Quotes of All Topics . Occasions . Authors
In a pure anonymous encounter you find a world alive and full of character. In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in people's faces. You hear the songs immediately. Here, in Los Angeles, there are fewer characters because they are all inside automobiles.
To me, a lot people really get wrapped up in the technical side of metal and what's metal and what's not and more double-kick and more blast beats and more technicality, but for me, I'm a song person. So I think you can write good songs in any type of style of rock and any type of style of metal, and that's kind of what I'm a fan of.
He [Patrick Stump] is been a friend of ours for a long time, and when we were talking about working with different producers and songwriters for the record, Patrick's name came up. We were excited to work with him - he's a very gifted lyricist and songwriter, and a really cool guy and it was a pleasure to work with him in the studio.
I was in Screaming Trees - I wasn't really interested in playing quiet music in a live setting. But I would get asked quite often to do a show or open for somebody, and I always said no. Finally, I was asked if I would open for Johnny Cash, and Johnny Cash was one of my dad's favorite heroes. So that's why I started doing solo shows.
I mean, it makes me sick when I see a white man sitting there smiling at me being entertaining, man. When I know what he's gonna do after he gets through. You know, when you see that thing on their face - like: "Entertain me." You know what I mean? Even the black guy that's trying to be white - even he can have that crap on his face.
It's not the music you hear in your head that other people are going to hear. You have to be able to make it true enough to the image in your head, and that's where technique and technology come in, for sure, and knowledge. It's not true and will never be true that someone who knows nothing can sit in a basement and make great music.
Write as precisely and as lucidly and as richly as you can about what you find truly mysterious and irreducible about human experience, and not obscurely about what will prove to be received opinion or cliche once the reader figures out your stylistic conceit. There's all the difference in the world between mystery and mystification.
Just based on the primary adage of the necessity breeding innovation, it was just like 'Well, what makes me the guitar player that I am?' and I feel like I listen to so much different music, and I'm a student of so many genres of music, and I feel like it's fun to apply those things and anything super applicable to any type of music.
That's very hard because there's three of them that mean a LOT to me equally. 'Lissie's Heart Murmur' was one of the first songs that we ever wrote - it was one of the first songs, at the very very very beginning of our band and I've always wanted to see and hear that song recorded and turned into something and it finally was and is!
Yes I usually make my kids eat their veggie chops and watch my concerts in dead silence. If they ask to watch spongebob squarepants I usually do something volatile like make them eat a yellow sponge with googly eyes on it. I hit them quite a bit, but then again I blame the condom manufacturing government for forcing me to birth them.
'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
I remember what it felt like when I was young, and I looked up to someone, and they would pay me just an ounce of attention. And some of the bands I listened to when I was young probably never even sold any albums, but it didn't matter to me. If I'd go up and say, 'Great show,' it would be amazing that they even would acknowledge me.
Feb 6 1945 St. Ann, Jamaica, Daddy was born. I remember us celebrating one of his birthdays in Jamaica at 56 Hope Road with him, no big superstar party, just us kids, Mommy, some cake, few laughs and that was it. Even if he wasn't known to the world on Feb 6th I would still think of him and in my heart say Happy Birthday Daddy. Love.
Everybody has got their vibes - it could be mountain biking, it could be hiking, but for me, it's surfing and music. There's a lot of different things, but I think love gives us peace one way or another, and a calming effect on our soul, so I don't know exactly what love is to me, but I know I try my best to surround myself with that.
In the high-stakes and elitist world of music collecting and fandom, we operate from an ab ovo perspective. The seed, the first incarnation - that is the most pure, the most lauded. Minutemen trumps Firehose, Throwing Muses beats Belly, Joy Division over New Order, Operation Ivy ruled Rancid, Undertones instead of That Petrol Emotion.
I'm sure you feel differently about writing than you did when you first started. When you get older and your brain changes, you have to figure out how your job fits into your life as it changes, you know what I mean? I guess everybody goes through that stuff, and I'm no exception, always trying to figure out what I'm doing with music.
I suppose one of the challenges of writing the word-side of music these days is trying to decipher and communicate how this planet is very overwhelming at this point. The difficulties we face are overwhelming. It's very difficult to give yourself the time to breathe and appreciate the joy and beauty that might be just right around us.
The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.
I think spirituality, even if there's no God, even if there's nothing - I consider myself relatively spiritual. I believe in a God. I don't know what it's like, but I do believe in it. It's the only thing that makes any sense. Maybe I'm just looking for order in the chaos. Though, I do believe in Evolution and I do believe in science.
It's a very, very interesting experience to be talking to people who are such icons in their own right. When Adele came to a show, I was just talking to her, and at the time, I thought, 'I'm just having a chat with somebody.' But then I heard myself say, 'Oh, I was talking to Adele the other day,' and it's as strange as you'd imagine.
When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.
We've always had the sensibility that you work on the set, and you structure it, much like a play, where once you've got the lines down and blocking right, you freeze it, and then you go out and do what you're doing night after night. You want to structure something that has form and that builds the right dynamic from start to finish.
...people will go for anything they don't understand if it's got enough hype. They want to be hip, want always to be in on the new thing so they don't look unhip. White people are especially like that, particularly when a black person is doing something they don't understand...That's what I thought was happening when Ornette hit town.
No, I wouldn't direct a movie, no. I couldn't. I don't have the patience for it, I don't have the people skills. You have to be clever. I'm not really clever in that kind of way. And you have to be able to manipulate people, but at the same time allow them to feel like they are manipulating you, to get the kind of movie that you want.
It's no surprise that if you look at the development of the economy, of consumerism, of all these things that have gotten out of hand over the last hundred years, it happened when men were purposeless, when they didn't actually have a legitimate reason to be moving the species forward because the machines were doing all the hard work.
Are some flowers more beautiful than others? The garden is beautiful. Do I prefer brother over brother? Comparisons are part of this political world. Where there is one, there is no conflict. Where there is two or more, there is conflict. Two is the devil. Conflict begin with the devil. We count 0 to 1, then back to 0. It is a circle.
When I think back, I felt like I had the life that a lot of white American kids grew up with in the suburbs in the States. I started noticing, as Apartheid's grip weakened, that we had more and more black kids at school; I had more and more black friends. But I never really saw a separation between myself and the black kids at school.
This conversation with the audience has been going on since, what, '72, '73... Sometimes it's like a conversation after dinner with friends. You're in a restaurant, and you got there at 8 o'clock. Suddenly, you realize it's midnight. Where did the time go? You're enjoying the conversation. It's sort of a natural, organic conversation.
I can sit down at a piano or with a guitar and just chug away for hours and be perfectly content with whatever comes out. But when it comes to something that somebody else is going to listen to, then I do feel a great deal of pressure to do something that's exceptional, at least in what I consider to be at the limits of what I can do.
All generations think the present moment is the greatest but also have this fascination with before their time. I do the same thing. I see old British movies. I'm like, 'Man, I would love to be in London at that time.' But then I wouldn't be able to watch 'The Walking Dead,' I wouldn't have cable, and my pizza options would be limited.
I was stupid when I started: the epitome of bright-eyed and bushy-tailed. It was like, 'I get to live in L.A. and drive around in limos? Really?' I didn't realize I was owned. The more money gets pumped into you, the more you become a marionette. It made me a true redneck in attitude: I never wanted to wake up ever again feeling owned.
Pop music can absorb so many peculiar talents, ranging from the completely nonmusical poseur who just uses music as a kind of springboard for a sense of style, to people who just love putting all that complicated stuff together, brick by brick, on their computers, to people like me who like playing conceptual games and being surprised.
Software options proliferate extremely easily - too easily, in fact - because too many options create tools that can't ever be used intuitively. Intuitive actions confine the detail work to a dedicated part of the brain, leaving the rest of one's mind free to respond with attention and sensitivity to the changing texture of the moment.
I did all my guitar playing at my house. And then finally, I was throwing hay and stuff working in Stockton and somebody offered - somehow they had heard me singing at the house and said: Hey, I'll hire you for our fraternity party or sorority party. And I said: Well, are they going to pay me? And he said: Yeah, we'll pay you 50 bucks.
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
There are plenty of people, including good friends of mine, who are not racist, and who voted for Trump. A lot of people wanted a change from what they were accustom to for the last decades... they wanted a change of the status quo, a changing of the guard. And they were willing to overlook his misogyny, his racist or bigoted comments.
After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.
If you feel safe in the area you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth. And when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting.
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
When you see the same familiar faces, it's nice when you get a chance to play with the same musicians. You start to develop this shorthand so everybody knows where you're at and where you're going, but then again, there are always surprises. But the more people are comfortable with the material, the more free you can be with the music.
I've heard of people stopping their cars, having car wrecks, all kinds of things. But most of the banjo players I know had that moment when they heard Earl Scruggs. So, for me, it transcends the technique. It's the musician in him and his personality, his musical personality, such great taste, such great technique, very, very creative.
I think this my last album - No Place For My Dream - truly is my best work. My fear now is, I don't know if I can do better than this in my lifetime, because technically, sound quality, composition, the melody is really high standard, it's very scary; the way it was recorded, the way I was focused. I think it is top of the music scene.
I was having a conversation with my father and he was talking about this thing - strangeness and charm. It's actually the name of the two smallest particles that there are when you split the atom, so I wrote a song around it. I even managed to fit the word 'hydrogen' in there. Isn't that a nice thing for scientists to call them though?
You have to get away from them. You have to get as far away as you can otherwise they'll kill you with their lives. They don't know what they do. They are careless with themselves and they take too much for granted. They make their shortcomings your problem. The only way to keep your head above it and heal your wounds is to crawl away.
Just understand that the end began long ago We got here just in time Look All the squares in the sidewalks were already there All these strangers have more money than you do All the good riffs have been taken And everyone is so scared Murder is commonplace I don't even flinch at the gunshots outside my window I feel lonely without them
Before I was 12 years old, I had no interest in music; I was just into football. Then I heard Don McLean's 'Vincent' come on at the end of an episode of 'The Simpsons.' You know when you hear something and you don't understand why you like it, you just do? That's how I felt. I just thought, 'I want to be able to write songs like that.'
People who are in jobs are striving to gain the most they can before they die through financial means, through their flesh, the lust of their flesh and man's drive for power. But as believers we are to be the opposite. We are to be humble, not prideful. We are to think of things that are true, whatever is noble, and whatever is worthy.
We are experiencing a real confusion here in the United States, you know. Why is it OK to drink, but it's not OK to take drugs? Blah, blah, blah. What's a crime? What's criminality? What can you do, what can't you do, and so forth. All these things are really confusing. A lot of it is really contradictory; it doesn't really make sense.
Other people want a career or success because they think that will help them find their personal life somewhere. I've done it the other way around. What I have is what everybody else is looking for. I know I've got it made. I know I'm a very lucky man. That came first. Then the music and the career just kind of took care of themselves.
For me, social media is a one-way deal. It's like all the traffic goes one direction and I don't care how many people follow me, I don't care how many people like what I do, give me a thumbs up or whatever it is. I am here to share a piece of information that I've decided is relevant to our relationship as musician and audience member.