant, sweet; Yet powerful to abash the from of crime And crimson error's cheek with sportive rhyme. [Lat., Verba togae sequeris, junctura callidus acri, Ore teres modico, pallentes radere mores Doctus, et ingenuo culpam defigere ludo.]
Canada may be fast-forwarding, jump starting, into a new pattern, a model of communication linkages, a civilization that is more than a grab for power and dominance, a place that could channel the fires of the global wirings, where political alliances are subject to electrical ebb and flow, and the alchemical cultivations of imagination and perception, of the self, could precail of the ideology of capital.
Thanksgiving. It proved you had survived another year with its wars, inflation, unemployment, smog, presidents. It was a grand neurotic gathering of clans: loud drunks, grandmothers, sisters, aunts, screaming children, would-be suicides. And don't forget indigestion. I wasn't different from anyone else: There sat the 18-pound bird on my sink, dead, plucked, totally disemboweled. Iris would roast it for me.