Quotes of All Topics . Occasions . Authors
I started playing guitar back in '56. I was a teenager, and guitars had just come in, and I had a thing for it and got one. Started learning lead breaks from songs, because that was the easiest thing to do at the time. I had the guitar for two years before I learned any chords. Really.
I know that nuclear is better than fossil fuels when it comes to carbon dioxide, but nuclear energy is by no means clean. We don't know what to do with the waste we already have and it seems like a bad idea to me to make more when we have so many cleaner options such as wind and solar.
Most of the writing that I do is a complete train of thought process. I'll just be walking down the street or sitting on the toilet or whatever and something will pop into my head and I'll record it on my phone and then over the next little while it'll develop a little more in my head.
It's an often-asked question, 'Why did all these spotty white English boys suddenly start playing blues in the '60s?' It was recognized as this kind of vibrant music and when I first started playing in a blues band I just wanted to bring it to a wider public who hadn't really heard it.
Nobody symbol occurred to me one night at my grandmother's house. The eyes are an inversion of X'd out eyes - the man is enlightened. His teeth are clenched. It's not a smiley face. It's right before he dies. It plays into my philosophy where everybody gets enlightened before they die.
The corporations have taken over. Even in the recording studio. Actually, the corporate companies have taken over American life most everywhere. Go coast to coast and you will see people wearing the same clothes, thinking the same thoughts, eating the same food. Everything is processed.
Everybody knows by now that there's a gazillion books on me either out or coming out in the near future. So I'm encouraging anybody who's ever met me, heard me or even seen me, to get in on the action and scribble their own book. You never know, somebody might have a great book in them.
That first plunge under the shore break on a chilly fall morning. It forces a sound out of one's body that is kind of a whoo-ahhh! - shocking and refreshing all at once. You become acutely aware of your body and your surroundings, which is helpful when you're about to paddle out to sea.
In the 19th century, a lot of people were against outlawing child labour, because to do so would be against the very foundations of a free market economy: 'These children want to work, these people want to employ them... what is your problem? It's not as if anyone has kidnapped them...'
I invite you, wholeheartedly, to read books that remind you of your highest self and emancipate you from mental slavery or false beliefs and illusions. The more you invest in attracting books that resonate with the frequency of your true self, the more light you will bring to the world.
I think music took hold of me and captured my imagination at such a formative age that I ascribe a mysteriousness to it, and I exalt it and take it seriously in a way that I think has just permeated my life ever since. And I'm less interested in music that is novelty or jokey or ironic.
Photographs are but one link in a potentially endless chain of reduplication; themselves duplicates (of both their objects and, in a sense, their negatives), they are also subject to further duplication, either through the procedures of printing or as objects of still other photographs.
With all of the people in the world and all of the suffering and all of the things that people are forced to do for lack of other alternative, the fact that I had a subsidized education and got to go right into a life of playing music for a living, what a stupidly fortunate place to be.
The experience of playing music at a young age really opens up one's mind to different melody in life itself, literally - like, when you've even played a recorder, or whatever, it becomes a lot easier to hear the beauty in a bird's song, or the quiet tune in a gentle rustle of the wind.
The fact is, in the minds of many, Trayvon Martin received the appropriate punishment for a true crime: He was black, male and dared to walk outside. In life, young Trayvon was just a teenager; in death, he has been transformed into a scary, lurking, suspicious, prone-to-violence spook.
I don't get a lot of choices in movies. It's not like I'm Brad Pitt and I can walk in and go here's the film I want to do and everyone runs around... I don't have that. I stand in line and do auditions. I'm there with 80 other guys trying to be that guy. Every once in awhile I luck out.
I still feel like I'm really into fashion. I even think sneakers are a fashion item as well. I'm still into sneakers and clothes. Even though I don't wear or buy those things, I find that I'm still like looking for them. I can't wear it, but I still think it's interesting when I see it.
Everyone in the group sang when I joined them. That was one of the problems with L.T.D.: there was no focal point. It took until 1976, or about six or seven years, before I was put into the spotlight as a vocalist. That's when I recorded 'Love Ballad,' and it became a hit for the group.
Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.
The more established you are, the less likely you are to do something ridiculous, which is one reason I'm proud to put out a wrestling album. If you stop and you go, 'Well, what if people don't like it?,' if you're already established in what you do, that'll strike fear into your heart.
If you'd asked me what I'd wanted to do five years ago, I'd have told you I wanted to be Viktor Vaughn or The Game - I would want to be a rapper with an eight ball of coke in my pocket and a wad of hundreds. Because that kind of freedom - well, perceived freedom - is where I want to be.
The spirits, they intoxicate me. I watched them infiltrate my soul. They try to say it's too late for me. Once I was promised absolution, there's only one solution for my sins. And I blame this world, for making a good man evil. Now I ain't getting into heaven, if the devil has his way.
I knew I was different. I thought that I might be gay or something because I couldn't identify with any of the guys at all. None of them liked art or music, they just wanted to fight and get laid. It was many years ago but it gave me this real hatred for the average American macho male.
There's a song called 'Slip To The Void,' which is fairly long and has more of an epic approach. And I guess for lack of a better term some people might throw the progressive tag on it. I don't know if it necessarily falls into that - a few people have brought that up who have heard it.
For me to call myself a musician, it's necessary to play live, and it rewards so much - not just in the pay cheque sense but what it does for my playing. I feel it through a tour - I feel it at the end of a tour - all that I've gathered, and especially now that I am improvising so much.
God has matured. He is not the impulsive, bowelless being of the Testaments - the vehement glorymonger, with His bag of cheap carny tricks and his booming voice - the fiery huckster with his burning bushes and his wonder wands. Nowadays God knows what He wants and He knows who He wants.
When The Who first started, we were playing blues, and I dug the blues and I knew what I was supposed to be playing, but I couldn't play it. I couldn't get it out. I knew what I had to play; it was in my head. I could hear the notes in my head, but I couldn't get them out on the guitar.
With 'Break The Night,' each verse is saying, 'Nothing's going right today; nothing ever does.' It's about that kind of repetition, it's that kind of mantra you can get in your mind when you're depressed or down, when it's become like a hamster on a wheel - it's very difficult to break.
The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like "hey, we're this new band."
The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like 'hey, we're this new band.'
I don't think young people are as demoralized as the media and government would like us to think. The obvious sign of that is how strong and how close personal connections are and how much people are able to build a life for themselves, despite all this stuff that's been thrown at them.
I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit.
I know Noah Baumbach from a long time ago. We were hanging out one night, and he asked if I wanted to be in his movie. If somebody whose stuff you really like says, 'Hey, you want to do it with me?,' you got to do it. I would like to say that I get these offers all the time, but I don't.
You work so hard at something to make sure that it's very pure and very genuine and very steadfast to who you are, so creative control for me is a big one. Thankfully, I've been able to retain 98% of it which I never really expected, so I'm very grateful to be able to control what I can.
As agent asked if I wanted to be represented, and I said, "Yeah, sure, I'll give it a shot!" It was never something I had really put that much thought into. But then, Lee Kirk reached out and asked if I was interested, and I read the script of the [Ordinary World] and said, "Absolutely!"
There's been someone up here screaming 'Landslide' for the whole show... Normally we don't play 'Landslide,' but on occasion we've been known to play it... So since this person's been screaming it all show long... That just about kills the chances of me playing it tonight, or ever again.
It took quite a bit of work and time and mistakes to begin to feel - to understand the strength that comes along with building a home life.That was very mysterious to me. I was very skeptical of it for a long time, and didn't understand it fully until Patti [ Scialfa] and I got together.
We live in a post-authentic world, and today authenticity is a house of mirrors. It's all just what you're bringing when the lights go down. It's your teachers, your influences, and your personal history. At the end of the day, it's the power and purpose of your music that still matters.
That's the thing about inspiration, it just smacks you upside the head, you can't plan for it. It comes like a stranger in the night; you never know when it's going to come or leave, and you just have to deal with the in-between moments because there's nothing you can really do about it.
I used to work in jobs I hated because I needed the money to buy a guitar. I know what it feels like to be depressed. On the other hand, I also know what it feels like to have money, to be successful, to be independent, but I can tell you that money and success never solve your problems.
I've been gone on the road for the past three years; maybe I've been home for two or three weeks in a year. I literally live - it's like one of those old movies where they show a train, and pages of a calendar are peeling away like leaves, and then there's a picture of me with gray hair.
The meat industry spends hundreds of millions of dollars lying to the public about their product. But no amount of false propaganda can sanitize meat. The facts are absolutely clear: Eating meat is bad for human health, catastrophic for the environment, and a living nightmare for animals
If it wasn't for Kenny Rogers, I don't think I would be in country music. He was that guy when I was a kid - his music and 'Hee Haw' made me perk my ears up and made me say, 'What is this? I want to hear more of that.' He was that catalyst for me to start this whole run in country music.
Since early middle ages when people generally taking away the barbarity of their like, were pretty content. Although it was all an illicit contentment, what with the slave systems all over the world, in England especially, the peasants and the master, etc. People were incredibly content.
When I was in high school, there were these British blues-rock-type bands with really good guitar players that would jam on one song for half an hour. And as much as I was amazed by some of those guitar players, seeing them prompted me to make a note that that's not something I could do.
I encourage people not to be passive consumers of music and of culture in general. And feeling like, yeah, you can enjoy the products of professionals, but that doesn't mean you don't have to completely give up the reins and give up every connection to music or whatever it happens to be.
I'm starting to get older, and began to think about mortality a little more. My mother died in 2003 and that was a big shock. When your parents start to die off, that's going to be a revelation. So for me, this album - although it might sound quite cheery - is really talking about death.
Badfinger was pretty good. It was a very sad story, though, because the guy, he ended up killing himself, Pete Ham, who was a lovely fellow, he was a good guitar player and a great singer, he wrote, the most famous tune I would imagine is "Without You", you know the Harry Nilsson record.
I wouldn't say there's a need for the Spice Girls, but I'd say there's a place for the Spice Girls. There's certainly a place for them, but you don't promote the Spice Girls at the expense of promoting what I think are good role models for girls. You need to create some kind of equality.
Once you really get into a song, other than just listening to it, it forces you to go 'oh, they did this. I never would have thought of doing that,' when you deconstruct it. It's something you really can't do sometimes when you're just listening to a song. You have to really get into it.