Quotes of All Topics . Occasions . Authors
It just seemed like I would. I mean, I didn't know him on a daily basis -- far from it. But, in a way, I don't even feel right being here without him. It's so difficult to really believe he's gone. I still talk about him like he's still here, you know. I can't figure it out. It doesn't make any sense.
If something depressing is happening, that's gold. That's the best possible situation you could be in. But if that doesn't happen, you just have to make up stuff - it's more fun because you have more freedom with what you can write about. You can invent characters and situations. It's actually easier.
My relationship to New York has changed a lot. I feel lucky to live here. A lot of times you walk through the city and don't notice that you're in a really beautiful neighborhood, or that you're passing a beautiful building. It's nice, as an exercise, to keep aware that you're in a really lucky place.
I've always thought that you just make everything as best as you can, and then, one day, people will look objectively at what you do, from a distance, and see its quality. All you try to do is keep the standard up so that, one day, when I sit back and I look at it all, I can feel really good about it.
The Beatles are now history, and it would be unhealthy to try to make my way as a former member. I must admit I occasionally listen to our records, but usually it's not deliberate. I'm more concerned with the present, with working out my own individual style and producing something new and worthwhile.
Sometimes the show needs that kick in the ass so being able to sing a Nirvana song kind of takes it there. I've grown up putting on extravagant shows with Girl Talk so when I'm playing I like to go nuts. After 30 minutes of pointing and clicking it's nice to scream into a microphone for three minutes.
Most songwriters who have been lucky enough to have their song on the radio or be heard widely don't know anything about science. The best songs have a strong dose of metaphor. Most songs about science don't have that. Like 'She Blinded Me With Science.' It's a stupid song, no offense to Thomas Dolby.
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
I think that everyone at any age should ask themselves, 'where do I want to be today, where do I want to be tomorrow, and where do I want to be in a hundred years?' We all have clear answers to those questions. We only have so much time. It's a real shame if we don't spend our lives trying to do that.
I'm very very happy for my hardships and misfortunes: they build character and make you a better person. Even if I think it's something you have to carry with you, it's definitely something that makes you more empathic towards other people, makes you understand people and relationships so much better.
Randomly enough, all of my favorite rappers growing up were East Coast rappers. I don't know. I just related to them a little more at first - because if you're born in L.A., and you lived there your whole life, Snoop Dogg literally sounds like cars driving by. You feel me? You hear Snoop Dogg so much.
Whoever uses psychedelics should treat them with greatest respect. When Aldous and I used them, we prepared the ambience and ourselves the day before. The day of the session was kept as a holy day, and there were beautiful fruits and flowers around. The result was, that we had no negative experiences.
I care about the people I know and love the most, but I also care about what the people I don't know think in the sense that I want them to think and understand me in a certain way. I don't base my life around either one, and I don't change the way I live to please either set of people, but I do care.
I love our country. My dad served in the army. I always grew up with a song sense of belonging as an American. But I was also in the counterculture and I was coming from a place of fearing the police. So I was anti-establishment, but also loving your country. It's kind of an ironic sort of upbringing.
I'm no online whiz, but I'm not a Luddite, either. I love that we have these laptops and tablets and smart phones; they're awesome and convenient and all that. It's more about maintaining balance. Technology should always be a predicate of the true subject: our individual humanity, our examined lives.
If you want to be good at anything, you have to work hard at it. It doesn't just fall from the sky. I work every day at trying to improve my writing, and I really enjoy it. Nothing fascinates me more than putting words together, and seeing how a collection of words can produce quite a profound effect.
Maybe I feel like I'm writing songs that don't need to be saved or made more interesting by endless overdubs and studio tricks...maybe - remember, where I am with songwriting I have never been before - sparkly guitars and overdubs I've done (and will do again - see instrumental record in above answer)
We are all brothers and sisters under the skin and above it . . . it's super important that we stop lobbing bombs over the top of the wall and start trying to dismantle it, so that we can say 'hi' to whoever is on the other side, whether the divide is religious or nationalistic or politic or economic.
One thing I have found over years is that if you change direction, the initial reaction tends to be very polarized, but as the music gradually filters through and fans start engaging with it on its own terms rather than comparing it to what went before, the appreciation and acceptance of it increases.
I'm achingly aware of my own limitations as both part of the human race and as an individual. I'm just, casting this out that, maybe, I'm not so perfect as is the affront I oft put on. After all, the lyric is 'I wish I was special'. I truly just want to be loved and accepted, I think, like all humans.
There's a time in your life where you're not quite sure where you are. You think everything's perfect, but it's not perfect... Then one day you wake up and you can't quite picture yourself in the situation you're in. But the secret is, if you can picture yourself doing anything in life, you can do it.
I think that you can say you love somebody like in a relationship, but I also think that to feel love for somebody else or for another human is more about a living being to a living being, a totally different thing. I don't know if people will ever totally understand what that word means until we die.
When you write a song you're more or less saying, "This is everyone. I think this is everyone." It doesn't necessarily have to be this thing where I go out and I'm like candy-striping, or becoming a therapist or something. I think that maybe, maybe I'm supposed to [be a musician], because of that fact.
I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' 'til I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your rest room is not inside the house.
Like any form of death, at some point you just have to get up and say yeah I'll take it, whatever's gonna happen is gonna happen and sorta chop your head off. It's easy to avoid all that...there's always another moment, another girl, another high, another drug, there's always something to distract you.
My discussion with Keith Richards about the creative process led me to believe that there's an invisible presence of a stream of ever-flowing creativity that we overhear-all you have to do is pull up the antenna and dial it in. This presence allows you to maintain your sense of origin and move forward.
Frank [Sinatra] sang to you, not at you, like so many pop singers today. Even singers of standards. I never wanted to be a singer that sings at somebody. I've always wanted to sing to somebody. I would have gotten that subliminally from Frank many years ago. Hank Williams did that, too. He sang to you.
When you build a building, you finish a building. You don't finish a garden; you start it, and then it carries on with its life. So my analogy was really to say that we composers or some of us should think of ourselves as people who start processes rather than finish them. And there might be surprises.
Control and surrender have to be kept in balance. That's what surfers do - take control of the situation, then be carried, then take control. In the last few thousand years, we've become incredibly adept technically. We've treasured the controlling part of ourselves and neglected the surrendering part.
I believe in singing to such an extent that, if I were asked to redesign the British educational system, I would start by insisting that group singing becomes a central part of the daily routine. I believe it builds character and, more than anything else, encourages a taste for cooperation with others.
My dad's a beautiful man, but like a lot of Mexican men, or men in general, a lot of men have a problem with the balance of masculinity and femininity - intuition and compassion and tenderness - and get overboard with the macho thing. It took him a while to become more, I would say, conscious, evolved.
If your whole world of a band or music is taking place in a digital realm or on technological devices, it's all mediated through those things. That takes away from the experiential and sensual nature of music. That's a lot less exciting for me to think about. It's not my ideal way of living with music.
When I was four, we moved to a farm outside Springfield, Missouri. We had a radio show from that farmhouse. My dad always wanted a farm. We used to go out and milk the cows every morning and then do a radio show with a remote control from our living room. We'd start by singing 'Keep On The Sunny Side.'
I've always liked depressing music because a lot of times, listening to it when you're down can actually make you feel less depressed. Also, even though a person may have problems with depression, sometimes you can actually be kind of comfortable in that space because you know how to operate within it.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
You know, rock stardom... I have a hard time discussing that because I don't really accept it. It's not really that tangible. What's really bizarre is how it's used as a thing - you know, 'He's the rock star of politics,' 'He's the rock star of quarterbacks' - like it's the greatest thing in the world.
Creativity is a challenge. It requires us to be fully human -- autonomous yet engaged, independent yet interdependent. Creativity bridges the conflict between our individualistic and our sociality. It celebrates the commonality of our species while simultaneously setting us apart as unique individuals.
People who are creative, who do it as a lifestyle, it's kind of silly to make that claim you're done, because you just never know when that spark is going to hit you again. You can't necessarily predict how you're going to feel. In ten years I'll be 58, and I might still feel like making a punk record.
My great fear is that I'm the ultimate shallow person. I think about this kind of thing a lot, and about this phenomenon in our culture where people identify themselves with their interests. I've been trying not to think about it too much. It used to really upset me when people called me "witch house."
I didn't even have that many close LGBT friends or anything like that, but I suppose it was growing up and becoming aware of how you are in a cultural landscape that is blatantly homophobic... you turn around and say, 'Why did I grow up in a homophobic place? Why did I grow up in a misogynistic place?'
I speak about androids because I think the android represents the new 'other.' You can compare it to being a lesbian or being a gay man or being a black woman ... What I want is for people who feel oppressed or feel like the 'other' to connect with the music and to feel like, 'She represents who I am.'
Punk rock and skateboarding took the 'school' out of living your life, and I related to learning as I went, doing a lot of different things that I liked, when I liked. Consequently, I'm mediocre at all of the above, but still stoked on being a lifetime student of music, skating, painting, writing, etc.
You've got to understand that. We all look out for Morrissey. It's a very brotherly feeling. When we first rehearsed, I'd have done anything for him. And as a person Morrissey is really capable of a truly loving relationship. Every day he's so open, so romantic and sensitive to other people's emotions.
Several years ago, I was asked by a songwriter's association to go to Nashville - I think it involved some kind of award - and be part of the showcase. It was myself and Stevie Winwood and Michael McDonald and then some country people that I didn't know. The whole community was just so welcoming to me.
I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.
I think pop culture is the greatest subject matter out there - 'Other People's Lives,' as we wrote about on the last Duran Duran album. Most ideas for great songs come from real situations, something your friend said to you the night before, the girl that just left, or something traumatic in your life.
It's great - that's the best part about being famous is that people want to get to know me. People come up to me and introduce themselves, and I make friends, and then I meet their friends. It seems like I have a very happy and comfortable social life, which is something I never had when I was younger.
I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
It seems evident that the more profound, helpful, and meaningful way to protect people is to dismantle the morality code, and grant people the freedom to openly organize without legal risks - rather than attempting to legally regulate everything, which will always enact social exclusions at some level.
You travel with the hope that something unexpected will happen. It has to do with enjoying being lost and figuring it out and the satisfaction. I always get a little disappointed when I know too well where I’m going, or when I’ve lived in a place so long that there’s no chance I could possibly get lost.