I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.

One of the nice things about being in a band is that you depend on each other for ideas, so it's not all up to me to do everything myself. There's always that fear that you'll run out of stuff. The most difficult part for me is writing lyrics, and that starts to get difficult after you've written, like, 120 songs.

I think that anybody who's anti-selfie is really just a hater. Because, truthfully, why shouldn't people take pictures of themselves? When I'm on Instagram and I see that somebody took a picture of themselves, I'm like, 'Thank you.' I don't need to see a picture of the sky, the trees, plants. There's only one you.

Before slavery, Africa had a culture. We had medicine and our cure for malaria. Slavery brought diseases that we were not used to; slavery brought industry and people were criticizing industry way back as 2,000 years ago, that it was going to pollute the air, sea. Industry is not the way. We must deal with nature.

That feels natural to me, singing in a small group of people I just can't do. You'll never hear me sing at a dinner table or anything, but this feels kinda natural. I've done it many, many times. So, and also, the pressure's off me cos I'm not singing on my own. I'm just doing a few harmonies with my stuffed nose.

It wasn't until my late twenties that I learned that by working out I had given myself a great gift. I learned that nothing good comes without work and a certain amount of pain. When I finish a set that leaves me shaking, I know more about myself. When something gets bad, I know it can't be as bad as that workout.

I like the idea of getting to dress up, like to do a Barry Lyndon or something about the Napoleonic period, the grand army retreating from Moscow. I understand that there's a craft to acting and a lot of people work hard at it. I just know that music is my first love. I love music, I love film, and I love clothes.

In 2008, I was in a London park when I came across a fledgling crow that had fallen from the top of an oak tree. A woman happened to be passing, and she said that she rescued animals, so she invited me back to her house. It turned out she was the wife of Jeff Beck. Jeff was there, and we ended up jamming together.

I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.

If the mountains fell in the sea, Let it be, it ain't me. Got my own world to live through And I ain't gonna copy you. Now, if 6 turned up to be 9, I don't mind, I don't mind. If all the hippies cut off their hair, I don't care, I don't care. Did, 'cos I got my own world to live through And I ain't gonna copy you.

If your gig is not in an office for eight hours a day, its going to be somewhere. If you're a truck driver, you get on a road. If you're a musician, you go to where the people are going to show up and you take the gig. I enjoy it, so I don't and I'm not complaining. Its just the traveling can get to be a bit much.

When the bad stuff was really intense in my life, it was really what you would call writer's block. Your facility is just not as good because you feel so bad. I've heard of people right on the verge of suicide coming up with some of their best work. I wish I could think of an example, other than Van Gogh, perhaps!

I have this rule: It's like, if you write an amazing, cool song that you mean and then you go put your leather pants on and sing it in front of people; that's OK. But if you put your leather pants on and stand in front of the mirror and go, "Ok, I've got to write a song to fit these pants," then you're in trouble.

Would I love to run around and check out if Jennifer Aniston was looking for a boyfriend? Yeah, it would be interesting for a minute. But would I trade in my life to get her and Angelina [Jolie]? No way. I've got something better. And I don't need the neuroses of two type-A personalities in my life. One is enough.

I don't feel bad or scared about getting older in terms of my looks or anything like that. I'm not afraid of my face changing. I enjoy seeing my face change. I think it's really interesting. I wouldn't want to have same face for my whole life. It would be boring to look at the same face in the mirror for 80 years.

The Beliebers have done some pretty crazy stuff. Last week, the night before I was due to do a show in Germany, four girls went into a dumpster so they could sneak into the building. They climbed in and hid. When the guys working on the truck started getting the garbage they found them straight away. It was crazy.

I have late-stage Lyme disease. I was misdiagnosed for many, many years and told I had lupus, MS, Crohn's disease, even degenerative arthritis. And finally in 2010, I got the correct diagnosis, because on the last Le Tigre tour, I was having several seizures a day and at times not being able to brush my own teeth.

I've had this terrible stomach problem for years, and that has made touring difficult. People would see me sitting in the corner by myself looking sick and gloomy. The reason is that I was trying to fight against the stomach pain, trying to hold my food down. People looked me and assumed I was some kind of addict.

Companies like Spotify, the new Apple service, and all the others are really going to have to pay artists more. And I think it's a matter of time; I think a lot of these companies and the individuals that are involved in them realize that as well. They know that artists are not getting what they should be getting.

I don't practice per se. I learned to play on my own, taught myself how to play. I've never really had a lesson, and I don't read music. So all the stuff that I do doesn't come from the normal set of disciplines that they teach you where you sit down and run through scales for a particular number of minutes a day.

I hate saying that youth is wasted on the young since it's so f**king stupid, but I think you realize if you're fortunate enough to realize what you have, you don't want to sleep as much or squander any time. It's weird, but early in your career you don't stop to smell the roses since you're too busy picking them.

If you had to call it "unison", it ain't unison. It ain't the same as somebody else. If you can hear that it's unison, and you have to name it something other than "unison", it ain't unison, you know what I mean? It's two guys playin', but one guy is playin' slightly out of tune, one is playin' slightly off meter.

I feel like I've spent the last five years of my life on the road. It hasn't affected my songs but it's probably affected everything else about me. Obviously, the more you travel, the wilder the things that keep happening to you, the more likely it is you'll get complete strangers knocking on your hotel room door.

There's a place in England called Petticoat Lane, and... they always used to get the heavy albums, like, a week before. So I went down there and got it, and I went back home. I didn't come out of my room for about three days. I just played it nonstop... 'Sgt. Pepper's' was the best thing I'd ever heard in my life.

The number of times that anything is overdubbed on 'Frampton Comes Alive!'... the rule was, if it didn't make it to the tape, then we can redo it because it needs to be done. If it made it to the tape, and it sounds good, we leave it. So nothing was overdubbed on that album at all that wasn't absolutely necessary.

I think anyone who suffers from chronic pain can agree with this - you feel this great significance. What I wanted to capture was that significance, and as a matter of fact I think that's one of the lyrics on 'Conflict,' on the split. I touch on the significance, and really it's a selfish thing, in an offbeat way.

I never want to go back and remix old records, either. If a record sounds shitty, that's just the sound it has. I just take it as part of the music. Some of my favorite bands - their old records sound terrible. But that's just part of the sound. If they were perfect, I'd probably hate them. Same thing with movies.

I find that I have done a pretty good job of fusing all three of them so far and I intend to get better at my craft. This is the reason why I am always eager to learn new stuff, especially from those who are more experienced than me. I am like a sponge. My ultimate goal is to open an animation studio in St. Lucia.

St. Lucia was a place were we used to go on vacation - not every year, but we went there a couple of times. I remember the last time that I went there, I was really small, and the only memory that I have is that my dad was going swimming or fishing one day - and I really, really wanted to go - but I was too young.

I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'

You know, Nirvana used to start rehearsals with the three of us just jamming. For, like, a half an hour, just noise and freeform crap - and usually it was crap. But sometimes things would come from it, and some songs on Nevermind came from that, and 'Heart Shaped Box' and stuff on 'In Utero' just happened that way.

There are those superstars who refuse to give anything of themselves to the public except what they see on-screen. In movies and on records, it's easy to insulate one's self from the public; that's why I think I wouldn't care to be a television performer, particularly in the States, where TV stardom is so intimate.

The first sign of real obsession with music was with an old wind-up gramophone that mum had thrown out into the garage. My parents gave me three old 45s - two Supremes records and one Tom Jones record - and I used to come home from school literally every day, go out to the garage, wind this thing up, and play them.

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That's the only interaction I have with people, those talking shows. Most of the people in my phone book are artists, management, producers, engineers. I don't ever call people with, "Hi! How are you?" I say, "How are you? Do you have that 16/30 ready? When do you want me to come into the studio?" That's what I do.

When a young non-white male is stopped and searched at the whim of a police officer, his idea of personal space, privacy and self esteem are shattered, to say nothing of his Fourth and Fourteenth Amendment protections. The damage goes deep quickly and stays. Stop & frisk, as well as a tactic, is also an incitement.

My hair grows into a fuzz ball - I just wanted it to grow downwards rather than outwards - but then I realized I couldn't play guitar with it that way. I couldn't do anything day-to-day without my hair getting in my mouth or my eyes or my food, so I just started tying it back, long before I knew what a man bun was.

I don't mind when people are telling me about their 1971 Firebird, but it's the same thing as people telling me about their car or something. It's fine if you have an interest. By talking with me, though, you could be interviewing a novelist about guitars. It's the same thing, except I don't write that well either.

A lot of people don't post about their kids or do anything. With us, we are so proud and so blessed to have our children, and we also know how happy we are, that I feel like we would love to share it. We are not trying to exploit anything in any way; honestly, I am just proud of my kids and just happy to have them.

After Hurricane Sandy, my family and I stayed in our apartment in lower Manhattan before things normalized. We're lucky enough to live on a bit of high ground, so we weren't flooded... but it was intense. Since there was no light, water, or electricity, I spent a lot of time playing acoustic guitar in the evenings.

We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood what we were trying to do. I don't have any regrets, because at the time we signed with Geffen, it was the right thing to do.

Will none of the powers that be realize what Brian Wilson did with the chords. Deftly taking from all sources, old rock, Four Freshman, he got in his records a beautiful hybrid sound - Let Him Run Wild, Don't Worry Baby, I Get Around, Fun, Fun, Fun - 'and she had fun, fun, fun 'till her daddy took her T-bird away.'

I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.

A lot of people say, 'Wow, you're a single father of twin boys, that's crazy!' Two toddlers can get hectic, but I wouldn't change it for anything. Every day they teach me different things. The love is there. When you have a two-year-old saying every other hour, 'Papi, te amo. Papi, I love you,' it can't get better.

For some reason, Horror movies, they seem like good date movies. When you go to them it's all high school kids, all over each other, running up and down the isles, no one is even looking at the screen anyways, they figure they don't have to pay attention to the story anyways. We scream and yell... it's like mayhem.

I don't really have a fear of doctors, in the sense that they're going to do something bad to me. I don't have a fear of them eating me, or a fear of needles, or anything like that. I have a fear that I'm feeling completely fine, everything's good, and then when I go there, he's going to tell me something horrible.

It's a torturous time when you learn almost everything you really have to know about survival. The important thing to remember when you are living through it, however, is that you have absolutely no idea quite how smart and strong and beautiful the pain will make you. So go forth and suffer...you'll rule the world.

If you forget about the money issue for just a minute, if it's possible to do that - because these are people's livelihoods we're talking about - and you look at Internet in terms of the most amazing broadcasting network ever built, then it's completely different. In some ways, that's the best way of looking at it.

When I was 15 or 16 playing in groups, we used to sit in the car and try to write the lyrics down as a song was playing, and we'd assign each person a verse, you know: 'I'm going to do the first one. You go for the second one.' And then sometimes you'd wait an hour for it to come on again so you could finish it up.

Rock n' roll was one thing, and then they chopped off the 'roll' and called it 'rock,' which became a sort of umbrella term for anything with a guitar in it. Like hair bands. How could we possibly believe that? It's just gotten downright silly, to the point where now it's sort of become like professional wrestling.

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