Quotes of All Topics . Occasions . Authors
We must die alone. To the very verge of the stream our friends may accompany us; they may bend over us, they may cling to us there; but that one long wave from the sea of eternity washes up to the lips, sweeps us from the shore, and we go forth alone! In that untried and utter solitude, then, what can there be for us but the pulsation of that assurance, "I am not alone, because the Father is with me!
Every day things happen in the world that cannot be explained by any law of things we know. Every day they're mentioned and forgotten, and the same mystery that brought them takes them away, transforming their secret into oblivion. Such is the law by which things that can't be explained must be forgotten. The visible world goes on as usual in the broad daylight. Otherness watches us from the shadows.
History, insofar as it accustoms human beings to comprehend the whole of the past and to hasten forward with its conclusions into the far future, conceals the boundaries of birth and death, which enclose the life of the human being so narrowly and oppressively, and with a kind of optical illusion, expands his short existence into endless space, leading the individual imperceptibly over into humanity.
Human beings everywhere in the world are affected by the global media now. Still, what I have noticed in the east Asia, in the indigenous world, Alaska in particular, and in back country farm and ranch country, is a higher sense of etiquette, and more respectful manners. Urban middle class cosmopolitan world peoples of all races have become speedy and rude. This is a pretty big generalization though.
I suppose the "dilemma" might come up if I see a black athlete from the U.S. squaring off against a white Canadian athlete. Who do I want to identify with? I certainly will not and cannot say that race determines how I see competition. I'm certainly aware of how race plays into the way others see and portray competition some times, but I don't have to invest in it that way myself. Unless it's boxing.
I want language to help us live in a world of wonder/terror/change. I want it to be about "becoming" rather than "being." I think that being and nouns are part of our hopeless dream that time will stop and we will not die. but it's not that way. So, why not celebrate verbs and the beloved's metamorphosis into other people or creatures or places - the same spirit but moving through things, not static.
This song of mine Is a song of the vine To be sung by the glowing embers Of wayside inns, When the rain begins To darken the drear Novembers. and For the richest and best Is the wind of the West That grows by the Beautiful River; Whose sweet perfume Fills all the room With a bension on the giver. and When you ask one friend to dine, Give hime your best wine! When you ask two, The second best will do.
All it has experienced, tasted, suffered: The course of years, generations of animals, Oppression, recovery, friendship of sun and - Wind Will pour forth each day in the song Of its rustling foliage, in the friendly Gesture of its gently swaying crown, In the delicate sweet scent of resinous Sap moistening the sleep-glued buds, And the eternal game of lights and Shadows it plays with itself, content.
The Saviour who flitted before the patriarchs through the fog of the old dispensation, and who spake in time past to the fathers by the prophets, articulate but unseen, is the same Saviour who, on the open heights of the Gospel, and in the abundant daylight of this New Testament, speaks to us. Still all along it is the same Jesus, and that Bible is from beginning to end all of it, the word of Christ.
For me, reggae music and its aesthetic are touchstones in both simple and complex ways. Reggae's capacity to be a folk music that is created in a wholly modern context of the recording studio (and sometimes that is the sole performance space) is riddled with the kinds of contradictory impulses that we have come to expect from the post-modern. I revel in this, for it gives me, shall I say, permission.
Most of the bio men on earth were born to women, so it's pretty ordinary! But I think because I had come from a matriarchy - my father died when I was young, and I only have a sister and a stepsister - when I told my mom and my sister that I was having a boy, they were both like, "That does not compute within our family relation!" It was like, "Girls only here!" Now that all seems very strange to me.
Thou silent power, whose welcome sway charms every anxious thought away; in whose divine oblivion drown'd, sore pain and weary toil grow mild, love is with kinder looks beguiled, and Grief forgets her fondly cherish'd wound; oh, whither hast thou flown, indulgent god? God of kind shadows and of healing dews, whom dost thou touch with thy Lethaean rod? Around whose temples now thy opiate airs diffuse?
Today is such a strange day. The news is out about the Russians and mini-Donald. This seems like a turning point, but it certainly has felt that way before. Like all of us, I am vibrating with electric uncertainty. How do you manage to concentrate and write poems? I know that for me it is just a relief to be in that sort of thinking, away from the news and all the immense global and personal worries.
It is only by hearsay (by word of mouth passed down from generation to generation) that whole peoples adore the God of their fathers and of their priests: authority, confidence, submission and custom with them take the place of conviction or of proofs: they prostrate themselves and pray, because their fathers taught them to prostrate themselves and pray: but why did their fathers fall on their knees?
There are two Italies.... The one is the most sublime and lovely contemplation that can be conceived by the imagination of man; the other is the most degraded, disgusting, and odious. What do you think? Young women of rank actually eat - you will never guess what - garlick! Our poor friend Lord Byron is quite corrupted by living among these people, and in fact, is going on in a way not worthy of him.
We have no reason to mistrust our world, for it is not against us. Has it terrors, they are our terrors; has it abysses, those abysses belong to us; are dangers at hand, we must try to love them.... Perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.
Where all your rights become only an accumulated wrong; where men must beg with bated breath for leave to subsist in their own land, to think their own thoughts, to sing their own songs, to garner the fruits of their own labours...then surely it is a braver, a saner and a truer thing, to be a rebel in act and deed against such circumstances as these than tamely to accept it as the natural lot of men.
Working with artists and other poets has made me aware that there was a bigger "me" that I hadn't been quite aware of. Plus we had a good time. It's so much fun to write, for example, with a big brush on a giant piece of paper and to help create visually attractive and surprising objects, which is not what you normally do when you're writing a poem. It's wonderful to create these pieces with artists.
It's difficult to put your own bare ass out on the limb every time you sit down to write a poem. But that's really sort of the ideal. Because if we don't discover something about ourselves and our world in the making of a poem, chances are it's not going to be a very good poem. So what I'm saying is that a lot of our best poets could be better poets if they wrote less and risked more in what they do.
Why do so many of us not give ourselves permission to be alive until we are absolutely assured that we will die? ...If we are not in [this present millisecond of life and conscious experience], we are not alive; we are merely thinking our lives. Yet we have seen so many die, looking back over their shoulders at their lives, shaking their heads and muttering in bewilderment, "What was that all about?"
Not Waving but Drowning Nobody heard him, the dead man, But still he lay moaning: I was much further out than you thought And not waving but drowning. Poor chap, he always loved larking And now he's dead It must have been too cold for him his heart gave way, They said. Oh, no no no, it was too cold always (Still the dead one lay moaning) I was much too far out all my life And not waving but drowning.
What is more cheerful, now, in the fall of the year, than an open-wood-fire? Do you hear those little chirps and twitters coming out of that piece of apple-wood? Those are the ghosts of the robins and blue-birds that sang upon the bough when it was in blossom last Spring. In Summer whole flocks of them come fluttering about the fruit-trees under the window: so I have singing birds all the year round.
Was it possible that Napoleon should win the battle of Waterloo? We answer, No! Why? Because of Wellington? Because of Blucher? No! Because of God! For Bonaparte to conquer at Waterloo was not the law of the nineteenth century. It was time that this vast man should fall. He had been impeached before the Infinite! He had vexed God! Waterloo was not a battle. It was the change of front of the Universe!
...The girls chirped and chatted like uncaged warblers. They were delirious with joy... Intoxications of life’s morning! Enchanted years! The wing of a dragonfly trembles! Oh, reader, whoever you may be, do you have such memories? Have you walked in the underbrush, pushing aside branches for the charming head behind you? Have you slid laughing, down some slope wet with rain, with the woman you loved?
I turn my eyes to the schools & universities of Europe And there behold the loom of Locke whose woof rages dire, Washed by the water-wheels of Newton. Black the cloth In heavy wreaths folds over every nation; cruel works Of many wheels I view, wheel without wheel, with cogs tyrannic Moving by compulsion each other: not as those in Eden, which Wheel within wheel in freedom revolve, in harmony & peace.
Who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the archangel of the soul between 2 visual images and joined the elemental verbs and set the noun and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus to recreate the syntax and measure of poor human prose and stand before you speechless and intelligent and shaking with shame
I find it strange that - at least in my take on it - the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway. Humor is just an ingredient. It's always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it's found its way back. And it's simply an ingredient.
I'd say that while it's normal to long for an apology, if you really need it, you're not ready to speak to whoever harmed you. Non-apologizers tend to walk on a tightrope of defensiveness above a huge canyon of low self-esteem - they just can't listen to anything that's going to set them off balance. So focus on what you say for your own sake, because you need to hear your own voice telling the truth.
Our thoughts are boundless, though our frames are frail, Our souls immortal, though our limbs decay; Though darken'd in this poor life by a veil Of suffering, dying matter, we shall play In truth's eternal sunbeams; on the way To heaven's high capitol our cars shall roll; The temple of the Power whom all obey, That is the mark we tend to, for the soul Can take no lower flight, and seek no meaner goal.
The fancies that take their monstrous birth from the spinelessness and boredom of usurped wealth bring in their wake every defect ... and though rich men's crimes escape the law, protected as they are by the cowardice of governments and people, Nature, more real than society, sets her anarchic example by abandoning the wretched time servers of Capital to the shame and madness of the worst aberrations.
Spring is beautiful everywhere, but it is more than beautiful in Lebanon. Spring is the spirit of an unknown God speeding through the world, which, as it reaches Lebanon, pauses, because now it is as at home with the souls of the Prophets and Kings hovering over the land, chanting with the brooks of Judea, the eternal Psalms of Solomon, renewing with the Cedars of Lebanon memories of an ancient glory.
The prospect Smiler was a manic farmer. Few men I think can have been as unfortunate as he; for on the one hand he was a melancholic with a loathing for mankind, on the other, some paralysis had twisted his mouth into a permanent and radiant smile. So everyone he met, being warmed by his smile, would shout him a happy greeting. And beaming upon them with his sunny face he would curse them all to hell.
Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can't go through an obstacle, go around it. Water does.
In Judith Barrington's striking collection, Horses and the Human Soul, human emotions come ushered and accompanied by animal companions, especially the horses this speaker loves. Here they are witnesses, companions to the spirit, and as vulnerably mortal as human beings. Socially and politically alert, lamenting and celebrating, Barrington's passionate poems inscribe the broad range of her affections.
The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout. Another, more fundamental statement in poetry, is made through the images themselves those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.
If we seriously contemplate life it appears an agony too great to be supported, but for the most part our minds gloss such things over & until the ice finally lets us through we skate about merrily enough. Most people, I'm convinced, don't think about life at all. They grab what they think they want and the subsequent consequences keep them busy in an endless chain till they're carried out feet first.
I never liked that ending either. More love streaming out the wrong way, and I don't want to be the kind that says the wrong way. But it doesn't work, these erasures, this constant refolding of the pleats. There were some nice parts, sure, all lemondrop and mellonball, laughing in silk pajamas and the grain of sugar on the toast, love love or whatever, take a number. I'm sorry it's such a lousy story.
I understand now my father really thought he was doing me good. Education means a lot to Palestinians. We’ve become some of the most educated people in the world through our diaspora. We’ve had to be. When you ain’t got land, your degree may be your only solid ground. May father felt (feels) that being a doctor would give me security. How can I explain that I’m not safe from anything if I don’t write?
I do not want a plain box, I want a sarcophagus With tigery stripes, and a face on it Round as the moon, to stare up. I want to be looking at them when they come Picking among the dumb minerals, the roots. I see them already-the pale, star-distance faces. Now they are nothing, they are not even babies. I imagine them without fathers or mothers, like the first gods. They will wonder if I was important.
My colleagues knew I was writing poems. I never hid it from them. I don't think they ever thought I was cheating on them. So, I think they probably saw it as being rather peculiar, that I was doing that sort of thing, but nobody ever suggested I shouldn't be doing it. I think that would be different on Madison Avenue or Wall Street, where you're really expected to be doing 110 percent for the company.
At that moment of love, a moment when passion is absolutely silent under omnipotence of ecstasy, Marius, pure seraphic Marius, would have been more capable of visiting a woman of the streets than of raising Cosette’s dress above the ankle. Once on a moonlit night, Cosette stopped to pick up something from the ground, her dress loosened and revealed the swelling of her breasts. Marius averted his eyes.
I am a Christian because of that moment on the cross when Jesus, drinking the very dregs of human bitterness, cries out, My God, my God, why hast thou forsaken me? (I know, I know: he was quoting the Psalms, and who quotes a poem when being tortured? The words aren’t the point. The point is he felt human destitution to its absolute degree; the point is that God is with us, not beyond us, in suffering.)
To meet someone who really hurts you is to meet a rare and precious treasure. Hold that person in high esteem, and make full use of the opportunity to eradicate your defects and make progress on the path. If you cannot yet feel love and compassion for those who treat you badly, it is a sign that your mind has not been fully transformed and that you need to keep working on it with increased application.
It is a most fearful fact to think of, that in every heart there is some secret spring that would be weak at the touch of temptation, and that is liable to be assailed. Fearful, and yet salutary to think of; for the thought may serve to keep our moral nature braced. It warns us that we can never stand at ease, or lie down in this field of life, without sentinels of watchfulness and campfires of prayer.
Now, because men of our contemporary age are caught up in the ascetic view of a life-denying religious system, but in spite of this cannot deny the primal laws of nature, a distorted morality had to be developed, which spreads hypocritical appearances over hidden actions. This has brought to a head all those outward forms of modern life, whose vacuousness and corruption are now beginning to disgust us.
The nut of this tree is hung high aloft, wrapped in a silk wrapper, which is enclosed in a case of sole leather, which again is packed in a mass of shock absorbing, vermin proof pulp, sealed up in a waterproof, ironwood case, and finally cased in a vegetable porcupine of spines, almost impregnable. There is no nut so protected; there is no nut in our woods to compare with it as food. What is a Chesnut?
In harvesting of evil deeds, the human race is busy; and doing so is to taste the pangs of Hell . . . The piling up of wealth is the piling up of others' property; what one thus storeth formeth but provisions for one's enemies... I wash off human scandal by devotion true; and by my zeal, I satisfy the Deities. By compassion, I subdue the demons; all blame I scatter to the wind, and upward turn my face.
I believed even then that if I could transform my experience into poetry I would give it the value and dignity it did not begin to possess on its own. I thought too that if I could write about it I could come to understand it; I believed that if I could understand my life—or at least the part my work played in it—I could embrace it with some degree of joy, an element conspicuously missing from my life.
Poetry is a bad medium for philosophy. Everything in the philosophical poem has to satisfy irreconcilable requirements: for instance, the last demand that we should make of philosophy (that it be interesting) is the first we make of a poem; the philosophical poet has an elevated and methodical, but forlorn and absurd air as he works away at his flying tank, his sewing-machine that also plays the piano.
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.