Quotes of All Topics . Occasions . Authors
Whether we be Italians or Frenchmen, misery concerns us all. Ever since history has been written, ever since philosophy has meditated, misery has been the garment of the human race; the moment has at length arrived for tearing off that rag, and for replacing, upon the naked limbs of the Man-People, the sinister fragment of the past with the grand purple robe of the dawn.
Prostrate on earth the bleeding warrior lies, And Isr'el's beauty on the mountains dies. How are the mighty fallen! Hush'd be my sorrow, gently fall my tears, Lest my sad tale should reach the alien's ears: Bid Fame be dumb, and tremble to proclaim In heathen Gath, or Ascalon, our shame Lest proud Philistia, lest our haughty foe, With impious scorn insult our solemn woe.
Read for yourselves, read for the sake of your inspiration, for the sweet turmoil in your lovely head. But also read against yourselves, read for questioning and impotence, for despair and erudition... and also read those whose darkness or malice or madness or greatness you can't understand because only in this way will you grow, outlive yourself, and become what you are.
The whole time I was hoping my silence would fit yours and exclamation marks would gently float across time and space so that boundaries would be crossed; the whole time I was praying you would read my eyes and understand what I was never able to understand. See, we were never about butterflies. We’ve always been about burning stars. All about us is unearthly and radiant.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic. I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
You know how, when you fly from coast to coast on a really clear day, looking down from many miles up, you can see the little baseball diamonds everywhere? And every time I see a baseball diamond my heart goes out to it. And I think somewhere down there- I don't see any houses, I can hardly see any roads- but I know that people down there are playing the game we all love.
I love you so much I’ll never be able to tell you; I’m frightened to tell you. I can always feel your heart. Dance tunes are always right: I love you body and soul: —and I suppose body means that I want to touch you and be in bed with you, and i suppose soul means that i can hear you and see you and love you in every single, single thing in the whole world asleep or awake
Now the autumn shudders In the rose's root. Far and wide the ladders Lean among the fruit. Now the autumn clambers Up the trellised frame, And the rose remembers The dust from which it came. Brighter than the blossom On the rose's bough Sits the wizened orange, Bitter berry now; Beauty never slumbers; All is in her name; But the rose remembers The dust from which it came.
What are works of art for? to educate, to be standards. To produce is of little use unless what we produce is known, is widely known, the wider known the better, for it is by being known that it works, it influences, it does its duty, it does good. We must try, then, to be known, aim at it, take means to it. And this without puffing in the process or pride in the success.
Truth, after all, wears a different face to everybody, and it would be too tedious to wait till all were agreed. She is said to lie at the bottom of a well, for the very reason, perhaps, that whoever looks down in search of her sees his own image at the bottom, and is persuaded not only that he has seen the goddess, but that she is far better looking than he had imagined.
There's a case in Baton Rouge, haunting me, where a mother left her twelve-year-old daughter to be babysat (every day for months) by a known pedophile and his four perverse friends, and the news broke of the bodies of two children, dead after long-term physical abuse, found in a storage locker in California. What hardest for me is, I suppose, what's hardest for my country
I learned what education really is: the penetrating deeper and rising higher into life, as well as making continually wider explorations; the rounding of the whole human being out of its nebulous elements into form, as planets and suns are rounded, until they give out safe and steady light. This makes the process a infinite one, not possible to be completed at any school.
I am learning to see. I don't know why it is, but everything enters me more deeply and doesn't stop where it once used to. I have an interior that I never knew of... What's the use of telling someone that I am changing? If I'm changing, I am no longer who I was; and if I am something else, it's obvious that I have no acquaintances. And I can't possibly write to strangers.
There is no art which affords less opportunity to execute expression than photography. Everything is concentrated in a few seconds, when after perhaps an hours seeking, waiting, and hesitation, the photographer sees the realization of his inward vision, and in that moment he has one advantage over most arts - his medium is swift enough to record his momentary inspiration.
The art of the poem nowadays is something unstable; but at least the construction of the poem should make sense; you should know where you stand. Many questions haven't been answered as yet. Our poets may be wrong; but what can any of us do with his talent but try to develop his vision, so that through frequent failures we may learn better what we have missed in the past.
She never told her love, but let concealment, like a worm 'i th' bud, feed on her damask cheek. She pinned in thought; and, with a green and yellow melancholy, she sat like Patience on a monument, smiling at grief. Was not this love indeed? We men may say more, swear more; but indeed our shows are more than will; for we still prove much in our vows but little in our love.
I have been writing. Even when I intend not to write, I find myself writing. I'm currently in a place where I should be putting together the fifth book, but then more poems are coming. It's exciting and somewhat daunting. You know how we are when a new book of poems is at last coming together - all frenzy, distraction, and bounty? It's as if I've turned into summer itself.
So it is useless to evade reality, because it only makes it more virulent in the end. But instead, look steadfastly into the slit, pin-pointed, malignant eyes of reality: as an old-hand trainer dominates his wild beasts. Take it by the scruff of the neck, and shake the evil intent out of it; till it rattles out harmlessly, like gall bladder stones, fossilized on the floor.
Words are substance strange. Speak one and the air ripples into another's ears. Write one and the eye laps it up. But the sense transmutes, and the spoken word winds through the ear's labyrinth into a sense that is no longer the nerve's realm. The written word unfolds behind the eye into the world, world's image, and the imagination sees as the eye cannot see-thoughtfully.
"The love of God, unutterable and perfect, flows into a pure soul the way light rushes into a transparent object. The more love that it finds, the more it gives itself: so that, as we grow clear and open, the more complete the joy of heaven is. And the more souls who resonate together, the greater the intensity of their love, and, mirror like, each soul reflects the other.
God, the bitter misery that reading works into this world! Everybody knows that - everbody who IS everybody. All the best minds have been off reading for years. Look at the swing La Rouchefoucauld took at it. He said that if nobody had ever learned to read, very few people would be in love. Good for you, La Rouchefoucauld; nice going, boy. I wish I’d never learned to read.
The soul, like the body, acquires vigor by the exercise of all its faculties. In the midst of the world, in overcoming difficulties, in conquering selfishness, indolence, and fear--in all the occasions of duty, it employs, and reveals by employing, energies that render it efficient and robust--that broaden its scope, adjust its powers, and mature it with a rich experience.
People who have no secrets from each other never want for a subject of conversation. They do not weigh their words, for there is nothing to be held back, neither do they seek for something to say. They talk out of the abundance of their heart, without consideration they say just what they think. Blessed are they who attain to such familiar, unreserved intercourse with God.
Wherever man exists, he finds the need to redesign, to recreate the world. A more beautiful world, purer, sweeter smelling and more colorful. A garden is probably the spot where the hopes for civilization are best captured. In fact, man defines himself by his garden. My Grandmother standing wordless fifteen minutes Between rows of loganberries, clippers poised in her hand.
Admit something. Everyone you see, you say to them "Love me." Of course you do not do this out loud: Otherwise, Someone would call the cops. Still, though, think about this, This great pull in us to connect. Why not become the one Who lives with a full moon in each eye That is always saying, With that sweet moon Language What every other eye in this world Is dying to Hear?
The aim of the poet is to inform or delight, or to combine together, in what he says, both pleasure and applicability to life. In instructing, be brief in what you say in order that your readers may grasp it quickly and retain it faithfully. Superfluous words simply spill out when the mind is already full. Fiction invented in order to please should remain close to reality.
David Simon [the creator of The Wire] and I have a running controversy for years. It all stems from a telephone call I made to KPFA [Pacifica radio] when he was a guest there in the 90's on Chris Welche's show. He was going around the country with a Black kid from the Ghetto to promote something called The Corner - it was all about Blacks as degenerates selling drugs, etc.
Even as I've become more reticent about the political possibilities of the academic space, I want to note that students have played significant roles in insurrectionary activity across the globe for decades and centuries, and I don't think that we've crossed some threshold where that's never going to happen again. We still need to take the university space quite seriously.
love one another, but make not a bond of love: let it rather be a moving sea between the shores of your souls. fill each other's cup but drink not from one cup. give one another of your bread but eat not from the same loaf sing and dance together and be joyous, but let each one of you be alone, even as the strings of a lute are alone though they quiver with the same music.
You are good when you strive to give of yourself. Yet you are not evil when you seek gain for yourself. For when you strive for gain you are but a root that clings to the earth and sucks at her breast. Surely the fruit cannot say to the root, 'Be like me, ripe and full and ever giving of your abundance.' For to the fruit giving is a need as receiving is a need to the root.
The wind has a language, I would I could learn! Sometimes 'tis soothing, and sometimes 'tis stern, Sometimes it comes like a low sweet song, And all things grow calm, as the sound floats along, And the forest is lull'd by the dreamy strain, And slumber sinks down on the wandering main, And its crystal arms are folded in rest, And the tall ship sleeps on its heaving breast.
If i should enter the house and speak with my own voice, at last, about its awful furnitutre, pulling apart the covering over the dusty bodies; the randy father, the husband holding ice in his hand like a blessing, the mother bleeding into herself and the small imploding girl, i say if i should walk into that web, who will come flying after me, leaping tall buildings? you?
The question does arise if how and why to write poetry in this time. It feels both completely essential and also quite difficult. But that's how writing poetry has felt to me my whole life. Everything seems to have just gotten immensely more mortal and tragic and scary, which makes it hard to concentrate, but also, if harnessed, can provide immense energy for making poems.
A great silence has descended on me for the last six months. I am as silent as an Arab in the desert, as dry, thirsty, and full of wonder and rumours which do not materialize into camels or travellers at all, but just vanish into the silent spaces from where they came. I expect this is a good thing though it is extremely irritating - the brink of a voice and never a voice.
From the time I began to read, as a child, I loved to feel their heft in my hand and the warm spot caused by their intimate weight in my lap; I loved the crisp whisper of a page turning, the musky odor of old paper and the sharp inky whiff of new pages. Leather bindings sent me into ecstasy. I even loved to gaze at a closed book and daydream about the possibilities inside.
I am making this statement as an act of wilful defiance of military authority, because I believe that the War is being deliberately prolonged by those who have the power to end it. I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this War, on which I entered as a war of defence and liberation, has now become a war of aggression and conquest.
As we have said, robust souls are sometimes almost, but not entirely, overthrown by strokes of misfortune....Despair has steps leading upward. From total depression we rise to despondency, from despondency to affliction, from affliction to melancholy. Melancholy is a twilight state in which suffering transmutes into a somber joy....Melancholy is the enjoyment of being sad.
Never had the sky been more studded with stars and more charming, the trees more trembling, the odor of the grass more penetrating; never had the birds fallen asleep among the leaves with a sweeter noise; never had all the harmonies of universal serenity responded more thoroughly to the inward music of love; never had Marius been more captivated, more happy, more ecstatic.
Why who makes much of a miracle? As to me I know nothing else but miracles, whether they be animals feeding in the fields, Or, birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These, with the rest, one and all, are to me, miracles.
Tell them I came, and no one answered, That I kept my word," he said. Never the least stir made the listeners, Though every word he spake Fell echoing through the shadowiness of the still house From the one man left awake: Ay, they heard his foot upon the stirrup, And the sound of iron on stone, And how the silence surged softly backward, When the plunging hoofs were gone.
Care for us! True, indeed! They ne'er cared for us yet: suffer us to famish, and their storehouses crammed with grain; make edicts for usury, to support usurers; repeal daily any wholesome act established against the rich, and provide more piercing statutes daily to chain up and restrain the poor. If the wars eat us not up, they will; and there's all the love they bear us.
A people living under the perpetual menace of war and invasion is very easy to govern. It demands no social reform. It does not haggle over expenditures for armaments and military equipment. It pays without discussion, it ruins itself, and that is an excellent thing for the syndicates of financiers and manufacturers for whom patriotic terrors are an abundant source of gain.
O Time the fatal wrack of mortal things, That draws oblivion's curtains over kings; Their sumptuous monuments, men know them not, Their names without a record are forgot, Their parts, their ports, their pomps all laid in th' dust Nor wit nor gold, nor buildings scape time's rust; But he whose name is graved in the white stone Shall last and shine when all of these are gone.
There are energies that reside in each phone and phoneme. And we can release them. And it can be grand and vast and you can create a realm where you can dwell for a while. Where things are perfect symbols of themselves, no manipulation. And that connects to me to the Buddhist view. From that perspective we can wake up on the spot, be conscious of our world, think of others.
One of the reasons why language is so sick right now and cliché-ridden and lame and boring and laid-out, and about to go to sleep, is because there aren't a thousand Tom Clarks. If I were writing a prescription right now, you know, if I had my shiny thing here, a stethoscope around my neck, that's the prescription I'd write. Take one thousand Tom Clarks before going to bed.
Labor is rest--from the sorrow that greet us; Rest from all petty vexations that meet us, Rest from sin-promptings that ever entreat us, Rest from the world-sirens that hire us to ill. Work--and pure slumbers shall wait on thy pillow; Work--thou shalt ride over Care's coming billow; Lie not down wearied 'neath Woe's weeping willow! Work with a stout heart and resolute will!
I am committed now to one thing: lyric sequences. I want the intensity of lyric, but the scope and arc of narrative. so, I think I'll just write sequences for the foreseeable (the Beloved sequence doesn't have a 'plot' so I can just keep adding poems to it, it's like a giant bag I can just put beloved lyrics into - I think there are about 300 of them i've published by now).
Let us labor for an inward stillness-- An inward stillness and an inward healing. That perfect silence where the lips and heart Are still, and we no longer entertain Our own imperfect thoughts and vain opinions, But God alone speaks to us and we wait In singleness of heart that we may know His will, and in the silence of our spirits, That we may do His will and do that only
One thing America truly does stand for is a million different ways of living. But while we enjoy the lives we have, we're so privileged. We live in a world that's so far from what the Palestinian children are going through, it's unbelievable. Yet if we dare to get close to that atrocity and name it, it would shock us so badly we couldn't live in our privileged comfort zone.
Nordenson describes wrestling with work as with a large force that wants to have its way with you, even as you want to have your way with it. This wrestling, sinewy and particular as its wrestler, enlarges us as we read our way into her life with its incisive insights and explorations. Can one wrestle meditatively? This author has learned the art and we are the benefactors.