Quotes of All Topics . Occasions . Authors
Paris in the early morning has a cheerful, bustling aspect, a promise of delicious things to come, a positive smell of coffee and croissants, quite peculiar to itself. The people welcome a new day as if they were certain of liking it, the shopkeepers pull up their blinds serene in the expectation of good trade, the workers go happily to their work, the people who have sat up all night in night-clubs go happily to their rest, the orchestra of motor-car horns, of clanking trams, of whistling policemen tunes up for the daily symphony, and everywhere is joy.
Not all men are destined for greatness," I reminded him. "Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I changed the world today?
This deliberately nurtured hatred then spreads to all that is alive, to life itself, to the world with its colors, sounds, and shapes, to the human body. The embittered art of the twentieth century is perishing as a result of this ugly hate, for art is fruitless without love. In the East art has collapsed because it has been knocked down and trampled upon, but in the West the fall has been voluntary, a decline into a contrived and pretentious quest where the artist, instead of attempting to reveal the divine plan, tries to put himself in the place of God.
When the cold comes to New England it arrives in sheets of sleet and ice. In December, the wind wraps itself around bare trees and twists in between husbands and wives asleep in their beds. It shakes the shingles from the roofs and sifts through cracks in the plaster. The only green things left are the holly bushes and the old boxwood hedges in the village, and these are often painted white with snow. Chipmunks and weasels come to nest in basements and barns; owls find their way into attics. At night,the dark is blue and bluer still, as sapphire of night.
I hate a stupid man who can't talk to me, and I hate a clever man who talks me down. I don’t like a man who is too lazy to make any effort to shine; but I particularly dislike the man who is always striving for effect. I abominate a humble man, but yet I love to perceive that a man acknowledges the superiority of my sex, and youth and all that kind of thing. . . A man who would tell me that I am pretty, unless he is over seventy, ought to be kicked out of the room. But a man who can't show me that he thinks me so without saying a word about it, is a lout.
Such young men are often awkward, ungainly, and not yet formed in their gait; they straggle with their limbs, and are shy; words do not come to them with ease, when words are required, among any but their accustomed associates. Social meetings are periods of penance to them, and any appearance in public will unnerve them. They go much about alone, and blush when women speak to them. In truth, they are not as yet men, whatever the number may be of their years; and, as they are no longer boys, the world has found for them the ungraceful name of hobbledehoy.
The narratives we create in order to justify our actions and choices become in so many ways who we are. They are the things we say back to ourselves to explain our complicated lives. Perhaps the reason you've not yet been able to forgive yourself is that you're still invested in your self-loathing. Perhaps not forgiving yourself is the flip side of your stealing-this-now cycle. Would you be a better or worse person if you forgave yourself for the bad things you did? If you perpetually condemn yourself for being a liar and a thief, does that make you good?
My books have done extremely well, I know. But I don't honestly feel much different from when I began to write. I still think we have a long way to go. I suppose my name means more in Nigeria today than it did five years ago. But I feel the job that literature should do in our community has not even started. It's not yet part of the life of the nation. We are still at the beginning. It's a big beginning, because now we are catching the next generation in the schools. When I was their age, I had nothing to read that had any relevance to my own environment.
People who have only good experiences aren't very interesting. They may be content, and happy after a fashion, but they aren't very deep. It may seem a misfortune now, and it makes things difficult, but well--it's easy to feel all the happy, simple stuff. Not that happiness is necessarily simple. But I don't think you're going to have a life like that, and I think you'll be the better for it. The difficult thing is to not be overwhelmed by the bad patches. You must not let them defeat you. You must see them as a gift--a cruel gift, but a gift nonetheless.
There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
I noticed you the first week. Not just because of how pretty you are, though of course, that played into it. It was the way you lean onto your elbows when you 're listening in class, when something catches your interest. And when you laugh, it's never to get attention, it's just-laughter. The way you obssevively tuck your hair behind your ear on the left side, but let the right side fall down like a screen. And when you 're bored, you tap your foot soundlessly and move your fingers on the desktop like you 're playing an instrument. I wanted to sketch you.
One answer to why public interest in men's tennis has been on the wane in recent years is an essential and unpretty thugishness about the power-baseline style that's become dominant on the tour. Watch Agassi closely sometime...he's amazingly absent of finesse, with movements that look more like a heavy-metal musician's than an athlete's...what a top PBer really resembles is film of the old Soviet Union putting down a rebellion. It's awesome, but brutally so, with a grinding, faceless quality about its power that renders that power curiously dull and empty.
At last the cold crept up my spine; at last it filled me from foot to head; at last I grew so chill and desolate that all thought and pain and awareness came to a standstill. I wasn't miserable anymore: I wasn't anything at all. I was a nothing-- a random configuration of molecules. If my heart still beat I didn't know it. I was aware of one thing only; next to the gaping fact called Death, all I knew was nothing, all I did meant nothing, all I felt conveyed nothing. This was no passing thought. It was a gnawing, palpable emptiness more real than the cold.
You must have seen great changes since you were a young man," said Winston tentatively. The old man's pale blue eyes moved from the darts board to the bar, and from the bar to the door of the Gents ... "The beer was better," he said finally. "And cheaper! When I was a young man, mild beer - wallop we used to call it - was fourpence a pint. That was before the war, of course." "Which war was that?" said Winston. "It's all wars," said the old man vaguely. He took up his glass, and his shoulders straightened again. "'Ere's wishing you the very best of 'ealth!
The heat is searing and superb. The paddocks surrounding the town are bleached blond. The distant ring-barked gums, mile after mile, wriggle in the heat-waves, and seem to melt like the bristles of a melting hairbrush. The hills turn powder-blue and gauzy. Mirages resembling pools of mica and shallows of crystal water appear at the far ends of streets and roads. Punctually at eleven every burning morning, the cicadas begin to drill the air, to drill themselves also, ceaselessly and relentlessly, to death in one short day after seven long years underground.
War is a great destroyer. And human history has arrived at a pivotal moment. We can choose a path built on cooperation, where our caring and sharing side uplifts us, or we can continue to embrace a worldview where domination using violence imprisons us in cycles of killing and destruction. I'm a biologist, and war is not genetically fixed. War is a cultural invention. It's time to end this abomination, and this World Beyond War movement is uniquely focused on unifying the human community to create one of the biggest revolutions in history. I'm in. Join us!
I am religious by nature, I'm not a nihilist. I don't follow, I don't even know what the tenets of things like deconstructionism are, and all those schools that come up and their way of looking at things that people strive to incorporate into what they write. I don't even know what they are. Because I sense from a distance that I don't want to know. And therefore even if I had no politics, actual politics, my cultural point of view is hopelessly out of date with the modern literary sensibility. Which is nihilistic, and ironic, detached, cool, and cowardly.
The paramount doctrine of the economic and technological euphoria of recent decades has been that everything depends on innovation. It was understood as desirable, and even necessary, that we should go on and on from one technological innovation to the next, which would cause the economy to "grow" and make everything better and better. This of course implied at every point a hatred of the past, of all things inherited and free. All things superceded in our progress of innovations, whatever their value might have been, were discounted as of no value at all.
Most literary critics agree that fiction cannot be reduced to mere falsehood. Well-crafted protagonists come to life, pornography causes orgasms, and the pretense that life is what we want it to be may conceivably bring about the desired condition. Hence religious parables, socialist realism, Nazi propaganda. And if this story likewise crawls with reactionary supernaturalism, that might be because its author longs to see letters scuttling across ceilings, cautiously beginning to reify themselves into angels. For if they could only do that, then why not us?
To represent a bad thing in its least offensive light is, doubtless, the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares and pitfalls of like to the young and thoughtless traveller, or to cover them with branches and flowers? Oh, reader! if there were less of this delicate concealment of facts--this whispering "Peace, peace," when there is no peace, there would be less of sin and misery to the young of both sexes who are left to wring their bitter knowledge from experience.
[M]an has been accustomed, ever since he was a boy, to having a dozen incompatible philosophies dancing about together inside his head. He doesn't think of doctrines as primarily "true" or "false," but as "academic" or "practical," "outworn" or "contemporary," "conventional" or "ruthless." Jargon, not argument, is your best ally in keeping him from the Church. Don't waste time trying to make him think that materialism is true! Make him think it is strong or stark or courageous—that it is the philosophy of the future. That's the sort of thing he cares about.
Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me.
Even there, in the mines, underground, I may find a human heart in another convict and murderer by my side, and I may make friends with him, for even there one may live and love and suffer. One may thaw and revive a frozen heart in that convict, one may wait upon him for years, and at last bring up from the dark depths a lofty soul, a feeling, suffering creature; one may bring forth an angel, create a hero! There are so many of them, hundreds of them, and we are all to blame for them. [...] If they drive God from the earth, we shall shelter Him underground.
Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have "essential" and "long overdue" meetings on those days. The funny thing is that, although writing has been my actual job for several years now, I still seem to have to fight for time in which to do it. Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance. I must therefore guard the time allotted to writing as a Hungarian Horntail guards its firstborn egg.
You can choose, you can go one of two ways. You can be the person I probably admire more and say 'well I don't care and I'll continue not to bother to brush my hair.' Or you can be a weak-willed person like me and think 'oh I'd better get my act together. And maybe my mother was right and I do need to put my hair back and tidy myself up a bit.' So I did tidy myself up a bit. But I do often resent the amount of time that it takes to pull yourself together to go on TV, I really do. If I sound bitter, then that accurately reflects how I feel about the subject.
Sweet was the sound, when oft, at evening's close, Up yonder hill the village murmur rose; There as I passed, with careless steps and slow, The mingling notes came soften'd from below; The swain responsive as the milkmaid sung, The sober herd that low'd to meet their young; The noisy geese that gabbled o'er the pool, The playful children just let loose from school; The watch-dog's voice that bay'd the whispering wind, And the loud laugh that spoke the vacant mind; These all in sweet confusion sought the shade, And fill'd each pause the nightingale had made.
I remember so clearly, in the early days, if I had to do a piece of press, they'd phone for me and say, 'Oh, we're going to bring hair and makeup, it'll take about five hours.' And I said, 'Well, if it was Ian McEwan, would it take about five hours? Would there be hair and makeup? Cause if that's not the case, then don't bring the hair and makeup.' So, it's fascinating that they just assume: it's a young woman, she must want to be photographed for five hours. She must have nothing better to do than delight in trying on all your shoes. But it's not the case.
I think the gap between the rich and the poor is a dangerous phenomenon in Russia and it needs the attention of the state. The only reasonable way to correct the situation today is not to go after big businesses, but to give breathing room to medium and small businesses. That means protecting citizens and small entrepreneurs from arbitrary rule and from corruption. It means investing the revenues from the national natural resources into the national infrastructure, education and health care. And we must learn to do so without shameful theft and embezzlement.
Young Sally Owens: He will hear my call a mile away. He will whistle my favorite song. He can ride a pony backwards. Young Gillian Owens: What are you doing? Young Sally Owens: Summoning up a true love spell called Amas Veritas. He can flip pancakes in the air. He'll be marvelously kind. And his favorite shape will be a star. And he'll have one green eye and one blue. Young Gillian Owens: Thought you never wanted to fall in love. Young Sally Owens: That's the point. The guy I dreamed of doesn't exist. And if he doesn't exist I'll never die of a broken heart.
The great subversive works of children's literature suggest that there are other views of human life besides those of the shopping mall and the corporation. They mock current assumptions and express the imaginative, unconventional, noncommercial view of the world in its simplest and purest form. They appeal to the imaginative, questioning, rebellious child within all of us, renew our instinctive energy, and act as a force for change. This is why such literature is worthy of our attention and will endure long after more conventional tales have been forgotten.
Affirmative action was designed originally for "women and other minorities" but the phrase has become just another tortured euphemism. Female conscientiousness and eagerness to please have always made women good students and natural test takers. Jews have gloried in scholarship throughout the ages, and Asians of both sexes score so high on SATs and IQ tests that they regard affirmative action as an impediment. Affirmative action really means favoritism for blacks for the sake of racial peace, but the favor is pure chimera, and so, increasingly, is the peace.
I'm a little skeptical of so-called narco fiction, I have to say, though some writers I admire may have written some narco fiction. You feel the dread and the atmosphere in Yuri Herrera's extraordinary novels, but you'd never say that what he writes is narco fiction. The same goes for Martin Solares's novels, inspired by the nightmare city of Tampico, where he's from. Valeria Luiselli, Álvaro Enrigue, I know that they're deeply affected by what goes on in Mexico, but their wonderful writing points in another direction, though not necessarily always and only.
For the eternity that Lux Lisbon looked at him, Trip Fontaine looked back, and the love he felt at that moment, truer than all subsequent loves because it never had to survive real life, still plagued him, even now in the desert, with his looks and health wasted. 'You never know what'll set the memory off,' he told us. 'A baby's face. A bell on a cat's collar. Anything.' They didn't exchange a single word. But in the weeks that followed, Trip spent his days wandering the halls, hoping for Lux to appear, the most naked person with clothes on he had ever seen.
...the sounds next door served as a kind of trip wire: I seemed to stumble and fall on my face, skinning and bruising myself here and there and scattering my emotional and intellectual possessions. There was no point in pretending that I had not fallen, for when we are stretched out in the dirt we must pick ourselves up and brush off our clothes. This then, in a sense, is what I did, reviewing my considered opinions on marriage, constancy, man's nature, and the importance of love. When I had picked up my possessions and repaired my appearance, I fell asleep.
When I went to Afghanistan in 2003, I walked into a war zone. Entire neighborhoods had been demolished. There were an overwhelming number of widows and orphans and people who had been physically and emotionally damaged; every 10-year-old kid on the street knew how to dismantle a Kalashnikov in under a minute. I would flip through math textbooks intended for third grade, fourth grade, and they would include word problems such as, "If you have 100 grenades and 20 mujahideen, how many grenades per mujahideen do you get?" War has infiltrated every facet of life.
To achieve accurate knowledge of others, if such a thing were possible, we could only ever arrive at it through the slow and unsure recognition of our own initial optical inaccuracies. However, such knowledge is not possible: for, while our vision of others is being adjusted, they, who are not made of mere brute matter, are also changing; we think we have managed to see them more clearly, but they shift; and when we believe we have them fully in focus, it is merely our older images of them that we have clarified, but which are themselves already out of date.
What is needed is a move beyond tradition, nothing less than a reform movement to bring the core concepts of Islam into the modern age, a Muslim Reformation to combat not only the jihadist ideologues but also the dusty, stifling seminaries of the traditionalists, throwing open the windows to let in much-needed fresh air.... It is high time, for starters, that Muslims were able to study the revelation of their religion as an event inside history, not supernaturally above it.... Broad-mindedness is related to tolerance; open-mindedness is the sibling of peace.
There is a theory going around that the U.S.A. was and still is a gigantic Masonic plot under the ultimate control of the group known as the Illuminati. It is difficult to look for long at the strange single eye crowning the pyramid which is found on every dollar bill and not begin to believe the story, a little. Too many anarchists in 19th-century Europe—Bakunin, Proudhon, Salverio Friscia—were Masons for it to be pure chance. Lovers of global conspiracy, not all of them Catholic, can count on the Masons for a few good shivers and voids when all else fails.
Our politics and science have never mastered the fact that people need more than to understand their obligation to one another and to the earth; they need also the feeling of such obligation, and the feeling can come only within the patterns of familiarity. A nation of urban nomads, such as we have become, may simply be unable to be enough disturbed by its destruction of the ecological health of the land, because the people's dependence on the land, though it has been expounded to them over and over again in general terms, is not immediate to their feelings.
I think of the old slavery, and of the way The Economy has now improved upon it. The new slavery has improved upon the old by giving the new slaves the illusion that they are free. The Economy does not take people's freedom by force, which would be against its principles, for it is very humane. It buys their freedom, pays for it, and then persuades its money back again with shoddy goods and the promise of freedom. "Buy a car," it says, "and be free. Buy a boat and be free." Is this not the raw material of bad dreams? Or is it maybe the very nightmare itself?
Can't the United States see that when we allow someone to be tortured by our agents, it is not only the victim and the perpetrator who are corrupted, not only the "intelligence" that is contaminated, but also everyone who looked away and said they did not know, everyone who consented tacitly to that outrage so they could sleep a little safer at night, all the citizens who did not march in the streets by the millions to demand the resignation of whoever suggested, even whispered, that torture is inevitable in our day and age, that we must embrace its darkness?
They put on fresh gloves and got back to business. Jazz wiped up the blood splatters in the freezer and tossed the tissues in with Howie’s waste. It bothered him that he was leaving evidence behind without some sort of oxygenated bleach, those blood splatters would still show up under Luminol. Of course, the odds of anyone deciding to spray down the morgue freezer and switch on an ultraviolet light were pretty minimal, so it’s not like it was evidence that anyone would ever find or use. Still: Billy Dent’s First Commandment was “Thou shalt not leave evidence.
And that is enough to raise your thoughts to what may happen when the redeemed soul, beyond all hope and nearly beyond belief, learns at last that she has pleased Him whom she was created to please. There will be no room for vanity then. She will be free from the miserable illusion that it is her doing. With no taint of what we should now call self-approval she will most innocently rejoice in the thing that God has made her to be, and the moment which heals her old inferiority complex forever will also drown her pride… Perfect humility dispenses with modesty.
Writing can be such a lonely endeavor that I do think community is also important.Meeting at cafes and exchanging work and reading to each other and giving each other little bits of encouragement and feedback and thoughts, I think that's an incredibly rich experience because what it does is it gives you a sense of community but also purpose. If I know I'm going to meet you in a cafe next Tuesday, I'm going to write something that I can hand to you. Discipline is such a challenge for so many writers and so I think that that's a key benefit of being in a group.
When something terrible happens, a lifetime of small events and unremarkable decisions, of unresolved anger, and unexplored fears begins to play itself out in ways you least expect. You've been going along from one day to the next, not realizing that all those disparate words and gestures were adding up to something, a conclusion, you didn't anticipate. And later, when you begin to retrace your steps you see that you will need to reach back further than you could have imagined, beyond words and thoughts and even dreams, perhaps to make sense of what happened.
There’s a great scene in The Texas Chain Saw Massacre [1974] that I’m obsessed with: Sally is being chased by Leatherface with a chainsaw... And she runs into thorn bushes. And she’s getting tangled up in it because she’s running fast... But Sally needs to move slowly in order to get through the bushes - she will get farther faster by going slowly because her hair and clothes won’t get tangled and caught. There’s something really beautiful about understanding that, while someone’s chasing you with a chainsaw, you have to move more slowly in order to get away.
She had learned, in her life, that time lived inside you. You are time, you breathe time. When she'd been young, she'd had an insatiable hunger for more of it, though she hadn't understood why. Now she held inside her a cacophony of times and lately it drowned out the world. The apple tree was still nice to lie near. They peony, for its scent, also fine. When she walked through the woods (infrequently now) she picked her way along the path, making way for the boy inside to run along before her. It could be hard to choose the time outside over the time within.
One of my own stray childhood fears had been to wonder what a whale might feel like had it been born and bred in captivity, then released into the wild-into its ancestral sea-its limited world instantly blowing up when cast into the unknowable depths, seeing strange fish and tasting new waters, not even having a concept of depth, not knowing the language of any whale pods it might meet. It was my fear of a world that would expand suddenly, violently, and without rules or laws: bubbles and seaweed and storms and frightening volumes of dark blue that never end.
The confidence and security of a people can be measured by their attitude toward laxatives. At the high noon of the British sun, soldiers in far-flung outposts of the Empire doctored themselves with "a spoonful o' gunpowder in a cuppa 'ot tea." Purveyors and users of harsh laxatives were not afraid of being thought mean and unfriendly just because their laxatives were. But in America, the need to be nice is so consuming that nobody would dare take a laxative that makes you run up the stairs two at a time, pushing others aside and yelling, "Get out of the way!
Their [BBC] idea of bipartisanship is to try not to offend the Conservative party, try not to offend the Labour party.There is no analysis of anything beyond that, and these two parties are exactly identical, following the same Neoliberal policies for thirty years. And it's no criticism outside of that, it's just that there's basically sectarian pandering to these two individual parties, these two individual organisations. They still make a lot of great programmes and do a lot of great things, but there's not much political analysis happening broader to that.