Quotes of All Topics . Occasions . Authors
I was brought up with the sense that I was absolutely no different from my brothers. I went to college thinking I was absolutely no different from the men in college. But that's not true. I'm fundamentally different. The problem was not being able to understand difference and equality at the same time. It's something that we can't seem to comprehend. You can't state difference and also state equality. We have to state sameness to understand equality. It's a mistake.
All my life long I have been sensible of the injustice constantly done to women. Since I have had to fight the world single-handed, there has not been one day I have not smarted under the wrongs I have had to bear, because I was not only a woman, but a woman doing a man's work, without any man, husband, son, brother or friend, to stand at my side, and to see some semblance of justice done me. I cannot forget, for injustice is a sixth sense, and rouses all the others.
A Child of Happiness always seems like an old soul living in a new body, and her face is very serious until she smiles, and then the sun lights up the world. ... Children of Happiness always look not quite the same as other children. They have strong, straight legs and walk with purpose. They laugh as do all children, and they play as do all children, they talk child talk as do all children, but they are different, they are blessed, they are special, they are sacred.
I don't know where to start," one [writing student] will wail. Start with your childhood, I tell them. Plug your nose and jump in, and write down all your memories as truthfully as you can. Flannery O' Connor said that anyone who has survived childhood has enough material to write for the rest of his or her life. Maybe your childhood was grim and horrible, but grim and horrible is Okay if it is well done. Don't worry about doing it well yet, though. Just get it down.
There are some people in your life who bring back old memories. And there are others - your first kiss, your first love, your first sex - who, the moment you see them, bring a spark...and something far more potent. They bring back your old life and with that, potential. And possibilities. And the feeling that if you were back in that time, life could be so very different from where you're stuck right now. That's the most tantalizing thing....I want my potential back.
Walking and talking are two very great pleasures, but it is a mistake to combine them. Our own noise blots out the sounds and silences of the outdoor world; and talking leads almost inevitably to smoking, and then farewell to nature as far as one of our senses is concerned. The only friend to walk with is one who so exactly shares your taste for each mood of the countryside that a glance, a halt, or at most a nudge, is enough to assure us that the pleasure is shared.
In the short summer night she learned so much. She would have thought a woman would have died of shame... She felt, now, she had come to the real bedrock of her nature, and was essentially shameless. She was her sensual self, naked an unashamed. She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how onself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.
Our lack of community is intensely painful. A TV talk show is not community. A couple of hours in a church pew each Sabbath is not community. A multinational corporation is neither a human nor a community, and in the sweatshops, defiled agribusiness fields, genetic mutation labs, ecological dead zones, the inhumanity is showing. Without genuine spiritual community, life becomes a struggle so lonely and grim that even Hillary Clinton has admitted "it takes a village".
When some one sorrow, that is yet reparable, gets hold of your mind like a monomania,--when you think, because Heaven has denied you this or that, on which you had set your heart, that all your life must be a blank,--oh, then diet yourself well on biography,--the biography of good and great men. See how little a space one sorrow really makes in life. See scarce a page, perhaps, given to some grief similar to your own, and how triumphantly the life sails on beyond it.
After a time," said old Mathers disregarding me, "I mercifully perceived the errors of my ways and the unhappy destination I would reach unless I mended them. I retired from the world in order to try to comprehend it and to find out why it becomes more unsavoury as the years accumulate on a man's body. What do you think I discovered at the end of my meditations?" I felt pleased again. He was now questioning me. "What?" "That No is a better word than Yes," he replied.
He always reminded us that every atom in our bodies was once part of a distant star that had exploded. He talked about how evolution moves from simplicity toward complexity, and how human intelligence is the highest known expression of evolution. I remember him telling me that a frog's brain is much more complex than a star. He saw human consciousness as the first neuron of the universe coming to life and awareness. A spark in the darkness, waiting to spread to fire.
I took a wrong turn on the way to the bathroom and found myself in a beautifully proportioned room I had never seen before, containing a really rather magnificent collection of chamberpots. When I went back to investigate more closely, I discovered that the room had vanished. But I must keep an eye out for it. Possibly it is only accessible at five thirty in the morning. Or it may only appear at the quarter moon - or when the seeker has an exceptionally full bladder.
The family of Dashwood had long been settled in Sussex. Their estate was large, and their residence was at Norland Park, in the centre of their property, where, for many generations, they had lived in so respectable a manner as to engage the general good opinion of their surrounding acquaintance. The late owner of this estate was a single man, who lived to a very advanced age, and who for many years of his life, had a constant companion and housekeeper in his sister.
I think I'm an optimistic person. Ultimately I believe in people. I believe they can be robust. When my collection Delicate Edible Birds came out there were one or two people who read the title as being a commentary on the characters within the pages, the women in the book, meaning that they were these fragile girls meant for male consumption. But I had meant the opposite - these people are tough. Dark things happen to them but they get on with life as best they can.
We're nothing if we're not loved. When you meet somebody who is more important to you than yourself, that has to be the most important thing in life, really. And I think we are all striving for it in different ways. I also believe very, very strongly that everybody is the hero/heroine of his/her own life. I try to make my characters kind of ordinary, somebody that anybody could be. Because we've all had loves, perhaps love and loss, people can relate to my characters
The fear thou art in, Sancho," said Don Quixote, "prevents thee from seeing or hearing correctly, for one of the effects of fear is to derange the senses and make things appear different from what they are; if thou art in such fear, withdraw to one side and leave me to myself, for alone I suffice to bring victory to that side to which I shall give my aid;" and so saying he gave Rocinante the spur, and putting the lance in rest, shot down the slope like a thunderbolt.
There's so much humanity in a love of trees, so much nostalgia for our first sense of wonder, so much power in just feeling our own insignificance when we are surrounded by nature...yes, that's it: just thinking about trees and their indifferent majesty and our love for them teaches us how ridiculous we are - vile parasites squirming on the surface of the earth - and at the same time how deserving of life we can be, when we can honor this beauty that owes us nothing.
You trap yourself sometimes, by thinking desire and need is love. Love is something far more precious, but something far more fragile. As fragile as one of our tiniest, most intricate, most delicately crafted toys. Hold on to it too tightly, and it will crumble on your fingers, but hold on to it loosely, and the wind might blow it away and shatter it on the cold ground. Listen to the voice comes from your heart, but be absolutely sure the voice comes from your heart.
Consider a man riding a bicycle. Whoever he is, we can say three things about him. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. Most important of all, we know that if at any point between the beginning and the end of his journey he stops moving and does not get off the bicycle he will fall off it. That is a metaphor for the journey through life of any living thing, and I think of any society of living things.
I had serious reservations about putting my son in the public schools in my area. I have a tremendous amount of fear for the future of my boy. He's nine-and- a-half and dark-skinned. By the time he's 12 or 13, who knows who he's going to be identifying with in these days when you get shot down for wearing expensive Nikes to school...I've heard that if a Latino makes it to 19 years of age, he has a good chance of surviving into adulthood. Up until then, you don't know.
A lover exists only in fragments, a dozen or so if the romance is new, a thousand if we're married to him, and out of those fragments our heart constructs an entire person. What we each create, since whatever is missing is filled by our imagination, is the person we wish him to be. The less we know him, of course, the more we love him. And that's why we always remember that first rapturous night when he was a stranger, and why this rapture returns only when he's dead.
In any fairly large and talkative community such as a university there is always the danger that those who think alike should gravitate together where they will henceforth encounter opposition only in the emasculated form of rumour that the outsiders say thus and thus. The absent are easily refuted, complacent dogmatism thrives, and differences of opinion are embittered by the group hostility. Each group hears not the best, but the worst, that the other group can say.
It’s been me all along,” said September slowly. “Me who gave up my shadow, me who went down into Fairyland-Below and Fairyland-Lower-Than-That to wake up the Prince. Me who shot the poor Minotaur. You oughtn’t just hand the whole business over the moment a Prince comes on the scene. I’ve got to see it through, don’t you see? The Hollow Queen is hollow because she’s missing the part of her that’s me. We’ve got to come together again. And he can’t do a thing about that.
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
Every instance in my life, I've felt like the exact opposite of Superman. Except this time, this moment right now. I don't care. I don't feel like a weak, insipid sissy. Because right now I know I would save the girl. I know that I would rather risk the planet than let harm befall Eliza Wishart. I would save her in a second. Because I can imagine her and me huddled safe together while the earth falls under evil designs, but I can't imagine the world without her in it.
I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.
I used to think things were the way they are for a reason, that there was some hidden meaning. I used to think that this meaning governed the way the world was. But it's an illusion to think that there are good and bad reasons. Grammar is a lie to make us think that what we say is connected by a logic that you'll find if you study it, a lie that gone on for centuries. Because I now know that life just lurches between stability and instability and doesn't obey any law.
I’m not too keen on talking. I always have the feeling that the words are getting away from me, escaping and scattering. It’s not to do with vocabulary or meanings, because I know quite a lot of words, but when I come out with them they get confused and scattered. That’s why I avoid stories and speeches and just stick to answering the questions I’m asked. All the extra words, the overflow, I keep to myself, the words that I silently multiply to get close to the truth.
When you meet anyone in the flesh you realize immediately that he is a human being and not a sort of caricature embodying certain ideas. It is partly for this reason that I don't mix much in literary circles, because I know from experience that once I have met and spoken to anyone I shall never again be able to feel any intellectual brutality towards him, even when I feel I ought to - like the Labour M.P.s who get patted on the back by dukes and are lost forever more.
I'm not interested in details that might get someone into trouble. I'm more interested in generalities rather than the particulars, as a journalist would be. Names, dates and times don't interest me at all. I'm interested in feelings and emotions. Most people are game, once they realize that you're on the level as far as that's concerned and you're not about exposing them, then they feel quite free to talk about it. Police officers and social workers are no exception.
The marriage of reason and nightmare which has dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the specters of sinister technologies and the dreams that money can buy. Thermonuclear weapons systems and soft drink commercials coexist in an overlit realm ruled by advertising and pseudoevents, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century-sex and paranoia.
Sometimes in life, from out of a myriad of prosaic decisions like what to eat and where to sleep and how to dress, a true crossroads is revealed. In these moments, when the fog of relative irrelevancy lifts and fate rolls out a demand for free will, there is only left or right – no option of four-by-fouring into the underbrush between two paths, no negotiating with the choice that has been presented. You must answer the call and pick your way. And there is no reverse.
Fonny and I just sat there... while the voices of the congregation rose and rose around us, without mercy... Teddy had the tambourine, and gave the cue to the piano player-I never got to know him: a long dark, evil-looking brother, with hands made for strangling; and with these hands he attacked the keyboard like he was beating the brains out of someone he remembered. No doubt the congregation had their memories, too, and they went to pieces. The church began to rock.
I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.
Some people think that Southern hip-hop doesn't have any depth. They think it's just noise, all about people having a good time in the club. And some of it doesn't have a lot of depth, it's true, but some does. I wanted to work against that stereotype. These are verses by Southern artists who are really wrestling with what it means to be here, young black men who are trying to figure out how to live in the South. So I wanted the epigraphs in my novels to reflect that.
All one wants to do is make a small, finished, polished, burnished, beautiful object . . . I mean, that's all one wants to do. One has nothing to say about the world, or society, or morals or politics or anything else. One just wants to get the damn thing done, you know? Kafka had it right when he said that the artist is the man who has nothing to say. It's true. You get the thing done, but you don't actually have anything to communicate, apart from the object itself.
The first thing he noticed was how quiet it was. This was nothing like the kind of quiet he heard when he woke up in the middle of the night after a bad dream. When that happened, there were always strange, unidentifiable sounds seeping into his room from the tiny gaps where the windowpanes weren't sealed together correctly. At those moments he could always tell there was life outside, even if all that life was fast asleep. It was a silence that wasn't silence at all.
I started reading Dickens when I was about 12, and I particularly liked all of the orphan books. I always liked books about young people who are left on their own with the world, and the four children's books I've written feature that very thing: children that are abandoned by their families or running away from their families or ignored by their families and having to grow up quicker than they should, like David Copperfield - having to be the hero of their own story.
An interesting example is that the worst woman in the book, who is so cruel and violent, is the sorceress in "The Prince of the Black Islands." She's a beautiful young woman, and she has turned her husband into stone from the waist down. A traveling sultan finds him, in his dreadful state, and the man petrified from the waist down tells his sad story...how his wife comes every afternoon and beats him until the blood runs down. She's just unwontedly, arbitrarily cruel.
The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within. Were these to be worthily recounted, they would form a narrative of no small interest and instruction, and possessing, moreover, a certain remarkable unity, which might almost seem the result of artistic arrangement.
I'm a very smart guy. I haven't a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whisky, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops . . . I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you'll think of me, I'll just leave one of my cards in case anything comes up.
Everybody have equal rights to a life of full flourishing. Philosophy slowly, slowly has given us arguments saying, look, you already committed to your own life flourishing, and you're being inconsistent if you don't expand it. So philosophy often works in trying to show us that there's an inner incoherence in our points of view. We're all committed to one thing when it comes to us and our own kind, but we're not willing to expand it and we're guilty of inconsistency.
For the love of ammonites, man! That's just stupid. Why on earth would the Society need to protect unmarried women from bone-dry lectures regarding soil composition? Do your members find themselves whipped into some sort of dusty frenzy, from which no delicate lass would be safe?" Mr. Barrington tugged on his coat. "Sometimes the debate does get heated." Colin turned to her. "Min, Can I just hit him?" "I think that's a bad idea." "run him through with something sharp?
They fought their first action in March of 1775. Embarked on eight small ships, they sailed to the Bahamas and captured a British fort near Nassau, seizing gunpowder and supplies. Later, during the Revolutionary War, Marines fought several engagements in their distinctive green coats, such as helping George Washington to cross the Delaware River, and assisting John Paul Jones on the Bonhomme Richard to capture the British frigate Serapis during their famous sea fight.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
But Jude,' she would say, 'you knew me. All those days and years, Jude, you knew me. My ways and my hands and how my stomach folded and how we tried to get Mickey to nurse and how about that time when the landlord said...but you said...and I cried, Jude. You knew me and had listened to the things I said in the night, and heard me in the bathroom and laughed at my raggedy girdle and I laughed too because I knew you too, Jude. So how could you leave me when you knew me?
Why did you do it?" I say. "You want me dead. You were willing to do it yourself! What changed?" He presses his lips together and doesn't look away, not for a long time. Then he opens his mouth, hesitates, and finally says, " I can't be in anyone's debt. Okay? The idea that I owed you something made me sick. I would wake up in the middle of the night feeling like I was going to vomit. Indebted to a stiff? It's ridiculous. Absolutely ridiculous. And I couldn't have it.
And she arose from her deathbed in a gossamer gown, with eyes the color of starlight and hair as black as the night. And those who were her captors trembled, for the scent of death and madness emanated from her soul, and yet she was not dead. She moved like the spiders that creep in the treetops, and none could look away. Taking her first captor in hand, she fed deep and ravenous. And so it was that Myst, Queen of the Indigo Court, was born from the blood of the dead.
No one worries about you like your mother, and when she is gone, the world seems unsafe, things that happen unwieldy. You cannot turn to her anymore, and it changes your life forever. There is no one on earth who knew you from the day you were born; who knew why you cried, or when you'd had enough food; who knew exactly what to say when you were hurting; and who encouraged you to grow a good heart. When that layer goes, whatever is left of your childhood goes with her.
The particular source of frustration of women observing their own self-study and measuring their worth as women by the distance they kept from men necessitated that a distance be kept, and so what vindicated them also poured fuel on the furnace of their rage. One delight presumed another dissatisfaction, but their hatefulness confessed to their own lack of power to please. They hated men because they needed husbands, and they loathed the men they chased away for going.