Quotes of All Topics . Occasions . Authors
LEONATO Well, niece, I hope to see you one day fitted with a husband. BEATRICE Not till God make men of some other metal than earth. Would it not grieve a woman to be overmastered with a pierce of valiant dust? to make an account of her life to a clod of wayward marl? No, uncle, I'll none: Adam's sons are my brethren; and, truly, I hold it a sin to match in my kindred.
Treason and murder ever kept together, As two yoke-devils sworn to either's purpose, Working so grossly in a natural cause That admiration did not whoop at them; But thou, 'gainst all proportion, didst bring in Wonder to wait on treason and on murder; And whatsoever cunning fiend it was That wrought upon thee so preposterously Hath got the voice in hell for excellence.
Name me no names for my disease, With uninforming breath; I tell you I am none of these, But homesick unto death —Homesick for hills that I had known, For brooks that I had crossed, Before I met this flesh and bone And followed and was lost… .And though they break my heart at last, Yet name no name of ills. Say only, “Here is where he passed, Seeking again those hills.
The difference between Pound and Whitman is not between the democrat who in deep distress could look hopefully toward the future and the fascist madly in love with the past. It is that between the woodsman and the woodcarver. It is that between the mystic harking back to his vision and the artist whose first allegiance is to his craft, and so to the reality it presents.
Oh for a thousand tongues to sing my great Redeemer's praise, the glories of my God and King, the triumphs of his grace! My gracious Master and my God, assist me to proclaim, to spread through all the earth abroad the honors of thy name. Jesus! the name that charms our fears, that bids our sorrows cease; 'tis music in the sinner's ears, 'tis life, and health, and peace.
Thus when a barber and a collier fight, The barber beats the luckless collier-white; The dusty collier heaves his ponderous sack, And big with vengeance beats the barber-black. In comes the brick-dust man, with grime o'erspread, And beats the collier and the barber-red: Black, red, and white in various clouds are tost, And in the dust they raise the combatants are lost.
I was really interested in the fact that blacks have high blood pressure, heart disease, and diabetes at a higher percentage than the rest of the population. That didn't stay very aggressively in the book, but that's how it started. I began to document these moments as support for this other thing I was thinking about, and then the moments themselves began to take over.
If anyone should want to know my name, I am called Leah. And I spend all my time weaving garlands of flowers with my fair hands, t o please me when I stand before the mirror; my sister Rachel sits all the day long before her own, and never moves away. She loves to contemplate her lovely eyes; I love to use my hands to adorn myself: her joy is in reflection, mine in act.
I should consent to breed under pressure, if I were convinced in any way of the reasonableness of reproducing the species. But my nerves and the nerves of any woman I could live with three months, would produce only a victim... lacking in impulse, a mere bundle of discriminations. If I were wealthy I might subsidize a stud of young peasants, or a tribal group in Tahiti.
No man can reveal to you aught but that which already lies half asleep in the dawning of your knowledge. The teacher who walks in the shadow of the temple, among his followers, gives not of his wisdom but rather of his faith and his lovingness. If he is indeed wise he does not bid you enter the house of his wisdom, but rather leads you to the threshold of your own mind.
Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows - then let your heart say in silence, "God rests in reason." And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, - then let your heart say in awe, "God moves in passion.
Praise our choices, sister, for each doorway open to us was taken by squads of fighting women who paid years of trouble and struggle, who paid their wombs, their sleep, their lives that we might walk through these gates upright. Doorways are sacred to women for we are the doorways of life and we must choose what comes in and what goes out. Freedom is our real abundance.
How those fires burned that are no longer, how the weather worsened, how the shadow of the seagull vanished without a trace. Was it the end of a season, the end of a life? Was it so long ago it seems it might never have been? What is it in us that lives in the past and longs for the future, or lives in the future and longs for the past? (from "No Words Can Describe It")
I had got this far, and was thinking of what to say next, and as my habit is, I was pricking the paper idly with my pen. And I thought how, between one dip of the pen and the next, time goes on, and I hurry, drive myself, and speed toward death. We are always dying. I while I write, you while you read, and others while they listen or stop their ears, they are all dying.
Some of Mr. Gregory's poems have merely appeared in The New Yorker ; others are New Yorker poems: the inclusive topicality, the informed and casual smartness, the flat fashionable irony, meaningless because it proceeds from a frame of reference whose amorphous superiority is the most definite thing about it they are the trademark not simply of a magazine but of a class.
I remember myself, that when I was young, I had sometime the company of one ancient godly minister, who was of weaker parts than many others, but yet did profit me more than most; because he would never in prayer or conference speak of God, or the life to come, but with such marvelous seriousness and reverence, as if he had seen the majesty and glory which he talked of.
The difference between you and her (whom I to you did once prefer) Is clear enough to settle: She like a diamond shone, but you Shine like an early drop of dew Poised on a red rose petal. The dew-drop carries in its eye Mountain and forest, sea and sky, With every change of weather; Contrariwise, a diamond splits The prospect into idle bits That none can piece together.
This is love: to fly toward a secret sky, to cause a hundred veils to fall each moment. First, to let go of life. In the end, to take a step without feet; to regard this world as invisible, and to disregard what appears to be the self. Heart, I said, what a gift it has been to enter this circle of lovers, to see beyond seeing itself, to reach and feel within the breast.
What I said was I’ll miss you what I meant to say was I love you what I wanted to say was that I meant what I said and it’s funny how all those things I could have said flooded my head after we said goodbye and I should have told you I’d be willing to hold you until my flesh crumbles into bone because I’m willing to die alone but god knows I don’t want to live that way.
When I was nineteen, pureness was the great issue. Instead of the world being divided up into Catholics and Protestants or Republicans and Democrats or white men and black men or even men and women, I saw the world divided into people who had slept with somebody and people who hadn’t, and this seemed the only really significant difference between one person and another.
When on a summer's morn I wake, And open my two eyes, Out to the clear, born-singing rills My bird-like spirit flies. To hear the Blackbird, Cuckoo, Thrush, Or any bird in song; And common leaves that hum all day Without a throat or tongue. And when Time strikes the hour for sleep, Back in my room alone, My heart has many a sweet bird's song - And one that's all my own.
If the United States haven't grown poets, on any scale of grandeur, it is certain that they import, print, and read more poetry than any equal number of people elsewhere -- probably more than the rest of the world combined. Poetry (like a grand personality) is a growth of many generations -- many rare combinations. To have great poets, there must be great audiences too.
Don Pedro - (...)'In time the savage bull doth bear the yoke.' Benedick - The savage bull may, but if ever the sensible Benedick bear it, pluck off the bull's horns and set them in my forehead, and let me be vildly painted; and in such great letters as they writes, 'Here is good horse for hire', let them signify under my sign, 'Here you may see Benedick the married man.
Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? ...If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example?
I do not like poems that resemble hay compressed into a geometrically perfect cube. I like it when the hay, unkempt, uncombed, with dry berries mixed in it, thrown together gaily and freely, bounces along atop some truck-and more, if there are some lovely and healthy lasses atop the hay-and better yet if the branches catch at the hay, and some of it tumbles to the road.
In this book it is spoken of the Sephiroth and the Paths; of Spirits and Conjurations; of Gods, Spheres, Planes, and many other things which may or may not exist. It is immaterial whether these exist or not. By doing certain things certain results will follow; students are most earnestly warned against attributing objective reality or philosophic validity to any of them.
There is no land like England, Where'er the light of day be; There are no hearts like English hearts, Such hearts of oak as they be; There is no land like England, Where'er the light of day be: There are no men like Englishmen, So tall and bold as they be! And these will strike for England, And man and maid be free To foil and spoil the tyrant Beneath the greenwood tree.
America's the great conundrum and the great dream and the great fascination: the new land, the new world, the new temple, the new city, and the great mess. The most handguns, bombs, weaponry, violence, the cop of the world etcetera. All the contradictions. Mediocrity versus something like indigenous jazz, one of the most evolved sophisticated musical forms on the planet.
Every Day Is for the Thief is a vivid, episodic evocation of the truism that you can't go home again; but that doesn't mean you're not free to try. A return to his native Nigeria plunges Cole's charming narrator into a tempest of chaos, contradiction, and kinship in a place both endearingly familiar and unnervingly strange. The result is a tale that engages and disturbs.
Your Nafs is just like a suckling child. If you do not take the pains to wean him, he will yearn for his mother's breast even when he's grown up. Therefore you should not try to satisfy your lust by indulging in sins. This will only increase the desire for more sins. The same is the case with the disease of gluttony. The more a person eats, the more his hunger increases.
Whereas if you were writing an op-ed piece or an essay, somebody would be asking, "What's your point?" With poetry you can stay in a moment for as long as you want. Poetry is about metaphor, about a thing standing in for something else. It's the thing that opens out to something else. What that something else is changes for readers. So what's on the page - it falls away.
I know we're not saints or virgins or lunatics; we know all the lust and lavatory jokes, and most of the dirty people; we can catch buses and count our change and cross the roads and talk real sentences. But our innocence goes awfully deep, and our discreditable secret is that we don't know anything at all, and our horrid inner secret is that we don't care that we don't.
Winter is the time for comfort, for good food and warmth, for the touch of a friendly hand and for a talk beside the fire: it is the time for home. It is no season in which to wander the world as if one were the wind blowing aimlessly along the streets without a place to rest, without food, and without time meaning anything to one, just as time means nothing to the wind.
For a long time now I haven't existed. I'm utterly calm. No one distinguishes me from who I am. I just felt myself breath as if I'd done something new, or done it late. I'm beginning to be conscious of being conscious. Perhaps tomorrow I will wake up to myself and resume the course of my existence. I don't know if that will make more happy or less. I don't know anything.
Let's develop theories, patiently and honestly thinking them out, in order to promptly act against them – acting and justifying our actions with new theories that condemn them. Let's cut a path in life and then go immediately against that path. Let's adopt all the poses and gestures of something we aren't and don't even wish to be, and don't even wish to taken for being.
I settled at Cold Mountain long ago Already it seems like ages Wandering free I roam the woods and streams Lingering to watch things be themselves Men don't come this far into the mountains Where white clouds gather and billow Dry grass makes a comfortable mattress The blue sky is a fine quilt Happy to pillow my head on the rock I leave heaven and earth to endless change
When someone seeks," said Siddhartha, "then it easily happens that his eyes see only the thing that he seeks, and he is able to find nothing, to take in nothing because he always thinks only about the thing he is seeking, because he has one goal, because he is obsessed with his goal. Seeking means: having a goal. But finding means: being free, being open, having no goal.
I didn't set out to write a book with no real male characters, but men were not important to my narrator, who was much more interested in maternal and pseudo-maternal love, so they were unimportant to me. I didn't even notice the lack of men in the story until I finished it. But once I did notice it, I was kind of delighted. Apparently, my subconscious is totally sexist.
Though the most beautiful creature were waiting for me at the end of a journey or a walk; though the carpet were of silk, the curtains of the morning clouds; the chairs and sofa stuffed with cygnet's down; the food manna, the wine beyond claret, the window opening on Winander Mere, I should not feel -or rather my happiness would not be so fine, as my solitude is sublime.
Nor do we merely feel these essences for one short hour no, even as these trees that whisper round a temple become soon dear as the temples self, so does the moon, the passion posey, glories infinite, Haunt us till they become a cheering light unto our souls and bound to us so fast, that wheather there be shine, or gloom o'er cast, They always must be with us, or we die.
When you're young, you think everything you do is disposable. You move from now to now, crumpling time up in your hands, tossing it away. You're your own speeding car. You think you can get rid of things, and people too—leave them behind. You don't yet know about the habit they have, of coming back. Time in dreams is frozen. You can never get away from where you've been.
When I am lonely for boys it’s their bodies I miss. I study their hands lifting the cigarettes in the darkness of the movie theaters, the slope of a shoulder, the angle of a hip. Looking at them sideways, I examine them in different lights. My love for them is visual: that is the part of them I would like to possess. Don’t move, I think. Stay like that, let me have that.
If you live in the dark a long time and the sun comes out, you do not cross into it whistling. There's an initial uprush of relief at first, then-for me, anyway- a profound dislocation. My old assumptions about how the world works are buried, yet my new ones aren't yet operational.There's been a death of sorts, but without a few days in hell, no resurrection is possible.
For a long time now, every meeting with another human being has been the reverberations after even the simplest conversation. But the deep collision is and has been with my unregenerate, tormenting and tormented self...I am unable to become what I see. I feel like an inadequate machine, a machine that breaks down at crucial moments, grinds to a dreadful halt, "won't go".
There is no lighter burden, nor more agreeable, than a pen. Other pleasures fail us or wound us while they charm, but the pen we take up rejoicing and lay down with satisfaction, for it has the power to advantage not only its lord and master, but many others as well, even though they be far away - sometimes, indeed, though they be not born for thousands of years to come.
I would like to beg of you, dear friend, as well as I can, to have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They cannot now be given to you because you could not live them. It is a question of experiencing everything.
Painting is something that takes place among the colors, and one has to leave them alone completely, so that they can settle the matter among themselves. Their intercourse: this is the whole of painting. Whoever meddles, arranges, injects his human deliberation, his wit, his advocacy, his intellectual agility in any way, is already disturbing and clouding their activity.
In the nineteenth century, which was a dark and inflationary age in typography, man compositors were encouraged to stuff extra space between sentences. Generations of twentieth-century typists were then taught to do the same, by hitting the spacebar twice after every period. Your typing as well as your typesetting will benefit from unlearning this quaint Victorian habit.
The poet, as everyone knows, must strike his individual note sometime between the ages of fifteen and twenty-five. He may hold it a long time, or a short time, but it is then that he must strike it or never. School and college have been conducted with the almost express purpose of keeping him busy with something else till the danger of his ever creating anything is past.
As long as you cling to your self, you will wander right and left, day and night, for thousands of years; and when, after all that effort, you finally open your eyes, you will see your self, through inherent defects, wandering round itself like the ox in a mill; but, if, once freed of your self, you finally get down to work, this door will open to you within two minutes.