Quotes of All Topics . Occasions . Authors
On this earth all is temptation. Crosses tempt us by irritating our pride, and prosperity by flattering it. Our life is a continual combat, but one in which Jesus Christ fights for us. We must pass on unmoved, while temptations rage around us, as the traveler, overtaken by a storm, simply wraps his cloak more closely about him, and pushes on more vigorously toward his destined home.
"For even the most childish intoxication with progress will soon be forced to recognize that writing and books have a function that is eternal. It will become evident that formulations in words and the handling on of these formulations through writing are not only important aids but actually the only means by which humanity can have a history and continuing consciousness of itself."
The judge who sits over the murderer and looks into his face, and at one moment recognizes all the emotions and potentialities and possibilities of the murderer in his own soul and hears the murderer's voice as his own, is at the next moment one and indivisible as the judge, and scuttles back into the shell of his cultivated self and does his duty and condemns the murderer to death.
The evening light was like honey in the trees When you left me and walked to the end of the street Where the sunset abruptly ended. The wedding-cake drawbridge lowered itself To the fragile forget-me-not flower. You climbed aboard. Burnt horizons suddenly paved with golden stones, Dreams I had, including suicide, Puff out the hot-air balloon now. It is bursting, it is about to burst
I regard a love for poetry as one of the most needful and helpful elements in the life-outfit of a human being. It was the greatest of blessings to me, in the long days of toil to which I was shut in much earlier than most young girls are, that the poetry I held in my memory breathed its enchanted atmosphere through me and around me, and touched even dull drudgery with its sunshine.
I will choose what enters me, what becomes flesh of my flesh. Without choice, no politics, no ethics lives. I am not your cornfield, not your uranium mine, not your calf for fattening, not your cow for milking. You may not use me as your factory. Priests and legislators do not hold shares in my womb or my mind. If I give it to you, I want it back. My life is a non-negotiable demand.
From the seed grows a root, then a sprout; from the sprout, the seedling leaves; from the leaves, the stem; around the stem, the branches; at the top, the flower. . . We cannot say that the seed causes the growth, nor that the soil does. We can say that the potentialities for growth lie within the seed, in mysterious life forces, which, when properly fostered, take on certain forms.
There is all this stuff about how sensitive poets are and how in touch with feelings, etc. they are, but really all we care about is language. At least in the initial stages of the process of writing the poem, though later other things start to come in, and a really good poem usually needs something more than just an interest in the material of language to mean anything to a reader.
The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of.
They all have tired mouths and bright seamless souls. And a longing (as for sin) sometimes haunts their dreams. They are almost all alike; in God's gardens they keep still, like many, many intervals in his might and melody. Only when they spread their wings are they wakers of a wind: as if God with his broad sculptor- hands leafed through the pages in the dark book of the beginning.
It is not for the concept, but for the experience, that we use the term the Beloved. The experience of this enormity we falteringly label divine is unconditioned love. Absolute openness, unbounded mercy and compassion. We use this concept, not to name the unnameable vastness of being-- our greatest joy-- but to acknowledge and claim as our birthright the wonders and healings within.
Our minds must meditate on some object. According to what he thinks, a man can create an atmosphere of radiance, exuberance, buoyancy; and this brings joy. Or he can carry gloom with him. It is a matter of the habit of thought. We must build up our own life by our thoughts. There are many ways by which we can do this. Art, music, even manual work, all can bring ripening to the soul.
... you looked around and saw everybody either married or busy and happy and thinking and being creative, and you felt scared, sick, lethargic, worst of all, not wanting to cope. You saw visions of yourself in a straightjacket, and a drain on the family, murdering your mother in actuality, killing the edifice of love and respect built up over the years in the hearts of other people.
Patricia Smith is one of the best poets around and has been for a long time. Her Blood Dazzler is full of capacious soul and formal inventiveness: the compassion and artfulness necessary to capture the tragedies and Tragedy of Katrina. Smith is herself a storm of beautiful, frightening talent. Her words will wash you or wash you away. I consider this new book a major literary event.
All finite things reveal infinitude: The mountain with its singular bright shade Like the blue shine on freshly frozen snow, The after-light upon ice-burdened pines; Odor of basswood upon a mountain slope, A scene beloved of bees; Silence of water above a sunken tree: The pure serene of memory of one man,- A ripple widening from a single stone Winding around the waters of the world.
As to scenery (giving my own thought and feeling), while I know the standard claim is that Yosemite, Niagara Falls, the Upper Yellowstone and the like afford the greatest natural shows, I am not so sure but the prairies and plains, while less stunning at first sight, last longer, fill the esthetic sense fuller, precede all the rest, and make North America's characteristic landscape.
I always get back to the question, is it really necessary that men should consume so much of their bodily and mental energies in the machinery of civilized life? The world seems to me to do much of its toil for that which is not in any sense bread. Again, does not the latent feeling that much of their striving is to no purpose tend to infuse large quantities of sham into men's work?
A silence, the brief Sabbath of an hour, Reigns o'er the fields; the laborer sits within His dwelling; he has left his steers awhile, Unyoked, to bite the herbage, and his dog Sleeps stretched beside the door-stone in the shade. Now the gray marmot, with uplifted paws, No more sits listening by his den, but steals Abroad, in safety, to the clover-field, And crops its juicy-blossoms.
At our age the imagination across the sorry facts lifts us to make roses stand before thorns. Sure love is cruel and selfish and totally obtuse— at least, blinded by the light, young love is. But we are older, I to love and you to be loved, we have, no matter how, by our wills survived to keep the jeweled prize always at our finger tips. We will it so and so it is past all accident.
The difficulty of saying I-a phrase from the East German novelist Christa Wolf. But once having said it, as we realize the necessity to go further, isn't there a difficulty of saying 'we'? You cannot speak for me. I cannot speak for you. Two thoughts: there is no liberation that only knows how to say 'I'; there is no collective movement that speaks for each of us all the way through.
Your death and my death are mainly of importance to ourselves. The black plumes will be stripped off our hearses within the hour; tears will dry, hurt hearts close again, our graves grow level with the church-yard, and although we are away, the world wags on. It does not miss us; and those who are near us, when the first strangeness of vacancy wears off, will not miss us much either.
Yes, and the body has a memory. The physical carriage hauls more than its weight. The body is the threshold across which each objectionable call passes into consciousness—all the unintimidated, unblinking, and unflappable resilience does not erase the moments lived through, even as we are eternally stupid or everlastingly optimistic, so ready to be inside, among, a part of the games.
O sweet spontaneous earth how often have the doting fingers of prurient philosophers pinched and poked thee ,has the naughty thumb of science prodded thy beauty .how often have religions taken thee upon their scraggy knees squeezing and buffeting thee that thou mightest conceive gods (but true to the incomparable couch of death thy rhythmic lover thou answerest them only with spring)
I push back against a deeply-entrenched tendency in American culture to label quickly and no longer even examine the labels that were initially stamped on a person. I don't have a problem with any of my "hyphenated" biography - I don't have any problem with that at all. The world would be a better place if our thread of hyphenation were truly embraced beyond mere naming and category.
I once was asked to contribute to a mushroom poem anthology. I didn't have anything, and so instead ended up writing the introduction. I think that request made me more alert to mushrooms, and now they've cropped up in my work, the way mushrooms themselves do after rain, quite a lot. But I've only just now taken up mushroom hunting, after going to a class offered at my local library.
Emile Saint-Blague had been a lively, versatile painter in his youth, but he had abused his energy by painting too many pictures; so that in what might have been the ripe period of his art he had nothing left but ideas. A man who has nothing left but ideas may be of great service to his friends, but he is of no use at all to himself. Emile was certainly an inspiration to his friends.
Tonight I saw myself in the dark window as the image of my father, whose life was spent like this, thinking of death, to the exclusion of other sensual matters, so in the end that life was easy to give up, since it contained nothing: even my mother's voice couldn't make him change or turn back as he believed that once you can't love another human being you have no place in the world.
I kept the fingers of my left hand crossed all the time, while on my right-hand fingers I counted anything at all—steps to the refrigerator, seconds on the clock, words in a sentence—to keep my head occupied. The counting felt like something to hang on to, as if finding the right numbers might somehow crack the code on whatever system ran the slippery universe we were moving through.
The Greek word euphuia, a finely tempered nature, gives exactly the notion of perfection as culture brings us to perceive it; a harmonious perfection, a perfection in which the characters of beauty and intelligence are both present, which unites "the two noblest of things" - as Swift most happily calls them in his Battle of the Books, "the two noblest of things, sweetness and light."
Unfathomable Sea! whose waves are years, Ocean of Time, whose waters of deep woe Are brackish with the salt of human tears! Thou shoreless flood, which in thy ebb and flow Claspest the limits of mortality! And sick of prey, yet howling on for more, Vomitest thy wrecks on its inhospitable shore, Treacherous in calm, and terrible in storm, Who shall put forth on thee, Unfathomable sea?
Christianity indeed has equaled Judaism in the atrocities, and exceeded it in the extent of its desolation. Eleven millions of men, women, and children have been killed in battle, butchered in their sleep, burned to death at public festivals of sacrifice, poisoned, tortured, assassinated, and pillaged in the spirit of the Religion of Peace, and for the glory of the most merciful God.
I think Miss Moore was right to cut "The Steeple-Jack" - the poem seems plainer and clearer in its shortened state but she has cut too much... The reader may feel like saying, "Let her do as she pleases with the poem; it's hers, isn't it?" No; it's much too good a poem for that, it long ago became everybody's, and we can protest just as we could if Donatello cut off David's left leg.
My best times are midnight to six actually. I'll leaf through my notebooks and if something catches my eye and I feel like I want to transfer it from the notebook to the page, I do, and then comes this very strange process which is difficult to describe in that I'll write until I get stuck or I can't go any further or I'm boring myself or whatever and then I might go to another poem.
When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?
That low man seeks a little thing to do, Sees it and does it: This high man, with a great thing to pursue, Dies ere he knows it. That low man goes on adding one to one, His hundred's soon hit: This high man, aiming at a million, Misses an unit. That, has the world here-should he need the next, Let the world mind him! This, throws himself on God, and unperplext Seeking shall find Him.
I do not love; I do not love anybody except myself. That is a rather shocking thing to admit. I have none of the selfless love of my mother. I have none of the plodding, practical love. . . . . I am, to be blunt and concise, in love only with myself, my puny being with its small inadequate breasts and meager, thin talents. I am capable of affection for those who reflect my own world.
A lot of the stuff that I see, because it's part of the work that I do, is look at pictures and photographs and sculpture and all the rest of that. I also spend a lot of time looking at the people on my street, and all of it simply exists in sort of this tremendous forceful wash of reality out of which comes, what I hope, are these shapely recognitions of reality, which are my poems.
The windflower and the violet, they perished long ago, And the brier-rose and the orchis died amid the summer glow; But on the hills the golden-rod, and the aster in the wood, And the yellow sunflower by the brook, in autumn beauty stood, Till fell the first from the clear cold heaven, as falls the plague on men, And the brightness of their smile was gone, from upland glade and glen.
Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.
Tis a morning pure and sweet, And a dewy splendour falls On the little flower that clings To the turrets and the walls; 'Tis a morning pure and sweet, And the light and shadow fleet; She is walking in the meadow, And the woodland echo rings; In a moment we shall meet; She is singing in the meadow, And the rivulet at her feet Ripples on in light and shadow To the ballad that she sings.
Every American wants MORE & MORE of the world and why not, you only live once. But the mistake made in America is persons accumulate more & more dead matter, machinery, possessions & rugs & fact information at the expense of what really counts as more: feeling, good feeling, sex feeling, tenderness feeling, mutual feeling. You own twice as much rug if you're twice as aware of the rug.
We have this huge discourse on family in this country, but no one deconstructs it the same way. People talk about "the American family." The right wing has this thing - Focus on the Family. What the hell is that? I don't want to just discuss the issues - I want family to be a real part of the character of the novels I write, and I don't like to write things that feel like issue books.
I could scream down 90 mountains to less than dust if only one living human had eyes in the head and heart in the body, but there is no chance, my god, no chance. rat with rat dog with dog hog with hog, play the piano drunk listen to the drunk piano, realize the myth of mercy stand still as even a child's voice snarls and we have not been fooled, it was only that we wanted to believe.
Christmas poem to a man in jail hello Bill Abbott: I appreciate your passing around my books in jail there, my poems and stories. if I can lighten the load for some of those guys with my books, fine. but literature, you know, is difficult for the average man to assimilate (and for the unaverage man too); I don't like most poetry, for example, so I write mine the way I like to read it.
I think that one of the positions we have taken around the question of race, is that we already know. We know. We know. We know. And so we don't need to look at it again. And yet everybody is still upset. Everybody is still being driven by their outrageous imagination to the point of killing people because they feel that a black man in front of them is a demon, or the Incredible Hulk.
The early 20th Century was probably the high tide of global white supremacy - I'm going to call it that because that's how people thought of it - and to be specific, Anglo-Saxon supremacy: The idea that white Anglo-Saxon Protestants were at the top of the world, representing the highest achievement possible for all of humanity, with Darwin's theories being used to prop up this belief.
Thus is Jesus in all respects fitted for his mighty work of redeeming. He is very man and very God. He is the seed of the woman, the seed of Abraham, the seed of David, the son of Mary, yet God over all, blessed forever. Thus He can bear our sins; He can sympathize with our sorrows; He can fight our battles; He can love as a man, a fellow man, bone of our bone, and flesh of our flesh.
Constance L. Rice, co-director of the Los Angeles of the Advancement Project, told the Times that Seltzer might have been influenced by David Simon's fake ghetto series, "The Wire." It figures. Isn't this sexism? Isn't this a double standard? They're hard on this young woman for her fake ghetto book, yet praise these White guys for theirs. So there's a big market in downing Black men.
I call not that virginity a virtue, which resideth onely in the bodies integrity; much less if it be with a purpose of perpetually keeping it: for then it is a most inhumane vice. - But I call that Virginity a virtue which is willing and desirous to yield it self upon honest and lawfull terms, when just reason requireth; and until then, is kept with a modest chastity of body and mind.
When the blackberries hang swollen in the woods, in the brambles nobody owns, I spend all day among the high branches, reaching my ripped arms, thinking of nothing, cramming the black honey of summer into my mouth; all day my body accepts what it is. In the dark creeks that run by there is this thick paw of my life darting among the black bells, the leaves; there is this happy tongue.