Quotes of All Topics . Occasions . Authors
Me trying to kill people wasn't as bad as me tearing people down and making people cry and ripping them apart, because words never heal. That's what I've learned. I'd rather raise my son and tell him, "If you get in a fight with your friend, just punch him. Don't say anything, because the next day he doesn't get over that."'
I've always loved the songs of the sea. I was first introduced to them back in 1957, at the Old Town School of Folk Music. I used to go to Pete Seeger concerts, and he would do songs like 'Ruben Ranzo' and talk about how the sailors sang songs to do their work - to raise the anchors, pull up the sails and that sort of thing.
I'm not a musical theatre person, and I never will be, especially after seeing the way it operates. It's so incredibly inefficient. It takes three weeks to effect a change. It can be a lighting change, a script change, a musical change - you have to meet with six different departments, and about a month later, it may happen.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
It's something I've recognized in the careers of those people who have been inspiring to me over the years - Neil Young, Kate Bush, David Bowie, Frank Zappa, and Prince. These are all people who constantly redefined themselves, and had to deal with the difficulty of trying to take their audience with them when they did that.
I really love the combination of Israel and England. They are completely different. The British are very private and keep things to themselves, while Israelis aren't that way. In England, I couldn't make friends with people in the supermarket or people who work at my bank or post office, but in Israel I can, and I like that.
I wish I could say differently, but I really don't think so. There are too many musicians already for probably anyone to be noticed without some sort of commercial support. Even the most talented ones drown in a sea of mediocrity, and only the politically correct ones will ever be promoted (willingly...) by the press anyhow.
I would say it's always been in me to want to have victorious songs. I sort of want my songs to have a feeling of victory, but through a lot of pain. Like, you're 75 percent to the top of the mountain and sometimes you fall back to the bottom, but hopefully by the end of the record you'll feel like there's no mountain at all.
In general, we like to play as a band - guitar, piano, and voice. We also tour with a bass player, a drummer, and somebody who plays keyboard and guitar. We try to play all of our parts and flesh it out to get a lush sound, while also keeping the energy of a three-piece punk act. We want to be the best of all possible worlds.
Music became less understandable in the wake of the new MTV era. You weren't supposed to be anything other than a pop star, to not go deeper than that. It was really strange. It was suffocating, image-wise. What you could talk about in a song changed; if you were misunderstood, you were really misunderstood - taken literally.
Technology is mechanical and contrary to the emotions that inform a person's life. The country music field has especially been hit hard by this. All my songs have been written by people who went out of fashion years ago. Just like da Vinci and Renoir and van Gogh. Nobody paints like that anymore. But it can't be wrong to try.
In my childhood everything you heard, you could imagine what it looked like. Even singers that I would hear on the radio, I couldn't see what they looked like, so I imagined what they looked like. What they were wearing. What their movements were. Gene Vincent? When I first pictured him, he was a tall, lanky blond-haired guy.
People are going to say, ‘Well, it’s not very truthful.’ But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.
I think I have some very meaningful relationships with people; we all do. At the same time, I recognize that everyone is following their own heart; there's been people who have left my life, and I don't have a problem with that. This is a transitory world; we're all spirits just looking for love and finding it and holding on.
If you wanna make money in music, you're better off being on the business end of it a lot of the time. And also as a musician, if you do make money, it means you had to bite and scratch and kick the whole way to not get ripped off, because at every corner, there's somebody there waiting to trip you up and take a bigger chunk.
There's a difference between being ignorant and being stupid... For me, an ignorant person is someone who makes the wrong decision or a bad choice because he or she does not have the proper facts. If you give that person the facts and the proper information you have alleviated that ignorance, and they make the right decision.
It's always difficult to define what jazz is or what jazz isn't. To me, the only definition that I can think of is it's music where a lot of different elements are played at the same time. The harmonic, the melodic... You're pushing the boundaries on every level. That could be true of rhythm and blues as well. I'm a musician.
Who decides what is and what isn't punk? I want to write songs that people hear and feel, and I want to be successful and reach a big audience. I'm not trying to be the coolest guy in the world; I'm trying to write songs that mean something to people. As you get successful, sometimes you lose one set of fans and gain another.
Music kept me off the streets and out of trouble and gave me something that was mine that no one could take away from me. Music education and families are dealing with the economic times, and I wanted to help them. If I can help a kid discover a liking, or even a passion for music in their life, then that's a wonderful thing.
I've got some incredible fans actually - so loyal and they make me card »">birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting maybe I'm just a frustrated interior designer stuck in a singing career.
I've always been a fan of vinyl. There's something about the ritual of it. Something about it holds its gravity, for some reason. Sometimes you'll put on music and the music fades into the background. But when you take that vinyl out and put it down, the music becomes the conversation as opposed to being the soundtrack to it.
Very rarely I create things and feel like I don't want to recreate them in a live setting. It's a completely different world, but at the same time that's where I've always come from. Enjoying that give-and-take from a live audience, there's a large part of me that's looking forward to it, and creating that relationship again.
We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
We don't live in a jazz world, unfortunately. I think if I had lived in a jazz world, I would have done OK. I'm not sure I would have done great. I'm a lover of jazz music, so I would have been happy, don't get me wrong. I go to jazz concerts like the biggest jazz fan in world. The drag is that I don't play jazz for a living.
My mum did encourage me, perhaps most of all by never discouraging me from anything I wanted to do. If you tell kids not to, they're going to do it in the end anyway. I'd finished all that staying-out-all-night-drinking bit when everybody else came to it. Probably why I don't like alcohol today. I had it all by the age of 10.
In the end, you're trying to find God. That's the result of not being satisfied. And it doesn't matter how much money, or property, or whatever you've got, unless you're happy in your heart, then that's it. And unfortunately, you can never gain perfect happiness unless you've got that state of consciousness that enables that.
In the family, in interpersonal relationships, even in friendship, faith is tremendously important. If you have a partner who you believe is a good person, then it is your duty to have faith in them until the end, despite the fact that they might have done some bad things. And you have to support and believe in your children.
I spend several days at a time without enough sleep. At first, normal activities become annoying. When you are too tired to eat, you really need some sleep. A few days later, things become strange. Loud noises become louder and more startling, familiar sounds become unfamiliar, and life reinvents itself as a surrealist dream.
Mr. Christ, I read you as an infinitely patient entity who, as they say, often works in mysterious ways, a rebel unafraid to take the tougher, less traveled paths. Seems to me you're playing the long game. Is that why more states are coming out in favor of marriage equality? Is that why the Affordable Care Act is now with us?
I have a repertoire of songs that I'm proud of, that I've written for my own band. When I do a cover, something that somebody else has written, I think about it very carefully before I sing that song. I have to really get behind it and understand it and like it. And that's how I pick roles. I don't want to play just anything.
You know when you're thinking about what you want to be when you grow up, or how you want your life to pan out. I couldn't imagine anything better than living in a hotel so you'd never have to worry about washing up, making the bed, anything like that, and having a servant to come in and play all your favourite TV programmes.
One of the things that's attractive about cyberspace is that it can be construed as no threat. If you see it through the video game keyhole, the amusement keyhole, the entertainment keyhole, it is no threat. If you see it through the LSD keyhole, the consciousness-expanding keyhole, it's like electronic drugs: it is a threat.
I've learned the idea of pausing when agitated or doubtful. I can still write the e-mail but instead of sending that e-mail to the person I'm in a fight with, more often than not these days, I just delete it. Or I run it by someone else that I trust before I send it. And then I usually laugh at the e-mail and how funny it is.
It took me a long time to reach the decision to retire, actually, from the Art Ensemble. But it seemed more important to me to share the vitality of Aikido and the vitality of Zen training with people, even though it would be a smaller number of people, it seemed to give them something that could last and improve their lives.
From the beginning, I've always had a knack for catchy melodies. But I went through a period when I was trying to be rock n' roll and have a rock n' roll attitude. I was fighting my nature by trying to play really hard and sing really hard. But at a certain point, I realized that I loved syrupy pop music with tons of harmony.
The teenage pregnancy is such a tragic thing. It is such a sad and tragic thing because the children who have children do it because they think they are going to be loved. They are going to be loved, but they have to give love to be loved otherwise the child becomes depressed. Isolated and depressed. In other words apathetic.
Since becoming a mother, I'd say it's more so affected my general outlook on things. I'm less worried about everything. Less scared to make those numbers that people think are standard or less scared to create something that maybe I don't think people are going to like, because it's all about if I like it. I need to be happy.
We always have a basic structure for a piece of music, but we encourage the musicians to elaborate on whatever they feel at that particular moment. There's a definite conversation happening on stage. I think it is very important for us as creative musicians, to instantaneously describe any energy that is visible at that time.
A lot of young artists and musicians that we work with, you think they're gonna want to come in and buy the rock star-looking leather jacket - whatever it is that you think they're gonna want. They all want a suit. They want a tuxedo jacket, they want a suit. They don't want to look like their dad in it, but they want a suit.
I really look at my life before kids and after kids and before I was more - not narcissistic - but I was definitely more selfish. I didn't have the same concerns as I do now. I've always been political, but you've gotta be engaged. You can't be apathetic anymore because what's at stake is bigger than yourself, it's your kids.
Of the Queen tributes, some of them are very funny, and some of them are really not funny at all. The terrible ones are cheesy and pantolike, more about dressing up in a Brian May wig and a Freddie Mercury moustache, and what they're missing out is the fact that the music is quite complicated and actually not easy to perform.
New artists will be discovered and trained. Moreover, when the artists who've gone abroad return home, they can share and pass on skills and knowledge to their peers here. I am certain their stints abroad will make them better artists and mentors. It will teach them discipline and independence. It will broaden their horizons.
The most important thing to remember about drunks is that drunks are far more intelligent than non-drunks- they spend a lot of time talking in pubs, unlike workaholics who concentrate on their careers and ambitions, who never develop their higher spiritual values, who never explore the insides of their head like a drunk does.
Irish music is guts, balls and feet music, yeah? It's frenetic dance music, yeah? Or it's impossibly sad like slow music, yeah? Yeah? And it also handles all sorts of subjects, from rebel songs to comical songs about sex, you know what I mean, yeah? Which I don't think people realize how much innuendo there is in Irish music.
I have frequently noticed in myself a tendency to a diffuse style; a disposition to push my metaphors too far, employing a multitude of words to heighten the patness of the image, and so making of it a conceit rather than a metaphor, a fault copiously illustrated in the poetry of Cowley, Waller, Donne, and others of that ilk.
You can hear 'Human Nature' all over our song 'Elevate.' It's an amazing song. That hooky arpeggio in the beginning is great. Unlike most Michael Jackson ballads, even though I'm a huge Michael Jackson fan, this song is kind of restrained. It's not a huge, crazy song you can dance to - it's just this beautiful piece of music.
Any kind of creativity is not settling down into a happy little space. I don't try to be mellow or anything. I think I have quite... my voice is what it is, no matter what I'm singing, it's always going to sound like me. There's not too far I could go. I sound like myself. I hope that I haven't put any boundaries on anything.
In a way, the whole music industry is just catering to the inherent esteem issues all these artists have - it lays it all out on the line and baits the artist, like a light baits a mosquito. And you go right into it. With every comment on the internet, you go up, you go down, and it's a big shitshow full of uneducated people.
Rap is the only super-current music. If you're into reggae or dancehall, and you don't know Bob Marley, then you don't really know what you're listening to. But if you're listening to rap, and you're 15, you're like, 'Grandmaster Flash? Who's that? Public Enemy? Yeah, my dad told me about them once.' And that's just how it is.