Quotes of All Topics . Occasions . Authors
In the days when Glastonbury was an alternative festival, it was quite interesting. Now it is the most bourgeois thing on the planet ... we'll leave the middle classes to do Glastonbury and the rest of the great unwashed will decamp to Knebworth and drink a lot of beer and have fun.
When you`re onstage you have a certain faith that somebody's gonna yell somethin' back. Some nights it's louder than other nights and some nights they do, and on some songs they don't. But that's the idea. I think when you begin to expect a reaction from an audience, it's a mistake.
I think if somebody comes up and simply says, your jobs? I'm going to bring them back. You're not comfortable with the browning of America? I'm going to build a wall. ISIS, I'm going to defeat them. Those are very - it's a simple, but it was a compelling message for a lot of people.
If something inspires you, try and hold on to that inspiration because if you lose that inspiration, what do you have left? If music is your inspiration and it brings you together with friends, family or loved ones and that's the core of it, then always have it. Always draw from it.
Factory farming is terrible for the environment—not to mention that it's gross. The best thing you can do, if you think about it, is to become a vegetarian and just spread the word. The world would change for the better for animals, humans, and the planet if everyone took that step.
Well, my thoughts about California are kind of mythological. To me, as well as being a real place, it's a place where people go to find something - to find happiness or to realize their dreams. So it has that kind of quality of heroism and heartache, and Australia has that, as well.
I miss that moment when you're about to go through the tube turn-style but you put your ticket in the wrong way and then as you're trying to figure out how exactly to get in the damn station you hear a collective sigh of 40 people behind you pissed that you're slowing down the herd.
If you were to sit me down in a classroom, with fluorescent lights humming and some woman trying to teach me Italian, there's no way. But scream goes to Italy, we stay in a squat, and the only way you can ask someone where to take a piss is to do it in Italian. So I learned Italian.
A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.
I think that that's the way the music grows and changes and becomes new and creative and vital. It's by synthesizing elements from all around it and not to maintain this kind of rigid myopic kind of tunnel vision, in a sense, trying to maintain a certain kind of purity, or whatever.
Our influences are who we are. It's rare that anything is an absolutely pure vision; even Daniel Johnston sounds like the Beatles. And that's the problem with the bands I'm always asked about, the ones derivative of the early Seattle sound. They don't dilute their influences enough.
I know that's really horrible, but that's how I do it in my head. I'm going to die. It doesn't matter. I don't matter. I'm a grain of sand. As a grain of sand, I may as well go out and relate to people and enjoy my short time on this planet that I have. Who knows what's coming next?
I always wanted to play music, but my family was more interested in handing me paints and markers. Art was always my favorite subject in school, and I can remember staying up all night drawing as a small child. My expression via art was extremely strong as I grew and hasn't stopped.
I'm really annoyed by the wave of country music that's just a list of stuff. It almost sounds like L.A. people writing country music, because it's just a list of stuff: 'My pickup truck and my cowboy boots and my Levi's jeans and my girlfriend with the short shorts.' It's so boring!
No one ever questions the disorder behind her tarantula LA glamour – sociopathy, narcissism – because it’s good rock and roll, good entertainment! I have a low tolerance for manipulative, egomaniacal behaviour, and usually have to remind myself that the person might be mentally ill.
L.A. prides itself on newness or being the last frontier or just not liking old things and tearing them down to build new things. But Malibu history is interesting to me. My mom's family was one of the early families in California, so there's history going back to the 1840s or '50s.
Rape is one of the most terrible crimes on earth and it happens every few minutes. The problem with groups who deal with rape is that they try to educate women about how to defend themselves. What really needs to be done is teaching men not to rape. Go to the source and start there.
I feel like one of my strengths is writing about stories that are unique to me but somehow relate with everyone, and the one thing I've found is that if you make a song wholly unique to you, then you don't have to compete with everybody, because nobody else can make a song like you.
Pop music is actually a challenging genre. Not only do you have to be artistically expressive, but you also have to do that in a very strict format. I've always liked that challenge, but it's very easy to slip into something non-creative. You just have to stay inspired all the time.
The first year I moved to Nashville, I started playing these songwriter nights with people like Nickel Creek, Duncan Sheik, and even Ryan Adams... That was the first place I really started playing music, and I had to really step up my game. Really quick. Or get kicked off the stage.
I'm sure there's a subconscious 'go for it' thing with turning 50. You want to do as much as possible and there are thoughts of how little time we have on the planet. For a lot of musicians in their 50s, the best days are behind them. I'd like to try and show that there is a future.
It seems like Weezer has gotten better and better at getting attention for everything besides our music. Part of that is just the nature of our culture now - you really have to scream to get some attention, so people even know you have a record out that they might want to listen to.
My mother was a champion Irish dancer and singer and most of my family were musical, particularly in Irish dancing. Music is all about spewing out your emotions. A mixture of a good tune and a good beat and everyone playing their guts out and something that grabs people's attention.
Usually, I make a simple beat, throw in the acapella, and then I just improvise on the piano. Whatever comes up, I record the result, and I rework on it. Sometimes it takes a while to come with an idea, but mostly it comes naturally because I already have a connection with the song.
I'm obsessed with great endings and crazy intros and stuff like that. I think we all are from what we've listened to and stuff, so I've always focused on great bridge melodies that just kind of naturally fit, or like a crazy ending at the end of 'Seize the Day,' something like that.
Everyone, including Hillary Clinton, knows Hillary is an unsavory and unethical scoundrel, an obvious and accomplished liar and, if America had a real Justice Department that actually cared about serving up equal justice under the law, she would be facing a number of felony charges.
We've been touring for so long and people ask me every once in a while, "What's it like working with your brothers?" and I go, "What's it like not?" Our first paying performance, I was 6 years old, you know? I almost don't know anything else, so I guess it feels pretty normal to me.
Unfortunately, like, homework and school wasn't the thing that I was obsessing over. It was, you know, music and making music and how to like - and drum machines. And we met Rick Rubin, and Rick Rubin had a drum machine. So I would just cut school and go to his house - his dorm room.
When you write, produce, engineer and mix everything yourself, it tends to take a long time to do anything. And when you're a perfectionist little monster, it makes it even harder. But it's a blast and I wouldn't trade the opportunity for all the ice cream sandwiches in the universe.
I think it's not really difficult to write about love. We've been saying the same thing over and over for so many years. But it depends on how honest it is and how good you make it feel. You can say 'I love you' in a trillion ways, and it can always sound different or feel different.
I am very lustful. I am in this fortunate or unfortunate position being bisexual in that I have twice as many people to lust over. So i can get hard on tour. I dont think lust is a sin - People should have sex as much and in as many situations as possible. Then theyd be less uptight.
Deftones is always my main focus. I’ve been doing it the longest and it’s definitely a priority. I think of these as projects. It’s not like I’m unfulfilled with a need to find another outlet. I look at it as making music with my friends, and I’m blessed that they’re great musicians.
I've always felt like there's a certain amount of doing what I do, and performing and making records and doing interviews and photo shoots and that, that are kind of a necessary evil of getting my music to people's ears to hear. Over the years, I've just become more tolerant of that.
I'm 34 now, I like to say 35 because it makes me look better for my age, and I have to keep a little bit of a profile so that every three years if I do put a record out, I don't have to substantiate where I've been for three years and why the silence and the sort of false mysterioso.
The Musicians Union declared you couldn't mime on Top Of The Pops, which is obviously impossible, if you've got a studio-based record that you'd worked on for a year or something. And there were a lot of terrible performances. Because on Top Of The Pops, you were just thrown onstage.
I spent a great deal of my career willingly ignoring the fact that people are participating in it, because it allows me to function without second-guessing it, without thinking, 'Oh, I wonder what people are gonna think of this,' or, 'I wonder what people aren't gonna think of this.'
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
It's like a relay race of being ignored. It is really challenging, but whenever I get asked that stuff, I feel really self-conscious about it. I feel really lucky because we have a lot of help. When I first began to be a dad with Gwen [Stefani], I was amazed at what she went through.
Basically I see that song as a bunch of images which I threw together to represent the fact that I was seeing one girl and then I started seeing another, and it was just the guilt in between those two periods. The ballads I've written since have been about things that really hurt me.
My favourite thing about touring is really the shows, because early on you can say it's definitely things like travel and seeing the world and stuff like that, but over time you don't really get to see the world. The most important thing in the day is the show. So that's why I do it.
I beg young people to travel. If you don't have a passport, get one.........the re are lessons that you can't get out of a book that are waiting for you at the other end of that flight. A lot of people - Americans and Europeans - come back and go, "ohhhhh." And the lightbulb goes on.
I have come to regard November as the older, harder man's October. I appreciate the early darkness and cooler temperatures. It puts my mind in a different place than October. It is a month for a quieter, slightly more subdued celebration of summer's death as winter tightens its grip.
After 'Sports' came out in the fall of 1983, everything changed for me. Four of the album's singles became top-10 hits, and by the end of June in 1984, the album was No. 1 on the Billboard chart. It was quite a ride, and for the first time I had enough money to live the way I wanted.
There are some quite funny things about getting famous and stuff, but I think there comes a point where you have to think to yourself, "Well, am I doing this because I want to go to a party and meet Britney Spears? Or am I doing it because I want to create something that excites me?"
For TV you also get those pre-interviews when researchers ask you what you're going to say. The pre-interview drives me insane. If they've already decided the outcome, why don't I just hand in an essay? Maybe if we talk we'll find something out. I'd rather just have an awkward pause.
It was one of my dreams as a child, growing up in my little village with my cousins. We used to walk together, and I used to say, when you look at the world map, 'This town is there, that town is there, that river is there.' I used to say, 'One day, I'm going to travel these places.'
(The Song Remains The Same) is not a great film, but there's no point in making excuses. It's just a reasonably honest statement of where we were at that particular time. It's very difficult for me to watch it now, but I'd like to see it in a year's time just to see how it stands up.
There are a few people that I always say, "Hey, what do you think of this?" The minute that you know that you want this particular person to hear it, you know that you're pretty much done - although you're doing it to hear some feedback. It's a smart move to know whose ears you want.
I like vinyl because it's not quite random access. You have to pick up the needle, flip the record. I do think that an 18-20 minute block of music is sacred, and I can see why it's catching on. I really don't know if it will stay, but it's such a bizarre world, I think it's possible.
I think one of the things about being around for a while and getting to know yourself is that when you do have these positive experiences, you don't take them for granted - you identify them and you make the most of them. I don't know - it's kind of cool getting old in a lot of ways.