Quotes of All Topics . Occasions . Authors
Popular music had never had lyrical sophistication of this type [like Bob Dylan]; wit, to be sure, but "Darkness at the break of noon/Shadows even the silver spoon/The handmade blade, the child's balloon/Eclipses both the sun and moon/To understand you know too soon/ There is no sense in trying"? No.
Up north, you could find these radio stations with no name on the dials that played pre-rock 'n' roll things - country blues. We would hear Slim Harpo or Lightnin' Slim and gospel groups, the Dixie Hummingbirds, the Five Blind Boys of Alabama. I was so far north, I didn't even know where Alabama was.
When I play it I look out and see people hold on to each other and dance or just couples leaning into each other and kiss. And I'll go: 'You know, I could have worked hard at school and been a dentist. But I'm so glad I didn't.' Because when I look out and see that I feel like the Pied Piper of love.
I do definitely believe that there is life away from this planet. I mean, we've kind of established that with the fact that we found bacteria on meteorites, and we've kind of used that to backtrack and show how this Earth, this planet, could have formed the ability to sustain life in the first place.
Music itself is going to become like running water or electricity. So it's like, just take advantage of these last few years because none of this is ever going to happen again. You'd better be prepared for doing a lot of touring because that's really the only unique situation that's going to be left.
I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.
I think the majority of the people in the band still play in other bands, because we're not that active. But for me, it's the only thing I want to do and it's the only thing I'm focused on. I've always played in a couple of different bands at once, but now I'm only interested in the Dead Child stuff.
And a lot of the technique and the little T-Bone phrases that define his style, Chuck Berry, when he rearranged the beat, they became rock 'n roll guitar licks. So in essence, T-Bone was not only the first electric blues guitar player, but he was the first electric rock 'n roll guitar player, really.
I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy to get the idea of putting a strap on the keyboard.
Back in the day, when the D.J. would be playing a record, Id be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that thats the role that I wanted to take on. I wanted to be the one that was hyping, because Ive always been good at it. I can hype up any crowd.
Through Yoga, anybody can attain; it's a God realisation; you just practise Yoga and if you really mean it, then you'll do it. There's Yogis that have done it to such a degree that they're God, they're like Christ and they can walk on the water and materialise bodies and they can do all those tricks.
I'm not in a position where I get to pick and choose roles. I usually go on auditions in long lines and embarrass myself in front of casting directors, and with a lump in my throat and my ears burning, I walk past reception and smirking actors as I go to the parking garage and go back on the highway.
I'm in this absolutely gorgeous manor house with acres of quite beautiful countryside. I've got trout in the river, an organic vegetable garden, I've got my work 40 yards from my home. I don't mind being criticised, but where are they criticising from? Which hut are they criticising me from, exactly?
The songs sort of come out spontaneously and it'll take me awhile to figure out what exactly is happening lyrically, what kind of story I'm telling. Then I start building little bridges - word bridges - to make everything go from one point to the next point to the next point until it reaches the end.
While writing is a mystical process, it's also work. If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
My feminism is what came squarely up against my faith. There's a lot of ecstatic post-patriarchal Christians who have stuff they do with that. But at that point, you're doing Christianity with a double-superscript. The Bible, and especially the book of Genesis, is pretty unapologetically patriarchal.
It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.
Produce your own dream. If you want to save Peru, go save Peru. It’s quite possible to do anything, but not if you put it on the leaders and the parking meters. Don’t expect Carter or Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself.
It's a very teenage idea - this idea that thought is ruined when we give over to television shows and glossy magazines and what they are telling us to do. The alternative, I believe, in is pitiless censorship. Because we owe each other the best effort we can to see one another without that mediation.
I'm really creating abstract shapes and relationships that work together. They come together and give the illusion of reality, but they're really abstract shapes. If you look at individual shapes, they aren't the shape of anything, but together they give you the illusion of hills and sun and flowers.
What drew me to politics in the first place was the fact that I wanted to have a place to take a stand and use my voice to express what I believed in. But I've no longer got any political aspirations. I feel that as a politician, fifty per cent of people would hate you before you even left the house.
Sometimes, being a feminist artist, there are times where I'm in a position where I just want to feel like I'm saying all the right things politically, or I feel like I have to mention my own project over other people's projects. But I don't do that anymore. I just want to be off the cuff and honest.
I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
Most people have desires that are great and they want to do great things, and they don't want to be negative people or they don't want to live in pessimistic attitudes, but the problem is a lot of them were not given the right tools. They were not given the right blueprint of how to build a building.
Well, here's my feeling about shtick. I think sometimes if you don't have it going on too much, you're probably feeling insecure and then you want to add on the shtick. I would say, oh, like Kiss. You try to stand out from the crowd, you're going for a bold statement, you're going for a high concept.
I know there are lots of positives in the evolution of technology, but I also think it will be responsible for the end of a unique character, of a specific kind of geographical culture. The world is getting so small, and mass production is getting so big. Everything is in danger of becoming the same.
But it's not only: What are you going to do about touring, it's: What are you going to do with your life? Is there a point to what we do? I think there is. Making music, creating beautiful things. We have to be in love with the good and the beautiful. If we are not, then you're in a nihilistic state.
I was listening to punk rock in the '70s as a young kid, but all by myself; I never met anyone that listened to that kind of music. Just by chance, I was in detention, and one of the guys in the class was Van Conner... I started talking to him and found out that we listened to some of the same music.
My grandmother always used to wear this English perfume called Tuberose and then she died and then I dated this girl who wore the same thing. Every time I hung out with her, I could only think of my recently deceased grandmother. So sometimes a signature scent can be good and sometimes it can be bad.
Standing in front of a microphone where every word or every slip that you make, especially in these times, is with you forever - you want to say the right thing. I fell into having to extemporize, and it came okay because of tools I've learned. I said [to myself], "Remember [to mention] mom and dad."
I don't have any authority to talk about the domestic policies of America. But as an outsider, I am mystified by the fact that you are encouraged to buy a gun, but if you use it for the purpose that it is expressly designed for, you get the death penalty. That aspect of America is kind of mystifying.
I never really got any backlash from coming out. Across the board all I really got was kids who were grateful, which is so touching and rewarding for me. So grateful that I came out, that I could serve as someone in their world that was gay and helped them feel comfortable about being gay themselves.
Every night on the stop global warming college tour, Laurie and I would tell these great young people that they have the power to do anything they want. That we all have the power to create a movement for change. That the best part of ourselves is the part that rises up instinctively from compassion.
When I'm at a show, I'm there to have fun. Let's just not care for a moment. So this cake in your face is to make you lose your mind. And it's not about caring about whatever you are wearing and caring what other people are thinking about you. Out of the context, I'm trying to develop something else.
When you think Tink, you should just think of me as that around-the-way girl - relatable and honest. Even in my lifestyle, my entire aura is real. I don't sugarcoat anything, whether I'm on stage or home in Chicago or just behind the scenes just chilling. I'm the same person you see on stage, always.
The problem is that once I start on a song and get a rough idea of where I might go with an arrangement, I try dozens, sometimes hundreds, of different things on a song. The bass, the backing guitars, the lead guitars, the keyboards. It's a long process. It's like 100 steps forward and 99 steps back.
In my day, when I was a young kid, army duty was compulsory in South Africa or you go to jail. I had the choice, so I spent a year in the entertainment unit, and outside of doing shows - and I used to write for, arrange for the big band - outside of doing that, I actually had a rock band in the army.
Around my house, I won't even speak to my family unless they first address me by my official Berzerker name, Godred Crovan, Victor of Sky-Hill and Ruler of Man and the Isles. And now that I think of it, that's probably why nobody speaks to me unless it's time to feed the dogs or take out the garbage.
That's the purpose of creative stuff: when you really love what you do, you have to know at some point, or points, you're not going to be good at it. That's just the process of learning. I can edit it and try to be as perfect as I can, but I'm still going to have my vulnerable spots and my weaknesses.
For me, making music in general is a therapeutic process. It began as a way for me to meet friends, and when you're a kid just screaming your face off, you're processing anger; you're processing all the things that happened to you, whether it's mistrust or confusion, whether you've gone through abuse.
I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' till I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your restroom is not inside the house.
I don't feel that no big stone should be put over my head, saying he did this, he did that. Unless there's something that I really did do. I believe I'm just ordinary. And I'd like for people to think of me that way, as just a guy that tried. Wanted to be loved by other people because he loved people.
Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.
When we go out to the country and just sit there, what we're really doing is just switching off various kinds of alertness that we don't have to use. When we do that, we are stopping being defensive. We are no longer shutting ourselves off from different types of experiences, we are welcoming them in.
When you cut human beings down to size, we're really quite simple creatures; food, shelter, warmth, light, heat and you build it up from there really until you finally go Gucci shoes or whatever it is or whatever your consumer desires are. All those desires are ultimately, they're about gratification.
If you want truth to go round the world you must hire an express train to pull it; but if you want a lie to go round the world, it will fly: it is as light as a feather, and a breath will carry it. It is well said in the old proverb, 'a lie will go round the world while truth is pulling its boots on'.
When I was 16, 17 years old, I became aware of music coming out of Olympia, Wash., which is the state capitol and about an hour south of Seattle. And there were bands like Bikini Kill and Bratmobile and Heavens To Betsy, and for the first time, I heard my story being explained to me, being sung to me.
I have a feeling a lot of the records I grew up listening to and the records I still like, as hard as musicians worked making them, I feel like they were really enjoying what they were going through. They weren't just going through the process. You can tell that with certain things that you listen to.
Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
I like to go to Africa purely with something to do. I'm not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it's not me at all. So I like to hang out and you know, really get to know people and try and do something that resonates with them.