Quotes of All Topics . Occasions . Authors
I currently perform the most important political duties an American has the responsibility to perform - I experiment in self-government on a daily basis, fulfilling my "we the people" duties to monitor and guide our elected employees to adhere to their oath to the U.S. Constitution and demand accountability from them.
There's a broad range of male rappers, so if they're going out on a limb and they sound different, it's okay, because we have 20 other rappers doing what the radio wants... as far as females, there aren't as many, so if you want to compete, you have to sound just like this, because that's the only thing hot right now.
I have to be able to stick to very dedicated times to work on things, do exactly as I say I'm going to do, show up when I say I'm going to show up and focus that's the only way I've been able to pull off everything last year but I'm hoping I'll never have to do that again, it's a hell of a lot of work that's for sure.
I grew up - my dad, every time I was with my dad, he was always - not always, but he wrote. He's a writer. So he was always in his office writing. He made a plan and, like, a point of, 'This is my work. I'm going to do this every day for these amount of hours.' So I think that's where I got, like, a work sort of ethic.
I'm literally nowhere yet... When things started going well, this French designer called Ami gave me some shoes and clothes to wear. But when I sat down to play the piano, the very new shoes kept slipping off the pedal. So I took them off, threw them away, and have never worn shoes while playing the piano from then on.
For Christmas when I was about four I got given 'Can the can' by Susie Quatro, so that was the first record I got. And I got Skyhooks "Ego is not a Dirty Word.... I was sorta listening to the Beatles and stuff the whole time since I was about ten anyway, then I started getting into Kiss and David Bowie at the same time
The atom bomb fueled the entire world that came after it. It showed that indiscriminate killing and indiscriminate homicide on a mass level was possible ... whereas if you look at warfare up until that point, you had to see somebody to shoot them or maim them, you had to look at them. You don't have to do that anymore.
When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings - to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
When governments rely increasingly on sophisticated public relations agencies, public debate disappears and is replaced by competing propaganda campaigns, with all the accompanying deceits. Advertising isn't about truth or fairness or rationality, but about mobilising deeper and more primitive layers of the human mind.
Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
I don't feel guilty about the music I love. If you feel guilty about something you dig, then you should stop feeling guilty about it. One of my favorite albums to this day is the 10th anniversary ensemble cast of 'Les Miserables,' the ultimate cast recording, and it is still something I love listening to top to bottom.
Everyone one-on-one will be completely honest about the music that they listen to. But then you get into a group situation, and then it's the cool/uncool debate. I have really done my very best to reinforce the very fact that your heart knows better than your head does what you like when it comes to music and what not.
The local dudes who knew that my dad owned a studio would say, 'Ahh, dude is spoiled,' and this and that. But we didn't abuse it at all. I'd always ask if we could use the studio first, and if our dad didn't want us there he would tell us, and that was that. But I definitely tried to get down there as often as I could.
Even though I'll do finger warm-ups that go up and down the neck to build up my chops and dexterity, I never, ever sit around and practice the actual licks I'm gonna play live. If you do, then you'll be all worried about the complexity of getting the fingering right and everything else about it, as opposed to the feel.
The Surf Lodge has got to be seven or eight years I've been playing there, every summer. It's definitely one of the most fun gigs of our whole East Coast tour. The beautiful atmosphere, amazing stage overlooking that beautiful lagoon - it's just a really hip, cool spot to play. We always look forward to it, every year.
I went to the zoo one day and saw a chimp playing with a beat-up acoustic guitar in a way I had never seen before. Instead of using the pick the chimp was banging the neck and tapping it with its fingers. I knew the chimp was on to something so I practiced this new technique in my room for hours until I'd perfected it.
I had a long talk with Bruce Springsteen on a rooftop during the Vote for Change tour (in 2004). And it boiled down to this: That guy you used to be, he’s still in the car. He’ll always be in the car. Just don’t let him drive. He might be shouting out directions. But whatever you do, don’t let him get behind the wheel.
There's the whole significance of Krishna as the flute player who awakens our consciousness. It doesn't necessarily have to be a flute because for me it was a sitar or a guitar or even Elvis Presley doing "Heartbreak Hotel." It was like Krishna's flute calling me somewhere. It's just really simple when we can remember.
I had very little fear about it, but basically, my straight friends talked me out of it. I think they thought as I was bisexual, there was no need to. But it's amazing how much more complicated it became because I didn't come out in the early days. I often wonder if my career would have taken a different path if I had.
I had just discovered jazz, and I started singing in a kind of blues cover band at the age of 15. We called ourselves - it was a terrible name - the Blue Zoots. We couldn't actually get our hands on zoot suits, nor did we dress in blue. We did covers of Screamin' Jay Hawkins and kind of Blues Brothers repertoire stuff.
The reality which is pretending be reality right now, impersonating reality, is just a pretty flimsy structure. There is not a lot of substance to it. You can't find people who are actively involved of affected by it. What you see is a completely different world, what you see is the world of the homeless, and so forth.
I was deluding myself that the song was almost not important, but I think the real thing that was happening was almost like self-hypnosis or mediation. The guitar lick was the transcendental key that unlocked my brain. It freed me. And then it all became easy. It's funny now, because I've had times when it wasn't easy.
Either I'm a genius or I'm mad, which is it? "No," I said, "I can't be mad because nobody's put me away; therefore I'm a genius." Genius is a form of madness and we're all that way. But I used to be coy about it, like me guitar playing. But if there's such a thing as genius - I am one. And if there isn't, I don't care.
Songs, and songwriting keeps me inspired, moving forward. I tend to scribble down notes, lyrics or just random thoughts on pieces of paper, backs of cigarette packs, sometimes on my shirt cuff. Rock n’ roll is closest thing I’ve got to a spiritual power. It’s been the higher voice in my life and it’s never let me down.
I like art with a sense of humor. I don't have a huge art education to understand everything. I don't think that means that art has to be watered down to the lowest common denominator, though. I don't think you have to go to college to be able appreciate great art, but I like art that doesn't take itself too seriously.
No, my first figure was a SLAYER eagle. And the dragons and the tribals are all I have got. I wish that I only would have done the SLAYER eagle and not the dragons ´coz I like tribals that stand out from a distance. Like you could be a snowblind in the concert and you are still gonna see it. That´s why I like about it.
I look at old performers like James Brown: back in the day when you actually had to work hard to get poppin'. I look at all those types of performers. Even like Kid n' Play and the Fresh Prince and Jazzy Jeff and Salt-N-Pepa. That era where they had to perform. You couldn't just rap. It had to be an entire performance.
I take drugs just because in the 20th century in a technological age living in the city there are certain drugs you have to take just to keep yourself normal like a caveman. Just to bring yourself up or down, but to attain equilibrium you need to take certain drugs. They don't getcha high even, they just getcha normal.
When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
Creating any type of art is all about mood. I've been making extreme music in one fashion or another for decades. And truthfully, Down has a big enough fan base to where I could remain content to do only that, but music is a vast territory and I am an explorer. And I'm a lover of all things considered extreme in music.
When I pull into a city and I rent a car and it's Nashville, or it's London, or I'm driving in the taxi to the hotel, and on comes one of my songs, it's like, 'Oh my God, they're still playing these songs on the radio.' And you still feel tearful and very grateful that somebody still likes these songs that you made up.
I hold my time with the Black Crowes with the utmost respect and sincerest appreciation. It is a huge swath of my life’s body of work. I couldn’t be more proud of what we accomplished and deeply moved by the relationships people created and maintained with my music. That alone is the greatest honor of being a musician.
I can do whatever I want, I can have my band, I can use different people, I can use studio players, it's complete, total freedom for me. If I want to make a video, now that I own my own record company, if the video has an American flame being engulfed by a huge puddle of oil, I can do that, I can say that if I want to.
Broadway is another monster. I've been touring since I was 12 years old and I love being on the road - one day you're here, next day it's snowing, and the next you are in a desert and it's 110 degrees. So I guess I'm kind of used to the madness physically that you go to when you are an entertainer. But it's been great.
Don't buy this 'believe in yourself' rubbish. Why do they keep telling youngsters that? There's no point believing in yourself if you don't know what you're doing. Once you've got a vision of what you want to do, by all means stick to that passionately and doggedly. Believe in your ideas. It's not quite the same thing.
Gardening can be a compelling cooperative activity. Your best harvest may be the pleasure you get from working with family and friends. There's never a shortage of things to do, no limit to the lessons that can be learned, especially for children, and there's always plenty of credit to go around, even for the mistakes.
Us on hard drugs? That would be horrible. We'd probably end up sounding like Bryan Adams.My girlfriend has this quote in her sketchbook: Remain orderly in your life so you can be free and chaotic in your work. I think basically you lose it when you destroy your brain or destroy yourself emotionally or burn yourself up.
I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.
I'm feeling more and more thoughts that aren't songs, just reflections. I'm always been very shy and in some ways a prisoner in one language and I feel that the liberation of creativity has to be in all senses. So I've been deciding to publishing something very simple but very small at the same time, nothing egocentric.
Don't shrink from natures brutal perfection. Take joy in it. Embrace it. Understand it and revel in it. Respect it's strength, it's wisdom, it's brutality and it's all-encompassing power. The highest law has always been, and shall be, nature; and the greatest wisdom forever lives in and through nature's eternal Fascism.
Whenever there's a new music, there's a new way of listening. And whenever there's a new way of listening, there are new musics that follow from that. And people start listening differently - that can either mean in different places or at different volumes or in different social groups or through different technologies.
The earliest paintings I loved were always the most non-referential paintings you can imagine, by painters such as Mondrian. I was thrilled by them because they didn't refer to anything else. They stood alone, and they were just charged magic objects that did not get their strength from being connected to anything else.
The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's playing a million notes and it's about playing fast. That's not what we do.
I think you set up certain standards. I've always kind of believed in the Neil Pert way of making records where I'm trying to step it up every time I do something. You're trying to better yourself. You're also trying to make your audience or your listeners more interested. So, if you can up it, I think that's important.
I'm interested in philosophy, I studied it, and I also admit I try to read things that are way above me. I have a limit: I take what I need from it, and I do find that some of my favourite philosophical writings tend to be poppier. I admire smart people who are able to describe things simply or in a human, readable way.
It's a weird thing when you make records. You try to hear it before you make it, so you walk into the studio with this idea of what you expect to happen, and that usually changes. That usually turns into something else, and that's a good thing. If everything was as you imagined it to be, it just wouldn't be as much fun.
To me, a sure-fire way to get in a rut is by sitting around playing by yourself for too long. You've gotta get out there and jam, man! You don't have to necessarily be in a band, all you've gotta have are a couple of buds who play too. They don't have to be guitarists either; jamming with a bassist or a drummer is cool.
One of the songs we recorded for 'The Long Run' was called 'You're Really High, Aren't You?' Which never really made it onto a record, but later on, it became 'Heavy Metal.' I took that track that wasn't used, and when I was invited to write a song for that movie, I took that track and recorded that song for that movie.
He said that hate makes the world go round People are afraid of what they really want They make enemies of all the things that they would like to be They condition themselves to not embrace what they are Love is a clinging nausea I tried to disagree with him It was no use I never saw a more honest look in anyone's eyes.
I don't want to play old music. To me, it is fighting battles that are already over and calling yourself a warrior. For me, I see no courage or adventure in doing the old thing over again. If others want to, that's for them. For myself, I have to move on. Life is too short to live in the past. There is a lot to be done.