Quotes of All Topics . Occasions . Authors
Hawkwind are one of those bands that people introduce you to because you don't see them on the covers of magazines. I'd heard 'Silver Machine' but Russell Senior, who was in Pulp, got me into them. They had a song called 'Master Of The Universe' and we nicked the title in 1985 for one of our songs.
There's the famous thing that the A&R man from the record company is supposed to do: He's supposed to come into the studio and listen to the songs you've been recording and then say, 'Guys, I don't hear any singles.' And then everybody falls into a terrible depression because you have to write one.
What people have to make sure of is that they're not replicating something that already exists. You really have to ask yourself: "Is there a point in me doing this? Has this already been said before? Is this moving things along or is this just adding to the giant pile of junk that's already there?"
Making a record's a real fight for me. I'm constantly fighting with this thing inside of me that says I should be sitting in a room with Matthew Shipp or I should have Han Bennink on drums or this song should be playing for the next 20 minutes in my head, not a silly little pop song. It's constant.
I'm trying to photosynthesize like a plant. I'm off eating. Although I am making a lot of banana daiquiries in my room in the blender I've got, with lots of powdered vitamins in them. This tour I'm going to get some Afghani hangings and put them in my room, so that my hotel rooms look like mosques.
Tony Blair is a war criminal, and I think he should be tried as a war criminal. Then I see Bono and him as pals, and I'm going, 'I don't like that.' Do I think George Bush is a war criminal? Probably - but the difference between him and Tony Blair is that Blair is intelligent. So, he has no excuse.
If you look at the whole time I was in the band, I only did, like, three solo albums - two, really. 'Out Of The Cradle,' I had already left because we'd done 'Tango In The Night,' and it was sort of the logical extension of crazy in terms of everyone getting ready to hit the wall with their habits.
When you're in a relationship, if you just break it down to regular terms, people are attracted to something, and that's what they want you to be, and that's what you should just be, and for me, it's very simple - if I meet a girl and I say, 'This is what I like about you. Just continue. Every day'
What we look for when we need to find someone who can fit in with our music, the vocals and the harmonies and the way they blend are very important to us because if you listen to Beach Boys music, the harmonies, not only are the notes being sung, but there's a blend to it. The voices have to blend.
I see blindness more as an ability and sight more as a disability because there are some people with sight who tend to judge others by what they see on the outside but I don't see that. I don't see the skin color, the hair style or the clothing people wear; I only see that which is within a person.
The way that house music has become so white and so sanitized over the decades and the fact it's still going on, well I think it's sad really, but at the time I really loved it. I loved all the black house music that was coming out of Chicago and New Jersey, which I just thought was really soulful.
I have chosen to keep my personal life separate from my music, as the two are exclusive from each other, and I want to remain that way. I'll talk music, production, writing songs, touring with anyone but keep religion, politics and world affairs off the table, as my expertise is in songs and music.
The song is celebrating someone's life. When someone passes, you should focus on all the good that that person has done, and try not to really think about the fact that they're not gonna be on this earth any longer, that they had an effect on you and your lives, and that's what you should take out.
In a sense, I'm always hearing music of some sort, whether it's people talking or surface noise or whatever, because there is no privacy. So when I'm by myself, I just kind of like to be and reflect, and I can't do that when I'm listening to music. Because it's someone else's reflections, not mine.
Wrestling used to be interesting. There was a bit of sham involved, of course, but there was some real wrestling involved. They're just characters now. It's unrecognizable. There's no fighting in American bloody wrestling. They just yell at each other and jump around like overweight ballet dancers.
The ancient Greek philosophers were blonde and blue-eyed and, even then, talked about how their race was mixed with others and how this affected their society negatively. When there were no more natural blondes and no more blue eyes in Greece, they incidentally stopped producing great philosophers.
Maybe I'm just a freak of nature, but I like every aspect of touring. I like it when you play amazing shows and everyone's in high spirits, I like hating everything and wanting to be alone, I like the days that are boring and there's nothing to do, I love the time wasted. I love everything about it.
I want to change and try new ideas - allowing your sonic identity to evolve in your music and not being afraid of that. You see musicians hit upon something that works, and then go, "Let's keep doing that for 10 years." And that idea kind of terrifies me a little bit. It becomes like a day job then.
I'm self-taught. But I finally learned that they was having little shows or night dances or whatever you call them at little juke joints not far from where I lived, and I used to go there. They wouldn't let me play inside, but I could sit outside on the weekends, when it wasn't raining or something.
Fur is a contentious issue. Meat is a contentious issue. GMOs are a contentious issue. I think this whole thing going on about whether or not products should be labeled if they have GMOs in them - I, as a consumer, would like to know if I'm eating GMO food. If I choose to buy it then it's my choice.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
I could go play some songs for two hours every week - play whatever I wanted to - and then also spend that time putting more music on my computer and getting into more things. It definitely informs the way that I think about music and I think in general, made me a more open-minded consumer of music.
In the future, women will have breasts all over. In the future, it will be a relief to find a place without culture. In the future, plates of food will have names and titles. In the future, we will all drive standing up. In the future, love will be taught on television and by listening to pop songs.
I used to drive up and down Pacific Coast Highway in this black Porsche, and I had seen a couple of accidents on the highway involving Porsches. I realized if you're in any kind of head on accident in one of those cars, they're going to get you out of it with a can opener, one of those Jaws of Life.
When people come up to me expecting me to be just like what they thought a Beatle would be, they're disappointed. I never was a Beatle, except musically. I don't think any of us was. What is a Beatle anyway? I'm not a Beatle or an ex-Beatle or even the George Harrison. I'm just a man. Very ordinary.
With the Michael Moore movie, certain conservative talk show hosts call him un-American. Him and anybody else who says anything about the war... To question your country's policy, especially in a war that kills people, is definitely not un-American. It's probably the most patriotic thing you can do.
It's better to fade away like an old soldier than to burn out. I don't appreciate worship of dead Sid Vicious or of dead James Dean or of dead John Wayne. It's the same thing. Making Sid Vicious a hero, Jim Morrison - it's garbage to me. I worship the people who survive. Gloria Swanson, Greta Garbo.
Caffeine gives me hope. Sometimes, when I brew my wicked strong Irish black tea just perfect, about halfway through the mug I feel a clear and overwhelming feeling of optimism. It didn't surprise me when a study a few years ago implied that suicide was much less likely among coffee and tea drinkers.
When I was young, there was never any space for me to get attention of my own that wasn't negative. Art, and the practice of making art, was the only space that was mine alone, where I could be anyone and do anything, where just by using my head and my hands I could cry, or laugh, or get pissed off.
'Daydream' brought us to the top of the heap of the indie-college market and recognition by all of our peers; 'Daydream' kind of capped off everything we set out to do when we started as a band, in terms of, like, wow, wouldn't it be great to make a record that a lot of people liked and listened to?
When you're in a relationship, if you just break it down to regular terms, people are attracted to something, and that's what they want you to be, and that's what you should just be, and for me, it's very simple - if I meet a girl and I say, 'This is what I like about you. Just continue. Every day.'
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
As far as favorite 'overall package' record of all time, I'd have to say 'My Girl' by The Temptations. I like everything about it, not only the composition - but the arrangement, the production, the lead vocals, the background vocals, the horns, the strings. That one I listen to over and over again.
I signed up for eHarmony once, and it took three hours to fill out that online form - so many personal questions. Then I clicked on submit, and instantaneously they responded and said, 'We are sorry, but there is no one any where in the world that is appropriate for you.' So that was it - I gave up.
I always wonder: the images that hit your brain when you're young are so significant, because there's not that much information in your brain. As you get older, things just bounce off. I can remember these minute details of stupid TV shows from the '70s, and I can't remember a book I read yesterday.
I love the feeling of letting fly, of pushing as far as I could go with my voice. The only way you can really graduate how you do it is by doing it regularly to people who don't have to be super impressed. You can do it in the studio all day long but you don't get the flashback that you get onstage.
When you're in a young band for the first time, geographically you're in the same place and you tend to go out and socialize. You play more shows, you spend more time together. You're a unit. As you grow older, inevitably you develop a life outside the band. I think it would be tragic if you didn't.
My life has totally changed. It's like, if someone cuts me off in traffic, I used to think about stopping and pulling them out of their car to deal with them. Now that I've got a kid, I totally re-think moments like that. There are a lot of things I can't do anymore and that's probably a good thing.
Of course I had the parallel of having the early years of my life being spent during apartheid, and then having a lot of awful poverty going on around me while I lived in this bubble of middle-classness, but I was a child, and I only really started to (I hope) understand all of that fairly recently.
It's of course important to mention that when DJing, I'm building my own story through the music. I'm figuring out what song to play next, what song to play after that, and how the two will blend together. How the emotion is going to develop from one song to another. So I first build that storyline.
I've been lucky enough to have fulfilled so many ambitions, and gone way past anything I ever thought I would do. I could never have imagined the career that I've had with the Foo Fighters - playing stadiums and having songs on the radio. It's amazing, and my goal is really just to carry on playing.
I'm the youngest of six kids, and when a you're living in such a big family, you never really become an adult, and I'm so happy about that. At my 34, I think, "Even if I end up becoming a dad or something down the road, I don't think I'm ever going to be an adult. I'll just be a kid raising a kid.".
I think the "dawning of a new era" sounds a bit pretentious, and to me it's simply a step closer to my roots, and thus yes - I do feel liberated by this. I know many dislike this move, and I suspect that it is not really the dawning of a new era, but rather a move to a style which sells less records
I absolutely remember when I decided upon playing Ernie Ball strings, and it was right then and there at the guitar store up in Seattle when I picked up my first guitar ever. They said, 'What kind of strings should we put on it?' And I just looked at the brightest color package and said, 'That one!'
When people treat you mean, you dislike them for that, but not because of their person, who they are. I was born and raised in a segregated society, but when I left there, I had nobody I disliked other than the people that'd mistreated me, and that only lasted for as long as they were mistreating me.
My whole generation's mission is to kill the cliche...it's one of the reasons a lot of my generation are always on the fence about things. They're afraid to commit to anything for fear of seeming like a cliche. They're afraid to commit to their lives because they see so much of the world as a cliche.
The experience that I had in Paris I could never have ever again in my life. This is when I grew up as a young man. I was independent. There was no one there to talk to; I didn't even want to talk to anyone. I started to write about what I was experiencing, and I had no choice, so I was never scared.
The greatest in heroes in life are the anonymous. That's what I believe. Your neighbours are heroes. People who, when you walk down the street, you see them feeding their little baby - these people are heroes because they are living under difficult situations, but they're still trying to save a life.
There's no black and white, left and right to me anymore; there's only up and down and down is very close to the ground. And I'm trying to go up without thinking about anything trivial such as politics. They have got nothing to do with it. I'm thinking about the general people and when they get hurt.
I was lingering out on the pavement. There was a missing person inside of myself and I needed to find him . . . I felt done for, an empty burned-out wreck . . . Wherever I am, I'm a '60s troubadour, a folk-rock relic, a wordsmith from bygone days, a fictitious head of state from a place nobody knows.