Quotes of All Topics . Occasions . Authors
But the ear, let us not forget, starts operating on the forty-fifth day of the pregnancy of a woman. Seven and a half months advance over the eye...(but) what do we do in our society, in our civilisation, to continue this process?
There are many wonderful orchestras in the world, but very few who have a character or personality of their own. The Chicago Symphony Orchestra is one of them, and I think it very important to recognize and respect that character.
I believe I've passed the age of consciousness and righteous rage. I've found that just surviving is a noble fight. I once believed in causes too; I had my pointless points of view. And life went on no matter who as wrong or right.
I guess some people in classical music can keep going until they kick (die) and the (Rolling) Stones are definitely pushing the envelope but I wonder if here's a time when you have to face whether you are as good as you used to be.
I've always loved performing. It was always very exciting for me. I don't get too nervous when I'm playing, but on every stage, it's a little different. I'm always excited, but sometimes, the level of anxiety to perform is greater.
People pay a lot of money to go see shows now, they don't wanna know about your technical problems, or if you're not feeling good, they don't wanna know we have a glitch. It's their night, you better do something to earn that money.
Wagner exploited all forms of expression at a composer's disposal - harmony, dynamics, orchestration - to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves.
I don't look at people's expressions, because I still get nervous when I play, especially when I first put the harp up there. I just try to tune - it takes me a half-hour to tune, and I get nervous if I look at anybody when I do it.
I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.
The belief may be too often mistaken, but the illusion of coming into direct contact with the past is intoxicating and persuasive, and can result in an interpretation that carries conviction. Sometimes confidence is all that's needed.
Beethoven was a deeply political man in the broadest sense of the word. He was not interested in daily politics, but concerned with questions of moral behaviour and the larger questions of right and wrong affecting the entire society.
I think the most important thing for a listener is to realize that he, too, should not listen to music in a passive way; that if you sit in a concert hall and expect to be moved or taken off your seat by the music, it will not happen.
I don't think any of the early Romantic composers knew how to write for the piano... The music of that era is full of empty theatrical gestures, full of exhibitionism, and it has a worldly, hedonistic quality that simply turns me off.
I think for me, I had a long-standing desire to orchestrate the sunrise, and never came up with the right thing on piano. So at a certain moment, I had the revelation that the whole thing would be electronic, not traditional acoustic.
Now the first step has to be taken, the step towards democracy. This step is full of risks, and requires trust on all sides. We don't know where it will lead. But if we just stand still, we will have no chance of escaping the violence.
In order to lift a certain object from the ground, we have to use energy. But then to sustain it at that level, we have to keep on adding energy, or otherwise, the object falls to the ground. It's exactly the same thing with the sound.
Every day is a miracle. No matter how bad my circumstances, I have the freedom to choose my attitude to life, even to find joy. Evil is not new. It is up to us how we deal with both good and bad. No one can take this power away from us.
Composing a concert is like composing a menu.... If you start with light pieces and play a 45-minute sonata after the interlude, it's like starting dinner with hors d'oeuvres and dessert and finishing with a Châteaubriand and vegetables.
I didn't sing for years and years, but I started playing harp when I was maybe 9 or 10. I had actually wanted to play for years leading up to that, but no teacher in our little town would take me on as a student, because I was too young.
When I broke 20, I said to myself, 'I will give concerts until I'm approximately 30.' And I made it a year and a half late, but, nevertheless, that's what I did. When I broke 30, I said, 'I think I should be recording until I'm about 50.'
You can put the Beatles and the Rolling Stones in the same category, but the types of music, the colors each band evokes, are completely different. It's the same with Mozart and Beethoven - they express two very different aspects of music.
Memories were in my mind during nearly all the concerts I've done, and I realized the deep connection to my childhood, when I went out in the morning and the only thing my mom said was, "Come back before dark." What trust and what freedom!
I am so happy that I didn't go to school and I didn't have anyone to tell me how to position my fingers on the piano correctly. And what you do with music and what is the correct way to write it and what is not the correct way to write it.
You're having a hard time and lately you don't feel so good; You're getting a bad reputation in your neighborhood. It's alright, it's alright; Sometimes that's what it takes. You're only human, you're allowed to make your share of mistakes.
There are many artists I would like to have the honour to cooperate with. To accompany Barbara Streisand or Paul McCartney or Elton John would be a dream for me as I have a lot of admiration for their voice, their talent and their charisma.
I grew up with the Woodstock generation. I went to Woodstock, and like everybody in my school, I wanted to be in a rock-and-roll band, and most of us were. But I also grew up with a lot of piano lessons and a lot of classical music training.
Piano playing consists of common sense, heart and technical resources. All three should be equally developed. Without common sense you are a fiasco, without technique an amateur, without heart a machine. The profession does have its hazards.
I didn't really know a lot of the history when I was younger. I didn't realize that the harp is coded in such a specific way in musical circles. It's kind of this society instrument because of its history as a young woman's parlor instrument.
I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
...no formula for success [exists] except, perhaps, an unconditional acceptance of life and what it brings." "I accept life unconditionally. Most people ask for happiness on condition. Happiness can only be felt if you don't set any condition.
We need a certain amount of energy to produce the sound. But then to sustain it, we have to give more energy, or otherwise, it goes and it dies in silence. And therefore, sound is absolutely, inextricably connected to time, the length of time.
I think there's a fallacy that's been concocted by the music teachers' profession, to wit: that there's a certain sequence of events necessary in order to have the revealed truth about the way one produces a given effect on a given instrument.
My father, my uncles, my aunts, from my father's side and my mother's side... they were all professional musicians. My father was a concert master, he took me to a lot of rehearsals, concerts, performances, opera, ballet. For me, that was life.
When I create music, it is a reflection of my soul, my experiences in life and my relationships with other people and cultures. Psychology, and understanding who we are as people in this world, is present in almost every creative thought I have.
Take the classic experiment of using ordinary feedback: just take the output of something and feed it back into the input. Those of us who do that have had really rich experiences. And it is obvious that that line of experimentation can continue.
It's totally different. I usually don't tell people about the Pleased if they know me from the harp. And if they are there to see the Pleased, I usually don't tell them about the harp. I am nervous that these people will expect something similar.
I am the entertainer, the idol of my age I make all kinds of money when I go on the stage You see me in the papers, I've been in the magazines But if I go cold, I won't get sold I get put in the back in the discount rack Like another can of beans.
It is not difficult for me to have this faith, for it is incontrovertible that where there is a plan there is intelligence - an orderly, unfolding universe testifies to the truth of the most majestic statement ever uttered - 'In the beginning, God.
When I was a kid, some of the guys would try to get me to hate white people for what they've been doing to Negroes, and for a while I tried real hard. But every time I got to hating them, some white guy would come along and mess the whole thing up.
I'm a piano player. I never thought of myself as a singer, at all. I was always trying to sound like somebody else. I don't like my own voice, I like Ray Charles, Robert Plant, I like Joe Cocker, Rod Stewart, people that have an edge in their voice.
At the piano, I'm able to communicate in a way that is very intimate and direct. My approach at music is a bit like talking to a friend. You don't have to be very complicated when you speak. If you say what's in your heart, it's usually very simple.
Music critics have made it quite clear that any composer who ever contributed a four-bar jingle to a film was to be referred to as a 'Hollywood composer' from then on, even if the rest of his output were to consist solely of liturgical organ sonatas.
I had known that people would probably have strange reactions to my voice, because I have kind of an unwieldy, difficult voice, but I never thought that anybody would have a problem with the harp. I just assumed... C'mon, it's a beautiful instrument.
Arriving at a simple piece of music is a very difficult balance because, in being simple, you could easily be banal, so maybe it's more difficult to write a simple piece of music than a 12-tone piece where no one understands exactly what it is about.
If I traveled all my life And I never get to stop and settle down Long as I have you by my side There's a roof above and good walls all around You're my castle, you're my cabin and my instant pleasure dome I need you in my house 'cause you're my home.
I always wrote the music first, and the music gave me the mood and the lyrics were pretty much put in to give you a map, where that mood came from and where it's going. But my first love was really the music itself, and I guess I've gone back to that.
Well we're waiting here in Allentown For the Pennsylvania we never found For the promises our teachers gave If we worked hard If we behaved So the graduations hang on the wall But they never really helped us at all No they never taught us what was real
I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to do.
So many faces in and out of my life Some will last Some will be just now and then. Life is a series of hellos and goodbyes I'm afraid it's time for goodbye again. Say goodbye to Hollywood Say goodbye my baby Say goodbye to Hollywood Say goodbye my baby.
The world is full of people who have dreams of playing at Carnegie Hall, of running a marathon, and of owning their own business. The difference between the people who make it across the finish line and everyone else is one simple thing: an action plan.