Quotes of All Topics . Occasions . Authors
I feel comfortable singing in the great cathedrals of the world because I spent so much time as a child singing in church. And it isn't very different. Of course, nothing looks quite like Notre Dame de Paris.
I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.
I never step upon a stage without asking myself whether I will succeed in finishing the opera. The fact is that a conscientious singer is never sure of himself or of anything. He is ever in the hands of Destiny.
It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.
I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.
I think that it is expansive for the mind, for the fantasy of children and grownups alike, to understand that the world is huge. There is so much in the world to experience, and the odds are so essential to life.
I was always too mature for my age - and not very happy. I had no young friends. I wish I could go back to those days. If I could only live it all again, how I would play and enjoy other girls. What a fool I was.
It's a dream come true, and with this music, with this Rossini, it's unbelievable how to express the joy and express the joy of the situation and the joy to play this music, to sing this music, it's really fantastic.
German is more familiar now since I live part of the year in Rome and part in the German part of Switzerland. But it's not difficult to sing in German; it's difficult to feel in German. This takes time. It's a culture.
I have enjoyed most particularly reading the correspondence between Gustav Mahler and Richard Strauss. The genuine friendship, competitiveness and support that thread through their communications are life lessons for us all.
The question is not... if art is enough to fulfill my life, but if I am true to the path I have set for myself, if I am the best I can be in the things I do. Am I living up to the reasons I became a singer in the first place?
I know that I am a singer and an actor, yet in order to give the public the impression that I am neither one nor the other, but the real man conceived by the author, I have to feel and to think as the man the author had in mind.
If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you're going to limit yourself. That's a very strange way to live.
I still love to walk in the mountains or be on the sea. I like to be in nature. Sometimes I bicycle. It's important to feel good with your body. The body is extremely important. If you feel good, you have more energy in your singing.
I would like to see more African-American singers as part of our opera companies. If you take music and the arts out of the public schools, then you're going to lose a lot of people that you might have discovered were talented, very early.
I didn't think at all as a young child that music would be my profession. It was just something that one did along with going to Brownies or going to church or going to school or anything else that one did in sort of one's very young life.
The very best thing that could happen to a voice, if it shows any promise at all, is when it is very young to leave it alone and to let it develop quite naturally, and to let the person go on as long as possible with the sheer joy of singing.
One has to draw upon one's own musical thoughts and one's own musical acumen, and not to be afraid to let that come into one's work. Perhaps that comes with more experience, but perhaps it also comes with daring, and believing that you should.
I want people to know me for my singing. I've never been searching for a label of being a fashion plate or a top model. That's a thing that's very short-lived, and it's dealing with a superficial level of this which doesn't really appeal to me.
I really believe I've been a good person. Not perfect - forget about perfect - but just learning by what I was taught and living by my own values. I might have stepped on a few ants - and a few other things as well - but I've never hurt anybody.
I am deeply spiritual; I revel in those things that make for good - the things that we can do to shed a little light, to help place an oft-dissonant universe back in tune with itself... Long live art, long live friendship, long live the joy of life!
I think, first of all, you need to love what you're doing, and then this helps in the comedian for its part in everything-but the moment you enjoy what you're doing, you try to express yourself, to find your way, and every time is different, of course.
It’s tricky when you’re doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don’t have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.
It's tricky when you're doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don't have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.
I think, first of all, you need to love what you're doing, and then this helps in the comedian for its part in everything - but the moment you enjoy what you're doing, you try to express yourself, to find your way, and every time is different, of course.
To become a singer requires work, work, and again, work! It need not be in any special corner of the earth; there is no one spot that will do more for you than other places. It doesn't matter so much where you are if you have intelligence and a good ear.
I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.
One of the reasons that I take such joy in being a trustee of the New York Public Library is the love of reading that I found as a child in the Saturday morning library events for preschoolers and first and second graders as I was growing up in Augusta, GA.
The fact that I could secure an opera engagement made me realize I had within me the making of an artist, if I would really labor for such an end. When I became thoroughly convinced of this, I was transformed from an amateur into a professional in a single day.
I sing in languages that I speak. So when I'm singing a Schubert song, I know precisely what every word means and, you know, when it was composed and who was the poet and all of that and whether Strauss or Wagner or French Belioz, Duparc or Debussy or whatever.
What is there in life if you do not work? There is only sensation, and there are only a few sensations— you cannot live on them. You can only live on work, by work, through work. How can you live with self-respect if you do not do things as well as lies in you?
Wherever and whenever I sing, if there is only one spiritual on a program, people will talk about two things afterward, and one of them will be the spiritual. What I bring to this is the best of my classical training - not all of it. I apply what is appropriate.
I belong to the givers. I want to give a little happiness even if I haven’t had much for myself. Music has enriched my life and, hopefully - through me, a little - the public’s. If anyone left an opera house feeling more happy and at peace, I achieved my purpose.
As for my voice, it cannot be categorized-and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range. I like so many different kinds of music that I've never allowed myself the limitations of one particular range.
I knew that I was loved. And that's such an important thing. And, of course, at such an early age, you take it for granted. Of course your parents love you. Of course Mrs. Hubert across the street loves you and your godmother loves you and your grandparents love you.
I tell students, 'If you are learning from YouTube I almost don't want to teach you because what you learn from YouTube it takes 10 times as long to unlearn.' They do an approximation of the centre of the note, an approximation of the interpretation, a cloned version.
When I hear music I want to engage in it. Even if I engage in it very quickly and turn it off in my mind. If I'm in an elevator, clearly I don't want to be dealing with that, even if it's Mozart. In fact, especially if it's Mozart. I don't think Mozart belongs in an elevator.
Growing up in Augusta in such a protected and loving community is something that I really enjoy talking about. I love talking about - even though I grew up, of course, in the time of segregated schools: Brown vs. Board of Education came along after I was already in first grade.
We're looking to identify funds if we can. We're also looking at other resources to assist the government in making this a reality, ... At this point, we don't have a particular source of funding for that but we're still looking if we could help in finding another way to assist.
I try to frighten my very young colleagues into studying and understanding their voices before they attempt things that are beyond them. It's wise to take gymnastics and swimming to strengthen the body, because people don't realise what an athletic undertaking singing actually is.
I hear music that comes out of need, out of grief, sorrow, suffering and out of overcoming these things, as well. That journey to freedom still goes on today. It's an incremental change, the culmination of many events in your own life and the lives of your children and grandchildren.
There have been occasions - and I think it's very good for any human being that such occasions would be rare - that one would feel that one is a channel, and there have been some occasions when it seemed as though I was standing outside of myself watching and listening to myself sing.
How many of the original songs survive intact from the slave cabins? Probably not many in their original form. Time has transformed them like light in a prism. What we hope to present is a version of those spirituals, and they speak not just to black Americans, but to people worldwide.
I sing in Hungarian. I read Hungarian. I do not pretend to speak Hungarian, but I sing in languages that I have studied as languages. And I find that to be central and very, very helpful. I think if you're not really cognizant of what every single word means, I think that might be a little tricky.
The joy is actually in the music. It's the music that supports you and tells you what to do. It tells you how to fill the music. You don't have to be shy about feeling the music when you're singing. If you believe in music-the power of music-the music will support you and take you to another dimension.
There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
Salieri was a pupil of Gluck. He was born in Italy in 1750 and died in Vienna in 1825. He left Italy when he was 16 and spent most of his life in Vienna. He's the key composer between classic music and romantic music. Beethoven was the beginning of romantic music, and he was the teacher of Beethoven and Schubert.
The issues of poetry, and music, and dialogue with one another is the essential thrust of any song. The breakdown becomes the epoch, the language, the cultural tapestry from which it's echoing, if you will. I often say it's the eyes of the poet's and the ears of the composer's. This narration is what fascinates me endlessly.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
You... are now servants to the ear that needs quiet solace, and the eye that needs the consolation of beauty, servants to the mind that needs desperate repose or pointed inquiry, to the heart that needs invitation to flight or silent understanding, and to the soul that needs safe landing, or fearless, relentless enlightenment.