Quotes of All Topics . Occasions . Authors
It's not something you can find. There's a moment you arrive at --- there's no words for it. A bunch of people come together at this place where a note hits your heart and your brain tells your finger where to go. It's an otherworldly thing, like when a painter gets the right combination of colors together.
The thing I've learned is it's good to restrict your palette somewhat. I will try and, say, use two or three instruments on one track. You learn, after a while, they're all good at certain things and other things fall outside of the natural areas they work well in, so I tend to stick with what they do best.
I've been playing music all my life. I wasn't really fostered in a musical family, it was something I did despite the kind of limitations put on me. It was a series of misshapes and failures and things that didn't work out and other opportunities that kind of presented themselves. I just followed a journey.
The spirit of Burzum never changed, but my ability to make music changed dramatically when I was imprisoned. It is more or less impossible to record music in prison, and the only music I could record was electronic music, when I was allowed to have a synthesizer for a few months in 1994 or 1995 and in 1998.
It was the 'Gaucho' album that finished us off. We had pursued an idea beyond the point where it was practical. That album took about two years, and we were working on it all of that time - all these endless tracking sessions involving different musicians. It took forever, and it was a very painful process.
I've always found it interesting when I'm the person in the audience feeling mismatched by what I've seen or heard. The shows I've taken the most from I may have not liked while I was there listening to it but, maybe an hour later, there's suddenly a lightening bolt out of the blue: "Oh, I'd see them again."
I've been trying to make records and I describe it almost like a "movie for your ears" where it's a little unconventional in its shape and form, but there's something that's intriguing in keeping you wanting to wait and see the next frame of film, except in here what's coming around the corner for your ears.
The Rolling Stones are truly the greatest rock and roll band in the world and always will be. The last too. Everything that came after them, metal, rap, punk, new wave, pop-rock, you name it... you can trace it all back to the Rolling Stones. They were the first and the last and no one's ever done it better.
People say history is boring, and that is true because people are boring. We haven't changed since time began. We're still the same. We've obviously made some changes. When we started, it was all about food, clothing and shelter. Now we watch 'Top Chef', 'Project Runway', and 'Extreme Makeover: Home Edition.
I'm well past the age where I'm acceptable. You get to a certain age and you are forbidden access. You're not going to get the kind of coverage that you would like in music magazines, you're not going to get played on radio and you're not going to get played on television. I have to survive on word of mouth.
Searching for music is like searching for God. They're very similar. There's an effort to reclaim the unmentionable, the unsayable, the unseeable, the unspeakable, all those things, comes into being a composer and to writing music and to searching for notes and pieces of musical information that don't exist.
Most people think when the world gets itself together, we'll all be okay. I don't see that situation arriving. I think one by one, we all free ourselves from the chains we have chained ourselves to. But I don't think that suddenly some magic happens and the whole lot of us will all be liberated in one throw.
The goal for me is, I build the record that I put out as one individual song. Even though it's broken up into tracks, to me it's like one hour-long piece of music. In assembling the whole thing, I'm really thinking, okay, it's gonna end here, it's gonna start here, and I kind of have the idea of the journey.
Social media is great because you can get information out there quick or you can use it as a ministry tool, but when you're on it all the time and you're not spending time with people and you're not sitting there looking at someone in the eyes and asking, "How are you doing?" that's when it's out of balance.
I really believe that women have much easier access to their souls than men do. Because as men we're taught to wear masks, to drown out our emotions in competition and making money. Now women are being forced to do that too. But I admire their capacity to bear their spirituality so much more deeply than men.
I have this dreadful image of me driving down Sunset Boulevard in Los Angeles, with the windows rolled down, and our song comes on... and I'm sitting there listening to it and some guy pulls up next to me and thinks, 'Hey, it's that guy from the Goo Goo Dolls... he's listening to his own music. What a jerk!'
One of the reasons I went back to music even though I was extremely ill was because I started to forget who I was aside from being sick. And when I'm performing, or even lecturing, it's like I'm myself again, and that was a really amazing discovery - that, all of a sudden, I have a get-out-of-jail-free card.
I never understood the low art/high art distinction. I think there's real currency in pop culture. We read trashy magazines as much as the next person. So I never saw the point in listening to only one thing. That low art/high art distinction comes from the establishment telling me how I'm supposed to think.
Malibu history is interesting to me. My mom's family was one of the early families in California, so there's history going back to the 1840s or '50s. They came over in the Gold Rush, actually. I have all this guilt about raising my daughter in the East. Coco's very anti-California. It's her way of rebelling.
Whether you interpret the Bible as literature or as the final word of whatever God may be, Christianity has given us an image of death and sexuality that we have based our culture around. A half-naked dead man hangs in most homes and around our necks, and we have just taken that for granted all of our lives.
This isn't a mob, won't need to change the names. Everyone around you has murdered someone, something sacred. There isn't one nail without dirt under it. There isn't any white cotton panties that aren't soaked and stained red. It's better to push something when it's slipping, than to risk being dragged down.
I still feel like we're the underdogs, but I feel like people respect us now. People might not like our band or love our music, but I think people respect the fact that we've been doing this for many years and are still doing it and still able to play three giant New York City shows and have people come out.
I am not an evangelist. I am not a preacher. I am a musician. That is what I know how to do. I know how to write songs. I know how to write things that relate to my heart. I feel that I talk about God in every song, in everything I do - all of it! I really do not know how to respond. I do not relate to that.
We as humans are so imperfect. We are always looking for something more and always going astray from Jesus. Whether you believe in him or not, but he is always there with open arms. God never abandons you. He is always waiting for you to come back and when you do, you won't be scolded - you will be embraced.
When you're really young, dating girls, and trying to explain Kiss, they just look at you like you're kind of crazy. I think they got so big in the Seventies and were such a phenomenon - they did the 'Kiss Meets the Phantom of the Park' movie, the solo records - some people only know the merchandising stuff.
It astonished me in the early Nineties to suddenly have musicians admit that they had been inspired and influenced by us. That meant a lot at that time. But of course, being human, the... disrespect isn't even strong enough a word, is it? The opprobrium was painful. Being popular and hated is not satisfying.
The concept of God in America is very different than it is in England. Because we see the horrendous outcome of religion as being an American thing, in which the name of God has been hijacked by a gang of psychopaths and bullies and homophobes, and the name of God has been used for their own twisted agendas.
I’m not saying that maybe there isn’t a kid out there whose behavior hasn’t been influenced by me in some way. I’m sure there is. But I can only speak for myself, and if you’d asked if my behavior had ever been affected by people I’d admired from afar, like musicians or footballers, that’d be a yes, totally.
In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
I wouldn't say I'm ego-less, but I'd say there's something uncomfortable about the presentation of one's self in the media. Any image sent out is permanently in the spin cycle. And there's a paralysis of that, the way your image is presented. I've always been hesitant, but I'm definitely not shy or anything.
I belong in America more than South Africa. I can't remember the feeling of living there anymore. It's like it was in another life. That's sad in a way. It is my country. It's where I grew up. You don't know what it's like to have these negative feelings about your homeland. There are roots you can't escape.
I think there's a whole group of kids out there that don't relate to the glitz and glamour of hanging out in clubs and partying all the time. So I think some people are just more real than that, and I think our fans are those kind of kids that need something to relate to, and I think we're the band to do it.
People believe that there's no room for change, there's no room to grow and if we're talking about this idea of God which is the infinite then there's no way that there's no room to grow because infinity is endless. So there must be more room to understand more and to evolve the way we think about this idea.
Michael Jackson, he used to chase relevancy all the time. He always wanted to go a little bigger and better and keep that audience. There was never a point where Michael was going to feel like, 'I've got to play the Nokia, and that's all I'm going to pull in is the Nokia.' That would not have been acceptable.
I first of all have a problem with the term 'avant-garde'. Because it is a military term, it means the guard that runs before the rest of the soldiers. And if I want to see myself presented in military terms, I don't want to be part of that. I want to be one of the deserters. I want to be in the woods, maybe.
You hear a lot about God these days: God, the beneficent; God, the all-great; God, the Almighty; God, the most powerful; God, the giver of life; God, the creator of death. I mean, we're hearing about God all the time, so we better learn how to deal with it. But if we know anything about God, God is arbitrary.
People say history is boring, and that is true because people are boring. We haven't changed since time began. We're still the same. We've obviously made some changes. When we started, it was all about food, clothing and shelter. Now we watch 'Top Chef', 'Project Runway', and 'Extreme Makeover: Home Edition.'
There are a lot of well meaning white liberals. And a lot of well meaning black liberals. But you know what? When all they do is sit around and preach to the choir it does absolutely no good. If you're not a racist it doesn't do any good for me to meet with you and sit around and talk about how bad racism is.
Playing in (the Neurotic Outsiders) with John Taylor was great. A lot of pussy every time we played a gig. So many chicks. It was, like, 'Wow, John, really? So this is what it was like, huh?' And there would be like a couple guys with mohawks and a guy with, like, a jean jacket coming in to see me and Jonesy!
It goes without saying that what a girl goes through, boys could not even comprehend. If we get the flu, we need a week. We're idiots. But what was the most powerful realization to me was, how do single mothers with a low income cope? I can't complain about my dumb life. That's what was most revelatory to me.
It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.
It takes a certain amount of time and faith to accept or to realize that there is no difference between Him and His name, to get to the point where you're no longer mystified by where He is. You know, like, "Is He around here?" You realize after some time, "Here He is - right here!" It's a matter of practice.
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
There are things that happen so quickly. A better cameraman can capture them, but if the light is not bright and you hoist up your camera by the time you've dialed in your settings. There are eye blink moments where you're like "Aaahhhh, I wish," but those are too many to catalogue. Nothing really sticks out.
My advice always is to start very simple and master your timing and master the most simple beats that you can, and you just keep elevating from that. Trying to go right into playing fast is not necessarily the best way to go about it, because if you don't have your foundation locked in, it's hard to progress.
We went to America a few times and [Brian] Epstein always tried to waffle on at us about saying nothing about Vietnam. So there came a time when George [Harrison] and I said 'Listen, when they ask next time, we're going to say we don't like that war and we think they should get right out.' That's what we did.
In terms of love and romance, it just seems less and less like that's ever going to happen again, or be a possibility for me. I feel like I've irrevocably lost so much. You want the surprise, but it gets harder and harder to find, whether we're talking about romance, or somebody else's song, or your own song.
When we decided to go to Cuba to perform, we did it because we just wanted to build a bridge, you know, between Cuba and the rest of the community. And we just wanted to prove that music and art need to be over all ideology or way to think life, and we just wanted to go in there and play just because of love.
I feel like it's my responsibility to be the greatest I can be. If I go out there and start making terrible music, I don't expect people to like me. If I'm making great music and there's no reason for people to not like me, that's when it's going to make me upset. People just need to take a chance and listen.